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Textos e SIG: representações 
literárias do espaço urbano (Lisboa, 
1854-2009) 
Daniel Alves (IHC) and Ana Isabel Queiroz (IELT)
Introdução
O imaginário literário de Lisboa 
A representação literária de Lisboa foi 
estudada com base em 35romances 
publicados entre 1854 e 2009, escritos 
por 30 autores, incuíndo alguns dos 
mais conhecidos da literatura nacional.
Definindo o “espaço literário” 
• O território temporal e geograficamente 
referenciado como cenário da acção ou 
evocado pelos personagens do romance, que 
pode ser encontrado no território real e como 
tal desenhado num mapa
Área de estudo – Lisboa (84,62 km2)
Metodologia
Espaço urbano e ‘chronotopes’: ESPAÇO 
Coroa 3 – a área da cidade 
que mais cresceu em 
termos demográficos e 
urbanos desde a década 
de 1960 
Coroa 2 – 
crescimento 
urbano e 
demográfico até à 
decada de 1950 
Coroa 1 – a cidade do 
século XIX
Espaço urbano e ‘chronotopes’: TEMPO 
• 1º período – entre 1854 e 1910 (Monarquia) 
• 2º período - entre 1910 e 1926 (República) 
• 3º período - entre 1926 e 1974 (Estado Novo) 
• 4º período - entre 1974 e 2009 (Democracia)
Análise ao “espaço literário” 
• Distribuição espacial: 
– Average Nearest Neighbourhood 
• Espaço e tempo: 
– Chi-square 
– Spearman Rank Coefficient 
• Densidade e dimensão: 
– Kernel point density 
– Home Range
‘Espaço literário’ = Home range 95%
Resultados
Distribuição espacial 
Locais: 
Coroa 1 = 79% 
Coroa 2 = 18% 
Coroa 3 = 3%
Distribuição espacial 
• Average Nearest Neighbourhood: 
– Clusters na cidade do século XIX (coroa 1); 
– Aleatório no resto (coroa 2 e 3). 
• A literatura sobre Lisboa tende a representar o 
espaço urbano histórico e consolidado, ou o 
“espaço social” da cidade.
Space and time (places) 
Ring 1 Ring 2 Ring 3 
N % N % N % All 
1st 225 87 31 12 4 2 260 
2nd 197 88 22 9,8 5 2 224 
3rd 192 79 43 18 7 3 242 
4th 177 66 77 29 14 5 268 
• Although literature concentrates its imaginary 
in the old city between the 1st and the 3rd 
periods, with time, the literary space tends to 
expand from the city core into urbanized areas 
of the first half of the 20th century
Space and time (areas) 
60 
50 
40 
30 
20 
10 
0 
0 1 2 3 4 
Area Km2 
Area of each 
novel with 
tendency 
line 
Periods 
• Spearman = 0,46898 (p-value < 0.01) 
• With the exception of the novels from the 3rd 
period, the tendency of the literary space is to 
embrace ever larger areas of the city
Location, density and dynamics (places by period) I 
1st 
2nd 
3rd 4th
Location, density and dynamics (places by period) II 
• There is a gradual fragmentation of the literary 
space, and a change in its composition; the core, 
while located in substantially the same area, it 
becomes increasingly thinner 
• Until the end of the 3rd period, it's the 19th century 
city that attract the writers attention; in the 4th 
period we observe the implosion of the aggregate 
core and other centers of lower expression become 
visible, now also in ring 2 
• This change can result from the consolidation of 
urban experiences in other areas of the modern city 
as well as transformations regarding city's mobility
Dimension and dynamics (areas by period) I 
1st 
2nd 
3rd 4th
Dimension and dynamics (areas by period) II 
• The common literary space is very restricted in the 
first and third periods, seemingly expanding in the 
second, and essentially in the last period 
• The cumulative space seems to evolve differently, 
apparently falling between the first and third 
periods, and then expanding very significantly in the 
last period 
• The results suggest, for a period of more than 100 
years, between 1852 and 1974, a literary imaginary 
spatially linked to the nineteenth century city
Lisbon imaginary vs. urban history I
Lisbon imaginary vs. urban history II 
• The ‘literary space’ does not match the urban 
space and there is a time-lag for embedding it 
in the imagined literary scenario. 
• A small core-area, correspondent to a part of 
the city center, persists as literary space in all 
the novels. 
• Peripheral areas of Lisbon were absent or 
under-represented until 1974, although their 
inclusion in the city limits dates back to 1886.
Conclusions 
• An integrative methodology to conciliate a subjective 
and an objective reading of the city space; the 
methodology used in this research becomes 
comparable and replicable using another literary 
corpus or other geography 
• Literary spaces of each of the historical periods gain 
the representation of social space, with significance 
for the history and geography of the city 
• The incorporation of dimension and time allows 
comparisons of the literary space of the novels, or 
sets of novels, between themselves and with other 
historical urban data
Thank you! 
Presentation based on: 
• Daniel Alves and Ana Isabel Queiroz, "A new 
approach to study urban space and literary 
representation using GIS: Lisbon, Portugal, 
1852-2009“, Social Science History, Winter 
2013 (volume 37:4) (to be published).

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Texto e SIG

  • 1. Textos e SIG: representações literárias do espaço urbano (Lisboa, 1854-2009) Daniel Alves (IHC) and Ana Isabel Queiroz (IELT)
  • 3. O imaginário literário de Lisboa A representação literária de Lisboa foi estudada com base em 35romances publicados entre 1854 e 2009, escritos por 30 autores, incuíndo alguns dos mais conhecidos da literatura nacional.
  • 4. Definindo o “espaço literário” • O território temporal e geograficamente referenciado como cenário da acção ou evocado pelos personagens do romance, que pode ser encontrado no território real e como tal desenhado num mapa
  • 5. Área de estudo – Lisboa (84,62 km2)
  • 7. Espaço urbano e ‘chronotopes’: ESPAÇO Coroa 3 – a área da cidade que mais cresceu em termos demográficos e urbanos desde a década de 1960 Coroa 2 – crescimento urbano e demográfico até à decada de 1950 Coroa 1 – a cidade do século XIX
  • 8. Espaço urbano e ‘chronotopes’: TEMPO • 1º período – entre 1854 e 1910 (Monarquia) • 2º período - entre 1910 e 1926 (República) • 3º período - entre 1926 e 1974 (Estado Novo) • 4º período - entre 1974 e 2009 (Democracia)
  • 9. Análise ao “espaço literário” • Distribuição espacial: – Average Nearest Neighbourhood • Espaço e tempo: – Chi-square – Spearman Rank Coefficient • Densidade e dimensão: – Kernel point density – Home Range
  • 10. ‘Espaço literário’ = Home range 95%
  • 12. Distribuição espacial Locais: Coroa 1 = 79% Coroa 2 = 18% Coroa 3 = 3%
  • 13. Distribuição espacial • Average Nearest Neighbourhood: – Clusters na cidade do século XIX (coroa 1); – Aleatório no resto (coroa 2 e 3). • A literatura sobre Lisboa tende a representar o espaço urbano histórico e consolidado, ou o “espaço social” da cidade.
  • 14. Space and time (places) Ring 1 Ring 2 Ring 3 N % N % N % All 1st 225 87 31 12 4 2 260 2nd 197 88 22 9,8 5 2 224 3rd 192 79 43 18 7 3 242 4th 177 66 77 29 14 5 268 • Although literature concentrates its imaginary in the old city between the 1st and the 3rd periods, with time, the literary space tends to expand from the city core into urbanized areas of the first half of the 20th century
  • 15. Space and time (areas) 60 50 40 30 20 10 0 0 1 2 3 4 Area Km2 Area of each novel with tendency line Periods • Spearman = 0,46898 (p-value < 0.01) • With the exception of the novels from the 3rd period, the tendency of the literary space is to embrace ever larger areas of the city
  • 16. Location, density and dynamics (places by period) I 1st 2nd 3rd 4th
  • 17. Location, density and dynamics (places by period) II • There is a gradual fragmentation of the literary space, and a change in its composition; the core, while located in substantially the same area, it becomes increasingly thinner • Until the end of the 3rd period, it's the 19th century city that attract the writers attention; in the 4th period we observe the implosion of the aggregate core and other centers of lower expression become visible, now also in ring 2 • This change can result from the consolidation of urban experiences in other areas of the modern city as well as transformations regarding city's mobility
  • 18. Dimension and dynamics (areas by period) I 1st 2nd 3rd 4th
  • 19. Dimension and dynamics (areas by period) II • The common literary space is very restricted in the first and third periods, seemingly expanding in the second, and essentially in the last period • The cumulative space seems to evolve differently, apparently falling between the first and third periods, and then expanding very significantly in the last period • The results suggest, for a period of more than 100 years, between 1852 and 1974, a literary imaginary spatially linked to the nineteenth century city
  • 20. Lisbon imaginary vs. urban history I
  • 21. Lisbon imaginary vs. urban history II • The ‘literary space’ does not match the urban space and there is a time-lag for embedding it in the imagined literary scenario. • A small core-area, correspondent to a part of the city center, persists as literary space in all the novels. • Peripheral areas of Lisbon were absent or under-represented until 1974, although their inclusion in the city limits dates back to 1886.
  • 22. Conclusions • An integrative methodology to conciliate a subjective and an objective reading of the city space; the methodology used in this research becomes comparable and replicable using another literary corpus or other geography • Literary spaces of each of the historical periods gain the representation of social space, with significance for the history and geography of the city • The incorporation of dimension and time allows comparisons of the literary space of the novels, or sets of novels, between themselves and with other historical urban data
  • 23. Thank you! Presentation based on: • Daniel Alves and Ana Isabel Queiroz, "A new approach to study urban space and literary representation using GIS: Lisbon, Portugal, 1852-2009“, Social Science History, Winter 2013 (volume 37:4) (to be published).