SlideShare a Scribd company logo
1 of 5
Task 7: Title Research
1) Boyhood
2) Submarine
3) Kings Of Summer
In the first bit of text we see in at the opening, we see the film
production company which presents the film. The text is in a
handwritten font which tells us the film is most likely going to be about
teenagers. We also see another production company, after the first one.
This shows IFC Productions has more of an influence on the film or its
just more important. This is again in the same font, and the same
colour, black, on the same background, the sky. The last bit of text we
see is the film title, Boyhood. The reason this is the last is because it is
the most important part of the opening credits. As I said, the text is all
handwritten, informing us that the film is about a small child due to
how poor and scruffy the writing is. However, as it is a coming of age
film for teenagers, the font sort of gives away hat the film s about a boy
or girl growing up into their teenage years. Obviously, as the audience is
teenagers, the font heavily links to teenagers as a lot of teenagers have
bad handwriting. The font attracts the audience as it is something which
is not used a lot in movies. It grads their attention as it is written on the
screen and not just whacked on. The text stays on the screen for around
2 seconds of the whole text being on the screen and then suddenly
vanishes, followed by the text being handwritten again, this occurs in all
three texts. The opening sequence is accompanied by the coldplay hit
‘Yellow’, the start of the song has no singing and is put alongside the
credit sequence at the start, only when we see the first shot of a human
does the singing start. The song is quite catchy so the director may have
wanted to use it so when people hear it, they think of Boyhood. This is
probably so the words cant give away any type of narrative. In fact, the
opening title sequence doesn't give away any type of narrative apart
from the font of text. None of the actors or actresses are mentioned in
the credits at the beginning, implying that the director doesn't want the
audience knowing who starts in it as it may give away the narrative.
BOYHOOD
SUBMARINE In the film Submarine, we see the first bit of
text appear straight away, this is maybe so the
audience is engaged from the exact beginning,
the starting credits clearly show film
distribution companies, being Film 4 and The
UK Film Council. The font is white on darker
blue background, this makes the text stand out
for the audience to read clearly. The more
important information is put in a bolder and
wider size so the audience know what is
important. In comparison, the words like ’and’
which join two parts of information together is
relatively smaller. The second part of text
shows what the film is associated with, in this
case it is The Wales Creative IP Fund and The
Film Agency Wales, on the next slide it
continues with another group the film is
associated with, Red Hours Films. On both of
these slides, the background is a little lighter
blue but still has the white font and the more
important things are in bold and wider, like
previous texts. from the texts, absolutely none
of the narrative is told and only on the last slide
of text does it show some water which could
suggest the main character lives on the coast.
The font does attract the audience as it is
extremely clear and bold. It captures their eyes
before any cinematography happens , the font
is located in the centre of the screen too and
just gets put of the screen and then it goes with
the background when the next shots happens.
In this opening sequence, no
music is played, this may be
because the director can
create tension and the
audience can ask questions
about why there's no music
and what could pop up next.
The name of the film
distributors comes up first as
they are the most important.
The second text to come up is
the companies/groups which
are associated with the film,
these are still relatively
important and finally is the
title, so everyone knows the
film they are watching just
before they watch it.
There are no mentions of
actors or actresses either in
the opening credits,
presumably because the
director doesn't want to tell
who is in it as some actors
may have been in similar
narratives of film
The Kings Of Summer
This is the first bit of text we see when watching The
Kings Of Summer, it shows us the production
company, Big Beach. This is cleverly edited as the
writing is in sand, on a beach. This doesn't tell us
about the actual film as it is only the production
company. The Pipe is the music behind this and it
literally people banging a metal pipe with some beat
behind it. The second lot text is simply just telling
the audience when the next part of the film is set to
give context. The font is quite unique and is
handwritten which links to teenagers again. This
doesn't give away any of the narrative at all, also,
the text looks as if its on the front of a letter. The
text just jumps onto the screen for about 2-3
seconds and vanishes as the next shot is playing this
makes the audience think what happened a month
ago. In the third bit of text , we seethe same type of
font, the handwritten , scruffy look. This further
insists that the film is about teenagers and if the
audience think hard then it can give away parts of
the narrative. The type of pencil, scruffy, rushed look
is a stereotype on hoe builders write when working.
In the background, we see a hammer, implying
building again and a boy on a bike, a connotation to
teenagers. The text is used with the same font again
and tells us who is presenting the film. It is fairly
clear to see it and to be able to see who is the films
distributor. Throughout this scence, the song
Cowboy Song by Thin Lizzy is being played.
The Kings Of Summer: Carried on
The next bit of text is again in the same font and by now we know
its about teenagers by the amount of times this font has been
included within the opening minutes. We can see another
production company mentioned here aswell as Big Beach. This
implies that this is a smaller production company as it has been
added later on in the sequence. The text has been positioned in
the centre of the screen in a bold white colour to ensure the
audience sees it. The text enters the screen when the shot is
changed and when the camera is looking at the boy. The text stays
on screen for 2 different shots and goes on the 3rd shot after it has
been put on, giving the audience time to comprehend and read it.
It attracts the audience as it is put on screen very fast and sharply.
The song is still playing by Thin Lizzy at this point and it just adds a
bit of music to the scenes to keep the audience entertained and
engaged. The final shot of text in the opening few minutes is the
title of the film. Again, this is in the same font as previous texts
and is still in white. However this time the font has got larger to
show the title, as this is the most important thing, it is the last
thing shown and in the biggest. The text doesn't give the narrative
away exactly but the audience can guess that it is set in the
summer months and could possibly be either about wildlife or
building things, or both. This text attracts the audience more than
any other text as it is so much more bigger. The text arrives on the
screen a short time after the shot. It stays on screen for a couple
of seconds. The music is still the same and in none of the texts are
the actors and actresses names, only the production companies
and titles. This is as these are the most important things for the
director and he may not want to expose any actors or actresses
early on.

More Related Content

What's hot

Evaluation amber
Evaluation  amberEvaluation  amber
Evaluation amberKExcell
 
Codes & Conventions in Trailers - General
Codes & Conventions in Trailers - GeneralCodes & Conventions in Trailers - General
Codes & Conventions in Trailers - GeneralJpobee08
 
In what ways does your media product use (1)
In what ways does your media product use (1)In what ways does your media product use (1)
In what ways does your media product use (1)haverstockmedia
 
Analyse the short film final
Analyse the short film finalAnalyse the short film final
Analyse the short film finalTommy Noad
 
Film Posters
Film PostersFilm Posters
Film PostersZooooeyx
 
Movie trailers Lego movie and Mrs Brown
Movie trailers Lego movie and Mrs BrownMovie trailers Lego movie and Mrs Brown
Movie trailers Lego movie and Mrs BrownSimonCheshire
 
Media Language Essay
Media Language EssayMedia Language Essay
Media Language EssayTommy Noad
 
Trailer Analysis of Aloha (2015)
Trailer Analysis of Aloha (2015)Trailer Analysis of Aloha (2015)
Trailer Analysis of Aloha (2015)nughinafiqah
 
Question 1
Question 1Question 1
Question 1C-Dawgg
 
Evaluation presn
Evaluation presnEvaluation presn
Evaluation presn..
 
Codes and conventions of doc
Codes and conventions of docCodes and conventions of doc
Codes and conventions of docToby Allen
 
Task 8/9 - Music Video Analysis Powerpoint Finished
Task 8/9 - Music Video Analysis Powerpoint FinishedTask 8/9 - Music Video Analysis Powerpoint Finished
Task 8/9 - Music Video Analysis Powerpoint Finishedluke kennett
 
Analysing the opening of this is england
Analysing the opening of this is englandAnalysing the opening of this is england
Analysing the opening of this is englandhaverstockmedia
 
In what was does your media product use, develop or challange forms and conve...
In what was does your media product use, develop or challange forms and conve...In what was does your media product use, develop or challange forms and conve...
In what was does your media product use, develop or challange forms and conve...frostyfosure
 
Question 4 and 5
Question 4 and 5Question 4 and 5
Question 4 and 5Haisam10
 

What's hot (19)

Evaluation amber
Evaluation  amberEvaluation  amber
Evaluation amber
 
Codes & Conventions in Trailers - General
Codes & Conventions in Trailers - GeneralCodes & Conventions in Trailers - General
Codes & Conventions in Trailers - General
 
In what ways does your media product use (1)
In what ways does your media product use (1)In what ways does your media product use (1)
In what ways does your media product use (1)
 
Analyse the short film final
Analyse the short film finalAnalyse the short film final
Analyse the short film final
 
Film Posters
Film PostersFilm Posters
Film Posters
 
Movie trailers Lego movie and Mrs Brown
Movie trailers Lego movie and Mrs BrownMovie trailers Lego movie and Mrs Brown
Movie trailers Lego movie and Mrs Brown
 
Media Language Essay
Media Language EssayMedia Language Essay
Media Language Essay
 
Trailer Analysis of Aloha (2015)
Trailer Analysis of Aloha (2015)Trailer Analysis of Aloha (2015)
Trailer Analysis of Aloha (2015)
 
Question 1
Question 1Question 1
Question 1
 
Opening title angus
Opening title angusOpening title angus
Opening title angus
 
Opening title angus
Opening title angusOpening title angus
Opening title angus
 
Evaluation presn
Evaluation presnEvaluation presn
Evaluation presn
 
Evaluation question 2
Evaluation question 2Evaluation question 2
Evaluation question 2
 
Evaluation final!
Evaluation final!Evaluation final!
Evaluation final!
 
Codes and conventions of doc
Codes and conventions of docCodes and conventions of doc
Codes and conventions of doc
 
Task 8/9 - Music Video Analysis Powerpoint Finished
Task 8/9 - Music Video Analysis Powerpoint FinishedTask 8/9 - Music Video Analysis Powerpoint Finished
Task 8/9 - Music Video Analysis Powerpoint Finished
 
Analysing the opening of this is england
Analysing the opening of this is englandAnalysing the opening of this is england
Analysing the opening of this is england
 
In what was does your media product use, develop or challange forms and conve...
In what was does your media product use, develop or challange forms and conve...In what was does your media product use, develop or challange forms and conve...
In what was does your media product use, develop or challange forms and conve...
 
Question 4 and 5
Question 4 and 5Question 4 and 5
Question 4 and 5
 

Viewers also liked

TК°Conf. «Быстрокод» и что за это бывает. Артём Кулаков.
TК°Conf. «Быстрокод» и что за это бывает. Артём Кулаков.TК°Conf. «Быстрокод» и что за это бывает. Артём Кулаков.
TК°Conf. «Быстрокод» и что за это бывает. Артём Кулаков.TKConf
 
TК°Conf. Ещё не поздно учить WebGL. Антон Корзунов.
TК°Conf. Ещё не поздно учить WebGL. Антон Корзунов.TК°Conf. Ещё не поздно учить WebGL. Антон Корзунов.
TК°Conf. Ещё не поздно учить WebGL. Антон Корзунов.TKConf
 
TК°Conf. Как мы делали ЖЖ. Егор Толстой.
TК°Conf. Как мы делали ЖЖ. Егор Толстой.TК°Conf. Как мы делали ЖЖ. Егор Толстой.
TК°Conf. Как мы делали ЖЖ. Егор Толстой.TKConf
 
TК°Conf. Как оформить права на программный продукт, чтобы его не угнали конку...
TК°Conf. Как оформить права на программный продукт, чтобы его не угнали конку...TК°Conf. Как оформить права на программный продукт, чтобы его не угнали конку...
TК°Conf. Как оформить права на программный продукт, чтобы его не угнали конку...TKConf
 
TК°Conf. Хайп против реальности: год жизни с изомофорным React-приложением. И...
TК°Conf. Хайп против реальности: год жизни с изомофорным React-приложением. И...TК°Conf. Хайп против реальности: год жизни с изомофорным React-приложением. И...
TК°Conf. Хайп против реальности: год жизни с изомофорным React-приложением. И...TKConf
 
Task 8: narrative sructure
Task 8: narrative sructureTask 8: narrative sructure
Task 8: narrative sructuremike tanner
 
TК°Conf. Stylelint — как и зачем линтить CSS. Андрей Ситник.
TК°Conf. Stylelint — как и зачем линтить CSS. Андрей Ситник.TК°Conf. Stylelint — как и зачем линтить CSS. Андрей Ситник.
TК°Conf. Stylelint — как и зачем линтить CSS. Андрей Ситник.TKConf
 
Функциональное программирование в продуктовой разработке
Функциональное программирование в продуктовой разработкеФункциональное программирование в продуктовой разработке
Функциональное программирование в продуктовой разработкеTKConf
 
TК°Conf. Микросервисы и Docker. Глеб Паньшин.
TК°Conf. Микросервисы и Docker. Глеб Паньшин.TК°Conf. Микросервисы и Docker. Глеб Паньшин.
TК°Conf. Микросервисы и Docker. Глеб Паньшин.TKConf
 
TК°Conf. Сетевые орг.структуры. Владимир Каленов.
TК°Conf. Сетевые орг.структуры. Владимир Каленов.TК°Conf. Сетевые орг.структуры. Владимир Каленов.
TК°Conf. Сетевые орг.структуры. Владимир Каленов.TKConf
 
TК°Conf. Организация разработки Frontend. Виталий Слободин.
TК°Conf. Организация разработки Frontend. Виталий Слободин.TК°Conf. Организация разработки Frontend. Виталий Слободин.
TК°Conf. Организация разработки Frontend. Виталий Слободин.TKConf
 
Проектирование архитектуры крупных веб-систем
Проектирование архитектуры крупных веб-системПроектирование архитектуры крупных веб-систем
Проектирование архитектуры крупных веб-системTKConf
 
Разработка через микросервисы
Разработка через микросервисыРазработка через микросервисы
Разработка через микросервисыTKConf
 
Dialogue se presenter
Dialogue se presenterDialogue se presenter
Dialogue se presenteryolcaji
 
Архитектура растущего проекта, на примере ВКонтакте
Архитектура растущего проекта, на примере ВКонтактеАрхитектура растущего проекта, на примере ВКонтакте
Архитектура растущего проекта, на примере ВКонтактеTKConf
 
TК°Conf. Impact Mapping: планирование разработки продукта с учетом бизнес цел...
TК°Conf. Impact Mapping: планирование разработки продукта с учетом бизнес цел...TК°Conf. Impact Mapping: планирование разработки продукта с учетом бизнес цел...
TК°Conf. Impact Mapping: планирование разработки продукта с учетом бизнес цел...TKConf
 
Culture française
Culture françaiseCulture française
Culture françaiseyolcaji
 
SQL vs NoSQL: 
проблема выбора
SQL vs NoSQL: 
проблема выбораSQL vs NoSQL: 
проблема выбора
SQL vs NoSQL: 
проблема выбораTKConf
 

Viewers also liked (20)

TК°Conf. «Быстрокод» и что за это бывает. Артём Кулаков.
TК°Conf. «Быстрокод» и что за это бывает. Артём Кулаков.TК°Conf. «Быстрокод» и что за это бывает. Артём Кулаков.
TК°Conf. «Быстрокод» и что за это бывает. Артём Кулаков.
 
TК°Conf. Ещё не поздно учить WebGL. Антон Корзунов.
TК°Conf. Ещё не поздно учить WebGL. Антон Корзунов.TК°Conf. Ещё не поздно учить WebGL. Антон Корзунов.
TК°Conf. Ещё не поздно учить WebGL. Антон Корзунов.
 
TК°Conf. Как мы делали ЖЖ. Егор Толстой.
TК°Conf. Как мы делали ЖЖ. Егор Толстой.TК°Conf. Как мы делали ЖЖ. Егор Толстой.
TК°Conf. Как мы делали ЖЖ. Егор Толстой.
 
TК°Conf. Как оформить права на программный продукт, чтобы его не угнали конку...
TК°Conf. Как оформить права на программный продукт, чтобы его не угнали конку...TК°Conf. Как оформить права на программный продукт, чтобы его не угнали конку...
TК°Conf. Как оформить права на программный продукт, чтобы его не угнали конку...
 
TК°Conf. Хайп против реальности: год жизни с изомофорным React-приложением. И...
TК°Conf. Хайп против реальности: год жизни с изомофорным React-приложением. И...TК°Conf. Хайп против реальности: год жизни с изомофорным React-приложением. И...
TК°Conf. Хайп против реальности: год жизни с изомофорным React-приложением. И...
 
Task 8: narrative sructure
Task 8: narrative sructureTask 8: narrative sructure
Task 8: narrative sructure
 
TК°Conf. Stylelint — как и зачем линтить CSS. Андрей Ситник.
TК°Conf. Stylelint — как и зачем линтить CSS. Андрей Ситник.TК°Conf. Stylelint — как и зачем линтить CSS. Андрей Ситник.
TК°Conf. Stylelint — как и зачем линтить CSS. Андрей Ситник.
 
Функциональное программирование в продуктовой разработке
Функциональное программирование в продуктовой разработкеФункциональное программирование в продуктовой разработке
Функциональное программирование в продуктовой разработке
 
TК°Conf. Микросервисы и Docker. Глеб Паньшин.
TК°Conf. Микросервисы и Docker. Глеб Паньшин.TК°Conf. Микросервисы и Docker. Глеб Паньшин.
TК°Conf. Микросервисы и Docker. Глеб Паньшин.
 
TК°Conf. Сетевые орг.структуры. Владимир Каленов.
TК°Conf. Сетевые орг.структуры. Владимир Каленов.TК°Conf. Сетевые орг.структуры. Владимир Каленов.
TК°Conf. Сетевые орг.структуры. Владимир Каленов.
 
TК°Conf. Организация разработки Frontend. Виталий Слободин.
TК°Conf. Организация разработки Frontend. Виталий Слободин.TК°Conf. Организация разработки Frontend. Виталий Слободин.
TК°Conf. Организация разработки Frontend. Виталий Слободин.
 
Проектирование архитектуры крупных веб-систем
Проектирование архитектуры крупных веб-системПроектирование архитектуры крупных веб-систем
Проектирование архитектуры крупных веб-систем
 
Разработка через микросервисы
Разработка через микросервисыРазработка через микросервисы
Разработка через микросервисы
 
Dialogue se presenter
Dialogue se presenterDialogue se presenter
Dialogue se presenter
 
Архитектура растущего проекта, на примере ВКонтакте
Архитектура растущего проекта, на примере ВКонтактеАрхитектура растущего проекта, на примере ВКонтакте
Архитектура растущего проекта, на примере ВКонтакте
 
TК°Conf. Impact Mapping: планирование разработки продукта с учетом бизнес цел...
TК°Conf. Impact Mapping: планирование разработки продукта с учетом бизнес цел...TК°Conf. Impact Mapping: планирование разработки продукта с учетом бизнес цел...
TК°Conf. Impact Mapping: планирование разработки продукта с учетом бизнес цел...
 
Culture française
Culture françaiseCulture française
Culture française
 
SQL vs NoSQL: 
проблема выбора
SQL vs NoSQL: 
проблема выбораSQL vs NoSQL: 
проблема выбора
SQL vs NoSQL: 
проблема выбора
 
Task 7
Task 7Task 7
Task 7
 
Task 8
Task 8Task 8
Task 8
 

Similar to Task 7

Submarine title sequence
Submarine title sequenceSubmarine title sequence
Submarine title sequenceTom Cornock
 
Task 7 Title Research
Task 7 Title ResearchTask 7 Title Research
Task 7 Title Researchleannepratt
 
Title Research (task 7)
Title Research (task 7)Title Research (task 7)
Title Research (task 7)10blukat
 
The Notebook film trailer analysis
The Notebook film trailer analysis The Notebook film trailer analysis
The Notebook film trailer analysis shaniasteelea2media
 
Warm bodies teaser trailer
Warm bodies teaser trailerWarm bodies teaser trailer
Warm bodies teaser trailerAmyRyckaert
 
Superbad opening sequence
Superbad opening sequenceSuperbad opening sequence
Superbad opening sequenceTom Cornock
 
Love actually
Love actuallyLove actually
Love actuallyCatringc
 
The first time opening sequence analysis
The first time opening sequence analysisThe first time opening sequence analysis
The first time opening sequence analysiselliefoster97
 
Analysing the Sky Fall Trailer
Analysing the Sky Fall TrailerAnalysing the Sky Fall Trailer
Analysing the Sky Fall TrailerRhiannonTole
 
Art of the Title
Art of the TitleArt of the Title
Art of the TitleBeauAllwood
 
Art of the Title
Art of the Title Art of the Title
Art of the Title BeauAllwood
 
Similar product analysis
Similar product analysisSimilar product analysis
Similar product analysismatt_raybould98
 

Similar to Task 7 (20)

Task 7
Task 7Task 7
Task 7
 
Submarine title sequence
Submarine title sequenceSubmarine title sequence
Submarine title sequence
 
Task 7 Title Research
Task 7 Title ResearchTask 7 Title Research
Task 7 Title Research
 
Title Research (task 7)
Title Research (task 7)Title Research (task 7)
Title Research (task 7)
 
The Notebook film trailer analysis
The Notebook film trailer analysis The Notebook film trailer analysis
The Notebook film trailer analysis
 
Warm bodies teaser trailer
Warm bodies teaser trailerWarm bodies teaser trailer
Warm bodies teaser trailer
 
Superbad opening sequence
Superbad opening sequenceSuperbad opening sequence
Superbad opening sequence
 
Love actually
Love actuallyLove actually
Love actually
 
Movie posters
Movie posters Movie posters
Movie posters
 
Media
MediaMedia
Media
 
Legend analysis
Legend analysisLegend analysis
Legend analysis
 
The first time opening sequence analysis
The first time opening sequence analysisThe first time opening sequence analysis
The first time opening sequence analysis
 
Analysing the Sky Fall Trailer
Analysing the Sky Fall TrailerAnalysing the Sky Fall Trailer
Analysing the Sky Fall Trailer
 
Taken
TakenTaken
Taken
 
Art of the Title
Art of the TitleArt of the Title
Art of the Title
 
Art of the Title
Art of the Title Art of the Title
Art of the Title
 
LO1 WORKSHEET.docx
LO1 WORKSHEET.docxLO1 WORKSHEET.docx
LO1 WORKSHEET.docx
 
Title mood board
Title mood boardTitle mood board
Title mood board
 
Similar product analysis
Similar product analysisSimilar product analysis
Similar product analysis
 
03. research
03. research03. research
03. research
 

Recently uploaded

SEO Growth Program-Digital optimization Specialist
SEO Growth Program-Digital optimization SpecialistSEO Growth Program-Digital optimization Specialist
SEO Growth Program-Digital optimization SpecialistKHM Anwar
 
GDG Cloud Southlake 32: Kyle Hettinger: Demystifying the Dark Web
GDG Cloud Southlake 32: Kyle Hettinger: Demystifying the Dark WebGDG Cloud Southlake 32: Kyle Hettinger: Demystifying the Dark Web
GDG Cloud Southlake 32: Kyle Hettinger: Demystifying the Dark WebJames Anderson
 
Call Now ☎ 8264348440 !! Call Girls in Green Park Escort Service Delhi N.C.R.
Call Now ☎ 8264348440 !! Call Girls in Green Park Escort Service Delhi N.C.R.Call Now ☎ 8264348440 !! Call Girls in Green Park Escort Service Delhi N.C.R.
Call Now ☎ 8264348440 !! Call Girls in Green Park Escort Service Delhi N.C.R.soniya singh
 
Russian Call girls in Dubai +971563133746 Dubai Call girls
Russian  Call girls in Dubai +971563133746 Dubai  Call girlsRussian  Call girls in Dubai +971563133746 Dubai  Call girls
Russian Call girls in Dubai +971563133746 Dubai Call girlsstephieert
 
On Starlink, presented by Geoff Huston at NZNOG 2024
On Starlink, presented by Geoff Huston at NZNOG 2024On Starlink, presented by Geoff Huston at NZNOG 2024
On Starlink, presented by Geoff Huston at NZNOG 2024APNIC
 
horny (9316020077 ) Goa Call Girls Service by VIP Call Girls in Goa
horny (9316020077 ) Goa  Call Girls Service by VIP Call Girls in Goahorny (9316020077 ) Goa  Call Girls Service by VIP Call Girls in Goa
horny (9316020077 ) Goa Call Girls Service by VIP Call Girls in Goasexy call girls service in goa
 
Moving Beyond Twitter/X and Facebook - Social Media for local news providers
Moving Beyond Twitter/X and Facebook - Social Media for local news providersMoving Beyond Twitter/X and Facebook - Social Media for local news providers
Moving Beyond Twitter/X and Facebook - Social Media for local news providersDamian Radcliffe
 
All Time Service Available Call Girls Mg Road 👌 ⏭️ 6378878445
All Time Service Available Call Girls Mg Road 👌 ⏭️ 6378878445All Time Service Available Call Girls Mg Road 👌 ⏭️ 6378878445
All Time Service Available Call Girls Mg Road 👌 ⏭️ 6378878445ruhi
 
AlbaniaDreamin24 - How to easily use an API with Flows
AlbaniaDreamin24 - How to easily use an API with FlowsAlbaniaDreamin24 - How to easily use an API with Flows
AlbaniaDreamin24 - How to easily use an API with FlowsThierry TROUIN ☁
 
Best VIP Call Girls Noida Sector 75 Call Me: 8448380779
Best VIP Call Girls Noida Sector 75 Call Me: 8448380779Best VIP Call Girls Noida Sector 75 Call Me: 8448380779
Best VIP Call Girls Noida Sector 75 Call Me: 8448380779Delhi Call girls
 
Enjoy Night⚡Call Girls Dlf City Phase 3 Gurgaon >༒8448380779 Escort Service
Enjoy Night⚡Call Girls Dlf City Phase 3 Gurgaon >༒8448380779 Escort ServiceEnjoy Night⚡Call Girls Dlf City Phase 3 Gurgaon >༒8448380779 Escort Service
Enjoy Night⚡Call Girls Dlf City Phase 3 Gurgaon >༒8448380779 Escort ServiceDelhi Call girls
 
Call Girls Dubai Prolapsed O525547819 Call Girls In Dubai Princes$
Call Girls Dubai Prolapsed O525547819 Call Girls In Dubai Princes$Call Girls Dubai Prolapsed O525547819 Call Girls In Dubai Princes$
Call Girls Dubai Prolapsed O525547819 Call Girls In Dubai Princes$kojalkojal131
 
Call Girls Service Chandigarh Lucky ❤️ 7710465962 Independent Call Girls In C...
Call Girls Service Chandigarh Lucky ❤️ 7710465962 Independent Call Girls In C...Call Girls Service Chandigarh Lucky ❤️ 7710465962 Independent Call Girls In C...
Call Girls Service Chandigarh Lucky ❤️ 7710465962 Independent Call Girls In C...Sheetaleventcompany
 
AWS Community DAY Albertini-Ellan Cloud Security (1).pptx
AWS Community DAY Albertini-Ellan Cloud Security (1).pptxAWS Community DAY Albertini-Ellan Cloud Security (1).pptx
AWS Community DAY Albertini-Ellan Cloud Security (1).pptxellan12
 
10.pdfMature Call girls in Dubai +971563133746 Dubai Call girls
10.pdfMature Call girls in Dubai +971563133746 Dubai Call girls10.pdfMature Call girls in Dubai +971563133746 Dubai Call girls
10.pdfMature Call girls in Dubai +971563133746 Dubai Call girlsstephieert
 
'Future Evolution of the Internet' delivered by Geoff Huston at Everything Op...
'Future Evolution of the Internet' delivered by Geoff Huston at Everything Op...'Future Evolution of the Internet' delivered by Geoff Huston at Everything Op...
'Future Evolution of the Internet' delivered by Geoff Huston at Everything Op...APNIC
 
✂️ 👅 Independent Andheri Escorts With Room Vashi Call Girls 💃 9004004663
✂️ 👅 Independent Andheri Escorts With Room Vashi Call Girls 💃 9004004663✂️ 👅 Independent Andheri Escorts With Room Vashi Call Girls 💃 9004004663
✂️ 👅 Independent Andheri Escorts With Room Vashi Call Girls 💃 9004004663Call Girls Mumbai
 
VIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call Girl
VIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call GirlVIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call Girl
VIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call Girladitipandeya
 

Recently uploaded (20)

SEO Growth Program-Digital optimization Specialist
SEO Growth Program-Digital optimization SpecialistSEO Growth Program-Digital optimization Specialist
SEO Growth Program-Digital optimization Specialist
 
GDG Cloud Southlake 32: Kyle Hettinger: Demystifying the Dark Web
GDG Cloud Southlake 32: Kyle Hettinger: Demystifying the Dark WebGDG Cloud Southlake 32: Kyle Hettinger: Demystifying the Dark Web
GDG Cloud Southlake 32: Kyle Hettinger: Demystifying the Dark Web
 
Call Now ☎ 8264348440 !! Call Girls in Green Park Escort Service Delhi N.C.R.
Call Now ☎ 8264348440 !! Call Girls in Green Park Escort Service Delhi N.C.R.Call Now ☎ 8264348440 !! Call Girls in Green Park Escort Service Delhi N.C.R.
Call Now ☎ 8264348440 !! Call Girls in Green Park Escort Service Delhi N.C.R.
 
Russian Call girls in Dubai +971563133746 Dubai Call girls
Russian  Call girls in Dubai +971563133746 Dubai  Call girlsRussian  Call girls in Dubai +971563133746 Dubai  Call girls
Russian Call girls in Dubai +971563133746 Dubai Call girls
 
On Starlink, presented by Geoff Huston at NZNOG 2024
On Starlink, presented by Geoff Huston at NZNOG 2024On Starlink, presented by Geoff Huston at NZNOG 2024
On Starlink, presented by Geoff Huston at NZNOG 2024
 
horny (9316020077 ) Goa Call Girls Service by VIP Call Girls in Goa
horny (9316020077 ) Goa  Call Girls Service by VIP Call Girls in Goahorny (9316020077 ) Goa  Call Girls Service by VIP Call Girls in Goa
horny (9316020077 ) Goa Call Girls Service by VIP Call Girls in Goa
 
Call Girls In Noida 📱 9999965857 🤩 Delhi 🫦 HOT AND SEXY VVIP 🍎 SERVICE
Call Girls In Noida 📱  9999965857  🤩 Delhi 🫦 HOT AND SEXY VVIP 🍎 SERVICECall Girls In Noida 📱  9999965857  🤩 Delhi 🫦 HOT AND SEXY VVIP 🍎 SERVICE
Call Girls In Noida 📱 9999965857 🤩 Delhi 🫦 HOT AND SEXY VVIP 🍎 SERVICE
 
Moving Beyond Twitter/X and Facebook - Social Media for local news providers
Moving Beyond Twitter/X and Facebook - Social Media for local news providersMoving Beyond Twitter/X and Facebook - Social Media for local news providers
Moving Beyond Twitter/X and Facebook - Social Media for local news providers
 
All Time Service Available Call Girls Mg Road 👌 ⏭️ 6378878445
All Time Service Available Call Girls Mg Road 👌 ⏭️ 6378878445All Time Service Available Call Girls Mg Road 👌 ⏭️ 6378878445
All Time Service Available Call Girls Mg Road 👌 ⏭️ 6378878445
 
AlbaniaDreamin24 - How to easily use an API with Flows
AlbaniaDreamin24 - How to easily use an API with FlowsAlbaniaDreamin24 - How to easily use an API with Flows
AlbaniaDreamin24 - How to easily use an API with Flows
 
Best VIP Call Girls Noida Sector 75 Call Me: 8448380779
Best VIP Call Girls Noida Sector 75 Call Me: 8448380779Best VIP Call Girls Noida Sector 75 Call Me: 8448380779
Best VIP Call Girls Noida Sector 75 Call Me: 8448380779
 
Enjoy Night⚡Call Girls Dlf City Phase 3 Gurgaon >༒8448380779 Escort Service
Enjoy Night⚡Call Girls Dlf City Phase 3 Gurgaon >༒8448380779 Escort ServiceEnjoy Night⚡Call Girls Dlf City Phase 3 Gurgaon >༒8448380779 Escort Service
Enjoy Night⚡Call Girls Dlf City Phase 3 Gurgaon >༒8448380779 Escort Service
 
Call Girls Dubai Prolapsed O525547819 Call Girls In Dubai Princes$
Call Girls Dubai Prolapsed O525547819 Call Girls In Dubai Princes$Call Girls Dubai Prolapsed O525547819 Call Girls In Dubai Princes$
Call Girls Dubai Prolapsed O525547819 Call Girls In Dubai Princes$
 
Call Girls Service Chandigarh Lucky ❤️ 7710465962 Independent Call Girls In C...
Call Girls Service Chandigarh Lucky ❤️ 7710465962 Independent Call Girls In C...Call Girls Service Chandigarh Lucky ❤️ 7710465962 Independent Call Girls In C...
Call Girls Service Chandigarh Lucky ❤️ 7710465962 Independent Call Girls In C...
 
Dwarka Sector 26 Call Girls | Delhi | 9999965857 🫦 Vanshika Verma More Our Se...
Dwarka Sector 26 Call Girls | Delhi | 9999965857 🫦 Vanshika Verma More Our Se...Dwarka Sector 26 Call Girls | Delhi | 9999965857 🫦 Vanshika Verma More Our Se...
Dwarka Sector 26 Call Girls | Delhi | 9999965857 🫦 Vanshika Verma More Our Se...
 
AWS Community DAY Albertini-Ellan Cloud Security (1).pptx
AWS Community DAY Albertini-Ellan Cloud Security (1).pptxAWS Community DAY Albertini-Ellan Cloud Security (1).pptx
AWS Community DAY Albertini-Ellan Cloud Security (1).pptx
 
10.pdfMature Call girls in Dubai +971563133746 Dubai Call girls
10.pdfMature Call girls in Dubai +971563133746 Dubai Call girls10.pdfMature Call girls in Dubai +971563133746 Dubai Call girls
10.pdfMature Call girls in Dubai +971563133746 Dubai Call girls
 
'Future Evolution of the Internet' delivered by Geoff Huston at Everything Op...
'Future Evolution of the Internet' delivered by Geoff Huston at Everything Op...'Future Evolution of the Internet' delivered by Geoff Huston at Everything Op...
'Future Evolution of the Internet' delivered by Geoff Huston at Everything Op...
 
✂️ 👅 Independent Andheri Escorts With Room Vashi Call Girls 💃 9004004663
✂️ 👅 Independent Andheri Escorts With Room Vashi Call Girls 💃 9004004663✂️ 👅 Independent Andheri Escorts With Room Vashi Call Girls 💃 9004004663
✂️ 👅 Independent Andheri Escorts With Room Vashi Call Girls 💃 9004004663
 
VIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call Girl
VIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call GirlVIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call Girl
VIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call Girl
 

Task 7

  • 1. Task 7: Title Research 1) Boyhood 2) Submarine 3) Kings Of Summer
  • 2. In the first bit of text we see in at the opening, we see the film production company which presents the film. The text is in a handwritten font which tells us the film is most likely going to be about teenagers. We also see another production company, after the first one. This shows IFC Productions has more of an influence on the film or its just more important. This is again in the same font, and the same colour, black, on the same background, the sky. The last bit of text we see is the film title, Boyhood. The reason this is the last is because it is the most important part of the opening credits. As I said, the text is all handwritten, informing us that the film is about a small child due to how poor and scruffy the writing is. However, as it is a coming of age film for teenagers, the font sort of gives away hat the film s about a boy or girl growing up into their teenage years. Obviously, as the audience is teenagers, the font heavily links to teenagers as a lot of teenagers have bad handwriting. The font attracts the audience as it is something which is not used a lot in movies. It grads their attention as it is written on the screen and not just whacked on. The text stays on the screen for around 2 seconds of the whole text being on the screen and then suddenly vanishes, followed by the text being handwritten again, this occurs in all three texts. The opening sequence is accompanied by the coldplay hit ‘Yellow’, the start of the song has no singing and is put alongside the credit sequence at the start, only when we see the first shot of a human does the singing start. The song is quite catchy so the director may have wanted to use it so when people hear it, they think of Boyhood. This is probably so the words cant give away any type of narrative. In fact, the opening title sequence doesn't give away any type of narrative apart from the font of text. None of the actors or actresses are mentioned in the credits at the beginning, implying that the director doesn't want the audience knowing who starts in it as it may give away the narrative. BOYHOOD
  • 3. SUBMARINE In the film Submarine, we see the first bit of text appear straight away, this is maybe so the audience is engaged from the exact beginning, the starting credits clearly show film distribution companies, being Film 4 and The UK Film Council. The font is white on darker blue background, this makes the text stand out for the audience to read clearly. The more important information is put in a bolder and wider size so the audience know what is important. In comparison, the words like ’and’ which join two parts of information together is relatively smaller. The second part of text shows what the film is associated with, in this case it is The Wales Creative IP Fund and The Film Agency Wales, on the next slide it continues with another group the film is associated with, Red Hours Films. On both of these slides, the background is a little lighter blue but still has the white font and the more important things are in bold and wider, like previous texts. from the texts, absolutely none of the narrative is told and only on the last slide of text does it show some water which could suggest the main character lives on the coast. The font does attract the audience as it is extremely clear and bold. It captures their eyes before any cinematography happens , the font is located in the centre of the screen too and just gets put of the screen and then it goes with the background when the next shots happens. In this opening sequence, no music is played, this may be because the director can create tension and the audience can ask questions about why there's no music and what could pop up next. The name of the film distributors comes up first as they are the most important. The second text to come up is the companies/groups which are associated with the film, these are still relatively important and finally is the title, so everyone knows the film they are watching just before they watch it. There are no mentions of actors or actresses either in the opening credits, presumably because the director doesn't want to tell who is in it as some actors may have been in similar narratives of film
  • 4. The Kings Of Summer This is the first bit of text we see when watching The Kings Of Summer, it shows us the production company, Big Beach. This is cleverly edited as the writing is in sand, on a beach. This doesn't tell us about the actual film as it is only the production company. The Pipe is the music behind this and it literally people banging a metal pipe with some beat behind it. The second lot text is simply just telling the audience when the next part of the film is set to give context. The font is quite unique and is handwritten which links to teenagers again. This doesn't give away any of the narrative at all, also, the text looks as if its on the front of a letter. The text just jumps onto the screen for about 2-3 seconds and vanishes as the next shot is playing this makes the audience think what happened a month ago. In the third bit of text , we seethe same type of font, the handwritten , scruffy look. This further insists that the film is about teenagers and if the audience think hard then it can give away parts of the narrative. The type of pencil, scruffy, rushed look is a stereotype on hoe builders write when working. In the background, we see a hammer, implying building again and a boy on a bike, a connotation to teenagers. The text is used with the same font again and tells us who is presenting the film. It is fairly clear to see it and to be able to see who is the films distributor. Throughout this scence, the song Cowboy Song by Thin Lizzy is being played.
  • 5. The Kings Of Summer: Carried on The next bit of text is again in the same font and by now we know its about teenagers by the amount of times this font has been included within the opening minutes. We can see another production company mentioned here aswell as Big Beach. This implies that this is a smaller production company as it has been added later on in the sequence. The text has been positioned in the centre of the screen in a bold white colour to ensure the audience sees it. The text enters the screen when the shot is changed and when the camera is looking at the boy. The text stays on screen for 2 different shots and goes on the 3rd shot after it has been put on, giving the audience time to comprehend and read it. It attracts the audience as it is put on screen very fast and sharply. The song is still playing by Thin Lizzy at this point and it just adds a bit of music to the scenes to keep the audience entertained and engaged. The final shot of text in the opening few minutes is the title of the film. Again, this is in the same font as previous texts and is still in white. However this time the font has got larger to show the title, as this is the most important thing, it is the last thing shown and in the biggest. The text doesn't give the narrative away exactly but the audience can guess that it is set in the summer months and could possibly be either about wildlife or building things, or both. This text attracts the audience more than any other text as it is so much more bigger. The text arrives on the screen a short time after the shot. It stays on screen for a couple of seconds. The music is still the same and in none of the texts are the actors and actresses names, only the production companies and titles. This is as these are the most important things for the director and he may not want to expose any actors or actresses early on.