網絡藝術與數據文化 (Network Art & Data Culture)
- 研討會:鑑賞網絡藝術史(由1.0 至 2.0)
(Seminar: Network art from 1.0 to 2.0)
Winnie Soon 孫 詠 怡
h t t p : / / w w w . s i u s o o n . c o m
Taipei National University of the Arts, 2013
(4.Jun.2013 16:00-18:30)
Tuesday, 4 June 2013
Interdisciplinary artist (跨界別藝術工作者):
Information Systems & Computing 
(商業資 糸統及電腦)
Graphic Communication (設計)
Media Cultures (媒體文化)
Digital Art and Technology (數碼藝術與科技)
2004 | mobile video 1998-2008 | Creative Industries 2008 - Present
Research Area: Data and Network Culture
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Visiting Researcher /客席研究人員@
School of Creative Media, City University of HK
Doctoral Researcher /博士研究生@
School of Arts & New Media, University of Hull, UK
Adjunct Professor / 客座教授@
Savannah College of Art and Design, HK
Tuesday, 4 June 2013
INDEX:
- Technology PLAY ( 科技玩樂)
- early net art movement ( 早期網絡藝術發展)
- Web 2.0 ( 網絡 2.0)
- Network Art (網絡藝術)
- Network Art & Data Culture (網絡藝術與數據文化)
- Liveness  (活性)
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I. Technology Play/ 科技玩樂 - retro 復古
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LISTEN:
http://www.youtube.com/watch?v=gsNaR6FRuO0
retro-technology Play (1)
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What is the properties of dial-up(撥號)?
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retro-technology Play (2)
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What is WWW?
retro-technology Play (2)
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retro-technology Play (3)
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retro-technology Play (4)
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http://www.tntbasic.com/learn/help/guides/asciicodesexplained.htm
retro-technology Play (5)
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ASCII ART
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http://www.theatlanticwire.com/technology/2012/06/25-year-history-animated-gif-gif-format/
53608/
retro-technology Play (6)
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II. early net.art since the 90s( 早期網絡藝術發展)
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http://thecreatorsproject.vice.com/blog/olia-lialinas-most-famous-net-art-piece-turns-15
My Boy friend Came Back From the War (1996) by Olia Lialina
Tuesday, 4 June 2013
My Boy friend Came Back From the War (1996) by Olia Lialina
“Frames were confusing users and search engines, and drove developers
crazy. It was one of the most controversial web design features, hated by
many from the very beginning. Earlier this year it was removed from the
HTML 5 standard. So, now it’s history.”
“users should not just use the web to publish their stories, but to make
web stories...In other words, produce stuff that is medium specific.”
- Lialina
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http://wwwwwwwww.jodi.org/ (1995) by JODI
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Global Move (2003) by JODI
http://globalmove.us/
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Shredder 1.0 (1998) by Mark Napier
http://www.potatoland.org/shredder/shredder.html
“Shredder appropriates the data of the web, transforming it into a parallel
web. Content become abstraction. Text becomes graphics. Information
becomes art.” - Napier
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net art 又名 net.art (dot in between), why?
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[...] J8~g#|;Net. Art{-^s1 [...]
“Actually, it’s a readymade ...” (Alexei, 1997)
Vuk Cosic, 1995
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What is the aesthetics of (net)art?
Tuesday, 4 June 2013
What is the aesthetics of (net)art?
“the technical is always political, that network architecture is politics ”
                 -- Galloway: 2004, p.254
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III. Web 2.0 era / ...
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IV. Network Art (網絡藝術)
criticizing network culture in different ways
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The Sheep Market (2006) by Aaron Koblin
http://www.thesheepmarket.com/
https://www.youtube.com/watch?v=3Mmb5aSscck (1:24)
TheSheepMarket.com is a collection of 10,000 sheep made by
workers on Amazon's Mechanical Turk. (https://www.mturk.com/
mturk/welcome)
Workers were paid 0.02 ($USD) to "draw a sheep facing to the left."
Tuesday, 4 June 2013
Uncloud (2012) by Rui Guerra and David Jonas
http://www.intk.com/projects/uncloud
Uncloud
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Map (2006-2010) by Aram Bartholl
Tuesday, 4 June 2013
Facebook Demetricator (2012) by Benjamin Grosser
Browser Add on
Web browser’s add-on
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V. Network Art - Data Culture
    網絡藝術與數據文化
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Listening Post (2003) by Mark Hansen & Ben Rubin
https://www.youtube.com/watch?v=dD36IajCz6A
Tuesday, 4 June 2013
Vending Machine (2009) by Ellie Harrison
http://vimeo.com/4403063
Tuesday, 4 June 2013
Tweetping (2013) by Franck Ernewein
http://tweetping.net/#
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Popufu/ 匍匍匐 (2009) by 林世昌
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   What is data?
Is data part of our culture?
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Liveness in the Network
Is it a performance?
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Who is the performer?
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“Code is understood as both script and performance, Cox argues, and
is in this sense like spoken language--always ready for action.”
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VI: What is live in the network?
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What is the aesthetics of liveness?
“the technical is always political, that network architecture is politics ”
                 -- Galloway: 2004, p.254
Tuesday, 4 June 2013
ref:
http://forum.ubuntu.org.cn/viewtopic.php?f=8&t=22610&start=0
http://downloadsquad.switched.com/2011/04/04/chromelite-experience-
the-ascii-web-of-yesteryear/
http://oktaweb.net/blog/world-wide-web
http://blog.xuite.net/chuck30804/best/18666105-
%E3%80%90%E6%83%B3%E6%B3%95%E3%80%91Web+2.0+%E7%9A
%84%E5%8F%8D%E6%80%9D
http://www.rossdawsonblog.com/Web2_Framework.pdf
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Thank YOU
Q & A
Tuesday, 4 June 2013

NETWORK ART 1.0 to 2.0 and its aesthetics