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Muse powerpoint
The document lists details of albums, EPs and songs released by the band Muse between 1999-2015. It provides information on the album/EP name, release year, record label and number of songs. Key albums included Showbiz (1999), Origin of Symmetry (2001), Absolution (2003), Black Holes and Revelations (2006), The Resistance (2009) and Drones (2015). The discography shows Muse's transition between record labels Mushroom and Warner Brothers and an increase in songs per album over their career.
Credit sequence genres
The document describes the opening credit sequences of various films. It provides details on whether the credits are integrated into the film or separate, the timing of when individual credits and the title appear. Some key examples include:
- The Lake: Integrated credits with title at 9 seconds and subsequent credits every 3/4 seconds.
- American Horror Story: Overlapped credits with first at 23 seconds and then every 7 seconds.
- Ace Ventura: Overlapped credits with first at 4 seconds and each subsequent every 4 seconds, title at 21 seconds.
- Titanic: Integrated credits with first at 17 seconds and then every 5 seconds, title at 43 seconds.
Credit sequence genres
The document describes the opening credit sequences of various films. It provides details on whether the credits are integrated into the beginning of the film or separate, and the timing of when individual credits and the title appear. Credit timing ranges from every 1/2 second to every 7 seconds. Titles appear from 6 seconds to over 1 minute into the openings. Credit sequences are described as integrated, overlapped, or separate based on how they relate to the beginning scene.
Taylor swift presentation (kim and khloe)
Taylor Swift started as a country singer in her early teenage years but expanded into a massive pop star through several albums that progressed from country to pop music. Her early album artwork portrayed her as a young country girl through her hair, makeup, and lighting, but her more recent albums show her expanded brand identity as she matured into a pop artist. While changing her image, she brought new elements to her music and performances without losing existing fans. Taylor Swift successfully transitioned from a country singer into a global pop sensation through strategic changes to her music, appearance, concerts, and merchandise over multiple albums.
Muse powerpoint
The document lists details of albums and songs released by the band Muse between 1999-2015. It provides information on the album name, release year, record label, and number of songs for each album. The band's albums were initially released through Mushroom Records and later through Helium 3 and Warner Brothers records. Over the years covered, the albums increased in number of songs and moved to larger record labels, ranging from 13 songs on their 2001 album Origin of Symmetry to 25 songs across their 2008 live album HAARP.
Evaluation question 1
The document discusses how the media product uses and develops conventions of real music videos. It provides examples of conventions from various music videos and analyzes how the media product incorporates these conventions. Specifically, it discusses using paint/food fights, wide shots, dust/home video effects, close-ups of mouths, handheld camera effects, natural/unplanned performances, and linking the visuals, lyrics, and narrative to match Andrew Goodwin's theory of six aspects of music videos. Overall, it summarizes how the media product successfully utilizes common conventions of real music videos.
Parmore
The album covers of the band Paramore have a consistent color scheme using dull colors like black, white and greys along with touches of orange, green, and red. This consistent color scheme makes their album artwork unique and helps develop their brand identity. Their website also uses this same color scheme, linking the imagery on the albums to that on the website. The website provides access to their discography and information about the band members while further enhancing their brand through the matching visual style.
Recommended
Muse powerpoint
The document lists details of albums, EPs and songs released by the band Muse between 1999-2015. It provides information on the album/EP name, release year, record label and number of songs. Key albums included Showbiz (1999), Origin of Symmetry (2001), Absolution (2003), Black Holes and Revelations (2006), The Resistance (2009) and Drones (2015). The discography shows Muse's transition between record labels Mushroom and Warner Brothers and an increase in songs per album over their career.
Credit sequence genres
The document describes the opening credit sequences of various films. It provides details on whether the credits are integrated into the film or separate, the timing of when individual credits and the title appear. Some key examples include:
- The Lake: Integrated credits with title at 9 seconds and subsequent credits every 3/4 seconds.
- American Horror Story: Overlapped credits with first at 23 seconds and then every 7 seconds.
- Ace Ventura: Overlapped credits with first at 4 seconds and each subsequent every 4 seconds, title at 21 seconds.
- Titanic: Integrated credits with first at 17 seconds and then every 5 seconds, title at 43 seconds.
Credit sequence genres
The document describes the opening credit sequences of various films. It provides details on whether the credits are integrated into the beginning of the film or separate, and the timing of when individual credits and the title appear. Credit timing ranges from every 1/2 second to every 7 seconds. Titles appear from 6 seconds to over 1 minute into the openings. Credit sequences are described as integrated, overlapped, or separate based on how they relate to the beginning scene.
Taylor swift presentation (kim and khloe)
Taylor Swift started as a country singer in her early teenage years but expanded into a massive pop star through several albums that progressed from country to pop music. Her early album artwork portrayed her as a young country girl through her hair, makeup, and lighting, but her more recent albums show her expanded brand identity as she matured into a pop artist. While changing her image, she brought new elements to her music and performances without losing existing fans. Taylor Swift successfully transitioned from a country singer into a global pop sensation through strategic changes to her music, appearance, concerts, and merchandise over multiple albums.
Muse powerpoint
The document lists details of albums and songs released by the band Muse between 1999-2015. It provides information on the album name, release year, record label, and number of songs for each album. The band's albums were initially released through Mushroom Records and later through Helium 3 and Warner Brothers records. Over the years covered, the albums increased in number of songs and moved to larger record labels, ranging from 13 songs on their 2001 album Origin of Symmetry to 25 songs across their 2008 live album HAARP.
Evaluation question 1
The document discusses how the media product uses and develops conventions of real music videos. It provides examples of conventions from various music videos and analyzes how the media product incorporates these conventions. Specifically, it discusses using paint/food fights, wide shots, dust/home video effects, close-ups of mouths, handheld camera effects, natural/unplanned performances, and linking the visuals, lyrics, and narrative to match Andrew Goodwin's theory of six aspects of music videos. Overall, it summarizes how the media product successfully utilizes common conventions of real music videos.
Parmore
The album covers of the band Paramore have a consistent color scheme using dull colors like black, white and greys along with touches of orange, green, and red. This consistent color scheme makes their album artwork unique and helps develop their brand identity. Their website also uses this same color scheme, linking the imagery on the albums to that on the website. The website provides access to their discography and information about the band members while further enhancing their brand through the matching visual style.
Magazine advert research
The document describes an album advertisement that features a large image of the singer with photoshopped lights in her hair and background. The advertisement uses matching colors and dull colors with a bright title to catch attention. It presents the singer's name and image prominently to advertise her and her album. It also lists the album's songs and reviews to further promote the album.
Muse powerpoint
The document provides instructions for exploring the music videos of an assigned artist over their career. Students are asked to research the artist's album releases and singles, view 6 music videos spanning their career, analyze elements of brand identity that remain consistent, and ways the videos develop over time. They should also look for connections between video and album artwork, consider production budgets, and provide insights into how the videos relate to the artist's songs and public image. A discography for Muse is then presented listing album details from 1999 to 2015.
Genres
This document analyzes the camera work, mise-en-scene, and themes in several music videos. Common elements identified across videos include close-up shots of faces and instruments, slow motion editing to match calm music, dystopian lighting and effects to portray drug use or abnormal feelings, and sexualized depictions of women through revealing costumes, close-up shots, and positioning them around empowered men. The analyses suggest videos aim to visually represent and reinforce the lyrical themes and moods of the songs.
Evaulation question 2 part 2
This document discusses the design choices made for packaging and promotional materials for a band's music. For the digipack front cover, a font resembling a paint brush effect was chosen to match the paint splatter theme. An image of the lead singer was used to identify her as the main performer. Feedback from surveys informed keeping the design in color.
Inside pages feature social media handles, band member photos, and a paint splatter background tying elements together visually. Fonts and colors are consistent across pages to create a cohesive brand identity.
The back cover features the only male band member to make him stand out. Consistent fonts and colors link all elements of the packaging.
The magazine ad design mirrors the
Evaluation question 1
The document discusses how the media product uses and develops conventions of real music videos. It provides examples of conventions from various music videos and analyzes how the media product incorporates these conventions. Specifically, it discusses using paint/food fights, wide shots, dust/home video effects, close-ups of mouths, handheld camera effects, natural/unplanned performances, and linking the visuals, lyrics, and narrative to match Andrew Goodwin's theory of six aspects of music videos. Overall, it summarizes how the media product successfully utilizes common conventions of real music videos.
Credit sequence genres
The document describes the opening credit sequences of various films. It notes whether the credits are integrated into the beginning of the film footage or separate. For integrated sequences, it provides the timing of the first credit and cadence of subsequent credits. For separate sequences, it details the timing of the first credit and title. Films discussed include The Lake, Sarah Paulson, Vacancy, American Horror Story, 17 Again, Step Brothers, Ace Venture, Knocked Up, Back to the Future, Alien, X-Men, Matrix, Titanic, Love Actually, The Fault in Our Stars, and Dirty Dancing.
Genres
This document analyzes the camera work, mise-en-scene, and themes in several music videos. Common elements identified across videos include close-up shots of faces, dancers and instruments; slow or upbeat editing to match the tempo of the song; suggestive or revealing costumes for women; and themes of romance, drugs/altered mental states, and empowerment. Special effects like spinning shots or warped perspectives also aim to enhance the mood or message of the lyrics.
History of music videos
The document discusses the history and evolution of music videos from their earliest forms in the 1920s to their emergence as a popular art form and promotional tool in the 1980s and beyond. It notes that some of the first "music videos" were films created by animators in the 1920s to accompany music. In the 1950s, promotional videos began being produced specifically to promote songs, and the "illustrated song" became a form of popular entertainment. The document then examines similarities and differences between various music videos from different eras in terms of style, filming techniques, themes, and cultural contexts.
Muse powerpoint
The document provides information about the albums and music videos of the band Muse over their career. It lists their albums from 1999 to 2015, including details on release dates, record labels, and song counts. It also describes several of Muse's music videos in terms of narrative themes, production values/budgets, use of instruments and effects, and how the videos relate visually and thematically to the songs and albums. Common narrative elements in the videos include fictional stories, voyeurism, and changing colors/tones that correspond to the intensity of the music. Early videos had lower budgets and relied more on performance and basic sets/locations.
Timetable
This schedule lists rehearsal dates and times for a production, noting the characters needed each day, with most rehearsals requiring all or everyone. The schedule provides the date, time, place, and people needed for each rehearsal through late November, with a backup date in early December also including everyone.
Locations of filming
The document lists locations used for filming including Chloe Hart's house, the Park Avenue Graveyard, and the seafront road where a crash was filmed. It also notes that a flipped car was used on Patrington straight and a car with a damaged wind mirror belonged to Kim's mum.
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Magazine advert research
The document describes an album advertisement that features a large image of the singer with photoshopped lights in her hair and background. The advertisement uses matching colors and dull colors with a bright title to catch attention. It presents the singer's name and image prominently to advertise her and her album. It also lists the album's songs and reviews to further promote the album.
Muse powerpoint
The document provides instructions for exploring the music videos of an assigned artist over their career. Students are asked to research the artist's album releases and singles, view 6 music videos spanning their career, analyze elements of brand identity that remain consistent, and ways the videos develop over time. They should also look for connections between video and album artwork, consider production budgets, and provide insights into how the videos relate to the artist's songs and public image. A discography for Muse is then presented listing album details from 1999 to 2015.
Genres
This document analyzes the camera work, mise-en-scene, and themes in several music videos. Common elements identified across videos include close-up shots of faces and instruments, slow motion editing to match calm music, dystopian lighting and effects to portray drug use or abnormal feelings, and sexualized depictions of women through revealing costumes, close-up shots, and positioning them around empowered men. The analyses suggest videos aim to visually represent and reinforce the lyrical themes and moods of the songs.
Evaulation question 2 part 2
This document discusses the design choices made for packaging and promotional materials for a band's music. For the digipack front cover, a font resembling a paint brush effect was chosen to match the paint splatter theme. An image of the lead singer was used to identify her as the main performer. Feedback from surveys informed keeping the design in color.
Inside pages feature social media handles, band member photos, and a paint splatter background tying elements together visually. Fonts and colors are consistent across pages to create a cohesive brand identity.
The back cover features the only male band member to make him stand out. Consistent fonts and colors link all elements of the packaging.
The magazine ad design mirrors the
Evaluation question 1
The document discusses how the media product uses and develops conventions of real music videos. It provides examples of conventions from various music videos and analyzes how the media product incorporates these conventions. Specifically, it discusses using paint/food fights, wide shots, dust/home video effects, close-ups of mouths, handheld camera effects, natural/unplanned performances, and linking the visuals, lyrics, and narrative to match Andrew Goodwin's theory of six aspects of music videos. Overall, it summarizes how the media product successfully utilizes common conventions of real music videos.
Credit sequence genres
The document describes the opening credit sequences of various films. It notes whether the credits are integrated into the beginning of the film footage or separate. For integrated sequences, it provides the timing of the first credit and cadence of subsequent credits. For separate sequences, it details the timing of the first credit and title. Films discussed include The Lake, Sarah Paulson, Vacancy, American Horror Story, 17 Again, Step Brothers, Ace Venture, Knocked Up, Back to the Future, Alien, X-Men, Matrix, Titanic, Love Actually, The Fault in Our Stars, and Dirty Dancing.
Genres
This document analyzes the camera work, mise-en-scene, and themes in several music videos. Common elements identified across videos include close-up shots of faces, dancers and instruments; slow or upbeat editing to match the tempo of the song; suggestive or revealing costumes for women; and themes of romance, drugs/altered mental states, and empowerment. Special effects like spinning shots or warped perspectives also aim to enhance the mood or message of the lyrics.
History of music videos
The document discusses the history and evolution of music videos from their earliest forms in the 1920s to their emergence as a popular art form and promotional tool in the 1980s and beyond. It notes that some of the first "music videos" were films created by animators in the 1920s to accompany music. In the 1950s, promotional videos began being produced specifically to promote songs, and the "illustrated song" became a form of popular entertainment. The document then examines similarities and differences between various music videos from different eras in terms of style, filming techniques, themes, and cultural contexts.
Muse powerpoint
The document provides information about the albums and music videos of the band Muse over their career. It lists their albums from 1999 to 2015, including details on release dates, record labels, and song counts. It also describes several of Muse's music videos in terms of narrative themes, production values/budgets, use of instruments and effects, and how the videos relate visually and thematically to the songs and albums. Common narrative elements in the videos include fictional stories, voyeurism, and changing colors/tones that correspond to the intensity of the music. Early videos had lower budgets and relied more on performance and basic sets/locations.
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Timetable
This schedule lists rehearsal dates and times for a production, noting the characters needed each day, with most rehearsals requiring all or everyone. The schedule provides the date, time, place, and people needed for each rehearsal through late November, with a backup date in early December also including everyone.
Locations of filming
The document lists locations used for filming including Chloe Hart's house, the Park Avenue Graveyard, and the seafront road where a crash was filmed. It also notes that a flipped car was used on Patrington straight and a car with a damaged wind mirror belonged to Kim's mum.
Risk assessment
This document discusses potential risks and how to prevent or respond to three risks: a car crash may occur while driving but can be prevented by driving safely and wearing seat belts, injecting with a syringe can be avoided by only filling it with water and not placing it directly on the skin, and camera batteries running out can be prevented by fully charging batteries beforehand and keeping spares available to allow rescheduling if needed.
Locations of filming
The document lists locations used for filming including Chloe Hart's house, the Park Avenue Graveyard, and the seafront road where a crash was filmed. It also notes that a flipped car was used on Patrington straight and a car with a damaged wind mirror belonged to Kim's mum.
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