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Projetos WIDA - Web Intelligence and Digital Ambience
O documento lista os horários e grupos de defesa final do programa WIDA RJ02 no Centro de Tecnologia da UFRJ em 19 de fevereiro de 2016. São apresentados 5 grupos com seus respectivos horários, bancas examinadoras e títulos dos trabalhos, que incluem temas como plataforma digital colaborativa, projeto de criação de plataforma, modelo de negócio de aplicativo de pesquisa de preços e aplicação do modelo de previsão de inovações disruptivas.
Australian_Multi_Screen_Report_Q4_2015_FINAL
The document provides an overview of Australians' viewing habits across multiple screens in Quarter 4 of 2015. Some key findings include:
- The TV set remains the primary viewing device, accounting for 85% of total video viewing time. However, viewing on computers, tablets, and smartphones is rising, especially among younger Australians.
- 87.4% of Australians still watch broadcast TV on their TV sets each week, though this is down slightly from the previous year. Total broadcast TV viewing time averaged 85 hours and 17 minutes per month.
- Younger age groups are spending more time engaged in "other screen use" like browsing the internet on their TVs, while older Australians focus more on live and playback TV viewing.
Generosidad Convive
El documento describe el Proyecto Generosidad financiado por el Banco Internacional de Reconstrucción y Fomento para promover la equidad de género en México a través de tres componentes: fortalecimiento institucional, desarrollo de la equidad de género con acciones comunitarias, y apoyo a actividades productivas con enfoque de género. Uno de los programas clave es el Programa Convive, el cual apoyó 70 proyectos comunitarios para fomentar la tolerancia entre hombres y mujeres.
Modelos del proceso del software
Este documento describe varios modelos de procesos de desarrollo de software, incluyendo el modelo en cascada, el desarrollo evolutivo, la ingeniería de software basada en componentes y la iteración de procesos. El modelo en cascada consiste en una secuencia de actividades que deben seguirse en orden. El desarrollo evolutivo se basa en mejorar iterativamente un sistema inicial con comentarios de usuarios. La ingeniería de software basada en componentes se centra en la reutilización de código existente. La iteración de procesos implica divid
Introduction to RISC-V
In this deck from the 2016 Stanford HPC Conference, Kurt Keville from R&D Labs at MIT presents: Introduction to RISC-V.
"Today’s server systems provide many knobs which influence energy efficiency and performance. Some of these knobs control the behavior of the operating systems, whereas others control the behavior of the hardware itself. Choosing the optimal configuration of the knobs is critical for energy efficiency. In this talk recent research results will be presented, including examples of big data applications that consume less energy when dynamic tuning is employed."
Kurt works on optimizing HPC codes for educational and institutional (R&D labs) purposes at MIT. He assesses new supercomputing hardware as part of his responsibilities. He has published in IEEE conferences and journals and he teaches embedded programming once a year. Kurt has a BS from West Point and an MS from MIT.
Learn more: http://soc.mit.edu
Sign up for our insideHPC Newsletter: http://insideHPC.com/newsletter
Evaluation question 1
The document discusses how the media product uses and develops conventions of real music videos. It provides examples of conventions from various music videos and analyzes how the media product incorporates these conventions. Specifically, it discusses using paint/food fights, wide shots, dust/home video effects, close-ups of mouths, handheld camera effects, natural/unplanned performances, and linking the visuals, lyrics, and narrative to match Andrew Goodwin's theory of six aspects of music videos. Overall, it summarizes how the media product successfully utilizes common conventions of real music videos.
Recommended
Projetos WIDA - Web Intelligence and Digital Ambience
O documento lista os horários e grupos de defesa final do programa WIDA RJ02 no Centro de Tecnologia da UFRJ em 19 de fevereiro de 2016. São apresentados 5 grupos com seus respectivos horários, bancas examinadoras e títulos dos trabalhos, que incluem temas como plataforma digital colaborativa, projeto de criação de plataforma, modelo de negócio de aplicativo de pesquisa de preços e aplicação do modelo de previsão de inovações disruptivas.
Australian_Multi_Screen_Report_Q4_2015_FINAL
The document provides an overview of Australians' viewing habits across multiple screens in Quarter 4 of 2015. Some key findings include:
- The TV set remains the primary viewing device, accounting for 85% of total video viewing time. However, viewing on computers, tablets, and smartphones is rising, especially among younger Australians.
- 87.4% of Australians still watch broadcast TV on their TV sets each week, though this is down slightly from the previous year. Total broadcast TV viewing time averaged 85 hours and 17 minutes per month.
- Younger age groups are spending more time engaged in "other screen use" like browsing the internet on their TVs, while older Australians focus more on live and playback TV viewing.
Generosidad Convive
El documento describe el Proyecto Generosidad financiado por el Banco Internacional de Reconstrucción y Fomento para promover la equidad de género en México a través de tres componentes: fortalecimiento institucional, desarrollo de la equidad de género con acciones comunitarias, y apoyo a actividades productivas con enfoque de género. Uno de los programas clave es el Programa Convive, el cual apoyó 70 proyectos comunitarios para fomentar la tolerancia entre hombres y mujeres.
Modelos del proceso del software
Este documento describe varios modelos de procesos de desarrollo de software, incluyendo el modelo en cascada, el desarrollo evolutivo, la ingeniería de software basada en componentes y la iteración de procesos. El modelo en cascada consiste en una secuencia de actividades que deben seguirse en orden. El desarrollo evolutivo se basa en mejorar iterativamente un sistema inicial con comentarios de usuarios. La ingeniería de software basada en componentes se centra en la reutilización de código existente. La iteración de procesos implica divid
Introduction to RISC-V
In this deck from the 2016 Stanford HPC Conference, Kurt Keville from R&D Labs at MIT presents: Introduction to RISC-V.
"Today’s server systems provide many knobs which influence energy efficiency and performance. Some of these knobs control the behavior of the operating systems, whereas others control the behavior of the hardware itself. Choosing the optimal configuration of the knobs is critical for energy efficiency. In this talk recent research results will be presented, including examples of big data applications that consume less energy when dynamic tuning is employed."
Kurt works on optimizing HPC codes for educational and institutional (R&D labs) purposes at MIT. He assesses new supercomputing hardware as part of his responsibilities. He has published in IEEE conferences and journals and he teaches embedded programming once a year. Kurt has a BS from West Point and an MS from MIT.
Learn more: http://soc.mit.edu
Sign up for our insideHPC Newsletter: http://insideHPC.com/newsletter
Evaluation question 1
The document discusses how the media product uses and develops conventions of real music videos. It provides examples of conventions from various music videos and analyzes how the media product incorporates these conventions. Specifically, it discusses using paint/food fights, wide shots, dust/home video effects, close-ups of mouths, handheld camera effects, natural/unplanned performances, and linking the visuals, lyrics, and narrative to match Andrew Goodwin's theory of six aspects of music videos. Overall, it summarizes how the media product successfully utilizes common conventions of real music videos.
Evaulation question 2 part 2
This document discusses the design choices made for packaging and promotional materials for a band's music. For the digipack front cover, a font resembling a paint brush effect was chosen to match the paint splatter theme. An image of the lead singer was used to identify her as the main performer. Feedback from surveys informed keeping the design in color.
Inside pages feature social media handles, band member photos, and a paint splatter background tying elements together visually. Fonts and colors are consistent across pages to create a cohesive brand identity.
The back cover features the only male band member to make him stand out. Consistent fonts and colors link all elements of the packaging.
The magazine ad design mirrors the
Evaluation question 1
The document discusses how the media product uses and develops conventions of real music videos. It provides examples of conventions from various music videos and analyzes how the media product incorporates these conventions. Specifically, it discusses using paint/food fights, wide shots, dust/home video effects, close-ups of mouths, handheld camera effects, natural/unplanned performances, and linking the visuals, lyrics, and narrative to match Andrew Goodwin's theory of six aspects of music videos. Overall, it summarizes how the media product successfully utilizes common conventions of real music videos.
Magazine advert research
The document describes an album advertisement that features a large image of the singer with photoshopped lights in her hair and background. The advertisement uses matching colors and dull colors with a bright title to catch attention. It presents the singer's name and image prominently to advertise her and her album. It also lists the album's songs and reviews to further promote the album.
Parmore
The album covers of the band Paramore have a consistent color scheme using dull colors like black, white and greys along with touches of orange, green, and red. This consistent color scheme makes their album artwork unique and helps develop their brand identity. Their website also uses this same color scheme, linking the imagery on the albums to that on the website. The website provides access to their discography and information about the band members while further enhancing their brand through the matching visual style.
Timetable
This schedule lists rehearsal dates and times for a production, noting the characters needed each day, with most rehearsals requiring all or everyone. The schedule provides the date, time, place, and people needed for each rehearsal through late November, with a backup date in early December also including everyone.
History of music videos
The document discusses the history and evolution of music videos from their earliest forms in the 1920s to their emergence as a popular art form and promotional tool in the 1980s and beyond. It notes that some of the first "music videos" were films created by animators in the 1920s to accompany music. In the 1950s, promotional videos began being produced specifically to promote songs, and the "illustrated song" became a form of popular entertainment. The document then examines similarities and differences between various music videos from different eras in terms of style, filming techniques, themes, and cultural contexts.
Genres
This document analyzes the camera work, mise-en-scene, and themes in several music videos. Common elements identified across videos include close-up shots of faces and instruments, slow motion editing to match calm music, dystopian lighting and effects to portray drug use or abnormal feelings, and sexualized depictions of women through revealing costumes, close-up shots, and positioning them around empowered men. The analyses suggest videos aim to visually represent and reinforce the lyrical themes and moods of the songs.
Genres
This document analyzes the camera work, mise-en-scene, and themes in several music videos. Common elements identified across videos include close-up shots of faces, dancers and instruments; slow or upbeat editing to match the tempo of the song; suggestive or revealing costumes for women; and themes of romance, drugs/altered mental states, and empowerment. Special effects like spinning shots or warped perspectives also aim to enhance the mood or message of the lyrics.
Taylor swift presentation (kim and khloe)
Taylor Swift started as a country singer in her early teenage years but expanded into a massive pop star through several albums that progressed from country to pop music. Her early album artwork portrayed her as a young country girl through her hair, makeup, and lighting, but her more recent albums show her expanded brand identity as she matured into a pop artist. While changing her image, she brought new elements to her music and performances without losing existing fans. Taylor Swift successfully transitioned from a country singer into a global pop sensation through strategic changes to her music, appearance, concerts, and merchandise over multiple albums.
The History of Stoke Newington Street Names
Presented at the Stoke Newington Literary Festival on 9th June 2024
www.StokeNewingtonHistory.com
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Evaulation question 2 part 2
This document discusses the design choices made for packaging and promotional materials for a band's music. For the digipack front cover, a font resembling a paint brush effect was chosen to match the paint splatter theme. An image of the lead singer was used to identify her as the main performer. Feedback from surveys informed keeping the design in color.
Inside pages feature social media handles, band member photos, and a paint splatter background tying elements together visually. Fonts and colors are consistent across pages to create a cohesive brand identity.
The back cover features the only male band member to make him stand out. Consistent fonts and colors link all elements of the packaging.
The magazine ad design mirrors the
Evaluation question 1
The document discusses how the media product uses and develops conventions of real music videos. It provides examples of conventions from various music videos and analyzes how the media product incorporates these conventions. Specifically, it discusses using paint/food fights, wide shots, dust/home video effects, close-ups of mouths, handheld camera effects, natural/unplanned performances, and linking the visuals, lyrics, and narrative to match Andrew Goodwin's theory of six aspects of music videos. Overall, it summarizes how the media product successfully utilizes common conventions of real music videos.
Magazine advert research
The document describes an album advertisement that features a large image of the singer with photoshopped lights in her hair and background. The advertisement uses matching colors and dull colors with a bright title to catch attention. It presents the singer's name and image prominently to advertise her and her album. It also lists the album's songs and reviews to further promote the album.
Parmore
The album covers of the band Paramore have a consistent color scheme using dull colors like black, white and greys along with touches of orange, green, and red. This consistent color scheme makes their album artwork unique and helps develop their brand identity. Their website also uses this same color scheme, linking the imagery on the albums to that on the website. The website provides access to their discography and information about the band members while further enhancing their brand through the matching visual style.
Timetable
This schedule lists rehearsal dates and times for a production, noting the characters needed each day, with most rehearsals requiring all or everyone. The schedule provides the date, time, place, and people needed for each rehearsal through late November, with a backup date in early December also including everyone.
History of music videos
The document discusses the history and evolution of music videos from their earliest forms in the 1920s to their emergence as a popular art form and promotional tool in the 1980s and beyond. It notes that some of the first "music videos" were films created by animators in the 1920s to accompany music. In the 1950s, promotional videos began being produced specifically to promote songs, and the "illustrated song" became a form of popular entertainment. The document then examines similarities and differences between various music videos from different eras in terms of style, filming techniques, themes, and cultural contexts.
Genres
This document analyzes the camera work, mise-en-scene, and themes in several music videos. Common elements identified across videos include close-up shots of faces and instruments, slow motion editing to match calm music, dystopian lighting and effects to portray drug use or abnormal feelings, and sexualized depictions of women through revealing costumes, close-up shots, and positioning them around empowered men. The analyses suggest videos aim to visually represent and reinforce the lyrical themes and moods of the songs.
Genres
This document analyzes the camera work, mise-en-scene, and themes in several music videos. Common elements identified across videos include close-up shots of faces, dancers and instruments; slow or upbeat editing to match the tempo of the song; suggestive or revealing costumes for women; and themes of romance, drugs/altered mental states, and empowerment. Special effects like spinning shots or warped perspectives also aim to enhance the mood or message of the lyrics.
Taylor swift presentation (kim and khloe)
Taylor Swift started as a country singer in her early teenage years but expanded into a massive pop star through several albums that progressed from country to pop music. Her early album artwork portrayed her as a young country girl through her hair, makeup, and lighting, but her more recent albums show her expanded brand identity as she matured into a pop artist. While changing her image, she brought new elements to her music and performances without losing existing fans. Taylor Swift successfully transitioned from a country singer into a global pop sensation through strategic changes to her music, appearance, concerts, and merchandise over multiple albums.
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