Structure and narrative (W.A)
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The document discusses aspects of film trailers such as establishing shots, equilibrium, disruption, pacing of montages, and climax. It provides analysis of two specific trailers. For the first trailer, Taken, the establishing shot shows a daughter's happy birthday party. The disruption occurs when she learns her friend in Paris was kidnapped. There are slow montages of the kidnapping and faster paced ones of the father's rescue efforts. For the second trailer, Pain & Gain, the establishing shot shows characters happy on a sunny day. Throughout there are clips showing the characters and explosions. The trailer emphasizes comedy over crime/action through funny quotes.
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V for Vendetta Trailer Analysis
The trailer makes viewers aware of the film's March 17th release date by displaying the date in text at the end. It introduces the two main characters early on to identify who is in the film. The genre is evident through scenes of action and violence, signaling it is a thriller/action movie. The story is conveyed through voiceovers and text, and it notes the film is from the creators of The Matrix trilogy to connect it to their previous work.
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The document summarizes the openings of four films/TV shows:
1) James Bond: Quantum of Solace features suspenseful cuts that build relationships between characters and tension as Bond chases bad guys.
2) CSI uses slow motion shots that feel like a single long take to immerse viewers in clues and imagine how events unfold.
3) Blood and Bone opens with a prison fight that establishes the main character's skills and hints at a dark backstory.
4) The Dark Knight introduces the Joker through his mask in a bank heist, showing his greed and willingness to reveal his identity.
Film trailer proposal document
The trailer proposal is for a thriller/action film called "The Follower" that tells the story of a young boy named Sam who befriends a new student in town named Will, unaware that Sam's former psychopath friend plans to target them. The trailer would establish Sam and Will's friendship, show Will getting kidnapped and taken to Sam's house, and end with Will escaping and racing to warn Sam, only to arrive as the follower closes in on the house. If made, the film is targeted towards 15-25 year old male audiences, and production including filming and editing is estimated to take 5-8 weeks.
Gangster Film Trailer Analysis
The trailer for The Godfather analyzes the characters and plot developments shown. Scenes introduce powerful characters, some with weapons, involved in an argument that leads to violence and police involvement. Flashbacks create mystery around a relevant early scene. Shots shift between main characters, suggesting a significant change in their relationship. The trailer ends only with the title, creating intrigue to learn more.
Shifty Analysis
The document analyzes the opening sequence of the film "Shifty", which is about a day in the life of a crack cocaine dealer. It notes that the sound is mellow and sad to set a somber mood, and that the shots include close-ups, medium shots, and long shots. The titles are plain white font that does not indicate the genre.
The good the band and the ugly
The document analyzes a scene from the film "The Good, the Bad and the Ugly". It discusses how the close-up shots of each character looking at one another establishes tension and suggests they are nervous. Hand close-ups further reveal one character is fidgeting and another's hand is shaking, indicating their states of mind. The positioning of the characters is established through 180-degree shots. A rock placed between them takes on symbolic significance. Facial expressions and backgrounds provide clues to one character's fate. Music and wide shots set the scene. Through these techniques, the director builds suspense around the outcome of the standoff.
Se7en analysis
This document provides analysis of key elements in the thriller film Se7en. It summarizes that the film stars Brad Pitt as Detective Mills and Morgan Freeman as Detective Somerset who work together to catch a serial killer played by Kevin Spacey. The killer bases his murders on the seven deadly sins and has already killed three victims as the detectives try to stop him from claiming five more lives. Scenes described show the detectives reviewing evidence at a crime scene and discussing the case in the rain.
Bond opening
The document analyzes the opening sequence of the James Bond film Quantum of Solace. It describes the sequence through a series of shots that start wide establishing shots of mountains and move closer to show a car driving through a dark tunnel. Quick close-up shots build tension as the music intensifies, showing bullets and the front of a black car. The sequence uses conventions like fast pacing, cars, helicopters and music to set up an exciting action chase scene and introduce the main character James Bond pursuing someone through the tunnel.
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V for Vendetta Trailer Analysis
The trailer makes viewers aware of the film's March 17th release date by displaying the date in text at the end. It introduces the two main characters early on to identify who is in the film. The genre is evident through scenes of action and violence, signaling it is a thriller/action movie. The story is conveyed through voiceovers and text, and it notes the film is from the creators of The Matrix trilogy to connect it to their previous work.
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The document summarizes the openings of four films/TV shows:
1) James Bond: Quantum of Solace features suspenseful cuts that build relationships between characters and tension as Bond chases bad guys.
2) CSI uses slow motion shots that feel like a single long take to immerse viewers in clues and imagine how events unfold.
3) Blood and Bone opens with a prison fight that establishes the main character's skills and hints at a dark backstory.
4) The Dark Knight introduces the Joker through his mask in a bank heist, showing his greed and willingness to reveal his identity.
Film trailer proposal document
The trailer proposal is for a thriller/action film called "The Follower" that tells the story of a young boy named Sam who befriends a new student in town named Will, unaware that Sam's former psychopath friend plans to target them. The trailer would establish Sam and Will's friendship, show Will getting kidnapped and taken to Sam's house, and end with Will escaping and racing to warn Sam, only to arrive as the follower closes in on the house. If made, the film is targeted towards 15-25 year old male audiences, and production including filming and editing is estimated to take 5-8 weeks.
Gangster Film Trailer Analysis
The trailer for The Godfather analyzes the characters and plot developments shown. Scenes introduce powerful characters, some with weapons, involved in an argument that leads to violence and police involvement. Flashbacks create mystery around a relevant early scene. Shots shift between main characters, suggesting a significant change in their relationship. The trailer ends only with the title, creating intrigue to learn more.
Shifty Analysis
The document analyzes the opening sequence of the film "Shifty", which is about a day in the life of a crack cocaine dealer. It notes that the sound is mellow and sad to set a somber mood, and that the shots include close-ups, medium shots, and long shots. The titles are plain white font that does not indicate the genre.
The good the band and the ugly
The document analyzes a scene from the film "The Good, the Bad and the Ugly". It discusses how the close-up shots of each character looking at one another establishes tension and suggests they are nervous. Hand close-ups further reveal one character is fidgeting and another's hand is shaking, indicating their states of mind. The positioning of the characters is established through 180-degree shots. A rock placed between them takes on symbolic significance. Facial expressions and backgrounds provide clues to one character's fate. Music and wide shots set the scene. Through these techniques, the director builds suspense around the outcome of the standoff.
Se7en analysis
This document provides analysis of key elements in the thriller film Se7en. It summarizes that the film stars Brad Pitt as Detective Mills and Morgan Freeman as Detective Somerset who work together to catch a serial killer played by Kevin Spacey. The killer bases his murders on the seven deadly sins and has already killed three victims as the detectives try to stop him from claiming five more lives. Scenes described show the detectives reviewing evidence at a crime scene and discussing the case in the rain.
Bond opening
The document analyzes the opening sequence of the James Bond film Quantum of Solace. It describes the sequence through a series of shots that start wide establishing shots of mountains and move closer to show a car driving through a dark tunnel. Quick close-up shots build tension as the music intensifies, showing bullets and the front of a black car. The sequence uses conventions like fast pacing, cars, helicopters and music to set up an exciting action chase scene and introduce the main character James Bond pursuing someone through the tunnel.
I am legend
The opening sequence of I Am Legend establishes the post-apocalyptic setting of an empty city three years after an event through diegetic natural sounds and slow panning shots. Tension is built through music and close-up shots of a gun, which is a thriller convention, as well as wide shots showing the protagonists are alone on the abandoned streets. The action builds to a climax as the protagonist is shown not to have changed from his non-killer nature when he does not shoot a deer.
Analysis of exciting Action film openings
The document analyzes the opening sequence of the James Bond film Quantum of Solace. It describes the sequence through a series of shots that start wide establishing shots of mountains and move closer to show a car driving through a dark tunnel. The shots continue with quick close-ups of the car and characters as tension builds through the music. The sequence culminates in a high-speed car chase of the main character escaping from the tunnel.
Genre analysis sheetpulpfiction
Pulp Fiction is a 1994 crime thriller directed by Quentin Tarantino that uses nonlinear and elliptical narrative techniques. It is set in the dirty and urban world of hit men and organized crime bosses. The film explores themes of drugs, guns, and the femme fatale through its characters and icons from the 1950s. While conforming to the crime genre in many ways, it breaks conventions through its unconventional narrative structure.
Detailed analysis
The trailer uses various camera shots and editing techniques to establish the setting and build tension. It begins with peaceful establishing shots of a sunset and family to show the initial innocence. The editing is initially slow but becomes faster paced as the action increases. Sound starts with ambient noise and then introduces doorbell sounds and violence. Music is later added to contrast the peaceful melody with scenes of ultra-violence. The mise-en-scene depicts the main family in everyday clothing to present them as normal, while the antagonist and their group wear fancy clothes and masks to conceal their identities and add an element of fear.
Detailed analysis
The document analyzes the camerawork, editing, sound, and mise-en-scene of the movie trailer for The Purge. It notes that establishing shots at the beginning aim to show innocence and set the location. Shots become closer and faster-paced as the action increases. The sound starts peaceful but introduces violence sounds and music later. Costumes are used to distinguish the everyday family from the antagonist and his group, who wear masks to conceal their identities as is common in horror genres.
Memento Opening Analysis
The document provides details about a Polaroid photograph that is fading from view, showing a flash of red that suggests danger or death. As the photo fades, it reveals a tattoo on the character's hand and that they are wearing a suit. When the photo is fully faded, it creates ambiguity around what was depicted. Subsequently, more details emerge that indicate a shooting took place based on evidence of blood, a bullet, and glasses at the scene. It becomes clear the character took a photo of the murder victim lying on the floor.
Zombie land opening sequence
The opening sequence of Zombie Land uses an unsettling remix of the American national anthem and diegetic sounds of chaos like car alarms and explosions to set an ominous tone. Handheld camerawork and slow motion gory scenes portray a sense of vulnerability and danger. Titles written in red with a bold font directly inform the viewer this will be a violent action horror film. The setting of Washington DC among American symbols burning establishes the film's location and suggests all is not right in the world.
Movie trailer
This document summarizes and provides feedback on several movie trailers. It discusses the effective use of dialogue, sound, camera angles, music, captions, and tag lines in trailers for films like Kidualthood, Bullet Boy, and Poetic Justice. Specific shots and sequencing of events are proposed for a hypothetical trailer about a couple that breaks up after high school but reunite years later, with violence ensuing as one tries to reclaim the relationship. Overall themes of love, loss, and danger are highlighted.
Zombieland cinematography
The document provides an analysis of the cinematography, mise-en-scene, iconography, and sound design in the opening sequence of the zombie film Zombieland. The opening sequence uses handheld camera shots and angled shots to put the viewer in the perspective of characters under attack. It shows various destroyed locations across America to convey that there is no safe place left. Iconography features gore and a zombie chasing a man to establish the horror and comedy elements. The sound design uses loud jump scares and an unsettling soundtrack to build tension and create an atmosphere of unease.
Textual analysis - Se7en
The document provides analysis of key elements in the opening scenes of the film Se7en. It summarizes the introduction of the two main characters, Detective Somerset played by Morgan Freeman and Detective Mills played by Brad Pitt. The camera work establishes Somerset's living space and shows a mid-shot of a victim's body. The editing builds tension through a zoom into Somerset's face and a switch to a metronome. Diegetic police sirens and non-diegetic music are used to add sound effects that keep the audience on edge. Details in Somerset's tidy flat imply his career-driven and lonely nature.
Research into quentin tarentino
Quentin Tarantino is a renowned film director, screenwriter, and producer known for his nonlinear storylines, satirical subjects, and graphic violence. He is inspired by music and directors like Kinji Fukasaku and Brian De Palma. Tarantino's style blends genres and uses violence and racial slurs, which have sparked controversies. He frequently collaborates with actors like Samuel L. Jackson, Uma Thurman, Christoph Waltz, and Zoë Bell across many of his films.
ELISE
This document provides analysis of still shots from a film or play. It analyzes how various elements like sound, cinematography, editing, setting, characters, narrative, and titles are used to convey tension and link to the genre of a thriller or psycho-thriller. Close-ups of a killer's face with blood and items around a dead body set an ominous tone and imply a crime was committed. Quick editing between shots builds tension, as does the reversed shot of a gun being loaded and fired. A dark, empty setting suggests something mysterious or criminal will happen. The killer appears mysterious and in shock after the killing. The gun and crime imply the story will involve breaking the law.
The mortifer
The document analyzes the opening scene of the film "The Mortifer" through its use of camera work, sound, editing, mise-en-scene, narrative, and mood. Key techniques include concealing the killer's face, slow pacing through still shots, a slow-motion shot building tension, eerie music and screeching noises on the soundtrack, black-and-white cinematography, the killer dressed in black contrasted with the victim's white shirt, and a mood that shifts from happy to scared and confused. The narrative appears to follow a girl searching for her friend who has been killed by the mysterious killer known as "The Mortifer".
anaylsis of Green Street
Green Street is a 2005 crime drama directed by Lexi Alexander that explores English football hooliganism. It tells the story of an American student named Matt who is kicked out of Harvard and stays with his sister in London. There, he befriends his brother-in-law's son and gets involved with the violent West Ham football firm. Though he claims not to be who they think, Matt is eventually hated by the other hooligans. In the climax, Matt's brother-in-law is stabbed with a bottle and his son is killed in a large fan brawl between West Ham and Millwall supporters.
Green Street
The film Green Street opens with shots of a West Ham football firm walking through a London tube station and exchanging mocking insults with a Tottenham firm across the platform. This leads to a fight breaking out between the two groups. The film then cuts to America, showing the main character Matt packing as he has been expelled from Harvard. Locations throughout the film include various football stadiums around England as the West Ham firm follows their team. The target audience is intended to be males aged 15-25 familiar with football hooliganism.
Film op
The document outlines an opening scene for a film project. It describes the hero witnessing a robbery and stopping the crime, then seeing news coverage of his actions which inspires him to continue fighting crime. The summary then provides details on specific shots planned for the opening sequence, including the hero training and footage of crimes being stopped, with titles to be shown throughout. It also lists characters, locations, props, costumes and casting.
Analysis of Action Film Openings
The document analyzes the openings of two action films, James Bond Quantum of Solace and Fast Five. For James Bond, the opening establishes shots moving closer to a mountain tunnel where cars are driving, with increasing music building tension. Close-ups show bullets and people in cars. The main character is revealed escaping the tunnel in a chase. For Fast Five, a prisoner on a bus is highlighted, then cars race and pursue the bus on a quiet countryside road, shown through shots of the drivers and vehicles. The bus rolls over during the high-speed chase before the title appears, with tension-building music throughout.
Opening title sequence - Green Street
The opening sequence of Green Street Hooligans uses a variety of shots and camera techniques to immerse the viewer in a fight between rival football firm gangs. Low angle shots establish a sense of dominance as the Green Street firm emerges from the train station singing. As insults are exchanged on the train platform, the camera handheld to make the viewer feel like part of the firm. Tensions escalate until a fight breaks out, captured with close-ups, pans, and low angles that emphasize the violence from the Green Street firm's perspective.
Voyeurism
The document discusses the concept of voyeurism and analyzes how it is portrayed in the films Peeping Tom and Psycho. It defines voyeurism as receiving sexual pleasure from seeing intimate behaviors of others. Both films feature male characters who act as voyeurs, watching and sexualizing female characters without their consent. In Peeping Tom, the main character films murders from different perspectives and watches them for pleasure. Psycho also depicts the villain Norman Bates watching the female protagonist without her knowledge throughout her stay at his motel, building tension until her infamous death in the shower.
Freddy vs jason 2003
The opening establishes an isolated factory setting using ambient sounds of tools and burning. Freddy narrates his backstory and plans while his screams are heard. Jason's iconic music announces his presence. The lighting is dark and gloomy, conveying good vs evil. Shots include a long shot of the setting, a close-up of a doll burning to reference Freddy's backstory, a close-up of Jason's knife, a medium shot of a girl in danger in shadow, a flashback shot of blood, an extreme close-up of Freddy's mouth in harsh blue light, and an extreme close-up of Jason's mask in lighting on half. The editing uses jump cuts and zooms between the past
O povo acordou
O documento critica o estádio mais caro do mundo construído em Brasília, que custou bilhões aos cofres públicos enquanto serviços básicos como saúde e educação são negligenciados. Também discute as manifestações populares de 2013 pedindo por mais investimentos nas reais prioridades do país.
School rules
The document outlines a school activity where students will work in groups to research and define school rules. The objectives are for students to collaborate, understand different roles, find information, make agreements, and learn about rules. The methodology has students form groups, identify potential rules, debate what rules are, learn how to structure rules, and then create rules for different school areas. Groups will present their rules to the class. The activity will take 3 lessons, and students will be evaluated on their group participation, rule quality and structure, and overall behavior.
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I am legend
The opening sequence of I Am Legend establishes the post-apocalyptic setting of an empty city three years after an event through diegetic natural sounds and slow panning shots. Tension is built through music and close-up shots of a gun, which is a thriller convention, as well as wide shots showing the protagonists are alone on the abandoned streets. The action builds to a climax as the protagonist is shown not to have changed from his non-killer nature when he does not shoot a deer.
Analysis of exciting Action film openings
The document analyzes the opening sequence of the James Bond film Quantum of Solace. It describes the sequence through a series of shots that start wide establishing shots of mountains and move closer to show a car driving through a dark tunnel. The shots continue with quick close-ups of the car and characters as tension builds through the music. The sequence culminates in a high-speed car chase of the main character escaping from the tunnel.
Genre analysis sheetpulpfiction
Pulp Fiction is a 1994 crime thriller directed by Quentin Tarantino that uses nonlinear and elliptical narrative techniques. It is set in the dirty and urban world of hit men and organized crime bosses. The film explores themes of drugs, guns, and the femme fatale through its characters and icons from the 1950s. While conforming to the crime genre in many ways, it breaks conventions through its unconventional narrative structure.
Detailed analysis
The trailer uses various camera shots and editing techniques to establish the setting and build tension. It begins with peaceful establishing shots of a sunset and family to show the initial innocence. The editing is initially slow but becomes faster paced as the action increases. Sound starts with ambient noise and then introduces doorbell sounds and violence. Music is later added to contrast the peaceful melody with scenes of ultra-violence. The mise-en-scene depicts the main family in everyday clothing to present them as normal, while the antagonist and their group wear fancy clothes and masks to conceal their identities and add an element of fear.
Detailed analysis
The document analyzes the camerawork, editing, sound, and mise-en-scene of the movie trailer for The Purge. It notes that establishing shots at the beginning aim to show innocence and set the location. Shots become closer and faster-paced as the action increases. The sound starts peaceful but introduces violence sounds and music later. Costumes are used to distinguish the everyday family from the antagonist and his group, who wear masks to conceal their identities as is common in horror genres.
Memento Opening Analysis
The document provides details about a Polaroid photograph that is fading from view, showing a flash of red that suggests danger or death. As the photo fades, it reveals a tattoo on the character's hand and that they are wearing a suit. When the photo is fully faded, it creates ambiguity around what was depicted. Subsequently, more details emerge that indicate a shooting took place based on evidence of blood, a bullet, and glasses at the scene. It becomes clear the character took a photo of the murder victim lying on the floor.
Zombie land opening sequence
The opening sequence of Zombie Land uses an unsettling remix of the American national anthem and diegetic sounds of chaos like car alarms and explosions to set an ominous tone. Handheld camerawork and slow motion gory scenes portray a sense of vulnerability and danger. Titles written in red with a bold font directly inform the viewer this will be a violent action horror film. The setting of Washington DC among American symbols burning establishes the film's location and suggests all is not right in the world.
Movie trailer
This document summarizes and provides feedback on several movie trailers. It discusses the effective use of dialogue, sound, camera angles, music, captions, and tag lines in trailers for films like Kidualthood, Bullet Boy, and Poetic Justice. Specific shots and sequencing of events are proposed for a hypothetical trailer about a couple that breaks up after high school but reunite years later, with violence ensuing as one tries to reclaim the relationship. Overall themes of love, loss, and danger are highlighted.
Zombieland cinematography
The document provides an analysis of the cinematography, mise-en-scene, iconography, and sound design in the opening sequence of the zombie film Zombieland. The opening sequence uses handheld camera shots and angled shots to put the viewer in the perspective of characters under attack. It shows various destroyed locations across America to convey that there is no safe place left. Iconography features gore and a zombie chasing a man to establish the horror and comedy elements. The sound design uses loud jump scares and an unsettling soundtrack to build tension and create an atmosphere of unease.
Textual analysis - Se7en
The document provides analysis of key elements in the opening scenes of the film Se7en. It summarizes the introduction of the two main characters, Detective Somerset played by Morgan Freeman and Detective Mills played by Brad Pitt. The camera work establishes Somerset's living space and shows a mid-shot of a victim's body. The editing builds tension through a zoom into Somerset's face and a switch to a metronome. Diegetic police sirens and non-diegetic music are used to add sound effects that keep the audience on edge. Details in Somerset's tidy flat imply his career-driven and lonely nature.
Research into quentin tarentino
Quentin Tarantino is a renowned film director, screenwriter, and producer known for his nonlinear storylines, satirical subjects, and graphic violence. He is inspired by music and directors like Kinji Fukasaku and Brian De Palma. Tarantino's style blends genres and uses violence and racial slurs, which have sparked controversies. He frequently collaborates with actors like Samuel L. Jackson, Uma Thurman, Christoph Waltz, and Zoë Bell across many of his films.
ELISE
This document provides analysis of still shots from a film or play. It analyzes how various elements like sound, cinematography, editing, setting, characters, narrative, and titles are used to convey tension and link to the genre of a thriller or psycho-thriller. Close-ups of a killer's face with blood and items around a dead body set an ominous tone and imply a crime was committed. Quick editing between shots builds tension, as does the reversed shot of a gun being loaded and fired. A dark, empty setting suggests something mysterious or criminal will happen. The killer appears mysterious and in shock after the killing. The gun and crime imply the story will involve breaking the law.
The mortifer
The document analyzes the opening scene of the film "The Mortifer" through its use of camera work, sound, editing, mise-en-scene, narrative, and mood. Key techniques include concealing the killer's face, slow pacing through still shots, a slow-motion shot building tension, eerie music and screeching noises on the soundtrack, black-and-white cinematography, the killer dressed in black contrasted with the victim's white shirt, and a mood that shifts from happy to scared and confused. The narrative appears to follow a girl searching for her friend who has been killed by the mysterious killer known as "The Mortifer".
anaylsis of Green Street
Green Street is a 2005 crime drama directed by Lexi Alexander that explores English football hooliganism. It tells the story of an American student named Matt who is kicked out of Harvard and stays with his sister in London. There, he befriends his brother-in-law's son and gets involved with the violent West Ham football firm. Though he claims not to be who they think, Matt is eventually hated by the other hooligans. In the climax, Matt's brother-in-law is stabbed with a bottle and his son is killed in a large fan brawl between West Ham and Millwall supporters.
Green Street
The film Green Street opens with shots of a West Ham football firm walking through a London tube station and exchanging mocking insults with a Tottenham firm across the platform. This leads to a fight breaking out between the two groups. The film then cuts to America, showing the main character Matt packing as he has been expelled from Harvard. Locations throughout the film include various football stadiums around England as the West Ham firm follows their team. The target audience is intended to be males aged 15-25 familiar with football hooliganism.
Film op
The document outlines an opening scene for a film project. It describes the hero witnessing a robbery and stopping the crime, then seeing news coverage of his actions which inspires him to continue fighting crime. The summary then provides details on specific shots planned for the opening sequence, including the hero training and footage of crimes being stopped, with titles to be shown throughout. It also lists characters, locations, props, costumes and casting.
Analysis of Action Film Openings
The document analyzes the openings of two action films, James Bond Quantum of Solace and Fast Five. For James Bond, the opening establishes shots moving closer to a mountain tunnel where cars are driving, with increasing music building tension. Close-ups show bullets and people in cars. The main character is revealed escaping the tunnel in a chase. For Fast Five, a prisoner on a bus is highlighted, then cars race and pursue the bus on a quiet countryside road, shown through shots of the drivers and vehicles. The bus rolls over during the high-speed chase before the title appears, with tension-building music throughout.
Opening title sequence - Green Street
The opening sequence of Green Street Hooligans uses a variety of shots and camera techniques to immerse the viewer in a fight between rival football firm gangs. Low angle shots establish a sense of dominance as the Green Street firm emerges from the train station singing. As insults are exchanged on the train platform, the camera handheld to make the viewer feel like part of the firm. Tensions escalate until a fight breaks out, captured with close-ups, pans, and low angles that emphasize the violence from the Green Street firm's perspective.
Voyeurism
The document discusses the concept of voyeurism and analyzes how it is portrayed in the films Peeping Tom and Psycho. It defines voyeurism as receiving sexual pleasure from seeing intimate behaviors of others. Both films feature male characters who act as voyeurs, watching and sexualizing female characters without their consent. In Peeping Tom, the main character films murders from different perspectives and watches them for pleasure. Psycho also depicts the villain Norman Bates watching the female protagonist without her knowledge throughout her stay at his motel, building tension until her infamous death in the shower.
Freddy vs jason 2003
The opening establishes an isolated factory setting using ambient sounds of tools and burning. Freddy narrates his backstory and plans while his screams are heard. Jason's iconic music announces his presence. The lighting is dark and gloomy, conveying good vs evil. Shots include a long shot of the setting, a close-up of a doll burning to reference Freddy's backstory, a close-up of Jason's knife, a medium shot of a girl in danger in shadow, a flashback shot of blood, an extreme close-up of Freddy's mouth in harsh blue light, and an extreme close-up of Jason's mask in lighting on half. The editing uses jump cuts and zooms between the past
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O documento critica o estádio mais caro do mundo construído em Brasília, que custou bilhões aos cofres públicos enquanto serviços básicos como saúde e educação são negligenciados. Também discute as manifestações populares de 2013 pedindo por mais investimentos nas reais prioridades do país.
School rules
The document outlines a school activity where students will work in groups to research and define school rules. The objectives are for students to collaborate, understand different roles, find information, make agreements, and learn about rules. The methodology has students form groups, identify potential rules, debate what rules are, learn how to structure rules, and then create rules for different school areas. Groups will present their rules to the class. The activity will take 3 lessons, and students will be evaluated on their group participation, rule quality and structure, and overall behavior.
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Fizemos uma reunião com todos os pais e responsáveis da ESB, para expor os projetos da escola para 2014. Foi muito proveitosa e resolvemos fazer esse "Resumão", para você não pôde comparecer, ou ainda não se decidiu pela educação dos seus filhos, possa conhecer um pouco daquilo que temos preparado.
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Similar to Structure and narrative (W.A)
Unit 5 question 9, structure and narrative
The document discusses the typical narrative structure of movie trailers, including an establishing shot, equilibrium, disruption, climax, and resolution. It analyzes the trailers for the movies "Taken" and "Kick Ass" based on these elements. For "Taken," the equilibrium is the daughter's birthday party, the disruption is her friend's kidnapping, and fast-paced montages show the unfolding plot. For "Kick Ass," the equilibrium is the main character's ordinary life, the disruption is his decision to become a superhero, and increasing violence leads to a climax without clear resolution. The document concludes by reflecting on how this analysis can inform creating trailers that follow standard narrative conventions.
Unit 5 question 9, structure and narrative
The document discusses the typical narrative structure of movie trailers, including an establishing shot, equilibrium, disruption, climax, and resolution. It analyzes the trailers for the movies "Taken" and "Kick Ass" based on these elements. For "Taken," the equilibrium is the daughter's happy birthday, disrupted when her friend goes missing in Paris. It builds to a fast-paced climax as the father tries to rescue her. For "Kick Ass," the disruption is the main character's decision to become a superhero, leading to increasing violence and his kidnapping in the climax. Both trailers end without fully resolving the problems introduced.
Remember Me Opening Sequence
This document provides an analysis of the opening sequence of a teen drama film. It summarizes the key elements of the mise-en-scene, including the realistic shots and lack of sound at the beginning to build tension. It describes how a medium shot shows the fear on the mother's face as she is mugged and her daughter looks on helplessly. The sequence ends with the train leaving and the killers looking back expressionlessly. Overall the document analyzes how techniques like camera work, editing, lighting and costume are used to create a tense atmosphere and represent the drama and innocence of the genre.
M edia blog posts movies.
In the opening scene, two younger girls tell the story of how they let a demon possess a doll named Annabel that begins tormenting them. This seems to be part of the movie "Annabel" which connects the two films. From this introduction, the rest of the film is expected to involve the doll causing problems. However, the story changes from what is expected based on the opening. The opening establishes the film as a horror genre through visuals, sound, and the storyline involving demonic possession. It successfully hooks viewers with tension and suspense.
Analysis of the film trailer taken
The film trailer for Taken begins with happy clips of daughters excited for their vacation without parents. It then shows one daughter witnessing her friend being taken, which she reports to her father. The trailer focuses on the father, as he is the protagonist determined to rescue his daughter from those who have taken her. Various film techniques like lighting, costumes, shots, editing and sound are used to create tension, mystery, and emphasize the father's distress over the situation.
Analysis of a professional film opening.
The opening 2-5 minutes of the film Dragonfly introduces the main characters and establishes the central conflict. It shows the husband trying to get a flight to help his wife in South America. Scenes then show the wife helping people in the jungle, but floods occur and she dies when a bus crash causes by falling rocks. The opening establishes the wife as a doctor working internationally and her sudden death. It uses dramatic music, voiceovers, and quick cuts between locations to set the tense tone for the thriller genre.
Homefront trailer analysis
The trailer begins with establishing shots of a suburban area to set the scene. It introduces the two main characters, father Phil Broker and his daughter Maddy Broker. The trailer then shows Maddy getting upset on the playground. Tension is built through changes in lighting, music, and quick cuts between important scenes. It's revealed that a drug gang led by Gator is threatening the family. The trailer builds suspense by not revealing too much of the plot and ends with Maddy being kidnapped, causing her father to start searching for her.
Codal analysis
The trailer uses various visual, audio, narrative and technical codes to tell the story of a woman grieving the loss of her husband, and the adventures he plans for her from beyond the grave.
Shots show the couple arguing then reconciling, followed by black screens announcing his death but also a new life of presents from him. Narration describes his gifts being for her life without him. Music shifts from upbeat to sorrowful during his death but joyful again as she experiences his surprises. Enigma codes of the mysterious adventures intrigue viewers to learn more. Technical codes use natural colors and slow motion to signify his passing while still celebrating his memory.
Horror Genre Analysis
The document analyzes the trailers for three horror films - Insidious 2, The Cabin in the Woods, and One Missed Call. It examines the shots, mise-en-scene, sound, and conventions used in each trailer. For the shots, it looks at things like camera angles, lighting, and editing pace. It finds that all three trailers use dark lighting, suspenseful pacing, and special effects to create tension. They also incorporate the horror subgenre of romance to make the audience emotionally invested in the characters. Overall, the document concludes that the trailers effectively employ typical conventions of the horror genre to attract audiences.
The purge (2013)
The document provides a textual analysis of the trailer for the 2013 film "The Purge". It analyzes various shots and elements of the trailer's mise-en-scene, including establishing shots showing a wealthy American neighborhood, characters sharpening weapons, and a family arming their home's defenses. Sounds, costumes, editing, and other techniques are examined. The analysis suggests the trailer sets up tensions between rich and poor, and depicts the annual "Purge" event as a night of violence and lawlessness families aim to survive.
Pitch
This document provides a pitch for a short film called "Life is a Journey" about a couple, Tom and Anna, whose relationship is deteriorating. It includes the concept, which shows them arguing followed by a rewind of happier times. The logline describes a breakup scene where Anna leaves and Tom grabs her. It discusses using varied shots and music to set the mood. The narrative will mix up the typical structure, starting with their argument and using a rewind and message from Anna. It describes casting Arran Sharma as Tom and Jordan Hewitt as Anna. Themes of love, affection, similarities and struggle will be explored. The target audience is described as students and adults aged 28 who can relate to the themes
Pr1 how do we analyse film
This document discusses several ways to analyze films, including genre analysis, auteur theory, and analyzing codes and conventions. It provides examples of analyzing the action thriller film Quantum of Solace and comparing it to the film Leon. Key points made include that genre films have common codes like guns, cars, suits. Character representation is also important to analyze, as Leon subverts expectations with its protagonist. Themes of revenge, love, and friendship are explored in Leon.
Pr1 how do we analyse film
This document discusses several ways to analyze films, including genre analysis, auteur theory, and analyzing codes and conventions. It provides examples of analyzing the action thriller film Quantum of Solace and comparing it to the film Leon. Key points made include that genre films have common codes like guns, cars, suits. Character representation is also important to analyze, as Leon subverts expectations with its protagonist. Themes of revenge, love, and friendship are explored in Leon.
The grudge opening sequence
The opening sequence of The Grudge establishes suspense through its use of camera techniques, editing, mise-en-scene, and sound. Tilt shots introduce the setting and characters, with zooms and pans showing emotion. Text at the beginning hooks the audience by highlighting words like "Curse" and "Death". The music starts quietly but builds tension. Peter's confused behavior and run-down home suggest something sinister will happen, and his sudden death leaves audiences wondering its significance and connection to the film's curse.
Horror Films
The document provides an analysis of the opening scenes and techniques used in four horror films: The Ring, Amityville Horror, Drag Me To Hell, and 28 Days Later. It examines the camera work, lighting, sound, editing, and narrative elements in the openings to summarize the genre, settings, characters, and storytelling approaches used in each film.
Opening sequence analysis 33
The opening sequence of Taken establishes mystery and danger through a black background and white text. It then cuts to a home video showing a happy birthday celebration, highlighting the vulnerability of the girl through a shot of her blowing out candles. It jumps to the protagonist waking up abruptly, looking confused and tired in close-up before the camera zooms out to show he is alone. Dirty Harry begins with a plaque listing police officers who died in the line of duty, using a zoom and wipe to gradually reveal the names and dates, establishing the context of sacrificing cops. The Godfather opens with a slow-paced, quiet scene of a man asking the titular character for help, using lighting, blocking and gestures to introduce him
Opening sequence analysis 3
The opening sequence of Dirty Harry establishes the film's setting of San Francisco and theme of honoring police officers who died in the line of duty. It shows a stone plaque with the names of fallen officers carved into it. The camera zooms in and uses a wiping technique to gradually reveal the full list of names and dates. This establishes the context of danger and sacrifice within the police force before the film's story begins.
Term 1
Here is a comparison of the representations of people in these three documentaries:
The Mighty Red Car presents a balanced and sympathetic representation. The narrator acknowledges the economic struggles facing many in Redcar, such as unemployment, but does so in a matter-of-fact way without overt judgment. People are portrayed as resilient in the face of adversity.
Benefits Street takes a more sensationalized approach. It focuses intently on a handful of individuals receiving benefits and depicts them in a stereotypical light through editing and music choices. The aim seems to be to stir controversy around welfare recipients.
Skint takes a middle ground. While it shows the real struggles of those on a low income or unemployed, it does
Term 1 Theory Task
The document provides an analysis of Season 2 Episode 5 of the TV show Spaced. It discusses several film techniques used in the episode, including mise-en-scene, camerawork, editing, sound, and intertextuality. It notes the episode's well-constructed story elements and clever use of references to other media. Specific techniques highlighted include J-cuts between scenes, the homage to Star Wars in a character's voice, and a humorous fake gunfight scene employing quick editing. Context about the show's target audience and director Edgar Wright is also provided.
Codal analysis
The document provides an analysis of the visual, audio, narrative, action, enigma, and technical codes used in the trailers for three films: The Fault in Our Stars, My Sister's Keeper, and P.S. I Love You. For each film, the analysis examines how the different codes are employed to convey the storyline, set the atmosphere, encourage viewership, and effectively summarize the films without revealing too many details.
Similar to Structure and narrative (W.A) (20)
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Eval 2
The combination of the filmmaker's short film and ancillary texts like film reviews and posters were important to tie them together and make the short film have more impact. The texts provided context about the build up and aftermath of the film. Key symbols like a clock were featured in both the film and poster to represent the main theme of time. Consistent visual elements and a plain backdrop in both the film and texts kept the focus on the protagonist and his story. Similar colors and effects were used in both to connect the pieces.
Eval 1
The document discusses a student's short documentary film project about their 90-year-old grandfather. To follow documentary conventions, the film tells a story through a series of photographs and video clips showing the progression of the grandfather's life. Scenes of him speaking in his armchair used natural lighting and an uncluttered background. Opening and closing shots of a cuckoo clock symbolized the passing of time. Post-production effects on the clock made it more appealing and eye-catching. Overall, the film creates a unique, creative story that develops over time and highlights key life moments from the perspective of a 90-year-old man to attract and involve the audience.
Music video idea
The video would have a dark, desaturated style to create a depressing mood. It would show the two artists standing alone on different dark roads, with the camera panning in for close-ups of their bloody faces as they sing. The camera would do 360 pans between the roads, revealing the artists arguing with the same woman or walking alone down the roads, with extreme close-ups emphasizing their frustration and singing of the lyrics. Ultimately, the roads would converge, with the woman at their intersection.
Video idea weeknd -Amad Islam
The video would have a dark, desaturated look to create a depressing mood. Scenes would include long shots of the artists standing alone on dark roads, then close-ups of their bloody faces as they sing. The camera would track them as they walk and sing. It would also show one artist arguing with a woman, then pan to the other artist with the same woman, implying disloyalty. Throughout, the camera work would transition between the artists in different locations to tell the story through their perspectives and movements as they sing the dark lyrics.
The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)
Ed Sheeran describes waking up bruised and hungover, having drunk too much the night before and gotten into a fight. He warns that this isn't the right time to fall in love with him, as he knows his lies can't be believed. Both Ed Sheeran and The Weeknd reference their past struggles with drugs, alcohol, and unstable lifestyles before fame. They acknowledge issues they are still trying to overcome that could undermine their success if not addressed. The Weeknd recalls using cocaine, getting into fights, and choosing a life of substance abuse and chaos.
The weeknd lyric analysis By Amad Islam
The song "High for This" by The Weeknd describes a sexual encounter where he mentally prepares a woman for what is about to happen. He tells her they will have sex and do drugs together, reassuring her that she doesn't need to worry because he will be with her. As the drugs take effect, he tells her to breathe and relax while promising they will have a good time. He eliminates any doubts by saying to trust him as he knows she wants to experience this feeling.
Imvdb
The document analyzes research from IMVDb on music charts and popular music videos. It finds that the target audience prefers hip-hop and pop genres, especially recent pop videos by artists like Sia, David Guetta, and Rudimental. This research will help decide which genre of music to focus on going forward.
Analysisoflyrics 111010192016-phpapp01
1) Lupe Fiasco meets a girl at a club and is instantly captivated by her beauty and intelligence.
2) He expresses his growing love for her through poetic metaphors and promises to protect her.
3) At the end of the song, Lupe assures the girl that he wants their relationship to last beyond a typical short-lived club romance and promises to see her in the morning.
Beyonce - dance for you
This music video portrays Beyoncé dancing seductively for her male love interest in a 1940s style setting. Voyeurism is prominently featured through close-ups of the intimate dancing and longing gazes between Beyoncé and the man. The video follows the conventions of R&B by including a choreographed dance routine to promote the artist. It depicts a stereotypical power dynamic between the male boss and female secretary but aims to empower women through Beyoncé's display of control through her dancing.
British board of film classication (bbfc)
The British Board of Film Classification (BBFC) regulates films and videos in the UK. It is a non-governmental organization that provides age ratings to films such as U, PG, 12A, 15, and 18. The BBFC recognizes adult freedom of choice, protects the public (especially children) from harmful content, and helps parents make informed viewing choices for their children. The document then provides detailed descriptions of the content allowed or implied for each age rating.
3 different ways of classifying audiences
The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as it only considers income and not other factors like leisure activities.
3 different ways of classifying audiences
The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as other factors like leisure activities may be more important than income alone.
3 different ways of classifying audiences
The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as it only considers income and not other factors like leisure activities.
3 different ways of classifying audiences
The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as it only considers income and not other factors like leisure activities.
3 different ways of classifying audiences
The document describes several systems for categorizing consumers:
- Young and Rubicam's Four Consumers model divides people into Mainstreamers, Aspirers, Succeeders, and Reformers based on psychological attributes rather than income.
- Their socio-economic class system ranks people from A to E based on income and occupation.
- Life Matrix segments audiences based on lifestyle and values rather than demographic factors.
Final Sketch Evaluation - 4018
The student created a final drawing of a potion using Photoshop. They first hand drew the potion and then scanned it into Photoshop to color and add details digitally. It was difficult to control the pen at first but got easier with practice. The student used various colors like light blue, dark brown, and different shades of pink to create realistic effects like bubbles and shading. They used tools like the blur tool and size-adjustable brushes. In the end, the student felt they successfully created a realistic looking digital image meeting the goals of the project.
Unit 13 assignment 1 report
This document discusses digital graphics technology, describing features of vector and bitmap images. Vector images are resolution-independent and scalable without quality loss, using mathematical expressions to represent lines and shapes. Bitmap images are made up of pixels that lose quality when resized. The document provides examples of how vector and bitmap images differ when resized, and discusses image capturing, output methods for print and screen, storage considerations like file size and organization, and naming conventions.
Analysis For Attack The Block - 4018
1) Attack the Block was released in 2011 and was directed by Joe Cornish with production companies including The UK Film Council and Studio Canal. It had a budget of £8 million and made $5,824,175.
2) The film is a science fiction horror set in a London council estate about teenagers who encounter an alien invasion. It is rated 15 for violence, drug use, and gore.
3) The movie poster depicts a diverse group of teenagers from the council estate ready to battle the aliens, showing the working class setting and themes of fighting and violence.
Focus Group - 4018
The document outlines questions from a focus group about a film trailer. It asks for opinions on whether the trailer was effective and enjoyable, what genre it represents, how it could be improved, and favorite parts. It explains that the filmmaker created a focus group of 12 friends and family to get feedback on the trailer by showing it and having them answer questions. Most feedback suggested making the trailer look less like a drama and more realistic.
Audience Research - 4018
Audience research is conducted to gather information about what audiences want to watch and their personalities. There are several methods for conducting audience research, including focus groups, questionnaires, box office takings, and test screenings. Focus groups involve interviewing a small group of people to discuss their opinions in an interactive setting, but the results may not represent the larger population. Questionnaires can be inexpensive and gather a lot of data quickly from many people, but responses may be biased by wording and response rates may be low. Box office takings refer to the financial success of a film based on the number of viewers and money made, which depends on the quality of the movie. Test screenings allow audiences to provide feedback on a movie before
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The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)
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Fed by curiosity and beauty - Remembering Myrsine Zorba
Speech at the conference in the memory of Myrsine Zorba.
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Cherries 32 collection of colorful paintings
The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
All the images mentioned in 'See What You're Missing'
We've gathered together all of the images mentioned in Will Gompertz's 'See What You're Missing'
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留信网认证的作用:
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5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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Structure and narrative (W.A)
- 1. Structure and narrative: What is the establishing shot? What does it show about the life of the characters? What is the equilibrium? What shots do we see to establish the equilibrium? What is the disruption to the equilibrium? How is the disruption to the equilibrium shown? What do we see after the disruption is introduced? Are there slow paced montages? Are there fast paced montages? What is the climax of the trailer? What enigma codes are the audience left with? ( Methodology table. Categories: Unit 1 Criterion 2, Unit 1 Criterion 3) Trailer 1 (Taken ) At the beginning of the trailer, everyone is happy and it is the daughter’s birthday. Her mum and step dad throw her a big birthday party. The life of the characters is good, they are all happy, apart from the daughter’s dad. His ex-wife doesn’t really like him, she has someone else. Amanda (her friend) has a cousin who wants them both to spend their vacation in Paris with them. They meet a nice guy who shares the cab with them and takes their address by lying and saying there is a party and he will come and pick them up. The establishing shot is when the phone starts ringing and the music with a lot of tension comes in. The disruption is that the daughter finds out that Amanda’s cousin are not in Paris they are on holiday, the daughter tells her father through the phone and he becomes worried. After the disruption is introduced, Amanda gets kidnapped. There are a few slow montages, for example when Amanda gets kidnapped it goes very slow but then it gets faster as the father gives the daughter instructions on what to do and where to hide. The problem is not really solved. After Amanda is kidnapped the trailer just has extremely fast paced montages of what happens in the movie, and who is killed, at the end the kidnapper just speaks on the phone to the dad. Trailer 2 (pain &gain) At the beginning of the pain and gain trailer I can noticed that they start by showing everyone happy with a sunny day and with an extreme long shot of the setting. As well, there is a voice over of the main charters ,throughout the trailer they are showing the different type of movie clips and the different type of mid shot but certain clips they are showing the massive explosion in the background or showing off the big body built body .To add to that they are showing the main charters name (Mark Wahlberg, Dwayne Johnson, Anthony Mackie ) toward the end of the trailer I have notices that they are mainly not talking about the back story of the trailer they are mainly showing the funny quotes throughout the trailer which make me believe that this trailer is showing more of the comedy side then the crime / action side.