This document contains shot descriptions for a film scene involving a police detective, DI Harding. It summarizes her sneaking into the police station late at night, accessing restricted files, stealing documents from one file and replacing them. It shows her destroying the stolen documents by burning them in the women's bathroom. It concludes with her exiting nervously and getting into a car waiting in the parking lot. The shots are described in detail with camera angles, lighting, settings and character movements.

1. Shot
No.
1
Type of shot,movement
and angle.
Dialogue.Sound. Setting.Colour.Lighting.Mise-en-
scene.
There isa soundeffectusedatthe start whenthe logo
isfirston as it getsthe viewersintriguedsotheycarry
on watching.
Frame
duration
10
seconds
Editingnotes
Cut

2. Shot
No.
2
Type of shot,movement
and angle.
Close upof DI Harding’s
feetwalkingdownthe
corridor.
HandheldCamera.
Dialogue.Sound. Setting.Colour.Lighting.Mise-en-
scene.
INT.Police Stationlate atnight.
Emptycorridor.
Low – keylighting.
Diegeticsoundof herheelswalkingthroughthe
corridor.
Black shoes.
Frame
duration
30
seconds
Editingnotes
Fast Cut toshowshe isdoingsomethingillegal andwants
to getit done quickly.Anticipation.
Shot
No.
3
Type of shot,movement
and angle.
An extreme close upand
close upof the codedlock
and of DI Harding’shand
puttingthe code in.
Dialogue.Sound. Setting.Colour.Lighting.Mise-en-
scene.
INT.Police Stationlate atnight.
Emptycorridor.
Low – keylighting.
Diegeticsoundof herpressingthe keysonthe lock.
Frame
duration
10
seconds

3. Handheldcamera.
Editingnotes
Fast cut to showshe isin a rush andthat she is doing
somethingagainstthe law.
Shot
No.
Type of shot,movement
and angle.
Dialogue.Sound. Setting. Colour.Lighting.Mise-en-
scene.
Frame
duration

4. 4
Long shotof DI Harding
walkingthroughthe
office – doorswingsshut.
INT.Police Stationlate atnight.
Emptycorridor.
Low – keylighting.
Black shoes;blackblazer;blacktopor white blouse.
Minimal make up.
Handheldtorchso the character can see whatshe is
doingwithoutdrawingattentiontoherself. Asitis
handhelditwill make itlookmore realisticwithher
nerves.
10
seconds
Editingnotes

5. Cut
Shot
No.
5
Type of shot,movement
and angle.
Mid shotof DI Harding
walkingovertothe filing
cabinet.
Dialogue.Sound. Setting.Colour.Lighting.Mise-en-
scene.
INT.Police Stationlate atnight.
Emptycorridor.
Low – keylighting.
Black shoes;blackblazer;blacktopor white blouse.
Minimal make up.
Handheldtorchso the character can see whatshe is
doingwithoutdrawingattentiontoherself. Asitis
handhelditwill make itlookmore realisticwithher
nerves.
Frame
duration
10
seconds
Editingnotes
Cut
Shot
No.
6
Type of shot,movement
and angle.
Close upof the filing
cabinetandhands.She
opensthe cabinetand
flicksthroughfiles;
retrievesafile andplaces
it ontop of the cabinet.
Dialogue.Sound. Setting.Colour.Lighting.Mise-en-
scene.
INT.Police Stationlate atnight.
Emptycorridor.
Low – keylighting.
Black shoes;blackblazer;blacktopor white blouse.
Minimal make up.
Handheldtorchso the character can see whatshe is
doingwithoutdrawingattentiontoherself. Asitis
handhelditwill make itlookmore realisticwithher
nerves.
Frame
duration
10
seconds

6. Editingnotes
Cut
Shot
No.
7
Type of shot,movement
and angle.
We are thenshowna
close upof the
informationonthe file.
Dialogue.Sound. Setting.Colour.Lighting.Mise-
en-scene.
INT.Police Stationlate atnight.
Emptycorridor.
Low – keylighting.
Black shoes;blackblazer;blacktopor white
blouse.
Frame
Duration
15 seconds

7. Minimal make up.
Handheldtorchso the character can see whatshe
isdoingwithoutdrawingattentiontoherself. Asit
ishandhelditwill make itlookmore realisticwith
hernerves.
There isa score playingall the waythrough.
Editingnotes

8. Cut
Shot
No.
8
Type of shot,movement
and angle.
Mid shotof DI Harding
takingan envelopeand
putsthe pagesfromthe
file intoherbag.She
thensubstitutes’the
documentsinthe
envelopeforthe onesin
the cabinet.She puts
the documentsintothe
file.
Dialogue.Sound. Setting.Colour.Lighting.Mise-
en-scene.
INT.Police Stationlate atnight.
Emptycorridor.
Low – keylighting.
Black shoes;blackblazer;blacktopor white
blouse.
Minimal make up.
Handheldtorchso the character can see whatshe
isdoingwithoutdrawingattentiontoherself. Asit
ishandhelditwill make itlookmore realisticwith
hernerves.
There isa score playingall the waythrough.
Frame
Duration
10 Second
Editingnotes
Cut
Shot
No.
Type of shot,movement
and angle.
Dialogue.Sound. Setting.Colour.Lighting.Mise-
en-scene.
Frame
Duration

9. 9 Thenthere isa close up
of the editedfile.
Handheldcamera.
INT.Police Stationlate atnight.
Emptycorridor.
Low – keylighting.
Handheldtorchso the character can see whatshe
isdoingwithoutdrawingattentiontoherself. Asit
ishandhelditwill make itlookmore realisticwith
hernerves.
There isa score playingall the waythrough.
10 seconds
Editingnotes
Cut
Shot
No.
10
Type of shot, movement
and angle.
Mid shotDI Harding
exitingthe officeand
lookingbackand around
Dialogue.Sound. Setting.Colour.Lighting.Mise-
en-scene.
INT.Police Stationlate atnight.
Emptycorridor.
Low – keylighting.
Frame
Duration
5 seconds

10. the corridor before
leavingsoffice.
No movement.
Handheldcamera.
Black shoes;blackblazer;blacktopor white
blouse.
Minimal make up.
Her facial expressionsare veryworriedasshe bites
herlipsand looksaroundparanoid.
She lookspensive.
Handheldtorchso the character can see whatshe
isdoingwithoutdrawingattentiontoherself. Asit
ishandhelditwill make itlookmore realisticwith
hernerves.
Editingnotes
Cut
Shot
No.
Type of shot,movementand
angle.
Dialogue.Sound. Setting.Colour.Lighting.
Mise-en-scene.
Frame Duration

11. 11 Mid shotfollowingHarding
downthe corridor.She turns
and looksbehindasif someone
isfollowingher;she speedsup
the close she getsto the endof
the corridor.
INT.Police Stationlate at night.
Emptycorridor.
Low – keylighting.
Black shoes;blackblazer;blacktopor white
blouse.
She walksfastto showshe is nervousand
wantsto get itoverand done withquickly.
10 seconds
Editingnotes
Cut
Shot
No.
12
Type of shot,movement
and angle.
DI Hardingentersthe
toiletsandthe doorslams
shutbehindher. Itis a mid
shotof the female.She
placesherbag on top of
the toiletcistern.She
Dialogue.Sound. Setting.Colour.
Lighting.Mise-en-scene.
INT.Police Stationlate atnightin
the toilets.
Low – keylighting.
Black shoes;blackblazer;blacktop
or white blouse.
Minimal make up.
Frame Duration
10 seconds

12. retrievesthe pagesfrom
out of her bag andholds
theminher lefthand.
Handheldcamera.
No facial expressions’atthispoint.
Editingnotes
Cut
Shot
No.
13
Type of shot,movement
and angle.
Cuts toa midshotas she
takesthe lighteroutof
herpocket;the camera
tracks herhand as she
Dialogue.Sound. Setting.Colour.
Lighting.Mise-en-scene.
INT.Police Stationlate atnightinthe
toilets,
Low – keylighting.
Black shoes;blackblazer;blacktopor
white blouse.
Frame Duration
15 seconds

13. bringsthe lighterupto
level of the files.
Minimal make up.
Lighter.
Editingnotes
Cut
Shot
No.
14
Type of shot,movement
and angle.
Cuts toover the shoulder
shotas Hardinglooksat
the documentsandthe
lighterinherhandsand
staresback at herself in
the mirror.She is
breathingheavily.No
movement.
Dialogue.Sound. Setting.Colour.
Lighting.Mise-en-scene.
INT.Police Station late atnightinthe
toilets.
Low – keylighting.
Black shoes;blackblazer;blacktopor
white blouse.
Minimal make up.
Her facial expressionsare veryworried
as she bitesherlipsandlooksaround
paranoid.
She lookspensive.
Frame Duration
10 seconds
Editingnotes
Cut

14. Shot
No.
15
Type of shot,
movementandangle.
Cuts toa Mid close shot
and highangle shotof
Hardingsettingfire to
the documentsand
droppingtheminthe
sink.
No movement.
Dialogue.
Sound.
Setting.
Colour.
Lighting.Mise-
en-scene.
INT.Police
Stationlate at
nightinthe
toilets.
Low/High –
keylighting.
Black shoes;
blackblazer;
blacktop or
white blouse.
Minimal make
up.
She looks
pensive.
Lighter.
Frame Duration
15 seconds
Editingnotes
Cut
Shot
No.
16
Type of shot,
movementandangle.
Cuts toa close upof
the sinkas Hardingas
Dialogue.Sound.
Setting.Colour.
Lighting.Mise-en-
scene.
Frame Duration
5 seconds

15. she stepsback from
the sinkas the
documentscatch.
INT. Police Station
late at nightin the
toilets.
Lighter.
Flames.
Editingnotes
Cut
Shot
No.
17
Type of shot,
movementandangle.
Mid shotof the female
and the door.She
walksoutside and
thenlooksup
suspiciously.
Handheldcamera.
No movement.
Dialogue.Sound.
Setting.Colour.
Lighting.Mise-en-
scene.
EXT. Stationcar
park.
Low – keylighting.
Frame Duration
5 seconds

16. Black shoes;black
blazer;black top or
white blouse.
Minimal make up.
Her facial
expressionsare very
worriedasshe bites
herlipsand looks
aroundparanoid
breathingheavily.
She lookspensive.
Editingnotes
Shot
No.
18
Type of shot,
movementandangle.
There isa longshotof
the car and the
headlightsjustbefore
the Camera tracks
Hardingto the car.
Dialogue.Sound.
Setting.Colour.
Lighting.Mise-en-
scene.
EXT Stationcar park.
Low – keylighting.
Headlights.
Frame Duration
5 seconds

17. Editingnotes
Cut
Shot
No.
19
Type of shot,
movementandangle.
Long shotof the
female andthe car. DI
Hardingwalkstowards
the car and goesalong
the side of it. She
bendsdownslightly
and looksthroughthe
passengerwindow.
Dialogue.Sound.
Setting.Colour.
Lighting.Mise-en-
scene.
EXT Stationcar park.
Low – keylighting.
Black shoes;black
blazer;blacktop or
white blouse.
Minimal make up.
A score of daunting
musicwhenshe
walkstowardsthe
car.
Frame Duration
10 seconds

18. Editingnotes
Cut
Shot
No.
21
Type of shot,
movementand angle.
Mid shotof Harding
lookingthroughthe
car window.No
movement.
Dialogue.Sound.
Setting.Colour.
Lighting.Mise-en-
scene.
EXT Stationcar park.
Low – keylighting.
Black shoes;black
blazer;blacktop or
white blouse.
Minimal make up.
A score of Daunting
music.
Frame Duration
10 seconds
Editingnotes
Cut
Shot
No.
Type of shot,
movementandangle.
Dialogue.Sound.
Setting.Colour.
Frame Duration

19. 22 Mid shotof the car
and the female.She
opensthe car door
and getsinit.
Handheldcamera.
Lighting.Mise-en-
scene.
EXT. Stationcar
park.
Soundbridge of the
score carrying on
fromthe previous
shot,
Headlightsonthe
car.
10 seconds
Editingnotes
Cut
Shot
No.
23
Type of shot,movement
and angle.
Mid shotof the Harding’s
‘boyfriend’ –the male who
isdrivingthe car and also
whoshe was coveringfor.
Dialogue.Sound. Setting.
Colour.Lighting.Mise-en-
scene.
INT.Inside the car.
Soundbridge of the score
carryingon from the previous
Frame Duration
5 seconds

20. shot.
Dimspotlight.
Editingnotes
Cut
Shot
No.
25
Type of shot,movement
and angle.
Flashbackof the file DI
Hardingdestroyed.
Handheldcamera.
Dialogue.Sound. Setting.Colour.Lighting.
Mise-en-scene.
‘Whoosh’soundeffecttosignifythe
flashback.
Black andwhite toshowthe flashback.
Frame duration
5 seconds

21. Editingnotes
Cut
Shot
No.
26
Type of shot,movement
and angle.
close upof DI Hardingand
the drivershandsplacedon
the gear stickon top of
eachother.
Handheldcamera.
Dialogue.Sound. Setting.Colour.
Lighting.Mise-en-scene.
INT.Inside the car.
DI Hardinghas an engagementringon
herfinger.
Frame Duration
5 seconds

22. Editingnotes
Cut
Shot
No.
27
Type of shot,movement
and angle.
Mid shotof DI Harding
and the driver. Theythen
leaninand kiss.
Handheldcamera.
Dialogue.Sound. Setting.Colour.Lighting.
Mise-en-scene.
INT.Inside the car.
Low-keylightingsoit’scleareronthe
camera.
Dimspotlightonthe female andthe driver.
Frame Duration
5 seconds

23. Editingnotes
Cut