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Steps Towards Healing :
The Garden Oasis
Down the Street
By Joan Vorderbruggen, AIA
Assistant Professor of Architecture
North Dakota State University
With personal interviews and journal entries
by Lisa Overby-Blosser
EDRA44 Providence
Nature and Ecology, Session 1 5/30/13
“One hundred and seventy-one steps;
the distance from my house to yours.”
Lisa Overby-Blosser,
personal interviews and journal
entries, Summer 2012
“Originally I came to the garden because I lacked an environment to be genuine with
accepting the illness: for example, not wanting to upset my children or bring more
pain upon my husband. The garden accepts sadness, anger, frustration, and gives
one a space to distance themselves from their regular duties.” Lisa Overby-Blosser
PROSPECT “In the garden you have control – of where you sit, where you look,
what you choose to focus on – whether it’s a wide view or something really small –
like the trickle of the water in the pond. There are so many choices available to you.
(In the hospital you are castrated from the choices you can make!) The fact that you
can make a choice of something can be healing.” Lisa Overby-Blosser
REFUGE
“The garden is always welcoming; no plants fall
over or trees drop their leaves in disgust or
empathy when I took my hat off exposing my
baldness . . . .
The garden accepts where your body and
emotions are at that moment in time. Sitting in
the garden, too tired to even hold my legs
together, I let them flop to each side of the
chair… I don’t have to waste energy sitting
pretty.” Lisa Overby-
Blosser
REFUGE “You are constantly reminded of hope and healing, instead of cold floors.
Here you feel clothed; it’s the comfort from the warmth of the sun on your skin. The
hospital is cold. You feel naked – there’s an intrusive feeling – because you’re always
exposed for every kind of test, unsure of what is next. The garden sheds the warmth
of comfort, and security so desperately needed. ” Lisa Overby-Blosser
WATER “The pond’s waterfall is a lullaby to my ears…. One day I noticed that
there were ripples in the pond. In the garden, there is change. Sometimes when
you’re ill, you don’t see changes fast enough. ” Lisa
Overby-Blosser
BIODIVERSITY “[The garden was] an abundant feast to my eyes, to which I could
never take all of it in within a visit. ” Lisa Overby-
Blosser
BIODIVERSITY
“The feeling of the wind and warmth of
summer brought me back to the basics of
staying in my skin – of keeping me from
disassociating myself from my body (as
one can during medical treatment).”
Lisa Overby-Blosser
SENSORY VARIABILITY
“When barefoot you feel the different textures. You feel connected to the earth…
[you] touch the round, warm pebbles that remind you that there is more than pain.
You are reminded that your body can still accept comfort and warmth.”
Lisa Overby-Blosser
BIOMIMICRY “You took time to plan it all, but to the observer, it looks natural.
The garden didn’t have to be perfect in the sense that it appears artificial. It’s all
real.” Lisa Overby-
Blosser
BIOMIMICRY
“The five steps on the green
grass carpet lead my eyes to
look forward – the four grey
granite flat stones are
next, not in a line or
arrow, but randomly placed
to show the way.
The granite stones are the
first of many gentle angles
within the garden that soften
the harsh, sharp, linear world
I am leaving – hospital
corridors, hospital rooms,…
IV’s, chemo, blood draws….”
Lisa Overby-Blosser
“It is challenging to access my thinking brain in the hospital, my ears
are filled with distractions, the beeps, alarms, nurse call lights…the
artificial sounds of equipment, doors opening and closing. I feel as
though these sounds are intrusions in my own thoughts. Within this
monochromatic colored room, its absence of warmth iterates how
lonely cancer can be.
Its hard, linear lines form a barren vision, my eyes have nowhere to
rest, nothing to alleviate the pain within, nowhere to seek the peace
and hope I so desperately need…Here in the infusion center my room
confines me with all that is artificial. I am surrounded by plastics…The
room’s color palate of white, cream and beige continue the
institutional, sterile atmosphere. It becomes a hollow place to me –
without movement. I am all that is natural there.”
Lisa Overby-Blosser
PLAYFULNESS
“I was attracted to the birds in the pond – their hysterical antics while taking a bath
would bring laughter, even when I was in a lot of pain.
The bird’s bath dance always uplifts me to a smile, giggle and laugher…I am
reminded that I can laugh – things can still be funny. The bird dances fill my heart
with humor, freedom, and playfulness, as I am a part of this moment.”
Lisa Overby-Blosser
photo credit:
nesttbirds1.com
PLAYFULNESS “When your illness restricts your movement, the garden
surrounds you with movement, and allows you to dance in it (referring to watching
the tall grasses blow in the wind). There’s no need to move.” Lisa Overby-Blosser
photo credit:
Jim Brandenburg
ENTICEMENT
“The different paths allow
your mind to wander in
different ways.
Paths always symbolize a
journey, and that’s en-
couraging. Even just seeing
the paths would help – I’d
walk them with my
eyes, too tired to venture on
foot.”
Lisa Overby-Blosser
“By taking the time to sit, it gave me the energy to go back home and to be a mom
and a wife.” Lisa Overby-
Blosser
LIFE’S CYCLES
“Each visit and encounter is
distinctly different, in all the
times I have sought the shelter
of the garden, the experience
is never duplicated.
In the garden I come to see life,
growth, and predictable gentle
deaths. In its fullness the
garden is a happy place.”
Lisa Overby-Blosser
THE PILGRIMAGE
“The walk here was always emotionally very
dark; it was filled with thoughts of medical
treatments, or how the kids were going to
react. How much should I tell the kids?
Then I’d get to the garden and start to feel
better. The walk home was always better –
even my posture was different. I lifted my
eyes from the sidewalk, returning with
expanded vision.”
Lisa Overby-Blosser
CONCLUSION
“The garden allows your senses to
come alive. You want to hear and you
want to see and you want to smell.
It’s a place where you want to be
alive, whereas when in treatment in
the hospital, you just want your
senses to shut down.”
Lisa Overby-Blosser
“The garden allows you to take deeper breaths – to breath.
Maybe just getting rid of stress helped heal [myself of] the cancer.”
Lisa Overby-Blosser
photo credit:
Jim Brandenburg
photo credit:
Jim Brandenburg
Bibliography
Chard, P.S. (1994). The Healing Earth: Nature’s Medicine for the Troubled Soul.
Minnetonka, MN: Northword Press.
Clay, R. (April 2001). Green is Good for You. American Psychological Association (Electronic version), Vol.
32 (No. 4). Retrieved Sept. 7, 2012 from http://www.apa.org/monitor/apr01/greengood.aspx
Day, C. (2004). Places of the Soul: Architecture and Environmental Design as a Healing Art (2nd Ed).
Oxford, UK: Elsevier Press.
Gesler, W.M. (2003). Healing Places. lanham, Maryland: Rowman and Littlefield Publishers, Inc
Highland, C. (Ed). (2004). Meditations of Ralph Waldo Emerson: Into the Green Future. Berkeley, CA:
Wilderness Press.
Kellert, S.R. (2005). Building for Life: Designing and understanding the human-nature connection.
Washington, DC: Island Press.
Lewis, C.A. (1996). Green Nature Human Nature: The Meaning of Plants in Our Lives. Chicago, IL:
University of Chicago Press.
Lofy, J. (Fall 2006). Stephen and Rachel Kaplan have found that the cure for what ails you could be as
simple as a walk in the woods. Michigan Today. University of Michigan. Retrieved Sept. 6 from
http://michigantoday.umich.edu/06/Fal06/story.html?awalk
Louv, R. (2005). Last Child in the Woods: Saving Our Children from Nature-Deficit Disorder. Chapel Hill:
Algonquin Books of Chapel Hill, NC.

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Steps Towards Healing: The Garden Oasis Down the Street

  • 1. Steps Towards Healing : The Garden Oasis Down the Street By Joan Vorderbruggen, AIA Assistant Professor of Architecture North Dakota State University With personal interviews and journal entries by Lisa Overby-Blosser EDRA44 Providence Nature and Ecology, Session 1 5/30/13
  • 2. “One hundred and seventy-one steps; the distance from my house to yours.” Lisa Overby-Blosser, personal interviews and journal entries, Summer 2012
  • 3. “Originally I came to the garden because I lacked an environment to be genuine with accepting the illness: for example, not wanting to upset my children or bring more pain upon my husband. The garden accepts sadness, anger, frustration, and gives one a space to distance themselves from their regular duties.” Lisa Overby-Blosser
  • 4. PROSPECT “In the garden you have control – of where you sit, where you look, what you choose to focus on – whether it’s a wide view or something really small – like the trickle of the water in the pond. There are so many choices available to you. (In the hospital you are castrated from the choices you can make!) The fact that you can make a choice of something can be healing.” Lisa Overby-Blosser
  • 5. REFUGE “The garden is always welcoming; no plants fall over or trees drop their leaves in disgust or empathy when I took my hat off exposing my baldness . . . . The garden accepts where your body and emotions are at that moment in time. Sitting in the garden, too tired to even hold my legs together, I let them flop to each side of the chair… I don’t have to waste energy sitting pretty.” Lisa Overby- Blosser
  • 6. REFUGE “You are constantly reminded of hope and healing, instead of cold floors. Here you feel clothed; it’s the comfort from the warmth of the sun on your skin. The hospital is cold. You feel naked – there’s an intrusive feeling – because you’re always exposed for every kind of test, unsure of what is next. The garden sheds the warmth of comfort, and security so desperately needed. ” Lisa Overby-Blosser
  • 7. WATER “The pond’s waterfall is a lullaby to my ears…. One day I noticed that there were ripples in the pond. In the garden, there is change. Sometimes when you’re ill, you don’t see changes fast enough. ” Lisa Overby-Blosser
  • 8. BIODIVERSITY “[The garden was] an abundant feast to my eyes, to which I could never take all of it in within a visit. ” Lisa Overby- Blosser
  • 9. BIODIVERSITY “The feeling of the wind and warmth of summer brought me back to the basics of staying in my skin – of keeping me from disassociating myself from my body (as one can during medical treatment).” Lisa Overby-Blosser
  • 10. SENSORY VARIABILITY “When barefoot you feel the different textures. You feel connected to the earth… [you] touch the round, warm pebbles that remind you that there is more than pain. You are reminded that your body can still accept comfort and warmth.” Lisa Overby-Blosser
  • 11. BIOMIMICRY “You took time to plan it all, but to the observer, it looks natural. The garden didn’t have to be perfect in the sense that it appears artificial. It’s all real.” Lisa Overby- Blosser
  • 12. BIOMIMICRY “The five steps on the green grass carpet lead my eyes to look forward – the four grey granite flat stones are next, not in a line or arrow, but randomly placed to show the way. The granite stones are the first of many gentle angles within the garden that soften the harsh, sharp, linear world I am leaving – hospital corridors, hospital rooms,… IV’s, chemo, blood draws….” Lisa Overby-Blosser
  • 13. “It is challenging to access my thinking brain in the hospital, my ears are filled with distractions, the beeps, alarms, nurse call lights…the artificial sounds of equipment, doors opening and closing. I feel as though these sounds are intrusions in my own thoughts. Within this monochromatic colored room, its absence of warmth iterates how lonely cancer can be. Its hard, linear lines form a barren vision, my eyes have nowhere to rest, nothing to alleviate the pain within, nowhere to seek the peace and hope I so desperately need…Here in the infusion center my room confines me with all that is artificial. I am surrounded by plastics…The room’s color palate of white, cream and beige continue the institutional, sterile atmosphere. It becomes a hollow place to me – without movement. I am all that is natural there.” Lisa Overby-Blosser
  • 14. PLAYFULNESS “I was attracted to the birds in the pond – their hysterical antics while taking a bath would bring laughter, even when I was in a lot of pain. The bird’s bath dance always uplifts me to a smile, giggle and laugher…I am reminded that I can laugh – things can still be funny. The bird dances fill my heart with humor, freedom, and playfulness, as I am a part of this moment.” Lisa Overby-Blosser photo credit: nesttbirds1.com
  • 15. PLAYFULNESS “When your illness restricts your movement, the garden surrounds you with movement, and allows you to dance in it (referring to watching the tall grasses blow in the wind). There’s no need to move.” Lisa Overby-Blosser photo credit: Jim Brandenburg
  • 16. ENTICEMENT “The different paths allow your mind to wander in different ways. Paths always symbolize a journey, and that’s en- couraging. Even just seeing the paths would help – I’d walk them with my eyes, too tired to venture on foot.” Lisa Overby-Blosser
  • 17. “By taking the time to sit, it gave me the energy to go back home and to be a mom and a wife.” Lisa Overby- Blosser
  • 18. LIFE’S CYCLES “Each visit and encounter is distinctly different, in all the times I have sought the shelter of the garden, the experience is never duplicated. In the garden I come to see life, growth, and predictable gentle deaths. In its fullness the garden is a happy place.” Lisa Overby-Blosser
  • 19. THE PILGRIMAGE “The walk here was always emotionally very dark; it was filled with thoughts of medical treatments, or how the kids were going to react. How much should I tell the kids? Then I’d get to the garden and start to feel better. The walk home was always better – even my posture was different. I lifted my eyes from the sidewalk, returning with expanded vision.” Lisa Overby-Blosser
  • 20. CONCLUSION “The garden allows your senses to come alive. You want to hear and you want to see and you want to smell. It’s a place where you want to be alive, whereas when in treatment in the hospital, you just want your senses to shut down.” Lisa Overby-Blosser
  • 21. “The garden allows you to take deeper breaths – to breath. Maybe just getting rid of stress helped heal [myself of] the cancer.” Lisa Overby-Blosser photo credit: Jim Brandenburg
  • 22. photo credit: Jim Brandenburg Bibliography Chard, P.S. (1994). The Healing Earth: Nature’s Medicine for the Troubled Soul. Minnetonka, MN: Northword Press. Clay, R. (April 2001). Green is Good for You. American Psychological Association (Electronic version), Vol. 32 (No. 4). Retrieved Sept. 7, 2012 from http://www.apa.org/monitor/apr01/greengood.aspx Day, C. (2004). Places of the Soul: Architecture and Environmental Design as a Healing Art (2nd Ed). Oxford, UK: Elsevier Press. Gesler, W.M. (2003). Healing Places. lanham, Maryland: Rowman and Littlefield Publishers, Inc Highland, C. (Ed). (2004). Meditations of Ralph Waldo Emerson: Into the Green Future. Berkeley, CA: Wilderness Press. Kellert, S.R. (2005). Building for Life: Designing and understanding the human-nature connection. Washington, DC: Island Press. Lewis, C.A. (1996). Green Nature Human Nature: The Meaning of Plants in Our Lives. Chicago, IL: University of Chicago Press. Lofy, J. (Fall 2006). Stephen and Rachel Kaplan have found that the cure for what ails you could be as simple as a walk in the woods. Michigan Today. University of Michigan. Retrieved Sept. 6 from http://michigantoday.umich.edu/06/Fal06/story.html?awalk Louv, R. (2005). Last Child in the Woods: Saving Our Children from Nature-Deficit Disorder. Chapel Hill: Algonquin Books of Chapel Hill, NC.