This document provides a step outline for a music video, summarizing scenes and shots in brief descriptions. It begins with an introductory scene of a mannequin hand and notepad, then describes scenes of the artist Riley rapping and writing in various locations, including a dilapidated car park, tunnels, and his room. Shooting styles incorporate slow motion, zooms, and color/black and white effects. The outline follows the structure of verses, a bridge, choruses, and an outro while depicting the artist and themes of writing, materialism, and internal struggle.
Bombs are going off in downtown Chicago. Caught in the middle is Kay Riley, an unassuming police officer framed for the devastation.
On the run with only her sense of humor and a few old friends to help her out, Kay faces an annoying hitman, a sexy thief, and a madman with a penchant for destruction.
Unexpectedly, Kay finds that being an outlaw agrees with her. She's not a karate expert, she can't pick a lock, and she certainly isn't a master of disguise, but Riley is stubborn, and this is her city. She's not going down without a fight!
A newlwed police rookie, her husband and her mother get together for a Sunday brunch in Chicago's trendy Wicker Park. Veronica "Verry" Larch soon learns that a cop is never off duty. Set in the Eighties, the story is filled with pop culture references like Barney Miller, the Iggy Pop and the Olsen twins.
Welocme to ViralQR, your best QR code generator.ViralQR
Welcome to ViralQR, your best QR code generator available on the market!
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GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...James Anderson
Effective Application Security in Software Delivery lifecycle using Deployment Firewall and DBOM
The modern software delivery process (or the CI/CD process) includes many tools, distributed teams, open-source code, and cloud platforms. Constant focus on speed to release software to market, along with the traditional slow and manual security checks has caused gaps in continuous security as an important piece in the software supply chain. Today organizations feel more susceptible to external and internal cyber threats due to the vast attack surface in their applications supply chain and the lack of end-to-end governance and risk management.
The software team must secure its software delivery process to avoid vulnerability and security breaches. This needs to be achieved with existing tool chains and without extensive rework of the delivery processes. This talk will present strategies and techniques for providing visibility into the true risk of the existing vulnerabilities, preventing the introduction of security issues in the software, resolving vulnerabilities in production environments quickly, and capturing the deployment bill of materials (DBOM).
Speakers:
Bob Boule
Robert Boule is a technology enthusiast with PASSION for technology and making things work along with a knack for helping others understand how things work. He comes with around 20 years of solution engineering experience in application security, software continuous delivery, and SaaS platforms. He is known for his dynamic presentations in CI/CD and application security integrated in software delivery lifecycle.
Gopinath Rebala
Gopinath Rebala is the CTO of OpsMx, where he has overall responsibility for the machine learning and data processing architectures for Secure Software Delivery. Gopi also has a strong connection with our customers, leading design and architecture for strategic implementations. Gopi is a frequent speaker and well-known leader in continuous delivery and integrating security into software delivery.
Generative AI Deep Dive: Advancing from Proof of Concept to ProductionAggregage
Join Maher Hanafi, VP of Engineering at Betterworks, in this new session where he'll share a practical framework to transform Gen AI prototypes into impactful products! He'll delve into the complexities of data collection and management, model selection and optimization, and ensuring security, scalability, and responsible use.
Transcript: Selling digital books in 2024: Insights from industry leaders - T...BookNet Canada
The publishing industry has been selling digital audiobooks and ebooks for over a decade and has found its groove. What’s changed? What has stayed the same? Where do we go from here? Join a group of leading sales peers from across the industry for a conversation about the lessons learned since the popularization of digital books, best practices, digital book supply chain management, and more.
Link to video recording: https://bnctechforum.ca/sessions/selling-digital-books-in-2024-insights-from-industry-leaders/
Presented by BookNet Canada on May 28, 2024, with support from the Department of Canadian Heritage.
Dev Dives: Train smarter, not harder – active learning and UiPath LLMs for do...UiPathCommunity
💥 Speed, accuracy, and scaling – discover the superpowers of GenAI in action with UiPath Document Understanding and Communications Mining™:
See how to accelerate model training and optimize model performance with active learning
Learn about the latest enhancements to out-of-the-box document processing – with little to no training required
Get an exclusive demo of the new family of UiPath LLMs – GenAI models specialized for processing different types of documents and messages
This is a hands-on session specifically designed for automation developers and AI enthusiasts seeking to enhance their knowledge in leveraging the latest intelligent document processing capabilities offered by UiPath.
Speakers:
👨🏫 Andras Palfi, Senior Product Manager, UiPath
👩🏫 Lenka Dulovicova, Product Program Manager, UiPath
Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...Ramesh Iyer
In today's fast-changing business world, Companies that adapt and embrace new ideas often need help to keep up with the competition. However, fostering a culture of innovation takes much work. It takes vision, leadership and willingness to take risks in the right proportion. Sachin Dev Duggal, co-founder of Builder.ai, has perfected the art of this balance, creating a company culture where creativity and growth are nurtured at each stage.
Key Trends Shaping the Future of Infrastructure.pdfCheryl Hung
Keynote at DIGIT West Expo, Glasgow on 29 May 2024.
Cheryl Hung, ochery.com
Sr Director, Infrastructure Ecosystem, Arm.
The key trends across hardware, cloud and open-source; exploring how these areas are likely to mature and develop over the short and long-term, and then considering how organisations can position themselves to adapt and thrive.
Elevating Tactical DDD Patterns Through Object CalisthenicsDorra BARTAGUIZ
After immersing yourself in the blue book and its red counterpart, attending DDD-focused conferences, and applying tactical patterns, you're left with a crucial question: How do I ensure my design is effective? Tactical patterns within Domain-Driven Design (DDD) serve as guiding principles for creating clear and manageable domain models. However, achieving success with these patterns requires additional guidance. Interestingly, we've observed that a set of constraints initially designed for training purposes remarkably aligns with effective pattern implementation, offering a more ‘mechanical’ approach. Let's explore together how Object Calisthenics can elevate the design of your tactical DDD patterns, offering concrete help for those venturing into DDD for the first time!
GraphRAG is All You need? LLM & Knowledge GraphGuy Korland
Guy Korland, CEO and Co-founder of FalkorDB, will review two articles on the integration of language models with knowledge graphs.
1. Unifying Large Language Models and Knowledge Graphs: A Roadmap.
https://arxiv.org/abs/2306.08302
2. Microsoft Research's GraphRAG paper and a review paper on various uses of knowledge graphs:
https://www.microsoft.com/en-us/research/blog/graphrag-unlocking-llm-discovery-on-narrative-private-data/
1. Step Outline
Intro
Mannequin hand with middle finger up. 0:00 – 0:03
Notepad with text “Riley”. On desk. 0:03-0:06
Riley in dilapidated car park area, Low, wide shot of
area, with him in the corner of the shot, out of focus,
then walks off screen. The shot refocuses 0:07-0:10
Reverse zoom through one of the three graffiti tunnels.
– Black and white, initially but use an effect to make
colour come back as it comes out. Have this change
going on throughout the video. – Signifies the change
from black chalk to Riley. 0:10-0:14
Black titles screen with text: “Malcolm Middle”. Cut the
audio when it changes to this. 4 seconds (silence)
After that shots of Riley’s feet walking across the
ground. Maybe with the car behind me down blue lane.
Riley’s feet walking towards the camera. Slow motion
effect applied“Watching steps, mind my cranium”
“Guest, depressing index” Slow zoom on the X.
“Directing lead fire”Riley rapping in the car park, gun
motions with hands. 20:00-21:00
“From the text, And at best” Over the shoulder shot,
Riley writing in room. 21:00-23:00
“Leaving you cross like Malcolm X middle men”
Slow zoom on the X.
Second shot with the Mannequin hand.“Stressed”
“Like Malcolm X middle men stressed” string
together shots of Riley’s outfit, and shots of the car.
Panning shots. Left to right, or right to left.
Verse 1
2. Wide shot of the car, with Riley in front of it, leaving
enough space above it for text to say “Black Chalk”.
“The Blackest Chalk aka white as dark horse”
Shots of the car, interior of the car with Riley in front of
the headlights from behind the window screen. Put a
prop on the windshield. A stack of money or something
inferring materialistic values.“Anthrax running
course.”
“Remorse like” Rapping in front of car. Blue Lane.
“Skulls and bones across boards” Static shot of skull
and cross bones on Hassan’s wall.
“Incredible poised, on credible”mid-shot of Riley
rapping. Car Park.
“Readable noise, ink –effable but”extreme close up of
chain notepad.
“Ineffable f***s” cut out to Riley wearing it around his
neck. A mid shot. In the dilapidatedcar park.
“F***ing just with us, uh” – Mid/wide shot of the car,
static shot and edit multiple Riley’s into the shot. One
behind steering wheel, one “partying” on the side with
bottles of alcohol and one rapping.Edit them in and out
rapidly. Blue Lane.
“Satiate my brackets you’re half substantial” – High
angle, craning shots from the sunroof of the car of Riley
rapping, headlights of the car lighting him up. Blue
Lane.
Close up, upper body, hand motionson“like crisp
packet, yo f**k it” ripping motion with hand, then
middle finger. Canted angle. Car Park.
“cause sucking do nothing”Riley walking with camera
behind him, tracking shot, slow motion effect. Down
the tunnel.
“But hard feelings”Sitting on a wall with Hassan near
the tunnel place. Make suggestive motions with hands
and arms.
3. “And circumcision causes omission of”More walking,
turn around to face the camera. Slow motion. Down
tunnel.
“Hard feelings”same arm motions, but in front of the
car instead.
“Dealing with devils like role reversal” – Slow
motion zoom in on the X.
“Jesus, slipping my D in a demon, disguised as
Venus” Canted angle; close up, Riley looking in mirror
with blank expression rapping.
“Who prizes my v” Leaning on car, casually. Low
angle. From Riley’s left or right. V sign with fingers.
“Seventeen and fiending to secrete semen within
this twenty year evil genius” Reverse zoom from
tunnel, signifies the change from black chalkto riley.
“Incubus busting nuts” – Split screen mid-shot of an
attractive female, and a vulnerable looking Riley.
“Lust” The word flashes on the screen OR/WHILE they
both say it simultaneously. Her with a smile, him with a
fearful look. Camera cuts to a close up.
“But from black dust we’re forging nebula and
suns.” Low angle of Riley with hand outstretched to the
camera.
Bridge
“Buts in the Ashtray”Rapid string of shots, a female
rear, extreme close up of a butt and finally, an ashtray,
all with the letters“BS” flickering on and off.
“While leading you astray and” Reverse zoom
through the tunnel.
Miss leads Venus that that’s name” Close up of
attractive female and a group of friends.
“Are we on the same page?” Split shot between Riley
and the female. Both miming lyrics.
4. “Ay” Shot of me walking.
“Are we on the same page?” Same shot of the
notepad, but now it has “Her” written under Riley.
“Ink spills to spell out claims and” Riley rapping with
notepad chain around my neck.
“That’s terrible, but” Slow motion, Riley ripping the
notepad open.
“Middle men get bills paid” – HandheldShot of
dashboard of car. Materialistic prop on the dashboard.
Riley in front of the window again.
“Spill” Raises head up from the water basin, in the
mirror.
Chorus 2
“Watching steps, mind my cranium” Feet walking
again, but on grass, or farmland.
“Guest. Depressing index.” Rapping in front of the car,
trigger fingers, high angle.
“Directing lead fire from the” Pen/pencil rolling
across the desk in slow motion. A notepad being picked
up, black and white.
“Text and at best, leaving you” Low angle of Riley
practicing in his room, slow motion effect still applied.
Black and white.
“Cross like Malcolm X Middle Man Stressed” Slow
zoom in on the X.
“Like Malcolm X Middle Man Stressed”. Mannequin
hand with middle finger up.
Verse 2
“Darker than” Sign of Fenland.Canted maybe? Black
and white maybe?
“The crevice in father’s white palms.” Extreme close
up of Riley’s father’s palms, then a close up of his face,
5. with a black strip across his eyes. Across the strip have
text: “Malcolm Middle”
“And inversely in verses I’m lighter than” Crouching
in a field. High angle shot, maybe from the top of the
car again. Daytime.
“Black lungs dispersing my word.” Riley by the car,
dressed in all black. Low angle shot, contrasting the
shot before it.
“With focus, experiential knowledge that’s spoken”
Slow zoom out of the tunnel, gradually turning to
colour.
“And eyes on me like a sunny side up on”Split
editing. Horizontal split. Shot of Riley’s mouth rapping,
extreme close up of both eyes and mouth.
“Yolks Iris nervous deciding if” Zoom in on the X
slowly.
“Purse or my person has worth that’s internal.”
Riley walking out of the house, taking money from his
mother’s purse.
“As 1961’s inverted, it’s real” Riley rapping in the
field. Rotary motion with arms. Mid shot.
“My purpose remains undisturbed” Walking
backwards in the field, turning around, slow motion,
arms outspread, and thencup my lower face in my
hands.
“You’re choosing” Point at the camera, low angle,
similarly to the hand outstretched one.
“To die late or die looting” Slow motion of Riley
cutting his throat with his hand while walking forward.
Car Park.
“Solution being to soak in the notion that you ain’t”
Face dripping from the water basin. Mouthing words.
“Stanley Tookie I’m Kubrick” Black Chalk rapping, in
front of the car. Motion to you, then to me. Backwards
tracking shot.
6. “Salivating profusely” Reverse zoom through tunnel.
Colour almost restored
“Spitting on your grave with a loogie I’m” Black
Chalk rapping the lyrics, low angle, crouching.
“Sicker than truth be”Dilapidated car park,speed up
the track, and apply slow motion so it’s in sync.
“And heated. Like heaters” Riley rapping in front of
the car, gun motions again.
“Hotter than Dante’s depictions.“ Riley walking, with
a lens flare effect applied, still slow motion. Field.
“Of rings reflecting the 9” Tunnel, leaning on the wall,
throw up 9 fingers, while it zooms out. Colour restored
completely.
“And the sins in hands committed illuminate” Hold
my hand out to the camera, like Big L does. Overlay the
picture of Riley as a baby with hand out, and Big L with
it out too.
“Middle men strictly.” Zoom out from the X.
Cut to black: Screen with text saying “Titled/Self.”