सिनेमाच्या भाषेत बोलणे म्हणजे सिनेमॅटिक घटक वापरून प्रेक्षकांमध्ये भावना निर्माण करणे, त्यांना अनुभव देणे ! यासाठी सिनेमाचे घटक आणि त्यांची रचना या बाबींची माहिती, ज्ञान आणि कौशल्य आवश्यक आहे.
कथेतील नाट्यमय घटनांचा प्रेक्षकांवर भावनिक परिणाम होत असतो. हा परिणाम सकारात्मक आणि नकारात्मक असा असतो. कथेतील नायकाच्या बाबतीत चांगली घटना घडली तर प्रेक्षकांना चांगले वाटते आणि वाईट घटना घडली तर वाईट वाटते. या चांगले वाईट वाटण्याचा आलेख काढला जातो.
कथेतील घटनाक्रमानुसार प्रेक्षकांच्या भावनेत होत जाणाऱ्या अपेक्षित बदलांचा आलेख म्हणजे स्टोरी आर्क! याला प्लॉट पॅटर्न, नरेटिव आर्क, स्टोरी लाईन, स्टोरी मॅप, स्टोरी शेप असेही म्हणतात! आपण याला ‘कथा आलेख’ म्हणू शकतो!
सिनेमाच्या भाषेत बोलणे म्हणजे सिनेमॅटिक घटक वापरून प्रेक्षकांमध्ये भावना निर्माण करणे, त्यांना अनुभव देणे ! यासाठी सिनेमाचे घटक आणि त्यांची रचना या बाबींची माहिती, ज्ञान आणि कौशल्य आवश्यक आहे.
कथेतील नाट्यमय घटनांचा प्रेक्षकांवर भावनिक परिणाम होत असतो. हा परिणाम सकारात्मक आणि नकारात्मक असा असतो. कथेतील नायकाच्या बाबतीत चांगली घटना घडली तर प्रेक्षकांना चांगले वाटते आणि वाईट घटना घडली तर वाईट वाटते. या चांगले वाईट वाटण्याचा आलेख काढला जातो.
कथेतील घटनाक्रमानुसार प्रेक्षकांच्या भावनेत होत जाणाऱ्या अपेक्षित बदलांचा आलेख म्हणजे स्टोरी आर्क! याला प्लॉट पॅटर्न, नरेटिव आर्क, स्टोरी लाईन, स्टोरी मॅप, स्टोरी शेप असेही म्हणतात! आपण याला ‘कथा आलेख’ म्हणू शकतो!
Oficina de Introdução ao Roteiro AudiovisualPaola Giovana
Oficina de Roteiro Audiovisual ministrada na calourada de Artes Cênicas da UFOP em Agosto de 2014. Introdução ao Roteiro e breve comparação entre texto teatral e roteiro audiovisual.
Editing booklet gcse a level film studies revision homework distance lerning ...Ian Moreno-Melgar
This is a comprehensive guide to editing for film studies students and teachers alike. With over 30 pages of content and at over 13,000 words in length, you’ll not find a guidebook, resource or textbook that is as detailed, as insightful or as adaptable as this.
If you like the look of the booklet please find it available to purchase by searching online for FILM STUDIES IAN MORENO-MELGAR SELLFY
The booklet is separated into the aspects of editing that are defined in the specifications of the GCSE and A-Level Film Studies courses from Eduqas/WJEC. The guide then explores ideas relating to pace, transitions, cuts, editing with sound, how editing creates relationships as well as information about visual effects, special effects and CGI in general.
Each section includes detailed explanations, expert analysis and insight, dozens of tasks, dozens of images, links to hundreds of videos on YT, a mini-glossary for students to complete and assessments.
It’s also a great resource to copy information from and then paste into whatever work you need to set or deliver. This means that you can use this electronic text book as a guide for you as the teacher, as a resource for students to use in the classroom, to be broken up and used as individual worksheets, for revision, for homework, for remote learning or for students who are self-isolating and unable to be in lessons in person.
Written by an experienced teacher, examiner and CPD presenter with extensive experience in writing guides for film studies, I guarantee that this resource will prove to be an invaluable tool for you and your students and worth every penny.
This week we look at some of the basic concepts that developed the language and grammar of film editing. We spend a bit of time talking about Sergei Eisenstein and his theories around editing, and some of the innovations and experiments that were happening in the early period of film history.
The second half of the lecture we learn about technical aspects of Continuity Editing.
मित्रांनो, मी फेब्रुवारी 2020 मध्ये आदरणीय समर नखाते सर आणि दिग्दर्शक उमेश कुलकर्णी सर यांचे ‘शूट अ शॉर्ट’ नावाच्या शॉर्ट फिल्म मेकिंगच्या वर्कशॉप मध्ये भाग घेतला होता, त्यात आम्हाला एक असाईनमेंट दिली होती -
जास्तीत जास्त 6 फोटो काढा. त्यातून काहीतरी स्टोरी निर्माण झाली पाहिजे.
मी बनवलेली ‘फोटो स्टोरी’ तुमच्याबरोबर येथे शेअर करत आहे, पहा बरे तुम्हाला कळते का?
Oficina de Introdução ao Roteiro AudiovisualPaola Giovana
Oficina de Roteiro Audiovisual ministrada na calourada de Artes Cênicas da UFOP em Agosto de 2014. Introdução ao Roteiro e breve comparação entre texto teatral e roteiro audiovisual.
Editing booklet gcse a level film studies revision homework distance lerning ...Ian Moreno-Melgar
This is a comprehensive guide to editing for film studies students and teachers alike. With over 30 pages of content and at over 13,000 words in length, you’ll not find a guidebook, resource or textbook that is as detailed, as insightful or as adaptable as this.
If you like the look of the booklet please find it available to purchase by searching online for FILM STUDIES IAN MORENO-MELGAR SELLFY
The booklet is separated into the aspects of editing that are defined in the specifications of the GCSE and A-Level Film Studies courses from Eduqas/WJEC. The guide then explores ideas relating to pace, transitions, cuts, editing with sound, how editing creates relationships as well as information about visual effects, special effects and CGI in general.
Each section includes detailed explanations, expert analysis and insight, dozens of tasks, dozens of images, links to hundreds of videos on YT, a mini-glossary for students to complete and assessments.
It’s also a great resource to copy information from and then paste into whatever work you need to set or deliver. This means that you can use this electronic text book as a guide for you as the teacher, as a resource for students to use in the classroom, to be broken up and used as individual worksheets, for revision, for homework, for remote learning or for students who are self-isolating and unable to be in lessons in person.
Written by an experienced teacher, examiner and CPD presenter with extensive experience in writing guides for film studies, I guarantee that this resource will prove to be an invaluable tool for you and your students and worth every penny.
This week we look at some of the basic concepts that developed the language and grammar of film editing. We spend a bit of time talking about Sergei Eisenstein and his theories around editing, and some of the innovations and experiments that were happening in the early period of film history.
The second half of the lecture we learn about technical aspects of Continuity Editing.
मित्रांनो, मी फेब्रुवारी 2020 मध्ये आदरणीय समर नखाते सर आणि दिग्दर्शक उमेश कुलकर्णी सर यांचे ‘शूट अ शॉर्ट’ नावाच्या शॉर्ट फिल्म मेकिंगच्या वर्कशॉप मध्ये भाग घेतला होता, त्यात आम्हाला एक असाईनमेंट दिली होती -
जास्तीत जास्त 6 फोटो काढा. त्यातून काहीतरी स्टोरी निर्माण झाली पाहिजे.
मी बनवलेली ‘फोटो स्टोरी’ तुमच्याबरोबर येथे शेअर करत आहे, पहा बरे तुम्हाला कळते का?