Southeast Asia is a subregion most known to the world for its tropical vacation destinations and exotic foods, but not its music industry.
‘ASEAN’, which stands for the Association of Southeast Asian Nations, is often used interchangeably with ‘Southeast Asia’ in the spoken language of people in the region. There are currently 10 ASEAN member countries: Indonesia, Thailand, Singapore, Malaysia, Philippines, Vietnam, Brunei, Cambodia, Myanmar (Burma), and Laos, with Timor-Leste as an observing member.
ASEAN countries all have rich musical cultures, which is mostly seen for its traditional and cultural value. However, its thriving local music scenes consist of all imaginable modern music genres and sub-genres that is virtually invisible to the world.
Báo cáo tổng quan về Spotify in Vietnam 2020, cung cấp các thông tin như: số lượng users, hành vi và thói quen của người dùng Spotify tại Việt Nam. Để được tư vấn thêm thông tin chi tiết, bạn có thể liên hệ tại website www.thinkdigital.com.vn hoặc www.digitaltrend.asia/medialab
Spotify targets three main consumer groups - average millennials, tech early adopters, and moms. The average millennial, represented as Sam, uses Spotify for its wide music selection and convenience across different platforms. Tech early adopters, like Dan, seek the latest music trends to enhance their performance and social status. Moms such as Jessica rely on Spotify's large library and curated playlists for different activities and times of day to entertain and calm their families. Spotify aims to meet the needs of these groups through its "freemium" model with advertising or premium subscriptions.
The music industry is split into four main parts - recording music, songwriting and publishing, live music, and artist management. Recording involves finding a record label, recording original or cover songs, and duplicating the finished product. Songwriting involves splitting publishing revenues 50/50 between the songwriter and music publisher according to agreements. The live music sector has become a primary income source for artists due to illegal downloading, involving promoters, booking agents, venues, and road crews.
Music is one of the most popular entertainment for Vietnamese, especially among the youth. The options to listen to music becomes more versatile thanks to the better network connections.
This survey was made in order to understand Vietnamese music listening behaviors.
This survey was conducted among 1500 respondents who are 18 – 44 years old nationwide.
South Korea Recorded Music Market OverviewAkiraIshino1
The South Korean recorded music market has grown substantially over the last five years, becoming the 7th largest in the world. It grew 65% from 2017-2021 to $808 million, driven by streaming growth and a K-Pop boom. Streaming accounts for most revenue at 62%, while physical music like CDs grew the second most globally, led by devoted K-Pop superfans. Local independent labels dominate the market, while music shows, Gaon Charts, and genres like K-Ballads are also influential parts of the South Korean music landscape. Instagram is the top social media platform for reaching younger audiences.
- 61% of Vietnamese listen to Music everyday
- Vietnamese music is dominantly popular
- Computers and smartphones are the top devices to listen to music
- Mp3.zing.vn is more for youth, Nhaccuatui is popular more for the elderly
- 29% listen to music on motorbike against the law
- Web site is the most common information source
- 56% do not pay for music for last 12 month
Music is found all around the world, with each country having its own unique styles. Popular music originated in the US and UK, with iconic pop artists including The Beatles, Michael Jackson, and Madonna. Country music also came from America and features the banjo, violin, and harmonica, with notable country singers being Patsy Cline, Dolly Parton, and Willie Nelson. Classical music flourished in the late 18th and early 19th centuries under composers like Bach, Mozart, and Beethoven. Rock music evolved from rock and roll in the 1960s in the UK and US, with Elvis Presley as a seminal rock and roll singer. Jazz originated in African American communities in the early 20th
Báo cáo tổng quan về Spotify in Vietnam 2020, cung cấp các thông tin như: số lượng users, hành vi và thói quen của người dùng Spotify tại Việt Nam. Để được tư vấn thêm thông tin chi tiết, bạn có thể liên hệ tại website www.thinkdigital.com.vn hoặc www.digitaltrend.asia/medialab
Spotify targets three main consumer groups - average millennials, tech early adopters, and moms. The average millennial, represented as Sam, uses Spotify for its wide music selection and convenience across different platforms. Tech early adopters, like Dan, seek the latest music trends to enhance their performance and social status. Moms such as Jessica rely on Spotify's large library and curated playlists for different activities and times of day to entertain and calm their families. Spotify aims to meet the needs of these groups through its "freemium" model with advertising or premium subscriptions.
The music industry is split into four main parts - recording music, songwriting and publishing, live music, and artist management. Recording involves finding a record label, recording original or cover songs, and duplicating the finished product. Songwriting involves splitting publishing revenues 50/50 between the songwriter and music publisher according to agreements. The live music sector has become a primary income source for artists due to illegal downloading, involving promoters, booking agents, venues, and road crews.
Music is one of the most popular entertainment for Vietnamese, especially among the youth. The options to listen to music becomes more versatile thanks to the better network connections.
This survey was made in order to understand Vietnamese music listening behaviors.
This survey was conducted among 1500 respondents who are 18 – 44 years old nationwide.
South Korea Recorded Music Market OverviewAkiraIshino1
The South Korean recorded music market has grown substantially over the last five years, becoming the 7th largest in the world. It grew 65% from 2017-2021 to $808 million, driven by streaming growth and a K-Pop boom. Streaming accounts for most revenue at 62%, while physical music like CDs grew the second most globally, led by devoted K-Pop superfans. Local independent labels dominate the market, while music shows, Gaon Charts, and genres like K-Ballads are also influential parts of the South Korean music landscape. Instagram is the top social media platform for reaching younger audiences.
- 61% of Vietnamese listen to Music everyday
- Vietnamese music is dominantly popular
- Computers and smartphones are the top devices to listen to music
- Mp3.zing.vn is more for youth, Nhaccuatui is popular more for the elderly
- 29% listen to music on motorbike against the law
- Web site is the most common information source
- 56% do not pay for music for last 12 month
Music is found all around the world, with each country having its own unique styles. Popular music originated in the US and UK, with iconic pop artists including The Beatles, Michael Jackson, and Madonna. Country music also came from America and features the banjo, violin, and harmonica, with notable country singers being Patsy Cline, Dolly Parton, and Willie Nelson. Classical music flourished in the late 18th and early 19th centuries under composers like Bach, Mozart, and Beethoven. Rock music evolved from rock and roll in the 1960s in the UK and US, with Elvis Presley as a seminal rock and roll singer. Jazz originated in African American communities in the early 20th
Spotify Marketing Campaign for Marketing Theory & Practice Mary Peters
Spotify provides a music streaming service used primarily by millennials since they seek a trendy and personalized music experience. Since it was launched in 2008, it has over 140 million users with 60 million users paying for its premium service, used in over 60 different countries, and gives its users access to a library of music of more than 40 million songs. Spotify’s biggest competitors are Apple, Amazon, and Pandora. It differentiates itself by orienting its features around creating a truly personalized listening experience after purchasing a premium subscription which allows for offline streaming, ad-free listening, unlimited song skips, and complete control over their listening experience.
Learn more at www.oneskyapp.com/
In this deep-dive case study, learn the 3 key growth strategies that Spotify used to gain early footing in the APAC region, break past Asian cultural and technological barriers, and continue to grow their customer engagement in 7 key markets.
Want to go global yourself? Visit www.oneskyapp.com to see how our localization team has helped companies like Spotify expand internationally.
Questions? Comments? Contact us at hello@oneskyapp.com
This sponsorship proposal outlines three sponsorship levels - title sponsor, co-sponsor, and associate sponsor - for an indie music dance video featuring two leading artists. The title sponsor would receive maximum visibility through product placement and branding in the video and marketing campaign, including having their name in the video title. All sponsors would benefit from the widespread marketing campaign across digital and traditional media channels. The target audience is youth aged 15-30 interested in hip hop, EDM, and dance who are potential future customers. Sponsors are encouraged to use the opportunity to promote their brand and reach this demographic through an innovative sponsorship model.
Vietnamese came to have more time at home during the lockdown period. Their time to go outside for shopping, entertainment, chatting has been replaced by the home activities.
This survey was made in order to understand how their leisure time is used during Covid and particularly pay attention to the usage change of social media.
The survey was held in September 2021.
Korean and Japanese entertainment contents are both enjoyed by many people around the world and by Asian people in particular. This survey was conducted to find out how popular Korean and Japanese entertainment contents among the Vietnamese.
The survey results was collected nation-wide among over 600 males and females of the age 18-39 in July 2020.
Italian Folk Dance has been an integral part of Italian culture for centuries. Dance has been a continuous thread in Italian life from Dante through the Renaissance
This document outlines and describes several different musical genres:
- Vocal genres include a cappella singing without instruments. Instrumental genres feature solely instruments, like symphonies. Vocal and instrumental combined genres use both, like rock bands.
- Religious genres are composed for liturgical ceremonies or non-liturgical religious purposes. Profane genres are for entertainment and include folk, light, and cultured styles.
- Functional music is for important events like ceremonies. Cinematographic music enhances film messages. Theatre genres include operas, musicals, and ballets. Advertising genres promote products in media.
Major record labels have various departments that work together to promote and manage artists. The A&R department discovers and works directly with artists, while marketing develops promotion plans. Other departments handle legal issues, sales to retailers, public relations, and ensuring the artist's music is heard on the radio and television. As the music industry has changed, some labels have renamed departments or reduced their focus on long-term artist career development.
PowerPoint presentation about the most popular music streaming app nowadays: Spotify.
Type of file: .pptx
Fonts: "Montserrat Black" and "Montserrat Light"
Theme made by me.
Disclaimer: I don't own Spotify, this is a simple school presentation.
Structure and breakdown of Record Labelsjadewhyatt
The document discusses the structure and types of record labels. It outlines the key activities of record labels which include talent development, artist marketing, legal services, sales/distribution, and promotions. There are major labels that dominate the market and independent labels that lack major distribution. Major labels control 70% of the music market and 80-90% of the US market. They have significant financing but independent labels have more creative freedom.
YouTube is one of the most common media among Vietnamese. Vietnam is one of the top countries for YouTube global market and there are increasing number of YouTubers who give a huge influence over the lifestyle and opinions of the Vietnamese youth.
This survey was conducted among 18 -49 years old male and female of 1337 respondents who watch YouTube in January 2021.
This document presents a marketing plan for launching the music streaming service Spotify in India. Section 1 provides an overview of Spotify as a global company. Section 2 analyzes the market opportunity in India, including over 200 million smartphone users and competitors like illegal downloads. The goal in Section 3 is to launch Spotify in India and gain at least 10 million app downloads within a year. Section 4 outlines the strategy, targeting all music lovers by satisfying their need for music access across any device. Sections 5 and 6 detail the tactics for product, pricing, promotion, and operations to achieve the goal, including establishing infrastructure and partnerships by March 2017 and launching the app in October 2017.
Spotify allows free streaming of music on MP3 devices without ads or need for downloads, giving it an advantage over iTunes. However, Spotify is not compatible with Apple devices like iPhones and iPads, and it can be difficult to find individual songs. Spotify also faces threats from competitors like Apple Music and free alternatives like MOG, as well as potential lawsuits from artists.
Thailand has a population of over 67 million people with a growth rate of 0.35%. Most people practice Buddhism. The economy relies heavily on exports, which account for 60% of GDP. Thailand has the second largest economy in Southeast Asia after Indonesia. Natural resources include tin, rubber, and petroleum. Political issues in 2013-2014 involved protests and a coup that resulted in a new prime minister. Culturally, Thais emphasize fun and respecting elders. Important holidays celebrate Thai New Year and elephants.
The document provides an overview of the KPOP industry and genre. It defines KPOP, describes the characteristics and structure of popular boy and girl groups, discusses the major entertainment companies and some of their top acts, and provides terminology used in KPOP.
The document outlines the major departments within a typical large record label and provides a brief description of each department's responsibilities. Key departments include A&R which discovers and works with artists, marketing which creates promotion plans, sales which works with retailers, and publicity which arranges media coverage of artists. The structure and departments of record labels can vary between companies and may change as larger companies acquire smaller labels.
Vietnam Mobile Marketing and Game 2019 (English new)Appota Group
This document provides an overview and analysis of the mobile marketing and gaming market in Vietnam. Some key points:
- Mobile gaming has 33 million players in Vietnam currently and is projected to reach 40 million by 2020. Nearly half of mobile internet users play games on their phones.
- The top apps and games in Vietnam are mainly social networking apps and online esports games. Popular titles include Arena of Valor, Candy Crush Saga, and Clash of Clans.
- Mobile advertising spending in Vietnam grew rapidly in 2018 and accounted for 62% of total digital ad spending. Social media receives the largest portion of digital ad budgets. Video advertising is forecasted to have the highest growth rate.
- The
This document discusses the economic development of different regions over time and lessons that can be learned. It makes three key points:
1) Historically, Asian economies like China and India produced the majority of global GDP, but industrialization in Western Europe led to their economies growing much faster starting in the 18th century.
2) East Asian economies like China, South Korea and Japan experienced much faster economic growth over the past 50-60 years compared to South Asian countries like India, Pakistan and Nepal.
3) Despite reductions in poverty rates, the total number of poor people in South Asia has actually increased due to high population growth. Sustained economic growth is needed to continue reducing both poverty rates and numbers
1) Business systems in ASEAN can be understood based on three key factors: the prevailing culture, institutional frameworks firms operate within, and policies guiding coordination between firms.
2) ASEAN aims to encourage economic growth, social progress, and cultural development in Southeast Asia and includes 10 member states with a combined population of over 600 million people.
3) One of ASEAN's major goals was eliminating regional tariffs on goods, which has been mostly achieved, contributing to ASEAN's economy doubling in size from 2007-2014 and projected to continue strong growth.
Spotify Marketing Campaign for Marketing Theory & Practice Mary Peters
Spotify provides a music streaming service used primarily by millennials since they seek a trendy and personalized music experience. Since it was launched in 2008, it has over 140 million users with 60 million users paying for its premium service, used in over 60 different countries, and gives its users access to a library of music of more than 40 million songs. Spotify’s biggest competitors are Apple, Amazon, and Pandora. It differentiates itself by orienting its features around creating a truly personalized listening experience after purchasing a premium subscription which allows for offline streaming, ad-free listening, unlimited song skips, and complete control over their listening experience.
Learn more at www.oneskyapp.com/
In this deep-dive case study, learn the 3 key growth strategies that Spotify used to gain early footing in the APAC region, break past Asian cultural and technological barriers, and continue to grow their customer engagement in 7 key markets.
Want to go global yourself? Visit www.oneskyapp.com to see how our localization team has helped companies like Spotify expand internationally.
Questions? Comments? Contact us at hello@oneskyapp.com
This sponsorship proposal outlines three sponsorship levels - title sponsor, co-sponsor, and associate sponsor - for an indie music dance video featuring two leading artists. The title sponsor would receive maximum visibility through product placement and branding in the video and marketing campaign, including having their name in the video title. All sponsors would benefit from the widespread marketing campaign across digital and traditional media channels. The target audience is youth aged 15-30 interested in hip hop, EDM, and dance who are potential future customers. Sponsors are encouraged to use the opportunity to promote their brand and reach this demographic through an innovative sponsorship model.
Vietnamese came to have more time at home during the lockdown period. Their time to go outside for shopping, entertainment, chatting has been replaced by the home activities.
This survey was made in order to understand how their leisure time is used during Covid and particularly pay attention to the usage change of social media.
The survey was held in September 2021.
Korean and Japanese entertainment contents are both enjoyed by many people around the world and by Asian people in particular. This survey was conducted to find out how popular Korean and Japanese entertainment contents among the Vietnamese.
The survey results was collected nation-wide among over 600 males and females of the age 18-39 in July 2020.
Italian Folk Dance has been an integral part of Italian culture for centuries. Dance has been a continuous thread in Italian life from Dante through the Renaissance
This document outlines and describes several different musical genres:
- Vocal genres include a cappella singing without instruments. Instrumental genres feature solely instruments, like symphonies. Vocal and instrumental combined genres use both, like rock bands.
- Religious genres are composed for liturgical ceremonies or non-liturgical religious purposes. Profane genres are for entertainment and include folk, light, and cultured styles.
- Functional music is for important events like ceremonies. Cinematographic music enhances film messages. Theatre genres include operas, musicals, and ballets. Advertising genres promote products in media.
Major record labels have various departments that work together to promote and manage artists. The A&R department discovers and works directly with artists, while marketing develops promotion plans. Other departments handle legal issues, sales to retailers, public relations, and ensuring the artist's music is heard on the radio and television. As the music industry has changed, some labels have renamed departments or reduced their focus on long-term artist career development.
PowerPoint presentation about the most popular music streaming app nowadays: Spotify.
Type of file: .pptx
Fonts: "Montserrat Black" and "Montserrat Light"
Theme made by me.
Disclaimer: I don't own Spotify, this is a simple school presentation.
Structure and breakdown of Record Labelsjadewhyatt
The document discusses the structure and types of record labels. It outlines the key activities of record labels which include talent development, artist marketing, legal services, sales/distribution, and promotions. There are major labels that dominate the market and independent labels that lack major distribution. Major labels control 70% of the music market and 80-90% of the US market. They have significant financing but independent labels have more creative freedom.
YouTube is one of the most common media among Vietnamese. Vietnam is one of the top countries for YouTube global market and there are increasing number of YouTubers who give a huge influence over the lifestyle and opinions of the Vietnamese youth.
This survey was conducted among 18 -49 years old male and female of 1337 respondents who watch YouTube in January 2021.
This document presents a marketing plan for launching the music streaming service Spotify in India. Section 1 provides an overview of Spotify as a global company. Section 2 analyzes the market opportunity in India, including over 200 million smartphone users and competitors like illegal downloads. The goal in Section 3 is to launch Spotify in India and gain at least 10 million app downloads within a year. Section 4 outlines the strategy, targeting all music lovers by satisfying their need for music access across any device. Sections 5 and 6 detail the tactics for product, pricing, promotion, and operations to achieve the goal, including establishing infrastructure and partnerships by March 2017 and launching the app in October 2017.
Spotify allows free streaming of music on MP3 devices without ads or need for downloads, giving it an advantage over iTunes. However, Spotify is not compatible with Apple devices like iPhones and iPads, and it can be difficult to find individual songs. Spotify also faces threats from competitors like Apple Music and free alternatives like MOG, as well as potential lawsuits from artists.
Thailand has a population of over 67 million people with a growth rate of 0.35%. Most people practice Buddhism. The economy relies heavily on exports, which account for 60% of GDP. Thailand has the second largest economy in Southeast Asia after Indonesia. Natural resources include tin, rubber, and petroleum. Political issues in 2013-2014 involved protests and a coup that resulted in a new prime minister. Culturally, Thais emphasize fun and respecting elders. Important holidays celebrate Thai New Year and elephants.
The document provides an overview of the KPOP industry and genre. It defines KPOP, describes the characteristics and structure of popular boy and girl groups, discusses the major entertainment companies and some of their top acts, and provides terminology used in KPOP.
The document outlines the major departments within a typical large record label and provides a brief description of each department's responsibilities. Key departments include A&R which discovers and works with artists, marketing which creates promotion plans, sales which works with retailers, and publicity which arranges media coverage of artists. The structure and departments of record labels can vary between companies and may change as larger companies acquire smaller labels.
Vietnam Mobile Marketing and Game 2019 (English new)Appota Group
This document provides an overview and analysis of the mobile marketing and gaming market in Vietnam. Some key points:
- Mobile gaming has 33 million players in Vietnam currently and is projected to reach 40 million by 2020. Nearly half of mobile internet users play games on their phones.
- The top apps and games in Vietnam are mainly social networking apps and online esports games. Popular titles include Arena of Valor, Candy Crush Saga, and Clash of Clans.
- Mobile advertising spending in Vietnam grew rapidly in 2018 and accounted for 62% of total digital ad spending. Social media receives the largest portion of digital ad budgets. Video advertising is forecasted to have the highest growth rate.
- The
This document discusses the economic development of different regions over time and lessons that can be learned. It makes three key points:
1) Historically, Asian economies like China and India produced the majority of global GDP, but industrialization in Western Europe led to their economies growing much faster starting in the 18th century.
2) East Asian economies like China, South Korea and Japan experienced much faster economic growth over the past 50-60 years compared to South Asian countries like India, Pakistan and Nepal.
3) Despite reductions in poverty rates, the total number of poor people in South Asia has actually increased due to high population growth. Sustained economic growth is needed to continue reducing both poverty rates and numbers
1) Business systems in ASEAN can be understood based on three key factors: the prevailing culture, institutional frameworks firms operate within, and policies guiding coordination between firms.
2) ASEAN aims to encourage economic growth, social progress, and cultural development in Southeast Asia and includes 10 member states with a combined population of over 600 million people.
3) One of ASEAN's major goals was eliminating regional tariffs on goods, which has been mostly achieved, contributing to ASEAN's economy doubling in size from 2007-2014 and projected to continue strong growth.
This document summarizes consumer trends and the expansion of retail markets in growing ASEAN economies. It finds that ASEAN countries are experiencing significant economic growth driven by large populations of young people and growing middle classes. While there are differences between countries, surveys find common trends in maturing consumption across major ASEAN cities. The retail markets in Southeast Asia currently exhibit high growth and offer potential for further expansion. However, government policies and infrastructure development present risks that companies must consider when entering these markets.
Consumer Trends and Expansion of Retail Markets in Growing ASEAN Economies No...Utai Sukviwatsirikul
This document summarizes consumer trends and the expansion of retail markets in growing ASEAN economies. It finds that ASEAN countries are experiencing significant economic growth driven by large populations of young people and growing middle classes. While there are differences between countries, surveys reveal common trends in maturing consumption across major ASEAN cities. The retail markets in Southeast Asia currently exhibit high growth and offer potential for further expansion. However, government policies and infrastructure development present risks that companies must consider when entering these markets.
Audio OTT Economy in India at inflection point, says IMI-Deloitte reportNikita Singhal
A report on the growing Audio OTT industry values, the Indian OTT market at USD 280 million, with revenues from the audio OTT industry contributing to 67% of the total recorded music revenue in India.
Audio OTT Economy in India at inflection point, says IMI-Deloitte reportSocial Samosa
The document provides an overview of the audio OTT economy in India. It discusses the growth of the global and Indian recorded music industries in recent years, driven largely by digital consumption and streaming. The Indian recorded music industry grew to $131 million in 2017, ranking 19th globally, with digital revenues as the largest contributor. The document outlines the flow of rights and revenues within the music industry value chain from creators to audio OTT platforms. It also analyzes business models, trends, and case studies in global markets that could impact growth in India. Unlocking the potential of audio OTT is seen as an opportunity to further grow the Indian recorded music industry.
Around Asia'a Key Markets: Music Industry OverviewBranded Ltd
Indonesia's music industry has seen a major shift from physical to digital sales. Physical sales peaked in 1996 at 77 million units but declined sharply to only 3 million units by 2013. Meanwhile, digital music services like iTunes started in Indonesia in 2012 and now account for around 10% of the total music market. Piracy remains a major challenge for the industry. Looking ahead, the music industry aims to minimize piracy, expand into new digital platforms and markets, and collect reproduction rights from karaoke businesses.
This document provides a market study of the music streaming market opportunity in Hungary. It analyzes the country's demographics, noting a declining and aging population with low birth rates. The highest income and music interest groups are those aged 30-39 and 20-29. Streaming services should target these groups as well as the growing 45-60 cohort. The document also outlines the local music ecosystem, noting the major labels and independent labels/aggregators that a streaming service should partner with to access local Hungarian content and drive subscriptions. In summary, this market study evaluates the streaming music opportunity in Hungary, identifying target demographics and key local music partners.
Asia-Pacific holds a wealth of opportunities for different industries - from outsourcing production to take advantage of lower costs, to reaching out to new target customers. However, diversity at both regional and local level poses a significant challenge to navigating the markets, and to defining a successful growth strategy. When assessing market opportunities or planning strategies for Asia Pacific, reliable market intelligence must be brought into play to ensure this diversity is taken into account. Business strategies must be tailored to each sector and country according to local market characteristics.
This presentation shows selected slides from a GIA white paper. To download the entire white paper that you are interested in, please visit http://bit.ly/GIAinsightWP
This document provides a SWOT analysis of Sony Music Entertainment. It identifies strengths such as high market share and successful artists. Weaknesses include high production costs and copyright issues. Opportunities are growing global music markets and new legislation. Threats are piracy, decreasing physical sales, and privacy violations. A PESTEL analysis examines political, economic, social, technological, environmental and legal factors. Finally, a TOWS matrix proposes strategies like using streaming to reduce costs and collaborating with diverse artists.
The IFPI Global Music Report tells a positive story of music being enjoyed by more people in more ways than ever before. At the heart of this story are incredible artists, supported by the investment and innovation from record companies and other
partners that is helping them to share their music with
the world.
The global market for background music is expected to grow from $ 1,614.1 million in 2021 to $ 2,201.1 million in 2026. The market is expected to grow at a CAGR of 6.4% over the forecast period (2021-2026). Some of the market's key participants are Almotech, Auracle Sound, Brandtrack, CSI Music, Cloud Cover Music, Custom Channels, Easy on Hold, Express Melody, Heartbeats International, Imagesound, Jamendo Listening, Jukeboxy, Kasimu, Mood Media, NSM Music., Open Ear Music, Pandora for Business, PlayNetwork, Qsic, Rockbot, SiriusXM for Business, SoundMachine, Soundjack, Soundreef, Soundtrack Your Brand, StorePlay, Sunflower Music, TouchTunes, Usen Corporation, Xenon Music Media. This report intends to identify significant growth areas and to explore relevant market strategies. This in-depth analysis delves into the global market for background music. The primary goal of this research is to examine the potential growth areas, significant trends, and the market's impact on the industry. The report also reviews the adoption of background music in both established and emerging markets.
The document discusses the Asian Development Bank's increasing support for higher education in Asia Pacific countries. It notes that ADB has supported higher education projects since the 1970s, but it is not a major focus area. Recently, there has been more interest in higher education from ADB due to growing demand. Many countries in the region are becoming middle income and their continued development will depend on knowledge and innovation from higher education. The document outlines characteristics of ADB's approach to higher education projects, which include country-specific designs tied to the economy, a focus on STEM fields and private sector linkages, and an emphasis on both infrastructure and technical assistance.
The document provides an overview of an ASEAN Studies course taught by Dr. Ramil A. Ravanes. It includes the course description, credits, topics to be covered each week, assessment methods and grading scale. The course introduces students to the history and formation of ASEAN, its pillars and member countries. Students will study the diverse cultures, religions, politics, economies and laws within ASEAN. They will complete group research and presentations on different member countries. Assessment includes quizzes, exams, and a documentary research project highlighting influential cultures in ASEAN.
IFPI has today released 'Connecting with Music', the 2017 Music Consumer Insight Report. Based on research conducted by Ipsos Connect, the report examines the ways in which fans are engaging with recorded music across 13 of the world's leading music markets.
ASEAN Investment and Startup OppurtunitiesKhairu Rejal
With GDP growth rates that are threatening to overtake China's, and a youthful, growing and increasingly educated population, the allure of the ASEAN markets is obvious.
Sample 2018-2023 china background music market report (status and outlook)俊豪 馬
This document is a 2018-2023 market report on background music in China published by LP Information. It provides an overview of the Chinese background music market size and growth trends, top players, segmentation by application, and country-level sales and forecasts through 2023. The 83-page report includes profiles of the major players and analyzes factors influencing the market, such as production costs, value chain dynamics, marketing strategies, and macroeconomic trends.
ASEAN Please like and share it as possible!! want some more ppts contact me @ puskarkandel2012@gmail.com for relevant purposes. BBA students specially :) please comment in the box for suggestions and feedbacks..
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you understand how to properly make
use of content marketing. Content
marketing is currently one of the
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From Subreddits To Search: Maximizing Your Brand's Impact On RedditSearch Engine Journal
The search landscape is undergoing a seismic shift, and Reddit is at the epicenter. Google's Helpful Content Update and its $60 million deal with Reddit, coupled with OpenAI's partnership, have catapulted Reddit's real-time content to unprecedented heights.
Check out this insightful webinar exploring the newfound importance of Reddit in the digital marketing landscape. Learn how these changes make Reddit an essential platform for getting your brand and content in front of evolving search audiences.
You’ll hear:
- The evolution of Reddit as a major influencer on SERPS over the years.
- The impact of recent changes and partnerships on Reddit’s place in search.
- A comprehensive look at Reddit, how it works, and how to approach it.
- Unique engagement opportunities presented by Reddit.
With Brent Csutoras, a Reddit expert with over 18 years of experience on the platform, we’ll delve into the intricacies of Reddit's communities, known as Subreddits, and how to leverage their power without compromising authenticity or violating community guidelines in the age of AI-driven search experiences.
Don't miss this opportunity to stay ahead of the curve and leverage Reddit for your brand's success.
Mindfulness Techniques Cultivating Calm in a Chaotic World.pptxelizabethella096
In today’s fast-paced world, stress and anxiety have become common companions for many. With constant connectivity and an unending stream of information, finding moments of peace can seem like an insurmountable challenge. However, mindfulness techniques offer a beacon of calm amidst the chaos, helping individuals to center themselves and find balance. These practices, rooted in ancient traditions and supported by modern science, are accessible to everyone and can profoundly impact mental and emotional well-being.
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Did you know that while 50% of content on the internet is in English, English only makes up 26% of the world’s spoken language? And yet 87% of customers won’t buy from an English only website.
Uncover the immense potential of communicating with customers in their own language and learn how translation holds the key to unlocking global growth. Join Smartling CEO, Bryan Murphy, as he reveals how translation software can streamline the translation process and seamlessly integrate into your martech stack for optimal efficiency. And that's not all – he’ll also share some inspiring success stories and practical tips that will turbocharge your multilingual marketing efforts!
Key takeaways:
1. The growth potential of reaching customers in their native language
2. Tips to streamline translation with software and integrations to your tech stack
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Southeast Asian Music Industry Overview 2021
1. Overview of Southeast Asian
Music Landscape
Focusing on penetrating the local music
markets
By: Version
1.6
Piyapong Muenprasertdee
Co-founder & Director of Educational, Governmental and Overseas Partnership
Fungjai Co., Ltd. (Thailand)
Date:
22 JUL 2021
2. • ‘ASEAN’, which stands for the Association of
Southeast Asian Nations, is often used
interchangeably with ‘Southeast Asia’ in the
spoken language of people in the region.
• There are currently 10 ASEAN member
countries:
• Indonesia, Thailand, Singapore, Malaysia,
Philippines, Vietnam, Brunei, Cambodia,
Myanmar (Burma), and Laos.
What is ASEAN?
3. • Southeast Asia is a subregion most known to
the world for its tropical vacation destinations
and exotic foods, but not its music industry.
• ASEAN countries all have rich musical cultures,
which is mostly seen for its traditional and
cultural value. However, its thriving local
music scenes consist of all imaginable modern
music genres and sub-genres that is virtually
invisible to the world.
Pictured above, Senyawa - Indonesian avant-garde musical duo who have successfully toured Australia, Denmark, France, Germany, Hungary, Italy and Poland - to name a few.
ASEAN = Southeast Asia
5. 1) ASEAN stands for the Association of Southeast Asian Nations with 10 member states, i.e. Indonesia, Thailand, Singapore,
Malaysia, Philippines, Vietnam, Brunei, Cambodia, Myanmar (Burma) and Laos. As a combined region, it ranks 3rd in the
top largest markets following China and India, and 4th in the top largest economies following the US, EU, China and Japan.
2) ASEAN’s total GDP is worth US$ 9.34 trillion in 2019 and has a Compound Annual Growth Rate (CAGR) of 6.2% per year
between 2010-2020.
3) The top 3 countries with highest GDP are Indonesia, Thailand and Malaysia, while the ones with largest populations are
Indonesia, Philippines and Vietnam respectively.
4) The 2 most affluent populations are of Singapore and Brunei although their population are rather small compared to other
countries.
• Singapore is considered to be the only developed country in the region.
• Brunei’s riches come from petroleum exports.
5) ASEAN’s literacy rate, technology adoption rate and attitude towards technology is relatively high, making it easier to
penetrate the market.
Summary: General Information
6. 1) ASEAN Market Size (Population) & Economy (GDP) compared to the World
Sources:
1) WorldBank.org https://data.worldbank.org/; Europa.eu https://europa.eu/european-union/about-eu/figures/living_en
2) ASEANup.com https://aseanup.com/asean-infographics-population-market-economy/
Population
(millions)
200
400
600
800
1,000
1,200
1,400
China India ASEAN EU USA Japan
127
326
508
643
1,339
1,386
Nominal
GDP
(US$
trillions)
5
10
15
20
USA EU China Japan ASEAN India
2.264
2.555
4.939
11.199
16.398
18.569
ASEAN compared with world’s top 5
largest markets (2017)
ASEAN economy compared with world’s
top 5 largest economies (2016)
7. 2) GDP Size and Growth of ASEAN Countries
Source: https://www.statista.com/statistics/796245/gdp-of-the-asean-countries/
Remark: CAGR = Compound Annual Growth Rate
GDP
(US$
trillions)
2
4
6
8
10
2010
2011
2012
2013
2014
2015
2016
2017
2018
2019
2020e
Indonesia
Thailand
Malaysia
Philippines
Vietnam
Singapore
Myanmar
Cambodia
Laos
Brunei
GDP
(US$
trillions)
2
4
6
8
10
CAGR
(%)
2%
4%
6%
8%
10%
ASEAN
Indonesia
Thailand
Malaysia
Philippines
Vietnam
Singapore
Myanmar
Cambodia
Laos
Brunei
CAGR (2010-2020) 2020
0.04
0.06
0.08
0.37
0.58
1.04
1.04
1.06
1.29
3.78
9.33
2.0%
8.2%
8.0%
8.0%
4.7%
7.9%
7.3%
6.1%
3.8%
6.6%
6.2%
2.0%
8.2%
8.0%
8.0%
4.7%
7.9%
7.3%
6.1%
3.8%
6.6%
6.2%
GDP of ASEAN countries from 2010 to 2020e
Expected GDP of ASEAN countries (2020e)
and CAGR of each country’s GDP between 2010-2020e
8. 3) GDP vs. Population by Country in ASEAN
Sources:
1) Statista, GDP of the ASEAN countries https://www.statista.com/statistics/796245/gdp-of-the-asean-countries/; http://statisticstimes.com/economy/countries-by-projected-gdp.php
2) Statista - Total population of the ASEAN countries from 2008 to 2018 https://www.statista.com/statistics/796222/total-population-of-the-asean-countries/
Population
(millions)
(2018)
100
200
300
400
500
GDP
(US$
billions)
(2018)
400
800
1,200
Indonesia Thailand Malaysia Singapore Philippines Vietnam Myanmar Cambodia Laos Brunei
GDP (US$ billions) (2018)
Population (millions) (2018)
0.43
6.78
16.25
52.83
94.58
107.41
5.66
32.47
69.18
265.32
14.7
18.23
24.14
71.54
241.43
331.68
346.62
347.29
490.12
1,005.27
14.7
18.23
24.14
71.54
241.43
331.68
346.62
347.29
490.12
1,005.27
9. 4) GDP, Population & GDP per Capita by ASEAN Country (2018)
Sources:
1) Statista, GDP of the ASEAN countries https://www.statista.com/statistics/796245/gdp-of-the-asean-countries/; http://statisticstimes.com/economy/countries-by-projected-gdp.php
2) Statista - Total population of the ASEAN countries from 2008 to 2018 https://www.statista.com/statistics/796222/total-population-of-the-asean-countries/
GDP/capita
(US$)
10,000
20,000
30,000
40,000
50,000
60,000
70,000
GDP (US$ billions)
100 200 300 400 500 600 700 800 900 1,000 1,100 1,200
Indonesia
12. Remark:
Left - Data from Live Music Sector: Worldwide Forecast until 2021 by TechNavio.com, except ASEAN data from https://www.statista.com/outlook/273/101/music-events/ (used 2019 data due to lack of 2017 data);
Right - Data from IFPI Global Music Report 2018 with ASEAN represented by top 5 markets only due to lack of data.
Live vs. Recorded Music Revenue by Region
ASEAN
0.9%
APAC (excl. ASEAN)
19.7%
EMEA
35.6%
Americas
43.7%
ASEAN
0.8%
APAC (excl. ASEAN)
24.7%
EMEA
33.6%
Americas
40.9%
Global Recorded Music Revenue by Region (2017)
Global Live Music Revenue by Region (2017)
Total = US$ 23.49 billion Total = US$ 17.27 billion
• ASEAN’s music market is very
small compared to the world,
but nonetheless a sizable and
growing market.
• ASEAN Live Music Revenue
= US$ 219.29 million
(2019)
• ASEAN Recorded Music
Revenue
= US$ 143 million (2017)
13. • The information on the total market size of
Southeast Asia is not available, but could be
generally understood from seeing the numbers of
the top 5 largest music markets, namely:
Indonesia, Thailand, Singapore, Philippines and
Malaysia respectively.
• In general, the live music sector is larger
compared to the recorded music sector,
except for Indonesia and Malaysia, which may
have restrictions possible due to the majority
of the population being Muslim who are more
conservative compared to other countries.
Remarks: Recorded music market size for 2019 calculated from extrapolating data of 2013-2017 in IFPI Global Music Report 2018. Live music market size calculated and estimated from https://www.statista.com/
outlook/273/101/music-events/.
Live vs. Recorded Music Revenue by Sector: Top 5 ASEAN markets (2019)
US$
millions
20
40
60
80
100
Indonesia Thailand Singapore Philippines Malaysia
22.42
40.63
51.64
68.63
35.97
29.30
26.72
25.58
23.21
62.77
Recorded
Live
Live
57%
Recorded
43%
Sum = US$ 386.86 million
15. 1) The combined revenue of ASEAN’s top 5 recorded music markets is about US$ 143.47 million. Digital is the fastest
growing segment at 18.1% per year CAGR between 2013-2017, while physical has shrunk the most at -34.4% per year
CAGR between 2013-2017.
2) Music streaming looks promising in ASEAN with expected increases in both revenue and user penetration with Indonesia
leading in revenue at US$ 108 million (2023) and Singapore in user penetration at 64.3% (2023)
3) Although information not currently available for all countries in ASEAN, the music streaming service providers with the
most market share are JOOX and Spotify.
Summary: Recorded Music Industry
16. Data source: IFPI Global Music Report 2018
1) Recorded Music Industry Size & Growth Rate by Segment: Top 5 ASEAN markets (2017)
US$
millions
20
40
60
80
100
120
140
160
2013 2014 2015 2016 2017
0.94
2.27
2.16
0.78
1.18 17.60
17.26
16.84
18.13
16.74
115.63
100.60
82.09
63.16
59.37
9.30
15.24
29.32
38.10
50.23
Physical
Digital
Performance Rights
Synchronisation
-100%
-80%
-60%
-40%
-20%
0%
20%
40%
60%
80%
100%
2013 2014 2015 2016 2017
-81%
-70%
-42%
-24%
0%
95%
69%
38%
6%
0%
5%
3%
1%
8%
0%
-20%
93%
83%
-34%
0%
13%
6%
2%
-6%
0%
TOTAL
Synchronisation
Performance Rights
Digital
Physical
Recorded Music Industry Size by Segment of Top 5
ASEAN Markets Combined (2013-2017)
Recorded Music Industry Growth Rate by Segment of
Top 5 ASEAN Markets Combined (2013-2017)
17. Data sources: https://www.statista.com/outlook/209/120/music-streaming/indonesia, https://www.statista.com/outlook/209/122/music-streaming/malaysia, https://www.statista.com/outlook/209/123/music-streaming/
philippines, https://www.statista.com/outlook/209/124/music-streaming/singapore, https://www.statista.com/outlook/209/126/music-streaming/thailand, https://www.statista.com/outlook/209/127/music-streaming/vietnam
Forecasted Music Streaming Revenue and User Penetration Rate: Top 6 ASEAN markets
US$
millions
20
40
60
80
100
Indonesia Malaysia Philippines Singapore Thailand Vietnam
22
49
28
41
31
108
19
40
22
30
26
94
2018 2023
Forecasted Music Streaming Revenue
User
penetration
rate
20%
40%
60%
Indonesia Malaysia Philippines Singapore Thailand Vietnam
14.7%
20.4%
64.3%
10.3%
19.5%
10.4% 14.0%
15.4%
26.0%
8.9%
13.4%
9.6%
2018 2023
+2.9% CAGR
+3.9% CAGR
+6.1% CAGR
+5.3% CAGR
+3.8% CAGR
+3.0% CAGR
Forecasted Music Streaming User Penetration Rate
18. Most Used Music Streaming Apps in Indonesia (2016), Malaysia (2016) & Thailand (2018)
Data source: Indonesia & Malaysia from McKinsey.com, The rise of music streaming in Asia https://www.mckinsey.com/~/media/mckinsey/industries/media%20and%20entertainment/our%20insights/digital%20musics%20asian%20beat/
the-rise-of-music-streaming-in-asia.ashx#page=10; Thailand data collected by Believe Digital Thailand was from approximated numbers given by music streaming providers operating in Thailand during the 1st quarter of 2018.
Indonesia
Malaysia
Thailand
JOOX
Spotify
Apple Music
Soundcloud
Musixmatch
Langitmusik
JOOX
Spotify
Apple Music
Soundcloud
Musixmatch
Langitmusik
JOOX
Spotify
Apple Music
Soundcloud
Musixmatch
Langitmusik
10% 20% 30% 40% 50%
0%
10.1%
13.3%
12%
11.8%
10.2%
29%
11.6%
0%
18%
34.8%
9.8%
47%
46.1%
34.7%
Most used music streaming apps in 3 ASEAN countries: Indonesia (2016), Malaysia (2016), Thailand (2018)
20. 1) ASEAN’s music event industry size is about US$ 270 million, which is only 1.4% of the total global market (2019);
however, it has much room to grow and is expected to grow at a rate higher than the global and Asian average, which is
13.7%, 9.8% and 9.6% respectively between 2019-2024 (calculations accounted for the COVID-19 pandemic already).
2) The COVID-19 pandemic has highly affected the music event industry world wide; however, it is expected to bounce
back by 2021 and grow at a rate of 45.45% per year CAGR from 2020 till 2024.
3) The top 3 largest music event markets in ASEAN are Thailand, Singapore and Philippines with growth rates between
2019-2024 estimated at 13.6%, 11.5% and 16.7% respectively.
4) Thailand, Singapore and Philippines are also the countries with the highest expected average revenue per user (ARPU) or
money spent on music events per person per year in 2024 at US$ 42.57, US$ 77.82 and US$ 28.58 respectively.
Summary: Music Event Industry
Source: https://www.statista.com/outlook/273/101/music-events/
Remark: CAGR = Compound Annual Growth Rate
21. 1) Music Event Industry Size & Growth Rate: Global, Asia & ASEAN
Source: Calculated and estimated from https://www.statista.com/outlook/273/101/music-events/, https://www.statista.com/outlook/273/100/music-events/worldwide, https://www.statista.com/outlook/273/101/music-events/asia#market-globalRevenue
Remark: Estimations already took COVID-19 affects into account for year 2020.
Revenue
(US$
millions)
10,000
20,000
30,000
40,000
50,000
CAGR
(%)
3%
6%
9%
12%
15%
Global Asia ASEAN
CAGR (2019-2024) 2019 2024
512
3,794
30,129
270
2,405
18,915
13.7%
9.6%
9.8%
13.7%
9.6%
9.8%
ASEAN
1.4%
Other Asia
11.3%
Other Global
87.3%
Global Music Event Industry
= US$ 18.9 billion (2019)
Music Event Industry Size & Compound Annual Growth Rate (CAGR)
of Global, Asia & ASEAN
23. 2) Music Event Industry Size (Revenue) & Goers (Users): ASEAN Countries
Sources: Calculated and estimated from https://www.statista.com/outlook/273/101/music-events/, https://www.statista.com/statistics/796222/total-population-of-the-asean-countries/
Remark: Estimations already took COVID-19 affects into account for year 2020, as could be seen in significant drop in numbers.
Revenue
(US$
millions)
100
200
300
400
500
600
2019 2020 2021 2022 2023 2024 Number
of
users
(millions)
5
10
15
20
25
2019 2020 2021 2022 2023 2024 Brunei
Cambodia
Indonesia
Laos
Malaysia
Myanmar
Philippines
Singapore
Thailand
Vietnam
Estimated Music Event Revenue (2019-2024) Estimated Number of Music Event Goers (2019-2024)
24. 3) Music Event Industry Size & Growth Rate: ASEAN Countries
Sources: Calculated and estimated from https://www.statista.com/outlook/273/101/music-events/, https://www.statista.com/statistics/796222/total-population-of-the-asean-countries/ Remark: Estimations already
took COVID-19 affects into account for year 2020.
Revenue
(US$
millions)
100
200
300
400
500
600
CAGR
(%)
3%
6%
9%
12%
15%
18%
ASEAN Thailand Singapore Philippines Indonesia Malaysia Vietnam Myanmar Cambodia Laos Brunei
CAGR (2019-2024) 2019 2024
0.4
2.0
23.0
29.0
41.0
44.0
66.0
88.0
89.0
130.0
512.4
0.2
0.9
11.4
16.2
21.5
22.4
36.0
40.6
51.6
68.6
269.6
11.6%
16.8%
15.1%
12.3%
13.8%
14.4%
12.9%
16.7%
11.5%
13.6%
13.7%
11.6%
16.8%
15.1%
12.3%
13.8%
14.4%
12.9%
16.7%
11.5%
13.6%
13.7%
Music Event Industry Size (US$ millions) & Compound Annual Growth Rate (CAGR) of ASEAN Countries
25. 4) Music Event Goers (X = Users), Industry Size (Y = Revenue) & Average
Revenue Per User (Bubble Size = ARPU): ASEAN Countries
Sources: Calculated and estimated from https://www.statista.com/outlook/273/101/music-events/
Remark: Estimations already took COVID-19 affects into account for year 2020.
Revenue
(US$
millions)
10
20
30
Users (million)
0.5 1 1.5 2
Vietnam
26.
27. 1) Countries where the majority of the population are Muslim, like Indonesia and Malaysia, tend to be more conservative
and against modern westernized cultures, opposite from other religious populations like Christian and Buddhist who are
more receptive. However, this problem mostly exists in rural areas.
2) All countries except Thailand were colonized until recent history, which have affected the local culture, politics and
languages spoken. For example:
• Singapore was colonized by the British, and also because of being the most important trading ports in the region, its
population is mixed-race and speak English as the official language.
• Philippines was colonized by the US, and because of their positive relationship, the majority of Filipinos speak English
and are open to Western culture.
Summary: Parameters Influencing Local Cultures Affecting Music Consumption
28. 1) Major Cultural Groups are Influenced by Religion and Race
Source:
1) https://slideplayer.com/slide/7482168/
2) https://russiancouncil.ru/en/analytics-and-comments/analytics/the-chinese-diaspora-in-southeast-asia-gains-and-losses/
3) http://www2.harpercollege.edu/mhealy/geogres/maps/segif/?C=S;O=D
Chinese Migration Influx
29. Examples of some problems from extreme conservative groups
Sources:
1) YouTube.com, Noisey, Punk Rock vs Sharia Law – Music World – Episode 5, https://www.youtube.com/watch?v=6Sbne-qCNzU
2) The Strangers Facebook page https://www.facebook.com/majelisthestrangers/
3) Gwen Stefani live in Malaysia https://www.youtube.com/watch?v=Qazv8r_K7GQ, http://www.washingtonpost.com/wp-dyn/content/article/2007/08/02/AR2007080201123.html?noredirect=on
From left to right:
1) Sharia law authorities in Aceh, Indonesia cracking down on local punk communities.
2) ‘The Strangers’ is an anti-music extremist group in Indonesia.
3) After a protest by Muslim students, Gwen Stefani was not allowed to wear revealing costumes and not act offensively towards local sensitivities in her concert
in Malaysia. She was ordered to be covered from her shoulders to her knees and was banned from jumping, shouting or throwing objects on stage or at the
audience, which she was monitored by the Malaysian government’s Ministry of Culture, Arts and Heritage enforcement officers (Washington Post, 2007)
30. 2) European Colonization
Sources:
1) MSBirchHistory https://msbirchhistory.wordpress.com/2015/02/05/colonization-in-southeast-asia/
2) CIA World Factbook https://www.cia.gov/library/publications/the-world-factbook/
Country Independence Declaration Date From Country
Brunei 1 January 1984 UK
Cambodia 9 November 1953 France
Indonesia 17 August 1945 Netherlands
Laos 19 July 1949 France
Malaysia 31 August 1957 UK
Myanmar 4 January 1948 UK
Philippines 4 July 1946 US
Singapore 9 August 1965 Malaysian Federation
Thailand Never colonized Never colonized
Vietnam 2 September 1945 France
Map of European colonies in the 19th century A.D.
Independence declaration dates and former
colonizers of each ASEAN country
31. Official/National and Other Spoken Languages
Sources:
1) Wikipedia https://en.wikipedia.org/wiki/Languages_of_Asia
2) NationsOnline.org https://www.nationsonline.org/oneworld/asian_languages.htm
Languages
Countries
Official and national
languages
Other spoken languages
Brunei Malay, English Chinese
Cambodia Khmer (95% of population) Some French is still spoken, English increasingly popular as a second
language
Indonesia Bahasa Indonesia (official
modified form of Malay)
English, Dutch, local dialects, the most widely spoken of which is
Javanese
Laos Lao Thai, French, English, and various ethnic languages
Malaysia Bahasa Melayu (Malay) English, Chinese dialects, Tamil, Telugu, Malayalam, Panjabi, and Thai
Myanmar Burmese Some English is spoken in tourist destinations, with 135 minority ethnic
groups having their own languages
Philippines Filipino (based on Tagalog)
and English
Major dialects: Tagalog, Cebuano, Ilocan, Hiligaynon or Ilonggo, Bicol,
Waray, Pampango, and Pangasinense
Singapore English Chinese, Malay, Tamil
Thailand Thai English (secondary language of the elite), ethnic and regional dialects
Vietnam Vietnamese English (increasingly favored as a second language), some French,
Chinese, and Khmer; mountain area languages (Mon-Khmer and
Malayo-Polynesian)
Southeast Asian local language families Official/national and other spoken languages
Remark
• Some official and spoken languages in each country are the result of colonial era origins.
32. • The languages spoken by locals and also the country’s
colonial history have affected the market shares
between international and domestic labels, which could
be estimated using a simple 80/20 rule:
• Countries with English as the official language
generally have had good relations with the west, so
international labels e.g. Universal, Warner and Sony
claim around 80% market share. Those countries
are Singapore and the Philippines.
• On the contrary, countries with populations that
prefer national and/or local languages would have
domestic labels claiming around 80% of the
market, e.g. Thailand, Malaysia, Indonesia, etc.
Remark: As there is no public information about the market share between international and domestic labels, this general estimation was proposed by an industry veteran.
International vs. Domestic Music Label Market Share
34. 1) The main climate category in Southeast Asia is tropical rain forest, which means rain throughout most of the year. However, there are dry and cool
periods during the year that are ideal for outdoor music events.
2) The region can be split into 2 large climate zones, i.e. Northwest and Southeast, which have opposite wet/dry seasons.
• The Southeast zone’s dry season corresponds with the summer/autumn seasons in the norther hemisphere’s temperate climate zone, which is
peak season for outdoor music festivals.
• The Northwest zone’s dry season corresponds with the summer/autumn seasons in Australia, which is peak season for outdoor music festivals.
3) Traveling by air is convenient and relatively cheap. ASEAN is also situated close several large music festival touring regions, which means more
destinations can be added to a leg of an international tour.
4) Tour planning examples:
• During US/Europe summer music festival season (June-September), continue the tour from East Asia (Japan, South Korea, Taiwan) to Southeast
Asia’s Southeast climate zone (Singapore, Malaysia, Indonesia), and tour indoor venues in the Northwest climate zone (Thailand, Vietnam,
Philippines) and also Hong Kong.
• During Australian summer music festival season (October-February), continue the tour from Australia and New Zealand to Southeast Asia’s
Northwest climate zone (Thailand, Vietnam, Philippines) and also Hong Kong, and tour indoor venues in the Southeast climate zone (Singapore,
Malaysia, Indonesia).
5) There are many large cities with high population in the region where can be considered target markets for western music artists.
Summary: Climate & Weather vs. Music Festival Seasons
35. 1) Southeast Asia Map of Köppen Climate Classification
Source: https://en.wikipedia.org/wiki/Southeast_Asia#/media/File:Southeast_Asia_map_of_Köppen_climate_classification.svg, https://www.hydrol-earth-syst-sci.net/11/1633/2007/
• Mostly tropical climatic zones:
• Hot summers
• Wet due to Monsoon
• Tropical savannah areas have
dry winters
• Has areas in both north and south
of equator:
• Opposite wet/dry seasons
Equator
36. Global Temperature & Precipitation vs. Time of Year
Source: https://climatereanalyzer.org/clim/animations/
37. Temperature vs. Time of Year
Source: https://climatereanalyzer.org/clim/animations/
39. 2) Climate Zones & Seasons
Source: https://journals.ametsoc.org/doi/full/10.1175/JCLI-3257.1
Dry
Cool/Dry
Wet
Hot/Dry
Wet
Wet
Hot/Dry
Hot/Dry
Wet
Hot/Dry
Cool/Dry
Climate Zone Northwest Southeast
Period of Year
Vietnam, Laos,
Cambodia, Myanmar,
northern Thailand and
northern Philippines
Southern Thailand,
Malaysia, Brunei,
Singapore, Indonesia and
southern Philippines
June – August Monsoon/wet season Dry/hot season
September – November
End of wet season –
beginning of cool/dry
season
End of dry/hot season –
beginning of wet season
December – February Cool/dry season Monsoon/wet season
March – May Dry/hot season
End of wet season –
beginning of dry/hot season
40. Northwest vs. Southeast Climate Zones & Major Music Festivals:
Source: https://journals.ametsoc.org/doi/full/10.1175/JCLI-3257.1
Dry
Cool/Dry
Wet
Hot/Dry
Wet
Wet
Hot/Dry
Hot/Dry
Climate
Zone
Period of
Year
Northwest Southeast
Vietnam, Laos,
Cambodia, Myanmar,
northern Thailand and
northern Philippines
Southern Thailand,
Malaysia, Brunei,
Singapore, Indonesia and
southern Philippines
March –
May
Dry/hot season End of wet season –
beginning of dry/hot
season
-S2O (TH)
-Wanderland Music and
Arts Fes
ti
val (PH)
-Rakrakan Fes
ti
val (PH)
-Java Jazz Fes
ti
val (ID)
-Urbanscapes (MY)
-Wanderland (PH)
Climate
Zone
Period of
Year
Northwest Southeast
Vietnam, Laos,
Cambodia, Myanmar,
northern Thailand and
northern Philippines
Southern Thailand,
Malaysia, Brunei,
Singapore, Indonesia and
southern Philippines
December
– February
Cool/dry season Monsoon/wet season
-Big Mountain Music
Fes
ti
val (TH)
-Wonderfruit (TH)
-Season of Love Song
(TH)
-Overcoat (TH)
-Yappah (TH)
-Epizode (VT)
-Laneway (SG)
Climate
Zone
Period of
Year
Northwest Southeast
Vietnam, Laos,
Cambodia, Myanmar,
northern Thailand and
northern Philippines
Southern Thailand,
Malaysia, Brunei,
Singapore, Indonesia and
southern Philippines
June –
August
Monsoon/wet season Dry/hot season
- -Lio Beach Fes
ti
val (PH)
-Ultra Singapore (SG)
-Bay Beats (SG)
-We The Fest (ID)
-Sunny Side Up Tropical
Fes
ti
val (ID)
-Hammersonic Fest (ID)
-Good Vibes Fes
ti
val (MY)
Climate
Zone
Period of
Year
Northwest Southeast
Vietnam, Laos,
Cambodia, Myanmar,
northern Thailand and
northern Philippines
Southern Thailand,
Malaysia, Brunei,
Singapore, Indonesia and
southern Philippines
September
–
November
End of wet season –
beginning of cool/dry
season
End of dry/hot season –
beginning of wet season
-Monsoon Music Fes
ti
val
(VT)
-Maho Rasop (TH)
-Cat Expo (TH)
- Bangkok Music City
(TH)
-All Of The Noise (PH)
-Formula 1 Concert (SG)
-RRRecfest (ID)
-Bes
ti
val (ID)
-Synchronize Fest (ID)
-Soundrenaline (ID)
-Neon Lights (SG)
Wet
Hot/Dry
Cool/Dry
41. • Southeast Asia includes territories situated on the
main Asian continent as well as in the Pacific ocean, so
it is best to travel by air than by land or water. It is
also relatively cheap due to the availability of local and
regional low-cost airlines.
• Flight times between the farthest main cities are
no more than 5 hours.
• Nearby large music markets:
• North: China
• Northeast: Japan, South Korea, Taiwan
• South: Australia, New Zealand
• West: India
3) Geographical Location
42. 4) Music Festival Seasons Around the World
North
America
South
America
Europe
North
Africa &
Middle
East
Central &
South
Africa
Australia East Asia SE Asia
Jan
Northwest
zone
Feb
Mar
North
zone
Apr
May
Jun
Jul
Southeast
zone
Aug
Sep
South
zone
Oct
Nov
Northwest
zone
Dec
Northwest
Southeast
43. Festival Months by Region
MAR APR MAY
JUN JUL AUG
SEP NOV DEC
JAN FEB
NOV DEC
JAN FEB
OCT
JUN JUL
AUG SEP
JUN JUL
AUG SEP
MAR
APR MAY
JAN FEB
OCT
AUG SEP
JUN
APR MAY
OCT
AUG SEP
JUN JUL AUG
MAR APR
FEB
OCT
SEP
AUG
44. 500 km
500
km
7
0
7
k
m
Brunei
Phnom Penh
Vientiane
Yangon
Manila
5) ASEAN Countries’ Largest Cities with Map plotted on a Distance Grid with with Population
Largest Cities/Areas Population Country Population
(millions)
1 Manila 23,371,436 Philippines 107.41
2 Jakarta 9,586,705 Indonesia 265.32
3 Bangkok 8,305,218 Thailand 69.18
4 Ho Chi Minh 7,021,000 Vietnam 94.58
5 Kuala Lumpur 4,815,400 Malaysia 32.47
6 Yangon 4,728,524 Myanmar 52.83
7 Phnum Penh 1,242,992 Cambodia 16.25
8 North-East Region 921,940 Singapore 5.66
9 Vientiane 620,157 Laos 6.78
10 Bandar Seri Begawan 202,715 Brunei 0.43
Source: https://www.citypopulation.de/en/
45. Population (millions) vs. Land Area (1,000 sq.km.) by ASEAN Country
Sources:
1) Estimated population of ASEAN countries in 2021 from https://www.statista.com/statistics/796222/total-population-of-the-asean-countries/ (data captured on 22 JUL 2021)
2) Estimated land area of ASEAN countries in 2018 from https://www.statista.com/statistics/1011862/asean-land-surface-country/ (data captured on 22 JUL 2021)
Land
Area
(1,000
sq.km.)
500
1,000
1,500
2,000
Population
(millions)
100
200
300
400
Indonesia Myanmar Thailand Vietnam Malaysia Philippines Laos Cambodia Brunei Singapore
0.72
5.77
181.04
236.8
300
330.8
330.97
513.12
676.59
1,910.93
5.84
0.46
15.84
7.37
110.43
33.36
98.32
69.95
53.55
272.25
5.84
0.46
15.84
7.37
110.43
33.36
98.32
69.95
53.55
272.25
Population (2021) vs. Land Area (2018)
46. Sources: Hootsuite, 2018, Global overview https://www.slideshare.net/wearesocial/digital-in-2018-global-overview-86860338, Hootsuite, 2018, Southeast Asia part 1 & 2 https://www.slideshare.net/wearesocial/digital-
in-2018-in-southeast-asia-part-1-northwest-86866386, https://www.slideshare.net/wearesocial/digital-in-2018-in-southeast-asia-part-2-southeast-86866464
Rate of Urbanization
Singapore
Brunei
Malaysia
Indonesia
Global avg.
Thailand
ASEAN avg.
Philippines
Laos
Myanmar
Vietnam
Cambodia
Rate of urbanization (%)
25% 50% 75% 100%
21%
35%
36%
41%
44%
49%
53%
55%
56%
76%
78%
100%
Rate of Urbanization (JAN 2018)
48. Source: Places with at least 1,000 inhabitants https://www.citypopulation.de/en/brunei/cities/
Brunei: Major Urban Areas & Population
Rank Districts Capital Population
Brunei Bandar Seri Begawan 442,400
1 Brunei Muara Bandar Seri Begawan 307,000
2 Belait Kuala Belait 73,200
3 Tutong Tutong 51,300
4 Temburong Bangar 10,900
49. Source: Cities, Urban Areas & Urban Communes https://www.citypopulation.de/en/cambodia/cities/
Cambodia: Major Urban Areas & Population
Rank Cities, Urban Areas &
Urban Communes
Population
Cambodia 15,288,489
1 Phnum Pénh 1,242,992
2 Siĕm Réab 168,662
3 Băt Dâmbâng 140,533
4 Paôy Pêt 89,549
5 Preăh Seihânŭ 89,447
6 Sisŏphŏn 83,755
7 Ta Khmau 80,141
53. Source: Cities and towns with more than 20,000 inhabitants https://www.citypopulation.de/Myanmar-Cities.html
Myanmar: Major Urban Areas & Population
Rank Cities and Towns Population
Myanmar 54,101,253
1 Yangon 4,728,524
2 Mandalay 1,225,546
3 Naypyitaw 333,506
4 Taunggyi 264,804
5 Bago 254,424
6 Mawlamyine 253,734
7 Myitkyina 243,031
8 Monywa 207,489