Sound capture, logging and audio track management is an essential part of professional practice for sound designers, and you will need to provide evidence of the following: (i) A plan or short script, that describes place, action and development, and identifies the sounds that need to found – either by field recording or through an online archive or data base. Note, a maximum of 50% found sound can be used. (ii) A screenshot of the pre-mix multi-track timeline (Audition) that shows a sense of sound management and structure. The finished soundscape will be played to the class on ...., with a five slide PPT presentation that shows evidence of development and management (relating to (i) and (ii) points above).

1. SOUNDSCAPE
OLIVIA DODGSON, BRANDON BOYD AND ELEANOR ALDERTON

2. OUR IDEA:
OUR 90 SECOND SOUNDSCAPE IDEA FOCUSES AROUND SOMEONE WALKING THEIR
DOG THROUGH A FOREST/THE WOODS. AS THEY ARE WALKING, YOU CAN HEAR
TWIGS RUSTLING, TREES SWAYING AND THE CRACKLING OF LEAVES. THE
SUSPENSE WAS BUILT UP THROUGH ABNORMAL NOISES INCLUDING A GUN SHOT,
HEAVY BREATHING, WHISTLING AND THE IDEA THAT SOMEONE IS FOLLOWING
OUR MAIN CHARACTER(S) CLOSELY BEHIND. AT THE END OF OUR SOUNDSCAPE,
WE HAD A SOUND OF AN ALARM CLOCK TO SIGNIFY THAT THE MAIN CHARACTER
WAS IN A DREAM AND FADE OUT THE ALARM CLOCK SOUND BEFORE ENDING THE
SOUNDSCAPE.

3. SOUNDS WE INTEND TO USE:
• CRACKLING LEAVES- (OWN
SOUND)
• TREES SWAYING- (OWN SOUND)
• TWIG RUSTLING- (OWN SOUND)
• HEAVY BREATHING- (OWN
SOUND)
• WHISTLING-(OWN SOUND)
• ALARM CLOCK- (OWN SOUND)
• WALKING/STEPS- (OWN SOUND)
• DOG BARKING/WHIMPERING-(ONLINE
SOUND)
• WIND-(ONLINE SOUND)
• GUNSHOT- (ONLINE SOUND)
• FOOTSTEPS- (ONLINE SOUND)

4. OUR SOUNDS:
Whistle
Twigs Snapping
Bushes
Alarm
-we made these sounds ourselves.
-whistle sound was made by Olivia
-twig sounds were made by collecting twigs and snapping
them in half
-bush sound was made by rustling some trees
-alarm sound was made through the ‘Clock’ app on iPhone
-we did several takes of
each sound to get a
variation of the sound in
order to build a good
sound track and avoid
too much background
noise or wind.

5. ONLINE SOUNDS:
-we got these sounds from online
-sounds were collected from a variation of
websites including Youtube and a
variation of free sound download websites
including
‘www.freesound.org/browse/tags/sound-
effects’.

6. PRE MIX MULTI TRACK TIMELINE:
-imported
the sounds
that we
made
ourselves