SlideShare a Scribd company logo
1 of 13


The opening sequence of my film
represents the younger generation of
people. It also focuses on differences in
the male and female gender.



The reason I am going to focus on this is
due to the plot and the type of humour I
was trying to achieve.
Before even thinking about writing a
script for the opening sequence I did
research into films and the type of
comedy that commonly is used.
 I took ideas from pulp fiction and put it
with things from road trip comedies such
as road hogs .



From viewing these I decided that
comedy often came out of male conflict
and dominance and this had been less
explored in the comedy industry as it
may scare some people to touch on
sensitive topics in such a way.
With this in mind I decided to add in to my
script a mostly male cast. Showing
unexplained conflict between males from
the start and touching on sexism towards
women in a manor which is comedic.
 By adding a woman in the middle of the
conflict who is more worried about the
cleanliness of the house than the dead
body of her husband shows a very extreme
view of a stereotypical housewife.

When creating a character to represent
females the way I desired I considered
the dress. Having a woman who was all
dressed up was my idea but then I
decided that just a skirt and a more
casual look was more believable .
 I looked at the way I could show the
males as serious about their motives
while maintaining comedy (see next
slide)

Creating the male character I
considered all possible avenues
nationality , social status and looks.
 I decided that if I made the “hitman” a
richer more well off person in a house
which is a bit messy and obviously
mistreated then this would add to the
representation showing how high in
society you can become when you are
feared.



The second character I thought of
introducing was a run down young
person who was “from the street” a
possible gang member they typical
hoodie wearing sort of person who might
get into some bother with things like
drugs and alcohol and possible guns
and gun running.


The protagonist role lies with the
character off the street and away from
the organised killing side of things. This
idea that a criminal can actually be the
protagonist hasn’t commonly been used
in films and using this I decided to create
the character and give him a criminal
style feel while allowing the character to
keep his innocence and show feelings
and an element of being humane.


Although I didn’t feature the antagonist I
considered having someone more
powerful in the criminal world than Stevie
(the protagonist) himself. This would give
an idea of the real world cast system
behind the scenes that no one knows
about. This includes having the person
demand things from the protagonist and
giving a small favour in return.


The idea that the Rizla is on the bike and
the learner plate is on it implies that
Stevie isn’t actually that old and may still
be trying to find his path. The idea of
time being near still when the gun is
being pulled just adds emphasis to the
fact that although some feel they hold
power that can still change.


The props were chosen to symbolise a
rebellious feel and a backstreet
atmosphere. Giving the film a feel of
dark comedy feel with the obvious
orange gun and rizla moped . They all
added to the storyline and created a
comedy feel to the movie while keeping
the dark feel that I desired.
Antagonist – Stevie (innocence)
 Antagonist – Power
 The Hitman – Conflict
 Props – Conflict, Turn of power, Age
 Location – Messy, Unrespected


More Related Content

What's hot

Gangster genre research
Gangster genre researchGangster genre research
Gangster genre researchJack Suddaby
 
Conventions of a gangster film
Conventions of a gangster filmConventions of a gangster film
Conventions of a gangster filmgeorgekenny66
 
Crime and Gangster film genre
Crime and Gangster film genreCrime and Gangster film genre
Crime and Gangster film genreGeorge Bell
 
Conventions of a gangster film
Conventions of a gangster filmConventions of a gangster film
Conventions of a gangster filmNiadalton
 
Crime and gangster films
Crime and gangster filmsCrime and gangster films
Crime and gangster filmsJenny McNulty
 
The representation of women in romantic comedies by Melissa Cannons
The representation of women in romantic comedies by Melissa CannonsThe representation of women in romantic comedies by Melissa Cannons
The representation of women in romantic comedies by Melissa CannonsMelissa
 
Thriller genre Forms and Conventions
Thriller genre Forms and ConventionsThriller genre Forms and Conventions
Thriller genre Forms and ConventionsFinleySinclair1
 
Conventions of mob gangster films
Conventions of mob gangster filmsConventions of mob gangster films
Conventions of mob gangster filmsmegan-cooper
 
Conventions of a mob gangster film
Conventions of a mob gangster filmConventions of a mob gangster film
Conventions of a mob gangster filmjakeleat
 
Unit 26 film studies pr1
Unit 26 film studies pr1Unit 26 film studies pr1
Unit 26 film studies pr1SamHill129
 
how to analyse film.
how to analyse film.how to analyse film.
how to analyse film.leah salt
 
Conventions of a gangster film
Conventions of a gangster filmConventions of a gangster film
Conventions of a gangster filmAzaanNaseer
 
Laceys repertoire of elements new
Laceys repertoire of elements newLaceys repertoire of elements new
Laceys repertoire of elements newdanielharrison12
 
Pomo and Supernatural 2016
Pomo and Supernatural 2016Pomo and Supernatural 2016
Pomo and Supernatural 2016Naamah Hill
 

What's hot (20)

Gangster genre research
Gangster genre researchGangster genre research
Gangster genre research
 
Conventions of a gangster film
Conventions of a gangster filmConventions of a gangster film
Conventions of a gangster film
 
Crime and Gangster film genre
Crime and Gangster film genreCrime and Gangster film genre
Crime and Gangster film genre
 
Mind map hooligan film
Mind map   hooligan filmMind map   hooligan film
Mind map hooligan film
 
Conventions of a gangster film
Conventions of a gangster filmConventions of a gangster film
Conventions of a gangster film
 
Assignment 15 all
Assignment 15 allAssignment 15 all
Assignment 15 all
 
Assignment 15 all
Assignment 15 allAssignment 15 all
Assignment 15 all
 
Crime and gangster films
Crime and gangster filmsCrime and gangster films
Crime and gangster films
 
Film genre research
Film genre researchFilm genre research
Film genre research
 
Unit 26 film studies
Unit 26 film studiesUnit 26 film studies
Unit 26 film studies
 
The representation of women in romantic comedies by Melissa Cannons
The representation of women in romantic comedies by Melissa CannonsThe representation of women in romantic comedies by Melissa Cannons
The representation of women in romantic comedies by Melissa Cannons
 
Thriller genre Forms and Conventions
Thriller genre Forms and ConventionsThriller genre Forms and Conventions
Thriller genre Forms and Conventions
 
Conventions of mob gangster films
Conventions of mob gangster filmsConventions of mob gangster films
Conventions of mob gangster films
 
Conventions of a mob gangster film
Conventions of a mob gangster filmConventions of a mob gangster film
Conventions of a mob gangster film
 
Unit 26 film studies pr1
Unit 26 film studies pr1Unit 26 film studies pr1
Unit 26 film studies pr1
 
how to analyse film.
how to analyse film.how to analyse film.
how to analyse film.
 
Thriller genre
Thriller genreThriller genre
Thriller genre
 
Conventions of a gangster film
Conventions of a gangster filmConventions of a gangster film
Conventions of a gangster film
 
Laceys repertoire of elements new
Laceys repertoire of elements newLaceys repertoire of elements new
Laceys repertoire of elements new
 
Pomo and Supernatural 2016
Pomo and Supernatural 2016Pomo and Supernatural 2016
Pomo and Supernatural 2016
 

Viewers also liked

Living beyond your means 2
Living beyond your means 2Living beyond your means 2
Living beyond your means 2Daniel Cooke
 
Production Schedule
Production ScheduleProduction Schedule
Production ScheduleDaniel Cooke
 
Living beyond your means
Living beyond your meansLiving beyond your means
Living beyond your meansDaniel Cooke
 
My life as a game
My life as a gameMy life as a game
My life as a gamerobmurphy4
 
Father of the girlfriend
Father of the girlfriendFather of the girlfriend
Father of the girlfriendDaniel Cooke
 
Casting daniel cooke
Casting daniel cookeCasting daniel cooke
Casting daniel cookeDaniel Cooke
 
Netherhall risk-assessment-form-2
Netherhall risk-assessment-form-2Netherhall risk-assessment-form-2
Netherhall risk-assessment-form-2Daniel Cooke
 
Sticks and stones 1
Sticks and stones 1Sticks and stones 1
Sticks and stones 1Daniel Cooke
 
Father of the girlfriend
Father of the girlfriendFather of the girlfriend
Father of the girlfriendDaniel Cooke
 
Conventions of comedy
Conventions of comedyConventions of comedy
Conventions of comedyDaniel Cooke
 
Daniel cooke shotlist
Daniel cooke shotlistDaniel cooke shotlist
Daniel cooke shotlistDaniel Cooke
 
Netherhall risk-assessment-form-4-2
Netherhall risk-assessment-form-4-2Netherhall risk-assessment-form-4-2
Netherhall risk-assessment-form-4-2Daniel Cooke
 
Week 6 advertising pt 2
Week 6 advertising pt 2Week 6 advertising pt 2
Week 6 advertising pt 2Majid Mehmood
 
250043199 studio-d-b1-sprachtraining-loesungen-pdf
250043199 studio-d-b1-sprachtraining-loesungen-pdf250043199 studio-d-b1-sprachtraining-loesungen-pdf
250043199 studio-d-b1-sprachtraining-loesungen-pdfMarta Carbajal
 
Similar Products – The History of Comedy
Similar Products – The History of ComedySimilar Products – The History of Comedy
Similar Products – The History of ComedyDaniel Cooke
 

Viewers also liked (18)

Sticks and stones
Sticks and stonesSticks and stones
Sticks and stones
 
Living beyond your means 2
Living beyond your means 2Living beyond your means 2
Living beyond your means 2
 
Production Schedule
Production ScheduleProduction Schedule
Production Schedule
 
Living beyond your means
Living beyond your meansLiving beyond your means
Living beyond your means
 
My life as a game
My life as a gameMy life as a game
My life as a game
 
Father of the girlfriend
Father of the girlfriendFather of the girlfriend
Father of the girlfriend
 
Casting daniel cooke
Casting daniel cookeCasting daniel cooke
Casting daniel cooke
 
Netherhall risk-assessment-form-2
Netherhall risk-assessment-form-2Netherhall risk-assessment-form-2
Netherhall risk-assessment-form-2
 
Sticks and stones 1
Sticks and stones 1Sticks and stones 1
Sticks and stones 1
 
Father of the girlfriend
Father of the girlfriendFather of the girlfriend
Father of the girlfriend
 
Conventions of comedy
Conventions of comedyConventions of comedy
Conventions of comedy
 
Daniel cooke shotlist
Daniel cooke shotlistDaniel cooke shotlist
Daniel cooke shotlist
 
Characters
CharactersCharacters
Characters
 
Netherhall risk-assessment-form-4-2
Netherhall risk-assessment-form-4-2Netherhall risk-assessment-form-4-2
Netherhall risk-assessment-form-4-2
 
Week 6 advertising pt 2
Week 6 advertising pt 2Week 6 advertising pt 2
Week 6 advertising pt 2
 
250043199 studio-d-b1-sprachtraining-loesungen-pdf
250043199 studio-d-b1-sprachtraining-loesungen-pdf250043199 studio-d-b1-sprachtraining-loesungen-pdf
250043199 studio-d-b1-sprachtraining-loesungen-pdf
 
Fundamentos de geoestatística
Fundamentos de geoestatísticaFundamentos de geoestatística
Fundamentos de geoestatística
 
Similar Products – The History of Comedy
Similar Products – The History of ComedySimilar Products – The History of Comedy
Similar Products – The History of Comedy
 

Similar to Social representation

question 2 : How does your media product represent particular social groups?
question 2 : How does your media product represent particular social groups? question 2 : How does your media product represent particular social groups?
question 2 : How does your media product represent particular social groups? dowsa_xo
 
Evaluation Question One
Evaluation Question OneEvaluation Question One
Evaluation Question One014296
 
Question 2 evaluation
Question 2 evaluationQuestion 2 evaluation
Question 2 evaluationmollymeyer10
 
Me and My Movies
Me and My MoviesMe and My Movies
Me and My Moviesmegrobbo95
 
Critical Reflection Answer 1
Critical Reflection Answer 1Critical Reflection Answer 1
Critical Reflection Answer 1AyeshaBawany
 
Evaluation Question 1: Conventions of Comedies
Evaluation Question 1: Conventions of ComediesEvaluation Question 1: Conventions of Comedies
Evaluation Question 1: Conventions of Comedies014296
 
Academic research into my film opening
Academic research into my film openingAcademic research into my film opening
Academic research into my film openingkieranfitz_
 
Academic research into my film opening
Academic research into my film openingAcademic research into my film opening
Academic research into my film openingkieranfitz_
 
Thriller representations
Thriller representationsThriller representations
Thriller representationshhunjan07
 
Term 1 theory tasks(1)
Term 1 theory tasks(1)Term 1 theory tasks(1)
Term 1 theory tasks(1)Tommy Lister
 
Evaluation q2
Evaluation q2Evaluation q2
Evaluation q2J_Afford
 
Evaluation question 2
Evaluation question 2Evaluation question 2
Evaluation question 2Wbrooks10
 

Similar to Social representation (20)

question 2 : How does your media product represent particular social groups?
question 2 : How does your media product represent particular social groups? question 2 : How does your media product represent particular social groups?
question 2 : How does your media product represent particular social groups?
 
Evaluation Question One
Evaluation Question OneEvaluation Question One
Evaluation Question One
 
Question 2 evaluation
Question 2 evaluationQuestion 2 evaluation
Question 2 evaluation
 
Evaluation2
Evaluation2Evaluation2
Evaluation2
 
Me and My Movies
Me and My MoviesMe and My Movies
Me and My Movies
 
Critical Reflection Answer 1
Critical Reflection Answer 1Critical Reflection Answer 1
Critical Reflection Answer 1
 
Question 2
Question 2Question 2
Question 2
 
Evaluation Question 1: Conventions of Comedies
Evaluation Question 1: Conventions of ComediesEvaluation Question 1: Conventions of Comedies
Evaluation Question 1: Conventions of Comedies
 
Academic research into my film opening
Academic research into my film openingAcademic research into my film opening
Academic research into my film opening
 
Academic research into my film opening
Academic research into my film openingAcademic research into my film opening
Academic research into my film opening
 
Thriller representations
Thriller representationsThriller representations
Thriller representations
 
Plot narrative
Plot narrativePlot narrative
Plot narrative
 
Term 1 theory tasks(1)
Term 1 theory tasks(1)Term 1 theory tasks(1)
Term 1 theory tasks(1)
 
Question 2
Question 2Question 2
Question 2
 
Question 2
Question 2Question 2
Question 2
 
David fincher
David fincherDavid fincher
David fincher
 
Evaluation q2
Evaluation q2Evaluation q2
Evaluation q2
 
Question two
Question twoQuestion two
Question two
 
Evaluation question 2
Evaluation question 2Evaluation question 2
Evaluation question 2
 
Evaluation question 2
Evaluation question 2Evaluation question 2
Evaluation question 2
 

More from Daniel Cooke

Question 1 evaluation media
Question 1 evaluation mediaQuestion 1 evaluation media
Question 1 evaluation mediaDaniel Cooke
 
Shot list 'sticks and stones' (1)
Shot list 'sticks and stones' (1)Shot list 'sticks and stones' (1)
Shot list 'sticks and stones' (1)Daniel Cooke
 
Daniel cooke Narrative analysis
Daniel cooke Narrative analysisDaniel cooke Narrative analysis
Daniel cooke Narrative analysisDaniel Cooke
 
Three kings syrianna style analysis
Three kings syrianna style analysisThree kings syrianna style analysis
Three kings syrianna style analysisDaniel Cooke
 
Daniel cooke similarities in opening sequences
Daniel cooke similarities in opening sequencesDaniel cooke similarities in opening sequences
Daniel cooke similarities in opening sequencesDaniel Cooke
 

More from Daniel Cooke (6)

Question 1 evaluation media
Question 1 evaluation mediaQuestion 1 evaluation media
Question 1 evaluation media
 
Shot list 'sticks and stones' (1)
Shot list 'sticks and stones' (1)Shot list 'sticks and stones' (1)
Shot list 'sticks and stones' (1)
 
Narrative
NarrativeNarrative
Narrative
 
Daniel cooke Narrative analysis
Daniel cooke Narrative analysisDaniel cooke Narrative analysis
Daniel cooke Narrative analysis
 
Three kings syrianna style analysis
Three kings syrianna style analysisThree kings syrianna style analysis
Three kings syrianna style analysis
 
Daniel cooke similarities in opening sequences
Daniel cooke similarities in opening sequencesDaniel cooke similarities in opening sequences
Daniel cooke similarities in opening sequences
 

Recently uploaded

Call Girls in New Friends Colony Delhi 💯Call Us 🔝8264348440🔝
Call Girls in New Friends Colony Delhi 💯Call Us 🔝8264348440🔝Call Girls in New Friends Colony Delhi 💯Call Us 🔝8264348440🔝
Call Girls in New Friends Colony Delhi 💯Call Us 🔝8264348440🔝soniya singh
 
8377877756 Full Enjoy @24/7 Call Girls In Mayur Vihar Delhi Ncr
8377877756 Full Enjoy @24/7 Call Girls In Mayur Vihar Delhi Ncr8377877756 Full Enjoy @24/7 Call Girls In Mayur Vihar Delhi Ncr
8377877756 Full Enjoy @24/7 Call Girls In Mayur Vihar Delhi Ncrdollysharma2066
 
Call Girls in Tughlakabad Delhi 9654467111 Shot 2000 Night 7000
Call Girls in Tughlakabad Delhi 9654467111 Shot 2000 Night 7000Call Girls in Tughlakabad Delhi 9654467111 Shot 2000 Night 7000
Call Girls in Tughlakabad Delhi 9654467111 Shot 2000 Night 7000Sapana Sha
 
‘I think I might die if I made it’ 'There were no singles'
‘I think I might die if I made it’ 'There were no singles'‘I think I might die if I made it’ 'There were no singles'
‘I think I might die if I made it’ 'There were no singles'cakepearls Official
 
Youthlab Indonesia Gen-Z Lifestyle Chart
Youthlab Indonesia Gen-Z Lifestyle ChartYouthlab Indonesia Gen-Z Lifestyle Chart
Youthlab Indonesia Gen-Z Lifestyle ChartYouthLab
 
Independent Call Girls Delhi ~9711199012~ Call Me
Independent Call Girls Delhi ~9711199012~ Call MeIndependent Call Girls Delhi ~9711199012~ Call Me
Independent Call Girls Delhi ~9711199012~ Call MeMs Riya
 
KALENDAR KUDA 2024 Hi resolution cuti umum.pdf
KALENDAR KUDA 2024 Hi resolution cuti umum.pdfKALENDAR KUDA 2024 Hi resolution cuti umum.pdf
KALENDAR KUDA 2024 Hi resolution cuti umum.pdfSallamSulaiman
 
10 Tips To Be More Disciplined In Life To Be Successful | Amit Kakkar Healthyway
10 Tips To Be More Disciplined In Life To Be Successful | Amit Kakkar Healthyway10 Tips To Be More Disciplined In Life To Be Successful | Amit Kakkar Healthyway
10 Tips To Be More Disciplined In Life To Be Successful | Amit Kakkar HealthywayAmit Kakkar Healthyway
 
Virat Kohli Centuries In Career Age Awards and Facts.pdf
Virat Kohli Centuries In Career Age Awards and Facts.pdfVirat Kohli Centuries In Career Age Awards and Facts.pdf
Virat Kohli Centuries In Career Age Awards and Facts.pdfkigaya33
 
BOOK NIGHT-Call Girls In Noida City Centre Delhi ☎️ 8377877756
BOOK NIGHT-Call Girls In Noida City Centre Delhi ☎️ 8377877756BOOK NIGHT-Call Girls In Noida City Centre Delhi ☎️ 8377877756
BOOK NIGHT-Call Girls In Noida City Centre Delhi ☎️ 8377877756dollysharma2066
 
Call Girls in Chittaranjan Park Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Chittaranjan Park Delhi 💯Call Us 🔝8264348440🔝Call Girls in Chittaranjan Park Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Chittaranjan Park Delhi 💯Call Us 🔝8264348440🔝soniya singh
 
'the Spring 2024- popular Fashion trends
'the Spring 2024- popular Fashion trends'the Spring 2024- popular Fashion trends
'the Spring 2024- popular Fashion trendsTangledThoughtsCO
 
22K Indian Gold Jewelry Online - Buy 22 Karat Gold Jewelry in USA
22K Indian Gold Jewelry Online - Buy 22 Karat Gold Jewelry in USA22K Indian Gold Jewelry Online - Buy 22 Karat Gold Jewelry in USA
22K Indian Gold Jewelry Online - Buy 22 Karat Gold Jewelry in USAQueen of Hearts Jewelry
 
Manisha Rani Net Worth 2024 Biography.pdf
Manisha Rani Net Worth 2024 Biography.pdfManisha Rani Net Worth 2024 Biography.pdf
Manisha Rani Net Worth 2024 Biography.pdfkigaya33
 
Call Girls In Malviya Nagar 9654467111 Escorts Service
Call Girls In Malviya Nagar 9654467111 Escorts ServiceCall Girls In Malviya Nagar 9654467111 Escorts Service
Call Girls In Malviya Nagar 9654467111 Escorts ServiceSapana Sha
 
ETHICAL-THEORIES_MORAL-DELIBERATION.pptx
ETHICAL-THEORIES_MORAL-DELIBERATION.pptxETHICAL-THEORIES_MORAL-DELIBERATION.pptx
ETHICAL-THEORIES_MORAL-DELIBERATION.pptxRafaelBatulan
 
83778-876O7, Cash On Delivery Call Girls In South- EX-(Delhi) Escorts Service...
83778-876O7, Cash On Delivery Call Girls In South- EX-(Delhi) Escorts Service...83778-876O7, Cash On Delivery Call Girls In South- EX-(Delhi) Escorts Service...
83778-876O7, Cash On Delivery Call Girls In South- EX-(Delhi) Escorts Service...dollysharma2066
 
Call Girls {Delhi Meet Payal Pitampura} 9711199012 Indepedemt Girls Delhi
Call Girls {Delhi Meet Payal Pitampura} 9711199012 Indepedemt Girls DelhiCall Girls {Delhi Meet Payal Pitampura} 9711199012 Indepedemt Girls Delhi
Call Girls {Delhi Meet Payal Pitampura} 9711199012 Indepedemt Girls DelhiMs Riya
 

Recently uploaded (20)

Stunning ➥8448380779▻ Call Girls In Jasola Vihar Delhi NCR
Stunning ➥8448380779▻ Call Girls In Jasola Vihar Delhi NCRStunning ➥8448380779▻ Call Girls In Jasola Vihar Delhi NCR
Stunning ➥8448380779▻ Call Girls In Jasola Vihar Delhi NCR
 
Call Girls in New Friends Colony Delhi 💯Call Us 🔝8264348440🔝
Call Girls in New Friends Colony Delhi 💯Call Us 🔝8264348440🔝Call Girls in New Friends Colony Delhi 💯Call Us 🔝8264348440🔝
Call Girls in New Friends Colony Delhi 💯Call Us 🔝8264348440🔝
 
8377877756 Full Enjoy @24/7 Call Girls In Mayur Vihar Delhi Ncr
8377877756 Full Enjoy @24/7 Call Girls In Mayur Vihar Delhi Ncr8377877756 Full Enjoy @24/7 Call Girls In Mayur Vihar Delhi Ncr
8377877756 Full Enjoy @24/7 Call Girls In Mayur Vihar Delhi Ncr
 
Call Girls in Tughlakabad Delhi 9654467111 Shot 2000 Night 7000
Call Girls in Tughlakabad Delhi 9654467111 Shot 2000 Night 7000Call Girls in Tughlakabad Delhi 9654467111 Shot 2000 Night 7000
Call Girls in Tughlakabad Delhi 9654467111 Shot 2000 Night 7000
 
‘I think I might die if I made it’ 'There were no singles'
‘I think I might die if I made it’ 'There were no singles'‘I think I might die if I made it’ 'There were no singles'
‘I think I might die if I made it’ 'There were no singles'
 
Youthlab Indonesia Gen-Z Lifestyle Chart
Youthlab Indonesia Gen-Z Lifestyle ChartYouthlab Indonesia Gen-Z Lifestyle Chart
Youthlab Indonesia Gen-Z Lifestyle Chart
 
Independent Call Girls Delhi ~9711199012~ Call Me
Independent Call Girls Delhi ~9711199012~ Call MeIndependent Call Girls Delhi ~9711199012~ Call Me
Independent Call Girls Delhi ~9711199012~ Call Me
 
KALENDAR KUDA 2024 Hi resolution cuti umum.pdf
KALENDAR KUDA 2024 Hi resolution cuti umum.pdfKALENDAR KUDA 2024 Hi resolution cuti umum.pdf
KALENDAR KUDA 2024 Hi resolution cuti umum.pdf
 
10 Tips To Be More Disciplined In Life To Be Successful | Amit Kakkar Healthyway
10 Tips To Be More Disciplined In Life To Be Successful | Amit Kakkar Healthyway10 Tips To Be More Disciplined In Life To Be Successful | Amit Kakkar Healthyway
10 Tips To Be More Disciplined In Life To Be Successful | Amit Kakkar Healthyway
 
Virat Kohli Centuries In Career Age Awards and Facts.pdf
Virat Kohli Centuries In Career Age Awards and Facts.pdfVirat Kohli Centuries In Career Age Awards and Facts.pdf
Virat Kohli Centuries In Career Age Awards and Facts.pdf
 
Call Girls 9953525677 Call Girls In Delhi Call Girls 9953525677 Call Girls In...
Call Girls 9953525677 Call Girls In Delhi Call Girls 9953525677 Call Girls In...Call Girls 9953525677 Call Girls In Delhi Call Girls 9953525677 Call Girls In...
Call Girls 9953525677 Call Girls In Delhi Call Girls 9953525677 Call Girls In...
 
BOOK NIGHT-Call Girls In Noida City Centre Delhi ☎️ 8377877756
BOOK NIGHT-Call Girls In Noida City Centre Delhi ☎️ 8377877756BOOK NIGHT-Call Girls In Noida City Centre Delhi ☎️ 8377877756
BOOK NIGHT-Call Girls In Noida City Centre Delhi ☎️ 8377877756
 
Call Girls in Chittaranjan Park Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Chittaranjan Park Delhi 💯Call Us 🔝8264348440🔝Call Girls in Chittaranjan Park Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Chittaranjan Park Delhi 💯Call Us 🔝8264348440🔝
 
'the Spring 2024- popular Fashion trends
'the Spring 2024- popular Fashion trends'the Spring 2024- popular Fashion trends
'the Spring 2024- popular Fashion trends
 
22K Indian Gold Jewelry Online - Buy 22 Karat Gold Jewelry in USA
22K Indian Gold Jewelry Online - Buy 22 Karat Gold Jewelry in USA22K Indian Gold Jewelry Online - Buy 22 Karat Gold Jewelry in USA
22K Indian Gold Jewelry Online - Buy 22 Karat Gold Jewelry in USA
 
Manisha Rani Net Worth 2024 Biography.pdf
Manisha Rani Net Worth 2024 Biography.pdfManisha Rani Net Worth 2024 Biography.pdf
Manisha Rani Net Worth 2024 Biography.pdf
 
Call Girls In Malviya Nagar 9654467111 Escorts Service
Call Girls In Malviya Nagar 9654467111 Escorts ServiceCall Girls In Malviya Nagar 9654467111 Escorts Service
Call Girls In Malviya Nagar 9654467111 Escorts Service
 
ETHICAL-THEORIES_MORAL-DELIBERATION.pptx
ETHICAL-THEORIES_MORAL-DELIBERATION.pptxETHICAL-THEORIES_MORAL-DELIBERATION.pptx
ETHICAL-THEORIES_MORAL-DELIBERATION.pptx
 
83778-876O7, Cash On Delivery Call Girls In South- EX-(Delhi) Escorts Service...
83778-876O7, Cash On Delivery Call Girls In South- EX-(Delhi) Escorts Service...83778-876O7, Cash On Delivery Call Girls In South- EX-(Delhi) Escorts Service...
83778-876O7, Cash On Delivery Call Girls In South- EX-(Delhi) Escorts Service...
 
Call Girls {Delhi Meet Payal Pitampura} 9711199012 Indepedemt Girls Delhi
Call Girls {Delhi Meet Payal Pitampura} 9711199012 Indepedemt Girls DelhiCall Girls {Delhi Meet Payal Pitampura} 9711199012 Indepedemt Girls Delhi
Call Girls {Delhi Meet Payal Pitampura} 9711199012 Indepedemt Girls Delhi
 

Social representation

  • 1.
  • 2.  The opening sequence of my film represents the younger generation of people. It also focuses on differences in the male and female gender.  The reason I am going to focus on this is due to the plot and the type of humour I was trying to achieve.
  • 3. Before even thinking about writing a script for the opening sequence I did research into films and the type of comedy that commonly is used.  I took ideas from pulp fiction and put it with things from road trip comedies such as road hogs . 
  • 4.  From viewing these I decided that comedy often came out of male conflict and dominance and this had been less explored in the comedy industry as it may scare some people to touch on sensitive topics in such a way.
  • 5. With this in mind I decided to add in to my script a mostly male cast. Showing unexplained conflict between males from the start and touching on sexism towards women in a manor which is comedic.  By adding a woman in the middle of the conflict who is more worried about the cleanliness of the house than the dead body of her husband shows a very extreme view of a stereotypical housewife. 
  • 6. When creating a character to represent females the way I desired I considered the dress. Having a woman who was all dressed up was my idea but then I decided that just a skirt and a more casual look was more believable .  I looked at the way I could show the males as serious about their motives while maintaining comedy (see next slide) 
  • 7. Creating the male character I considered all possible avenues nationality , social status and looks.  I decided that if I made the “hitman” a richer more well off person in a house which is a bit messy and obviously mistreated then this would add to the representation showing how high in society you can become when you are feared. 
  • 8.  The second character I thought of introducing was a run down young person who was “from the street” a possible gang member they typical hoodie wearing sort of person who might get into some bother with things like drugs and alcohol and possible guns and gun running.
  • 9.  The protagonist role lies with the character off the street and away from the organised killing side of things. This idea that a criminal can actually be the protagonist hasn’t commonly been used in films and using this I decided to create the character and give him a criminal style feel while allowing the character to keep his innocence and show feelings and an element of being humane.
  • 10.  Although I didn’t feature the antagonist I considered having someone more powerful in the criminal world than Stevie (the protagonist) himself. This would give an idea of the real world cast system behind the scenes that no one knows about. This includes having the person demand things from the protagonist and giving a small favour in return.
  • 11.  The idea that the Rizla is on the bike and the learner plate is on it implies that Stevie isn’t actually that old and may still be trying to find his path. The idea of time being near still when the gun is being pulled just adds emphasis to the fact that although some feel they hold power that can still change.
  • 12.  The props were chosen to symbolise a rebellious feel and a backstreet atmosphere. Giving the film a feel of dark comedy feel with the obvious orange gun and rizla moped . They all added to the storyline and created a comedy feel to the movie while keeping the dark feel that I desired.
  • 13. Antagonist – Stevie (innocence)  Antagonist – Power  The Hitman – Conflict  Props – Conflict, Turn of power, Age  Location – Messy, Unrespected 