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Social media as the last frontier to preserve the
memory of the Holocaust among the younger
generations
Stefania Manca
Institute of Educational Technology, Italian National Research Council
International Conference «Combating Antisemitism and Preserving
Jewish Heritage»
Sofia, 31 October 2022
Digital
Holocaust
Memory
The memory of the Holocaust is
increasingly becoming mostly digital
and transcultural (Kansteiner, 2017)
Digital Holocaust memory, education
and research are increasingly entwined
with history and developments in
media in the development of new
educational and remembrance
practices (Walden, 2021)
https://iwitness.usc.edu/dit/evakor
Virtual
survivor
testimonies
and
holograms
“Serious games” and
computer games
social media
Countering Holocaust
distortion on social media:
Promoting the positive use
of Internet social
technologies for teaching
and learning about the
Holocaust
Duration: 1 September 2020 - 31 August 2022 (24 months)
Funded under the 2020 IHRA Grant Projects Program - IHRA
Grant # 2020-792; IHRA Grant Strategy 2019-2023, line 2
“Countering distortion”
From the
Recommendations
Problems
Mismatch between scholarly
debates and public
knowledge
Materials not generally
suitable for younger
generations
Solutions
Expanding historical
knowledge of the Holocaust
Promoting and increasing the
digital culture of
remembrance
Knowing and addressing
(younger) target audiences
Try new things! Use new
forms of social media
technology to express your
ideas
Anne Frank video diary
https://www.youtube.com/annefrank
Eva.Stories on
Instagram
https://www.instagram.c
om/eva.stories/
Holocaust survivors on TikTok
Preserving
Jewish identity
on TikTok: and
AskAJew and
.JweTok
https://www.tiktok.com/@.jewtok
https://www.tiktok.com/@askajew
Contacts:
stefania.manca@itd.cnr.it
https://www.holocaust-socialmedia.edu

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Social media as the last frontier to preserve the memory of the Holocaust among the younger generations

Editor's Notes

  1. The context of the research is a dozen Holocaust museums and memorials located in Italy and Germany and the ultimate goal is to identify guidelines and best practice for professional learning of museum curators.