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Hoda Hamouda (hoda.hamouda@gmail.com), Victoria Lemieux (v.lemieux@ubc.ca)
Corinne Rogers, Ken Thibodeau, Jessica Bushey,
James Stewart, James Cameron, & Chen Feng
4th COMPUTATIONAL ARCHIVAL SCIENCE (CAS) WORKSHOP
Wednesday, Dec. 11, 2019, Los Angeles, CA
Extending the Scope of CAS:
A Case Study on Leveraging Archival and Engineering
Approaches to Develop a Framework to Detect and
Prevent “Fake Video”
2
Extending the Scope of CAS:
A case study of the way in which Computational
Archival Science can be used to contribute to a novel
approach towards detecting fake videos
How to better detect and prevent fake videos?
Our team:
Practitioners, academics, and researchers from the disciplines of
archival science, digital forensics, computer science, and
engineering.
3
Hoda Hamouda, Victoria Lemieux,

Corinne Rogers, Ken Thibodeau, 

Jessica Bushey, James Stewart, James Cameron, & Chen Feng
We propose extending current approaches used to detect fake videos, by
incorporating the perspective of archival diplomatics.
Archival diplomatics is the “integration of archival and diplomatic theory about the
genesis, inner constitution, and transmission of documents; and about their
relationship with the facts represented in them, …” (Duranti, 2013)
4
Our research
Outline
• (Fake) videos detection in previous research
• (Fake) videos from the perspective of archival diplomatics
• Typology to categorize fake videos
• Human test to validate the typology
• Tests to detect fake video
5
Our research
6
Disinformation & Videos
How to better detect and prevent fake videos?
Process: Analysis of twelve case studies of fake videos
7
Tended to focus on addressing the issue by analyzing the content of videos.
“Spoofing and countermeasures for speaker verification” Wu, et al. 2015;
“Presentation Attack Detection Methods for Face Recognition Systems”
Ramachandra et al. 2017
“Digital video tampering detection: An overview of passive techniques” Sitara
et al. 2016
8
Previous Research into detecting fake videos
Tended to focus on addressing the issue by analyzing the content of
videos.
Khodabakhsh, et al. 2018; Wu, et al. 2015;
Ramachandra et al. 2017; Sitara et al. 2016
In archival science the context of a record plays an important role in
protecting its authenticity
9
Previous Research into detecting fake videos
We have seen value in applying concepts from archival science,
specifically archival diplomatics and its analytical frameworks to
enhance existing approaches to detecting fake videos.
10
Previous Research into preventing fake videos
Research Plan
Plan:
1) generate a classification of fake videos to be able to name their
different types;
2) generate a model to detect different types of fake videos; and
3) prototype a solution to protect videos from being “faked” or
manipulated.
11
Outline
• (Fake) videos detection in previous research
• (Fake) videos from the perspective of archival diplomatics
• Typology to categorize fake videos
• Tests to detect fake video
• Human test to validate the typology
12
Our research
Trustworthiness in archival diplomatics and its
relation to videos
13
Trustworthiness
ReliabilityAccuracy Authenticity
Identity IntegrityCompleteness Control
over creation
procedure
Trustworthiness of a Record
Videos and Characteristics of a record:
Persons
Contexts
14
Videos and Characteristics of a record:
Persons
Contexts
15
16
17
Trustworthiness
Authenticity
Identity Integrity
Trustworthiness of a Record
Documentary Form
Documentary Context
Outline
• (Fake) videos detection in previous research
• (Fake) videos from the perspective of archival diplomatics
• Typology to categorize fake videos
• Tests to detect fake video
• Human test to validate the typology
18
Our research
Typology of “fakes”: Typology to categorize fake videos
First, in order to detect fake videos, we found that we needed to
work towards building a specification of untrustworthiness in
videos, and generalizing a typology of “fakes”.
19
Typology of “fakes”
Precedent work related to developing a taxonomy for different types of fake
videos.
Tandoc, et. al, on the typology of fake news (2018)
Khodabakhsh et al., on audiovisual fake content (i.e. fake videos) (2018)
Teyssou and Spangenberg on fake video content (2019).
20
Typology of “fakes”
Shortcomings of Previous Research related to developing a
taxonomy for different types of fake videos.
Focus on videos involving talking heads
Exclude some genres of videos (e.g. natural disasters, and protests)
Some relied upon inferring the intention of the author of the video
21
Typology of “fakes”
Addressing the Gap in Previous Work
Focus on videos that were edited, manipulated, fabricated, or
wherein information has been omitted and which result in the
video disseminating disinformation.
Include other genres of videos
Veer away from attempts to guess the intentions
22
Our Typology of “fakes”
Every video consists of three components:
Visual
Audio
Metadata (date, location, title, description)
23
Outline
• (Fake) videos detection in previous research
• (Fake) videos from the perspective of archival diplomatics
• Typology to categorize fake videos
• Our typology
• Tests to detect fake video
• Human test to validate the typology
24
Our research
Our Typology of “fakes”
Every video consists of three components:
Visual
Audio
Metadata (date, location, title, description)
Fake videos can be identified through
detection of inconsistencies in one or more components of a
video: the visual, audio, or metadata components of a video.
25
Outline
• (Fake) videos detection in previous research
• (Fake) videos from the perspective of archival diplomatics
• Typology to categorize fake videos
• Tests to detect fake video
• Human test to validate the typology
26
Our research
Our Typology of “fakes”
These inconsistencies can occur
1) among the components of one video, and/or
2) between the components of two videos, if a near-
duplicate video exists.
27
Our Typology of “fakes”
These inconsistencies can occur
1) among the components of one video, and/or
2) between the components of two videos, if a
near-duplicate video exists.
28
Our Typology of “fakes”
Fake videos can be identified through
detection of inconsistencies in one or more components of a
video: the visual, audio, or metadata components of a video.
These inconsistencies can occur
1) among the components of one video, and/or
2) between the components of two videos, if a near-duplicate video
exists.
29
Categories as Tests
We concluded that there are
six unique tests could be
used to detect a fake video.
30
Inconsistencies between video components
31
Visual against visual inconsistencies (VV test)
32
Visual against visual inconsistencies (VV test)
33
Visual against visual inconsistencies (VV test)
34
Visual against audio inconsistencies (VA test)
35
Visual against audio inconsistencies (VA test)
36
Metadata against metadata inconsistencies (MM test)
37
Audio against audio inconsistencies (AA test)
38
Audio against audio inconsistencies (AA test)
39
Detecting
To verify a video, we propose to run tests in two rounds, each
consisting of two steps:
Round 1 is an internal consistency check which is a pairwise
comparison of the characteristics of each component
(visual, audio, metadata) within the same video
40
Tests to Detect Fake Videos
To verify a video, we propose to run tests in two rounds, each
consisting of two steps:
Round 2 is an external consistency check which is a
pairwise comparison of the characteristics of each
component between one instance of a video and another
instance of a near-duplicate video if one is available.
41
The goal will be to establish an alert that a human viewer receives indicating
that further analysis and investigation may be necessary.
42
Tests to Detect Fake Videos
Outline
• (Fake) videos detection in previous research
• (Fake) videos from the perspective of archival diplomatics
• Typology to categorize fake videos
• Tests to detect fake video
• Human test to validate the typology
43
Our research
Will the tests help people detect fake videos?
To measure: The effect of familiarizing participants with the 6
tests on their detection performance.
Experiment Design
44
Will the tests help people identify fake videos?
Experiment Design
45
Controlled group Intervention group
Introduced to types of inconsistencies
Watch 8 videos, 6 fake, 2 originals
Watch 8 videos, 6 fake, 2 originals
Classify which are fake / authentic
• Producing 14 fake videos
Experiment Design
46
• Producing 14 fake videos
• To eliminate low-level clues that participants
might use to identify the fake videos, I created
Youtube interface
Experiment Design
47
• Producing 14 fake videos
• To eliminate low-level clues that participants
might use to identify the fake videos, I created
Youtube interface
• Eliminate order bias
Experiment Design
48
Future work
Our future work will focus on conducting a human evaluation of our framework
to determine whether application of the tests leads human classifiers to more
accurately predict whether a video is fake. Based on the results of our
evaluation, we will revise our approach and/or our tests to achieve
improved results. Once we have undertaken our revisions, we will then
design automated techniques to conduct the tests in the context of a
human-in-the-loop system that runs the tests as a flag to a human analyst of
the possibility that a particular video may be a fake.
49

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Detecting Fake Videos: How Computational Archival Science can contribute to detecting fake videos

  • 1. 1 Hoda Hamouda (hoda.hamouda@gmail.com), Victoria Lemieux (v.lemieux@ubc.ca) Corinne Rogers, Ken Thibodeau, Jessica Bushey, James Stewart, James Cameron, & Chen Feng 4th COMPUTATIONAL ARCHIVAL SCIENCE (CAS) WORKSHOP Wednesday, Dec. 11, 2019, Los Angeles, CA Extending the Scope of CAS: A Case Study on Leveraging Archival and Engineering Approaches to Develop a Framework to Detect and Prevent “Fake Video”
  • 2. 2 Extending the Scope of CAS: A case study of the way in which Computational Archival Science can be used to contribute to a novel approach towards detecting fake videos
  • 3. How to better detect and prevent fake videos? Our team: Practitioners, academics, and researchers from the disciplines of archival science, digital forensics, computer science, and engineering. 3 Hoda Hamouda, Victoria Lemieux, Corinne Rogers, Ken Thibodeau, Jessica Bushey, James Stewart, James Cameron, & Chen Feng
  • 4. We propose extending current approaches used to detect fake videos, by incorporating the perspective of archival diplomatics. Archival diplomatics is the “integration of archival and diplomatic theory about the genesis, inner constitution, and transmission of documents; and about their relationship with the facts represented in them, …” (Duranti, 2013) 4 Our research
  • 5. Outline • (Fake) videos detection in previous research • (Fake) videos from the perspective of archival diplomatics • Typology to categorize fake videos • Human test to validate the typology • Tests to detect fake video 5 Our research
  • 7. How to better detect and prevent fake videos? Process: Analysis of twelve case studies of fake videos 7
  • 8. Tended to focus on addressing the issue by analyzing the content of videos. “Spoofing and countermeasures for speaker verification” Wu, et al. 2015; “Presentation Attack Detection Methods for Face Recognition Systems” Ramachandra et al. 2017 “Digital video tampering detection: An overview of passive techniques” Sitara et al. 2016 8 Previous Research into detecting fake videos
  • 9. Tended to focus on addressing the issue by analyzing the content of videos. Khodabakhsh, et al. 2018; Wu, et al. 2015; Ramachandra et al. 2017; Sitara et al. 2016 In archival science the context of a record plays an important role in protecting its authenticity 9 Previous Research into detecting fake videos
  • 10. We have seen value in applying concepts from archival science, specifically archival diplomatics and its analytical frameworks to enhance existing approaches to detecting fake videos. 10 Previous Research into preventing fake videos
  • 11. Research Plan Plan: 1) generate a classification of fake videos to be able to name their different types; 2) generate a model to detect different types of fake videos; and 3) prototype a solution to protect videos from being “faked” or manipulated. 11
  • 12. Outline • (Fake) videos detection in previous research • (Fake) videos from the perspective of archival diplomatics • Typology to categorize fake videos • Tests to detect fake video • Human test to validate the typology 12 Our research
  • 13. Trustworthiness in archival diplomatics and its relation to videos 13 Trustworthiness ReliabilityAccuracy Authenticity Identity IntegrityCompleteness Control over creation procedure Trustworthiness of a Record
  • 14. Videos and Characteristics of a record: Persons Contexts 14
  • 15. Videos and Characteristics of a record: Persons Contexts 15
  • 16. 16
  • 17. 17 Trustworthiness Authenticity Identity Integrity Trustworthiness of a Record Documentary Form Documentary Context
  • 18. Outline • (Fake) videos detection in previous research • (Fake) videos from the perspective of archival diplomatics • Typology to categorize fake videos • Tests to detect fake video • Human test to validate the typology 18 Our research
  • 19. Typology of “fakes”: Typology to categorize fake videos First, in order to detect fake videos, we found that we needed to work towards building a specification of untrustworthiness in videos, and generalizing a typology of “fakes”. 19
  • 20. Typology of “fakes” Precedent work related to developing a taxonomy for different types of fake videos. Tandoc, et. al, on the typology of fake news (2018) Khodabakhsh et al., on audiovisual fake content (i.e. fake videos) (2018) Teyssou and Spangenberg on fake video content (2019). 20
  • 21. Typology of “fakes” Shortcomings of Previous Research related to developing a taxonomy for different types of fake videos. Focus on videos involving talking heads Exclude some genres of videos (e.g. natural disasters, and protests) Some relied upon inferring the intention of the author of the video 21
  • 22. Typology of “fakes” Addressing the Gap in Previous Work Focus on videos that were edited, manipulated, fabricated, or wherein information has been omitted and which result in the video disseminating disinformation. Include other genres of videos Veer away from attempts to guess the intentions 22
  • 23. Our Typology of “fakes” Every video consists of three components: Visual Audio Metadata (date, location, title, description) 23
  • 24. Outline • (Fake) videos detection in previous research • (Fake) videos from the perspective of archival diplomatics • Typology to categorize fake videos • Our typology • Tests to detect fake video • Human test to validate the typology 24 Our research
  • 25. Our Typology of “fakes” Every video consists of three components: Visual Audio Metadata (date, location, title, description) Fake videos can be identified through detection of inconsistencies in one or more components of a video: the visual, audio, or metadata components of a video. 25
  • 26. Outline • (Fake) videos detection in previous research • (Fake) videos from the perspective of archival diplomatics • Typology to categorize fake videos • Tests to detect fake video • Human test to validate the typology 26 Our research
  • 27. Our Typology of “fakes” These inconsistencies can occur 1) among the components of one video, and/or 2) between the components of two videos, if a near- duplicate video exists. 27
  • 28. Our Typology of “fakes” These inconsistencies can occur 1) among the components of one video, and/or 2) between the components of two videos, if a near-duplicate video exists. 28
  • 29. Our Typology of “fakes” Fake videos can be identified through detection of inconsistencies in one or more components of a video: the visual, audio, or metadata components of a video. These inconsistencies can occur 1) among the components of one video, and/or 2) between the components of two videos, if a near-duplicate video exists. 29
  • 30. Categories as Tests We concluded that there are six unique tests could be used to detect a fake video. 30
  • 32. Visual against visual inconsistencies (VV test) 32
  • 33. Visual against visual inconsistencies (VV test) 33
  • 34. Visual against visual inconsistencies (VV test) 34
  • 35. Visual against audio inconsistencies (VA test) 35
  • 36. Visual against audio inconsistencies (VA test) 36
  • 37. Metadata against metadata inconsistencies (MM test) 37
  • 38. Audio against audio inconsistencies (AA test) 38
  • 39. Audio against audio inconsistencies (AA test) 39
  • 40. Detecting To verify a video, we propose to run tests in two rounds, each consisting of two steps: Round 1 is an internal consistency check which is a pairwise comparison of the characteristics of each component (visual, audio, metadata) within the same video 40
  • 41. Tests to Detect Fake Videos To verify a video, we propose to run tests in two rounds, each consisting of two steps: Round 2 is an external consistency check which is a pairwise comparison of the characteristics of each component between one instance of a video and another instance of a near-duplicate video if one is available. 41
  • 42. The goal will be to establish an alert that a human viewer receives indicating that further analysis and investigation may be necessary. 42 Tests to Detect Fake Videos
  • 43. Outline • (Fake) videos detection in previous research • (Fake) videos from the perspective of archival diplomatics • Typology to categorize fake videos • Tests to detect fake video • Human test to validate the typology 43 Our research
  • 44. Will the tests help people detect fake videos? To measure: The effect of familiarizing participants with the 6 tests on their detection performance. Experiment Design 44
  • 45. Will the tests help people identify fake videos? Experiment Design 45 Controlled group Intervention group Introduced to types of inconsistencies Watch 8 videos, 6 fake, 2 originals Watch 8 videos, 6 fake, 2 originals Classify which are fake / authentic
  • 46. • Producing 14 fake videos Experiment Design 46
  • 47. • Producing 14 fake videos • To eliminate low-level clues that participants might use to identify the fake videos, I created Youtube interface Experiment Design 47
  • 48. • Producing 14 fake videos • To eliminate low-level clues that participants might use to identify the fake videos, I created Youtube interface • Eliminate order bias Experiment Design 48
  • 49. Future work Our future work will focus on conducting a human evaluation of our framework to determine whether application of the tests leads human classifiers to more accurately predict whether a video is fake. Based on the results of our evaluation, we will revise our approach and/or our tests to achieve improved results. Once we have undertaken our revisions, we will then design automated techniques to conduct the tests in the context of a human-in-the-loop system that runs the tests as a flag to a human analyst of the possibility that a particular video may be a fake. 49