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P a o l o C i r i o 
Conceptual Art 
that considers how society 
is organized and impacted by the 
distribution, organization and 
control over information.
P a o l o C i r i o 's works: 
Power / Language / Information / Communication 
Hacking of information technology, 
marketing, legal, art and popular languages. 
Art with Information Power 
through recon guring information asymmetries 
Information's Power is key for military forces 
de ned by academic Cyberwarfare theory as 
"Fifth Dimension" based on Information Asymmetry 
of the Infosphere considered as Space and Asset
P a o l o C i r i o 's works: 
Power / Language / Information / Communication 
- Hacking of information technology, 
marketing, legal, art and popular languages.
Information power for 
Staging con%icts about: 
Privacy 
Public / Private information 
Ownership 
Public / Private information 
Economy 
Monetizing data / Business / Finance 
Democracy 
Enhancing / Oppressing 
political systems
Loophole for All 
Loophole4All.com
Gift Finance – P2P Gift Credit Cards 
P2PGiftCredit.com
Sculptures and Performances 
with Information Art 
through the recon guration of Information's Power 
Composing informational elements 
for Enacting informational realities. 
Sculpting Information as Raw Material 
Performing Information as Actors on Stage 
In these Artworks, Information is 
Recontextualized 
Materialized 
Shaped 
Visualized 
Subverted 
Hacked
Face to Facebook 
Face-to-Facebook.net
Street Ghosts 
StreetGhosts.net
Persecuting US 
Persecuting.us
Sculptural Performance Art 
The basic elements of performance: 
time, space, body, stage, 
and a relationship between performer and audience. 
New Media and Flows of Information are ephemeral. 
Sculpting with Information as Raw Material 
through the manipulation of Language, Message and Media. 
These agents are used in the performances to shape information 
- Constructivist philosophies and Sculptural Activity 
– Joseph Beuys created the term Social Sculpture
Hacking Monopolism Trilogy 
Face to Facebook, Amazon Noir, Google Will Eat Itself 
The power of Art
Art of stealing sensitive information, 
which is misappropriated by power structures 
within a economic model that privatizes and exploits 
public information and users' interaction 
by selling it back to the society. 
Most of these projects reverse this model by 
stealing from the private realm for the public good, 
and in doing so revealing truths to society.
People Quote People 
Death of the author 2.0 
PeopleQuotePeople.com
The power of Information 
is created and managed through 
Distributing 
Concentration 
Accumulation 
Archiving 
Sorting 
Exposing 
Aggregating 
Exploiting 
Commodifying 
Highlighting different strategies of 
artistic interventions that use information's power 
Form, Quality, Quantity, Sensitivity, Value.
Provocations and Shock strategy 
- Transparency VS Privacy VS Agency - 
- Ethics VS Morality - 
- Ef cient and Effective - 
for the audience and target of the performance 
- Proposing Solutions - 
beyond just critique and fun
Open Society Structures 
Algorithms Triptych
(W)orld Currency Equation
Tactical Transmedia Fiction 
Paul Watzlawick suggested that to change the Image of Reality 
it's needed to talk to the subconscious and through storytelling. 
Nonsense, Irrationalness and Tales effectively change reality. 
People absorb reality and interact with it, through 
stories of characters. 
Duglass Rushkoff's statement: “ From Moses to modems: 
Demystifying the storytelling and taking control. ” 
“What and the How. In moments when new technologies of storytelling 
develop, medium can be more in=uential 
than the value of the message.“ by Rushkoff. 
In other terms it is about Sculpting New Realities by orchestrating and 
arranging information into narrations, 
which the public is captured by or immersed in.
Recombinant Fiction : Sculpting Realities through Fiction 
the research on experimental storytelling forms which make use of 
different media and which intertwine reality and $ction through 
characters living into Infosphere. 
TheBigPlot.net Drowning-NYC.net
Network Structures 
Interactions and variation of 
data =ows 
over a set of nodes 
in a general network 
can affect the 
entire functionality of a system; 
in this case the interventions are 
functions of 
narrative interpretation and signi$cation, 
which means functions 
concerning the construction of reality.
Networked nodes as model of: 
Neurological Circuits, Semiological structures, Cognitive Functions, 
Visual Communication, as well as, Story Elements, Digital Media. 
Hacking networks by knowing pre-established 
Schemas of information processes, 
functions and characteristics of sets of nodes.
A mental representation or Schema is "activated", 
bringing to mind other information which is linked to 
the original concept by association. 
This activation often happens unconsciously and automatically. 
Or like Google, or the whole Internet that becomes 
a network of signi$ers. 
We may apply structural characteristics of a network 
to semiotic and socials contexts, 
then research in these structures as a neural system.
P a o l o C i r i o 
Everything at 
www.PaoloCirio.net 
contact me at 
info@paolocirio.net

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Slides - Paolo Cirio's Artworks - Art Performances with Information's Power -

  • 1. P a o l o C i r i o Conceptual Art that considers how society is organized and impacted by the distribution, organization and control over information.
  • 2. P a o l o C i r i o 's works: Power / Language / Information / Communication Hacking of information technology, marketing, legal, art and popular languages. Art with Information Power through recon guring information asymmetries Information's Power is key for military forces de ned by academic Cyberwarfare theory as "Fifth Dimension" based on Information Asymmetry of the Infosphere considered as Space and Asset
  • 3. P a o l o C i r i o 's works: Power / Language / Information / Communication - Hacking of information technology, marketing, legal, art and popular languages.
  • 4. Information power for Staging con%icts about: Privacy Public / Private information Ownership Public / Private information Economy Monetizing data / Business / Finance Democracy Enhancing / Oppressing political systems
  • 5. Loophole for All Loophole4All.com
  • 6. Gift Finance – P2P Gift Credit Cards P2PGiftCredit.com
  • 7. Sculptures and Performances with Information Art through the recon guration of Information's Power Composing informational elements for Enacting informational realities. Sculpting Information as Raw Material Performing Information as Actors on Stage In these Artworks, Information is Recontextualized Materialized Shaped Visualized Subverted Hacked
  • 8. Face to Facebook Face-to-Facebook.net
  • 11. Sculptural Performance Art The basic elements of performance: time, space, body, stage, and a relationship between performer and audience. New Media and Flows of Information are ephemeral. Sculpting with Information as Raw Material through the manipulation of Language, Message and Media. These agents are used in the performances to shape information - Constructivist philosophies and Sculptural Activity – Joseph Beuys created the term Social Sculpture
  • 12. Hacking Monopolism Trilogy Face to Facebook, Amazon Noir, Google Will Eat Itself The power of Art
  • 13. Art of stealing sensitive information, which is misappropriated by power structures within a economic model that privatizes and exploits public information and users' interaction by selling it back to the society. Most of these projects reverse this model by stealing from the private realm for the public good, and in doing so revealing truths to society.
  • 14.
  • 15. People Quote People Death of the author 2.0 PeopleQuotePeople.com
  • 16. The power of Information is created and managed through Distributing Concentration Accumulation Archiving Sorting Exposing Aggregating Exploiting Commodifying Highlighting different strategies of artistic interventions that use information's power Form, Quality, Quantity, Sensitivity, Value.
  • 17. Provocations and Shock strategy - Transparency VS Privacy VS Agency - - Ethics VS Morality - - Ef cient and Effective - for the audience and target of the performance - Proposing Solutions - beyond just critique and fun
  • 18. Open Society Structures Algorithms Triptych
  • 20. Tactical Transmedia Fiction Paul Watzlawick suggested that to change the Image of Reality it's needed to talk to the subconscious and through storytelling. Nonsense, Irrationalness and Tales effectively change reality. People absorb reality and interact with it, through stories of characters. Duglass Rushkoff's statement: “ From Moses to modems: Demystifying the storytelling and taking control. ” “What and the How. In moments when new technologies of storytelling develop, medium can be more in=uential than the value of the message.“ by Rushkoff. In other terms it is about Sculpting New Realities by orchestrating and arranging information into narrations, which the public is captured by or immersed in.
  • 21. Recombinant Fiction : Sculpting Realities through Fiction the research on experimental storytelling forms which make use of different media and which intertwine reality and $ction through characters living into Infosphere. TheBigPlot.net Drowning-NYC.net
  • 22. Network Structures Interactions and variation of data =ows over a set of nodes in a general network can affect the entire functionality of a system; in this case the interventions are functions of narrative interpretation and signi$cation, which means functions concerning the construction of reality.
  • 23. Networked nodes as model of: Neurological Circuits, Semiological structures, Cognitive Functions, Visual Communication, as well as, Story Elements, Digital Media. Hacking networks by knowing pre-established Schemas of information processes, functions and characteristics of sets of nodes.
  • 24. A mental representation or Schema is "activated", bringing to mind other information which is linked to the original concept by association. This activation often happens unconsciously and automatically. Or like Google, or the whole Internet that becomes a network of signi$ers. We may apply structural characteristics of a network to semiotic and socials contexts, then research in these structures as a neural system.
  • 25. P a o l o C i r i o Everything at www.PaoloCirio.net contact me at info@paolocirio.net