The document provides a storyboard for a music video consisting of 77 shots over 3 minutes. It begins with an introduction of the band members and then cuts between shots of a narrative chase scene and shots of the band playing in the studio. The chase scene follows a protagonist being chased through alleyways and features a cyclist who is pushed off his bike so the protagonist can escape on it. The storyboard provides technical details for each shot such as camera angles, durations, and effects to achieve an edgy feel while cutting between the live band and narrative elements.

1. Where D’ya Get Ya Money
From – The Tennysons
- Storyboard
By Tom Stafford

2. 1
• Our production will start with a black screen.
• The screen will last 2 seconds.

3. 2
• The black screen will remain but a white simple font will fade into the
screen in the centre.
• The screen with the writing on will last for 4 seconds before fading
out as a whole into the first shot.

4. 3
• First actual shot
• Will have the bass guitar player in shot
• Medium shot
• Duration of 3 seconds

5. 4
• Shot of drummer
• Close up shot
• Duration of 3 seconds

6. 5
• Shot of singer
• Medium shot
• Duration of 3 seconds

7. 6
• Shot of Bass guitar player
• Close up shot
• Duration 3 seconds

8. 7
• Shot of drummer
• Medium shot
• Duration of 3 seconds

9. 8
• Shot of singer
• Close up shot
• Duration 3 seconds

10. Intro: summary
• All of the above shots will set the scene for the video which we will
produce.
• The shots will show all band members in the introduction stage of the
production.
• The above sequence will last a total of 24 seconds, which is the length
of the intro for the soundtrack.
• The main body of the production will continue after this as the first
line is sang here.
• The use of alternation between close ups and medium shots will be
effective if timed correctly with the beat of the soundtrack.

11. 9
• First shot of the narrative sequence
• Long shot of protagonist
• Protagonist placed in left third of frame, allowing audience to see the
rest of the surroundings
• Protagonist looking suspicious
• Duration 6 seconds
• Black and white effect

12. 10
• Another shot of protagonist
• Medium shot from different angle
• Still behaving in the same manor
• Duration 5 seconds
• Black and white effect

13. 11
• 3rd angle of protagonist
• Long shot revealing whole of street
• Visibly see the antagonist approaching him down the street
• Duration 3.5 seconds, shorter take to build the sense of tension
between the two characters
• Black and white effect

14. 12
• This shot will show the transaction actually taking place
• Over the shoulder shot from the protagonists perspective, showing
him hand over money to the antagonist (the dealer)
• Duration 3 second
• Black and white effect

15. 13
• Reaction shot showing the face of the antagonist (dealer)
• Close up shot
• He shows a face of disgust as he looks at the note, then he sharply
stares at the protagonist
• Duration 3.5 seconds
• Black and white effect

16. 14
• Second reaction shot showing protagonists fear and the beginning of
his escape
• Over the shoulder shot of antagonist (dealer)
• See the protagonist run away and the antagonist goes to chase him
which blocks the view of the camera
• Duration 5 seconds
• Pleasantville effect used on protagonists shirt (contrasting red)

17. End of narrative sequence: part 1
• 51 seconds into the production at this point
• This is when the chorus starts in the soundtrack
• From this point on the shots will be of band members until the end of
the chorus
• Previous shots all filmed in black and white with the last shot being
filmed in the Pleasantville effect where the protagonist is wearing a
bright red shirt, this shows the sense of danger for him.

18. 15
• Start of chorus
• Band shot
• Long shot
• Static camera
• Whole band in frame
• 2 second duration

19. 16
• Close up of singer as he sings the line
• Lip syncing
• Duration 4 seconds
• Slight pan to the right (very slow speed)

20. 17
• Medium shot of drummer
• Duration 1 second
• Shaky camera

21. 18
• Medium shot of bass player
• Duration 1 second
• Shaky camera

22. 19
• Medium shot of guitarist/singer
• Duration 1 second
• Shaky camera

23. 20
• 3 way split screen shot
• All members of the band present
• Close up/medium shots of the band members
• Following the 3 previous shots this should be quite effective
• Duration 1 second

24. 21
• Last chorus shot
• High angle shot
• Pan across to show band
• 1 second duration
• Possible use of fisheye/wide angle lens

25. 22
• Continuing of narrative sequence: Part 2
• At 1:02 mins into the production at this point
• Shot of runner running down path/road
• Camera follows with a steady pan
• Slight camera movements to bring an edgy feel
• Duration of 1 second

26. 23
• Quick glimpse of chaser to show that he is still present
• Long shot
• Static camera shows running
• Duration of ½ second

27. 24
• This shot will show the runners realisation of a possible escape route
• Shot 1, stops running and looks into distance
• Medium shot
• Duration of 1 second

28. 25
• Shot 2, shot of fence and alleyway in distance
• Perspective shot
• Duration ½ second

29. 26
• Shot 3, reaction shot on his face
• Close up shot
• Duration ½ second

30. 27
• Shot 4, shows him run to the fence
• Low angle shot (camera at ground level)
• Shows fence in distant frame, possible focus pull into foreground
focus showing the two run past close to camera toward the fence
• Duration 2 seconds

31. 28
• Shot of chaser
• Reaction shot to his plan
• Close up
• Shows anger in his facial expression
• Duration 2 second

32. 29
• Both close to fence
• Shot from behind the two runners
• Long shot
• Duration 2 second

33. 30
• Second shot of runners
• Shot from in front of them
• Long/medium shot
• Duration ½ second

34. 31
• Start of a 4 shot sequence of the runner jumping the fence
• Shot 1,
• Shot from behind
• Medium shot
• Duration ½ second

35. 32
• Shot 2,
• Low angle shot from in front of him
• Could reveal that he may fall/stumble (comedic element)
• Duration ½ second

36. 33
• Shot 3,
• Low angle shot (possible use of fisheye / wide angle lens)
• From the side of the fence
• Duration ½ second

37. 34
• Shot 4,
• Long shot from in the alleyway
• Showing a whole image of the fence jump
• Duration ½ second
• Also reveals the chaser behind him

38. 35
• Chaser jumps fence with runner also in left of frame
• Showing him start the leap
• Duration 1 second
• Cuts to next shot before he jumps

39. 36
• Same angle shot as previous shot but zoomed in on camera lens to
seem like a medium shot, showing just the fence and the chaser in
frame at this point
• Slow motion shot
• Duration 2 ½ seconds

40. 37
• High angle shot of the two running down the alley
• From behind the runners
• Duration 1 second
• Shaky camera movement

41. 38
• Long shot of runner taking a corner from behind
• Duration ½ second
• (links to next shot with match on action)

42. 39
• Camera placed round corner at this point
• Runner comes round corner
• Cut perfectly with previous shot to end up with continuity editing
• Long shot
• Lower angle
• Duration 2 ½ seconds
• Chaser comes into shot also once the runner has disappeared out of
shot to confirm he is present

43. 40
• Side angle shot of the runners
• Long shot
• Slow pan matching their pace
• Camera quick movement in direction of runners on a pivot to make
them go out of shot
• Duration 3.5 seconds
• This then will cut back into a chorus

44. End of narrative sequence: part 2
• 1:25 mins into the production at this point
• Narrative sequence now leading up to the climax of the chase
• All previous shots are filmed in either black and white or the
Pleasantville effect to match Part 1 of the narrative sequence
• Starting of 2nd chorus from this point
• During the chorus all shots will be band shots until the narrative
comes back in at the end

45. 41
• Start of 2nd chorus
• Band shot
• Long shot
• Panning to right
• Duration 4 seconds

46. 42
• Band shot the same angle as previous shot
• Panning from right to left instead
• Long shot
• Duration 4 seconds

47. 43
• Medium shot of drummer
• Duration 2 seconds

48. 44
• Medium shot of bass player
• Duration 2 seconds

49. 45
• Medium shot of singer / guitarist
• Duration 3 seconds

50. 46
• Whole band shot
• Low angle moving camera
• Possible use of fisheye / wide angle lens
• Duration 1 ½ seconds

51. 47
• Whole band shot
• Static camera from left of studio
• Long shot
• Duration 2 ½ seconds

52. 48
• Perspective / over the shoulder shot of drummer
• Showing drum kit
• Duration 3 seconds

53. 49
• Close up of bass drum skin
• Seeing vibrations
• Timing with backing track crucial
• Duration 3 seconds

54. 50
• Close up of bass guitar
• Showing player strumming
• Timing with backing track also crucial
• Duration 1 seconds

55. 51
• Close up on microphone
• Showing singers hand holding mic and some of his face when singing
• Timing crucial to lip sync
• Duration 2 seconds

56. 52
• Close up on guitar
• Showing him strumming
• Timing not so crucial
• Duration 2 seconds

57. 53
• From guitar follow amplifier cable down to the amp
• Film slow but speed up sequence
• Close up moving camera
• Once at the amp camera stops
• Duration 5 seconds

58. 54
• Whole band shot
• High angle static shot looking down on band
• Possible use of fisheye / wide angle lens
• Duration 3 seconds

59. End of band sequence
• 2.05 mins into the production at this point
• From this point on there will be narrative sequence mixed up with
cuts to the band shots playing in the studio

60. 55
• There is a pause at this point, where the drummer hits the symbol 3
times with a 1 second pause in between them
• I will use this effectively as the video will cut into the narrative scene
on the first hit
• Then it will cut out back to the band for a long shot for the second hit
• Then it will be a shot of the drummer hitting the symbol for the last of
the three shots.
• Total duration of 3 seconds

61. 56
• Back to narrative sequence
• Runner starting to be caught
• Long shot showing chaser catching him
• Duration 3 seconds

62. 57
• Cuts to a shot of someone standing on a street corner with a bike
• Long shot
• Looking around them waiting for someone
• Duration 4 seconds

63. 58
• Medium shot of the person with a bike
• Duration 2 seconds

64. 59
• Cuts back to the chase
• The runners come around the corner where the cyclist is revealed
into the shot
• Medium / long shot
• Camera following runners slightly behind
• Duration 4 seconds

65. 60
• Reaction shot of the cyclist
• Close of face
• Showing fear
• Duration 1 second

66. 61
• Medium shot of cyclist trying to get onto the bike
• Looking distressed and struggling
• Duration 2 seconds

67. 62
• Cut out to a band shot
• Breaks up the sequence
• Whole band in frame
• Static camera
• Long shot
• Duration 1 second

68. 63
• Long shot of band from other angle
• Slightly lower angle on the other side of room
• Duration 1 second

69. 64
• Close up of singer singing the main line of the song
• Lip syncing and shot timing is crucial
• Duration 2 seconds

70. 65
• Cut back into chase scene
• Long shot showing cyclist on the left with chase approaching from the
right
• Duration 2 seconds

71. 66
• Close up of the runner pushing the cyclist off his bike
• Duration ½ second

72. 67
• Medium shot of the fall
• From the other side of the push
• Use of match on action
• Duration 1 second

73. 68
• Close up of the bike as the runner throws himself onto it
• Duration ½ second

74. 69
• Medium shot of him pedalling away looking back to the chaser
• Chaser panicking
• Duration 2 seconds

75. 70
• Cut back to band shot
• Close up on drum being hit
• Timing with soundtrack is crucial
• Duration ½ second

76. 71
• Shot of band showing great energy
• Long shot
• Duration 1 ½ seconds

77. 72
• Cut back to chase scene
• Long shot of runner riding away
• Chaser runs in front of camera
• Camera moves to an over the shoulder shot of the chaser
• See the runner riding off into the distance
• Duration 6 seconds

78. 73
• Shot of chaser
• Medium shot
• Struggling for breath and kneeling over
• Duration 3 seconds

79. 74
• Long shot of the cyclist and chaser
• Cyclist approaches the chaser
• Duration 3 seconds

80. 75
• Cut back to band playing
• Medium shot (panned)
• Will show all members but at separate times in the shot
• Duration 4 seconds

81. 76
• Low angle shot of chaser and cyclist
• Both looking into distance past camera
• Camera at ground level making them look very big
• Both turn to walk away
• Duration 3 seconds

82. 77
• Final shot
• Slow motion of the two characters (chaser & cyclist) walking away
down the street together
• Duration 5 seconds
• Fade out at the end to black screen

83. End.
• All of the band shots are filmed and editwd in full colour and the use
of some effects will be crucial to give the product the edgy feel in
which it needs.
• Also, all shots of the chase scene will be filmed in colour but then
edited to be either black and white or to use the Pleasantville effect.
(dependant on which shot)