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The document outlines 4 scenes from a film or story that take place between February 22nd and 29th. Scene One occurs during the day at the Brink Burn Library and features Serena and Abbie in an isolated corner filled with books. Scene Two takes place at night on Padstow Street, an empty street with boarded up houses. Scene Three is set at night on Carr st, a small pavement hidden away in trees. The Final Scene occurs at night between Stranton Cemetery and Crematorium, a big place filled with graves of the deceased, and also features Serena and Abbie.
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Understand LIBOR and Brief on Barclays.
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The LIBOR (London Interbank Offered Rate) is the average interest rate that leading banks in London charge each other for short-term loans. It is calculated daily by Thomson Reuters and published on behalf of the ICE Benchmark Administration. LIBOR is widely used as a benchmark for short-term interest rates globally and serves as the basis for many financial products including futures, options, swaps, loans, and mortgages. The LIBOR scandal arose when banks were found to have manipulated their submitted rates, affecting the calculation of the LIBOR benchmark and impacting consumers and financial markets worldwide.
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This summarizes the LIBOR fixing scandal:
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The document discusses the LIBOR scandal where it was discovered that several major banks had manipulated the London Interbank Offered Rate (LIBOR) for financial gain between 2005-2009. LIBOR is a benchmark interest rate used globally in contracts worth trillions of dollars. The scandal arose when it was found that banks had falsely inflated or deflated their LIBOR submissions to profit off trades or give the impression they were more creditworthy. This manipulation impacted homeowners, municipalities, and other entities. Several banks including Barclays were fined billions and lawsuits were filed against many of the banks involved totaling over $40 billion. The scandal led to calls for reforming how LIBOR is set and regulated.
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The document discusses the Karachi Inter-Bank Offered Rate (KIBOR) in Pakistan. Some key points:
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- Banks use KIBOR as a reference rate to set interest rates for corporate and consumer loans. Adding a margin of 2-3% over KIBOR allows banks to earn a profit.
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Call sheet two
Abbie Smith
Catering: Tea, coffee, biscuits, fruit.
Schedule:
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11:00am - Wardrobe and makeup.
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3:00pm - Shoot scene 3.
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This document is a call sheet for filming the music video for Florence and the Machine's song "Cosmic Love" on October 10th at Hartlepool Sixth Form College. It lists the crew members, contact information, camera and lighting equipment, and wardrobe details for the main character Hayley Stuart and male character Thomas Beckensall. Costumes include a blue dress, black dress, and white lace dress for various scenes.
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Abbie Smith completed a personal skills audit to assess their skills related to creating a film production. The audit identified skills with digital technology like using cameras, tripods, and dolly tracks which helped capture footage for the production. Post-production software like Final Cut Express HD, Garage Band, and Live Type were used to edit footage, add music, and create titles. Research into films like "Saw 4" helped with planning camera angles and conventions of the horror genre. While conventions were followed, the production strived to be creative within those constraints. Going forward, Abbie aims to develop these skills further for their A2 project.
Film treatment
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Question one(reload)
The document discusses how the media product uses conventions of real horror films. It establishes locations commonly found in horrors, such as abandoned houses and graveyards, by filming scenes in these locations. Costuming conventions like casual teenage clothing are used to portray the characters as teenagers. Dark clothing and lighting is used to set a gothic horror tone. Multiple filming locations and shots like long shots are used to build tension, as seen in other horror films. Dialogue is avoided in favor of music and sound effects to create uncertainty and tension for the audience, as done in the film Saw 4.
Risk assessment
Be careful of small spaces between shelves and watch your step when filming in enclosed spaces at night. Bring extra batteries, SD cards, and first aid supplies, and make sure cameras are securely fitted to avoid breakage or stopping production. When filming in public, keep equipment out of the way and ensure the area allows public filming.
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The film Snapped follows Lena, a shy 17-year-old student who isolates herself from others in her small town of Oaks. Strange things begin happening to Lena, like finding mysterious notes and feeling like she is being followed. Flashbacks of her unstable former friend Lucy haunt Lena, as her hidden past threatens to destroy her sanity. The film builds tension as Lena questions her own mental state and worries her past has caught up to her for revenge. In the end, both Lena's past and her own mental state are destroyed, though the disturbing events leave an unsettling effect on the entire town.
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The document describes a series of shots from a horror film. The first shot provides an aerial view of a city setting. The second shows busy traffic from above, contributing to horror conventions. Subsequent shots show a female runner, then a glove in the road which a woman approaches, revealing a boy who then transforms into a dog. Later shots show the woman following the dog before ending with a mask seen from below.
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The opening scene of 'Saw 4' uses various camera techniques to introduce the setting and characters. It begins with close-ups of a woman's hand and reveals she is wearing a strange mechanical helmet, suggesting she will be tortured. Circular pans around the woman show her confused and scared facial expressions. Shots then cut away to torture tools and chains, with the lights turning on, before panning to an unconscious man in the same room, also wearing a mechanical helmet.
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The initial ideas for the opening sequence involve taking inspiration from supernatural horror films like Paranormal Activity rather than slasher films like Saw. The sequence could be filmed from the antagonist's point of view in public places like a park or graveyard using slow ominous music, ambient sounds, and camera techniques like point of view and Dutch angles to revolve around spirits and ghosts and contribute to a paranormal theme.
Institution
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The document discusses the history and conventions of horror films. It covers common themes, settings, locations, camera techniques, characters, props, story types, early pioneers, sound design, and how horrors can affect audiences. Key elements include isolated rural settings, themes of vampires and the supernatural, the use of lighting and camera angles to build tension, iconic horror characters like serial killers and zombies, and how the genre influences viewers through creating different types of fear.
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From a young age, Psaroudakis showed an innate talent for football. Growing up in Heraklion, he spent countless hours playing football in local parks and streets with friends and family. His natural ability was evident even in these informal settings, and his enthusiasm for the game was infectious. By the age of five, Psaroudakis had joined a local youth football club, where his skills began to flourish. His father’s role as his first coach during these formative years was crucial, as he emphasized not only technical skills but also the importance of discipline and teamwork.
The transition from playing in local parks to joining a structured football environment marked a significant step in Psaroudakis’ journey. At the age of ten, he joined the youth academy of OFI Crete, one of Greece’s most esteemed football clubs. This move marked the beginning of a more rigorous and professional approach to his training. The academy environment was demanding, focusing on honing technical abilities and instilling values of sportsmanship and dedication. Psaroudakis’ dedication to his craft was evident as he quickly rose through the ranks, becoming a standout player in the youth teams.
The support of Psaroudakis’ family was unwavering during this critical period. His father continued to be a source of guidance and mentorship, while his mother ensured that he had everything he needed to succeed. Their collective efforts created a balanced environment where Psaroudakis could focus entirely on his development as a footballer. This familial support was not just about providing the basics; it was about creating an environment where Psaroudakis felt encouraged and motivated to pursue his dreams relentlessly.
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Presentation script
This document summarizes the development of motion capture technology over the last decade through four popular films that utilized it - Avengers, Lord of the Rings, Pirates of the Caribbean, and Avatar. It discusses how motion capture has advanced from early experiments to its use in major blockbuster films to bring realistic virtual characters to life through the performances of actors. Major milestones are highlighted, such as Andy Serkis' groundbreaking role as Gollum, which changed the industry. The document concludes by reflecting on how motion capture will continue transforming filmmaking in the future.
Lie to me game script.
Dr. Cal Lightman is sent to investigate a man in a mental institution whose daughter is concerned about his treatment. Lightman questions the man and searches for clues, discovering the man's strange drawings and eating drugged muffins. Lightman then hallucinates and is confined, but his colleague Loker tests a muffin and also hallucinates, revealing the muffins were laced with psilocybin mushrooms.
Q3 audience feedback.
The document summarizes peer feedback received on a music video project. It received feedback from peers in class, friends online, and on the advertising and packaging created to promote the video. The feedback noted strengths like good lip-syncing and effects, but also areas for improvement such as lighting, staging of dances, and reducing clutter on promotional materials. The document concludes by reflecting on what was learned, including the importance of planning filming carefully and being mindful of lighting and technical details to improve the overall quality and message of the video.
Inspirational videos
The document lists 3 songs: Christina Perri's "A Thousand Years", Within Temptation's "Frozen", and Florence and the Machine's "Cosmic Love".
Call sheet two
Abbie Smith
Catering: Tea, coffee, biscuits, fruit.
Schedule:
10:00am - Arrive, set up equipment, lighting.
11:00am - Wardrobe and makeup.
12:00pm - Rehearsal with cast.
1:00pm - Shoot scene 1.
2:00pm - Shoot scene 2.
3:00pm - Shoot scene 3.
4:00pm - Wrap.
Call sheet: Studio
This document is a call sheet for filming the music video for Florence and the Machine's song "Cosmic Love" on October 10th at Hartlepool Sixth Form College. It lists the crew members, contact information, camera and lighting equipment, and wardrobe details for the main character Hayley Stuart and male character Thomas Beckensall. Costumes include a blue dress, black dress, and white lace dress for various scenes.
Nine shot sequence.
The document analyzes 9 shots from a music video through the lenses of film theory. Shot 1 provides a close-up of the lead singer. Shots 2-3 show a woman walking down a road and the band performing, both relating to the song lyrics. Shots 4-5 reference mood through billboards and lighting a match. Shots 6-7 suggest dangerous intentions through petrol. Shots 8-9 indicate a narrative following Tzvetan Todorov's 5 stages, with a siren representing stage 3 and the woman planning to burn herself with petrol and a match.
Skills
Abbie Smith completed a personal skills audit to assess their skills related to creating a film production. The audit identified skills with digital technology like using cameras, tripods, and dolly tracks which helped capture footage for the production. Post-production software like Final Cut Express HD, Garage Band, and Live Type were used to edit footage, add music, and create titles. Research into films like "Saw 4" helped with planning camera angles and conventions of the horror genre. While conventions were followed, the production strived to be creative within those constraints. Going forward, Abbie aims to develop these skills further for their A2 project.
Film treatment
Lena is a shy 17-year-old student who moved to Oaks when she was 15 and isolates herself from others. She starts noticing strange notes and footsteps following her as her hidden past that continues to haunt her to the point of murderous insanity. The film is set in present day locations around Hartlepool, England. It opens with Lena finding a disturbing note in the library that says she is being watched, then seeing a strange figure staring at her on her walk home that disappears, triggering flashbacks of betrayal by her mentally unstable friend years ago seeking revenge.
Question one(reload)
The document discusses how the media product uses conventions of real horror films. It establishes locations commonly found in horrors, such as abandoned houses and graveyards, by filming scenes in these locations. Costuming conventions like casual teenage clothing are used to portray the characters as teenagers. Dark clothing and lighting is used to set a gothic horror tone. Multiple filming locations and shots like long shots are used to build tension, as seen in other horror films. Dialogue is avoided in favor of music and sound effects to create uncertainty and tension for the audience, as done in the film Saw 4.
Risk assessment
Be careful of small spaces between shelves and watch your step when filming in enclosed spaces at night. Bring extra batteries, SD cards, and first aid supplies, and make sure cameras are securely fitted to avoid breakage or stopping production. When filming in public, keep equipment out of the way and ensure the area allows public filming.
Film treatment
The film Snapped follows Lena, a shy 17-year-old student who isolates herself from others in her small town of Oaks. Strange things begin happening to Lena, like finding mysterious notes and feeling like she is being followed. Flashbacks of her unstable former friend Lucy haunt Lena, as her hidden past threatens to destroy her sanity. The film builds tension as Lena questions her own mental state and worries her past has caught up to her for revenge. In the end, both Lena's past and her own mental state are destroyed, though the disturbing events leave an unsettling effect on the entire town.
Nine shot sequence
The document describes a series of shots from a horror film. The first shot provides an aerial view of a city setting. The second shows busy traffic from above, contributing to horror conventions. Subsequent shots show a female runner, then a glove in the road which a woman approaches, revealing a boy who then transforms into a dog. Later shots show the woman following the dog before ending with a mask seen from below.
Opening sequence of saw4
The opening scene of 'Saw 4' uses various camera techniques to introduce the setting and characters. It begins with close-ups of a woman's hand and reveals she is wearing a strange mechanical helmet, suggesting she will be tortured. Circular pans around the woman show her confused and scared facial expressions. Shots then cut away to torture tools and chains, with the lights turning on, before panning to an unconscious man in the same room, also wearing a mechanical helmet.
Initial ideas
The initial ideas for the opening sequence involve taking inspiration from supernatural horror films like Paranormal Activity rather than slasher films like Saw. The sequence could be filmed from the antagonist's point of view in public places like a park or graveyard using slow ominous music, ambient sounds, and camera techniques like point of view and Dutch angles to revolve around spirits and ghosts and contribute to a paranormal theme.
Institution
Comedy is currently the top grossing film genre, making over 1,400 more movies than the seventh ranking horror genre. While horror is less popular than comedy, it suggests horror has more dedicated fans who are attracted to the plot and thrills rather than just seeing movies with famous celebrities.
The top horror film of 2011 was "Jaws," distributed by Universal Pictures. Though Universal doesn't frequently distribute popular films, they do well with horror movies. Other major distributors like Sony Pictures also have success in the horror genre.
Hammer Film Studios began experimenting with horror movies in the 1950s with films like "Frankenstein" and "Horror of Dracula," founding a long tradition of horror films
Horror film
The document discusses the history and conventions of horror films. It covers common themes, settings, locations, camera techniques, characters, props, story types, early pioneers, sound design, and how horrors can affect audiences. Key elements include isolated rural settings, themes of vampires and the supernatural, the use of lighting and camera angles to build tension, iconic horror characters like serial killers and zombies, and how the genre influences viewers through creating different types of fear.
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Psaroudakis, a name that resonates with football fans around the globe, is a testament to the powerful synergy between familial support and individual passion. Born on March 10, 1992, in the historic city of Heraklion, Crete, Psaroudakis’ journey to international football stardom is a compelling narrative of dedication, perseverance, and unwavering family support. His story not only highlights his athletic prowess but also underscores the crucial role his family played in shaping his career and character.
Psaroudakis’ early life in Heraklion was deeply influenced by a supportive and nurturing family environment. His father, a former semi-professional footballer, recognized Psaroudakis’ potential from an early age. Acting as his first coach, his father’s guidance was instrumental in igniting Psaroudakis’ passion for football. This paternal influence instilled in him a strong work ethic and fundamental skills that would become the foundation of his future success. His mother, a dedicated homemaker, provided a stable and nurturing environment, ensuring that Psaroudakis could pursue his dreams without any hindrances.
From a young age, Psaroudakis showed an innate talent for football. Growing up in Heraklion, he spent countless hours playing football in local parks and streets with friends and family. His natural ability was evident even in these informal settings, and his enthusiasm for the game was infectious. By the age of five, Psaroudakis had joined a local youth football club, where his skills began to flourish. His father’s role as his first coach during these formative years was crucial, as he emphasized not only technical skills but also the importance of discipline and teamwork.
The transition from playing in local parks to joining a structured football environment marked a significant step in Psaroudakis’ journey. At the age of ten, he joined the youth academy of OFI Crete, one of Greece’s most esteemed football clubs. This move marked the beginning of a more rigorous and professional approach to his training. The academy environment was demanding, focusing on honing technical abilities and instilling values of sportsmanship and dedication. Psaroudakis’ dedication to his craft was evident as he quickly rose through the ranks, becoming a standout player in the youth teams.
The support of Psaroudakis’ family was unwavering during this critical period. His father continued to be a source of guidance and mentorship, while his mother ensured that he had everything he needed to succeed. Their collective efforts created a balanced environment where Psaroudakis could focus entirely on his development as a footballer. This familial support was not just about providing the basics; it was about creating an environment where Psaroudakis felt encouraged and motivated to pursue his dreams relentlessly.
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"Of course, you prefer to take players who are fully fit, but that's okay. We want to wait and be patient for some players even if they cannot play in those first matches," he told a press conference. The 37-year-old Vertonghen, Belgium’s Euro Cup 2024 most-capped international with 154 appearances, is struggling to shake off a groin injury.
"He will be there normally. This also applies to Youri Tielemans and Arthur Theate. The latter's position is very sensitive. We don't have many choices at left back. "It will only change if it turns out that they will only be available when, say, the final of the Euro 2024 Championship comes around. That's too long to wait. "However, I am confident that the injured boys are on track for the Euros.
Belgium vs Romania: Radu Dragusin Prepares for Crucial Role in Euro Cup Germany
Some of them have taken not one but two steps forward in their rehabilitation," he said. None of the injured players will feature in this week’s warm-up friendlies against Montenegro and Luxembourg. Romania centre-back Radu Dragusin found chances limited at Tottenham Hotspur in the second half of the 2023-24 season.
But is crucial to his country's cause at UEFA Euro 2024 where his aerial ability, physicality and hard graft make him a standout player. The 22-year-old moved to North London from Italian side Genoa in January but was kept on the sidelines by the form of another new arrival for the season, Mickey van de Ven, something Romania coach Edward Iordanescu admitted was a concern.
It will mean limited game-time going into the finals, but Dragusin, who cites Netherlands defender Virgil van Dijk as a role model, started every Euro Cup Germany qualifier as Romania went through the campaign unbeaten in their 10 games. He will be among their most important players in their first game in Germany against Ukraine in Munich on June 17, taking the right centre-back role in what is likely to be a back four.
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- 1. LOCATION NAME/ SCENE NO D/N INT/EXT ONE LINE CAST DATE DESCRIPTION Day Brink Burn Library Serena Scene One Abbie 22nd Isolated corner filled February with books. Scene Two Night Padstow Street Serena 27th Abbie February An empty street with boarded up houses Scene Night Carr st Serena 27th Three Abbie February A small pavement hidden away in the trees 29th Final Scene Night Stranton Cemetery & Serena February Crematorium Abbie A big place, filled with graves of the deceased.