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Sharing and Serendipity
The bridges we build make the
difference between ‘use’ and ‘re-use’
Ben O’Steen, British Library Labs @benosteen
British Library Labs
funded by the Andrew K. Mellon foundation
(2013 - …)
⇒ Mahendra Mahey and Ben O’Steen
Experimenting for the sake of the
researcher:
British Library Labs - http://labs.bl.uk
(embedded in the ‘Digital Scholarship’
department.)
“Create, explore and foster new and innovative
ways to work with the British Library’s existing
digital content.”*
(*My paraphrasing)
David Foster Wallace, on Ambition:
“You know, the whole thing about perfectionism. The
perfectionism is very dangerous, because of course if your
fidelity to perfectionism is too high, you never do
anything.
Because doing anything results in— It’s actually kind of
tragic because it means you sacrifice how gorgeous and
perfect it is in your head for what it really is.”
- As told to Leonard Lopate on WNYC on March 4, 1996.
(emphasis my own)
http://blankonblank.org/interviews/david-foster-wallace-on-ambition/
The unifying theme to (pretty much)
all the requests*:
* before BL Labs
The unifying theme to (pretty much)
all the requests:
Give me
EVERYTHING!
Why?
“Can’t they just find the things they want
through the catalogue?”
1. If they knew which bits
of data were necessary,
they would already know
the answers.
“I am
interested in
travel
accounts in
Europe during
the 19th
Century”
2. If a conventional
search interface worked,
they wouldn’t be asking.
Library interfaces presuppose that the
person using them:
- knows the name of the thing they need,
- wants a single thing at a time,
- share the library’s views on characterising
information,
- and most importantly, the ‘person’ using
them is an actual person, not a machine
“16 Sad Women”
2013 Competition winners
http://labs.bl.uk/Ideas+for+Labs
Pieter Francois
Data-mining
Research using a normal catalogue interface is
like finding needles in a haystack.
Data-mining is like throwing a huge magnet in
and seeing what sticks.
Bulk access to all data is necessary for new
forms of research to emerge.
How has the depiction of
faces changed in books
over the 19th Century?
Or, how well does modern photographic
face detection routines work on 19th
Century illustrations?
Success? Not really.
Many more female faces were found than
male.
This did not mean that there are more
images of women in the books than men!
19C depictions of faces
• Often drawn more symmetrically - male faces
were more likely to be exaggerated.
• Depiction is typically 'clean' and posed
• Fashion: beards, spectacles and hats - different
to the modern photographic training data
There was something else though...
People on their way past would occasionally
pause and look over my shoulder.
Every day it dug up illustrations that
surprised me and the team around me.
So… I wondered if anyone else might be
surprised and intrigued by them too?
http://mechanicalcurator.tumblr.com/archive
Impact?
Hard to measure but:
- 20 million hits on average every month,
over 230 million in 13 months.
- Over 150,000 tags added.
- Hundreds of contributors.
- Iterative crowdsourcing is ongoing.
- https://commons.wikimedia.
org/wiki/Commons:
British_Library/Mechanical_Curator_collection/
map_tag_status
http://britishlibrary.typepad.co.uk/sound-and-vision/2014/10/inspired-by-
flickr-air.html
David Normal
http://www.davidnormal.com/
Burning Man Festival
David Normal created light boxes around the
Burning man, using the British Library’s Flickr Images
Burning Man Festival
Gothic theme, tie-in with the Library's exhibition
Terror and Wonder: The Gothic Imagination
3 October 2014 - 20 January 2015
• Fonthill Abbey
Home of William Beckford, author of Vathek
• Edgar Allan Poe’s
Masque of the Red Death
• Whitby and its association with Bram Stoker’s
novel Dracula
Off the Map 2014
Off the Map
2014 Winners
•2014 winning team:
Gothulus Rift
University of South
Wales
•Created a Fonthill Abbey
inspired game called Nix
using Oculus Rift
•Blog: http:
//nixgamedevblog.
blogspot.co.uk
•YouTube flythrough:
http://youtu.
be/8ESieZO4VHw
Off the Map 2015
•Alice’s Adventures Off the Map
•Part of the British Library's celebrations for the 150th
anniversary of Alice in Wonderland
•http://gamecity.org/alices-adventures-off-the-map/
British Library Labs Competitions
http://labs.bl.
uk/British+Library+Labs+Competition+2015
(Unofficial descriptions of the two:
“Tell us your ideas”
and
“Show us what you have done”)
My contact details:
ben.osteen@bl.uk
@benosteen
Links:
http://labs.bl.uk
http://mechanicalcurator.tumblr.com
https://flickr.com/photos/britishlibrary
https://github.com/bl-labs
http://britishlibrary.typepad.co.uk/digital-scholarship/2013/12/a-million-first-steps.html

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Sharing and Serendipity

  • 1. Sharing and Serendipity The bridges we build make the difference between ‘use’ and ‘re-use’ Ben O’Steen, British Library Labs @benosteen
  • 2.
  • 3.
  • 4. British Library Labs funded by the Andrew K. Mellon foundation (2013 - …) ⇒ Mahendra Mahey and Ben O’Steen
  • 5. Experimenting for the sake of the researcher: British Library Labs - http://labs.bl.uk (embedded in the ‘Digital Scholarship’ department.) “Create, explore and foster new and innovative ways to work with the British Library’s existing digital content.”* (*My paraphrasing)
  • 6. David Foster Wallace, on Ambition: “You know, the whole thing about perfectionism. The perfectionism is very dangerous, because of course if your fidelity to perfectionism is too high, you never do anything. Because doing anything results in— It’s actually kind of tragic because it means you sacrifice how gorgeous and perfect it is in your head for what it really is.” - As told to Leonard Lopate on WNYC on March 4, 1996. (emphasis my own) http://blankonblank.org/interviews/david-foster-wallace-on-ambition/
  • 7.
  • 8. The unifying theme to (pretty much) all the requests*: * before BL Labs
  • 9. The unifying theme to (pretty much) all the requests: Give me EVERYTHING!
  • 10. Why? “Can’t they just find the things they want through the catalogue?”
  • 11. 1. If they knew which bits of data were necessary, they would already know the answers.
  • 12. “I am interested in travel accounts in Europe during the 19th Century”
  • 13. 2. If a conventional search interface worked, they wouldn’t be asking.
  • 14. Library interfaces presuppose that the person using them: - knows the name of the thing they need, - wants a single thing at a time, - share the library’s views on characterising information, - and most importantly, the ‘person’ using them is an actual person, not a machine
  • 15.
  • 18. Data-mining Research using a normal catalogue interface is like finding needles in a haystack. Data-mining is like throwing a huge magnet in and seeing what sticks. Bulk access to all data is necessary for new forms of research to emerge.
  • 19.
  • 20. How has the depiction of faces changed in books over the 19th Century? Or, how well does modern photographic face detection routines work on 19th Century illustrations?
  • 21.
  • 22. Success? Not really. Many more female faces were found than male. This did not mean that there are more images of women in the books than men!
  • 23. 19C depictions of faces • Often drawn more symmetrically - male faces were more likely to be exaggerated. • Depiction is typically 'clean' and posed • Fashion: beards, spectacles and hats - different to the modern photographic training data
  • 24. There was something else though... People on their way past would occasionally pause and look over my shoulder. Every day it dug up illustrations that surprised me and the team around me. So… I wondered if anyone else might be surprised and intrigued by them too? http://mechanicalcurator.tumblr.com/archive
  • 25.
  • 26.
  • 27.
  • 28. Impact? Hard to measure but: - 20 million hits on average every month, over 230 million in 13 months. - Over 150,000 tags added. - Hundreds of contributors. - Iterative crowdsourcing is ongoing. - https://commons.wikimedia. org/wiki/Commons: British_Library/Mechanical_Curator_collection/ map_tag_status
  • 29.
  • 30.
  • 33.
  • 34.
  • 35. Burning Man Festival David Normal created light boxes around the Burning man, using the British Library’s Flickr Images
  • 37.
  • 38.
  • 39.
  • 40. Gothic theme, tie-in with the Library's exhibition Terror and Wonder: The Gothic Imagination 3 October 2014 - 20 January 2015 • Fonthill Abbey Home of William Beckford, author of Vathek • Edgar Allan Poe’s Masque of the Red Death • Whitby and its association with Bram Stoker’s novel Dracula Off the Map 2014
  • 41. Off the Map 2014 Winners •2014 winning team: Gothulus Rift University of South Wales •Created a Fonthill Abbey inspired game called Nix using Oculus Rift •Blog: http: //nixgamedevblog. blogspot.co.uk •YouTube flythrough: http://youtu. be/8ESieZO4VHw
  • 42. Off the Map 2015 •Alice’s Adventures Off the Map •Part of the British Library's celebrations for the 150th anniversary of Alice in Wonderland •http://gamecity.org/alices-adventures-off-the-map/
  • 43. British Library Labs Competitions http://labs.bl. uk/British+Library+Labs+Competition+2015 (Unofficial descriptions of the two: “Tell us your ideas” and “Show us what you have done”)
  • 44.