Jeanette Winterson's novel Sexing the Cherry questions concepts of time, reality, and history through its nonlinear narrative and blending of fantasy and real events. It follows the character Jordan as she travels between the 17th century and present day. The novel distorts linear notions of time by implying multiple realities can exist simultaneously. It also questions what can be known about history and the past given their subjective nature. By merging fantasy with real settings and people, the book further prompts reflection on the constructed nature of reality. Overall, Sexing the Cherry uses postmodern storytelling techniques to undermine common assumptions about time, reality, and our understanding of the world.
CONTENTS
PARTI
CHAP.
I. A SLICE OF INFINITY 11. READY-MADE CLOTHES 111. THE HIDDEN GOLD IV. 'SUCH A LOVELY
BITE!' V. LANDLORD AND TENANT VI. THE CORNER CUPBOARD VII. WITH THE WOLVES IN
THE WILD Vm. DICK SUNSHINE IX. FORTY! X. A WOMAN'S REASON
PART II
I. THE HANDICAP II. GOG AND MAGOG HI. MY WARDROBE IV. PITY MY SIMPLICITY!' V.
TUNING FROM THE BASS VI. A FRUITLESS DEPUTATION VH. TRAMP! TRAMP! TRAMP! VIE.
THE FIRST MATE
PARTHI
CHAP.
I. WHEN THE COWS COME HOME II. MUSHROOMS ON THE MOOR m. ONIONS IV. ON GETTING
OVER THINGS V. NAMING THE BABY VI. THE MISTRESS OF THE MARGIN VH. LILY
https://sellfy.com/p/jIvF/ (and more)
Basil, son of a father WHO values the family pedigree and WHO wouldn't let him marry below his station, falls crazy initially sight with a lady he sees on a bus. He follows her and discovers she is Margaret Sherwin, solely female offspring of a linen bargainer. He persuades her father to let him marry her on the QT. He agrees on the condition, that, as his female offspring is barely seventeen, they live apart for the primary year. initially the key works, on the other hand the mysterious Mannion, whose emotions can not be browse in his face, returns from abroad. On the last night of the year Basil follows Margaret and Mannion and discovers them in flagrante delicto. Basil attacks Mannion within the street and tries to murder him, however succeeds solely in mutilating his face by pushing it into the recent tarmacadam within the road. Mannion survives, recovers and swears revenge, and it's unconcealed that Basil's father indirectly caused Mannion's father to be hanged for forgery.
Basil repudiates Margaret, however Sherwin threatens him with exposure unless he holds to his wedding. Basil confesses to his father, WHO disowns him, however his sister Clara stands by him. Basil's brother Ralph undertakes to shop for Sherwin off, however in the meantime Margaret flees to Mannion, thereby acknowledging her guilt. Visiting Mannion in hospital, she catches rickettsial disease and dies. Basil, having been placed on her track by Ralph, visits her on her deathbed.
https://sellfy.com/p/jIvF/
THE CINEMATIC ADAPTATION OF CHITRA BANERJEE DIVAKARUNI’S THE MISTRESS OF SPICESpaperpublications3
Abstract: This paper endeavours to study award-winning writer Chitra Banerjee Divakaruni’s first full-length novel, The Mistress of Spices, that adopts a rather complex strategy for portraying diasporic identity, and elaborates on the success or failure (as analysed in the course of the paper) of the cinematic adaptation of the same. Named one of the best books of the 20th Century by the San Francisco Chronicle, the heroine Tilo provides spices, not only for cooking, but also for the homesickness and alienation that the Indian immigrants in her shop experience. The multi-dimensional themes of the novel primarily focus on the inner conflict between duty and love in Tilo’s life and the issues relating to the survival of the immigrant Indians in America. However, the cinematic rendition of the novel by director Mayeda and the scriptwriter Chadha bears a different look altogether, leaving the audience with a clear understanding that the adaptation is the film makers’ personal and political opinion not only about the novel but also about immigrant identity. Granted that in adaptation, a literal transposition of the novel is impossible, as diverse mediums of expressions are employed. However, in a successful cinematic adaptation of a literary text the resemblances have to be clearly distinguished. Unfortunately, The Mistress of Spices - the film - at times appears to be completely divorced from its original text. While the novel is beautifully reflects myriad shades of magical realist elements, the film prefers to ignore most of them, while also considerably minimising the ignoble reality of immigrant life that has been depicted in the novel. The film makers, rather, focus on a passionate love story, which brings together and blends together the East-West cultural dichotomies. At the end, the film leaves behind an aftertaste of a cosmetic display of Indian culture to impress the first world viewers. Yet, honestly enough, although Chadha and Berges’ film omits issues of cultural conflicts and imbues the film with shallow exoticism, it successfully reflects a visually appealing amalgamation of the East and the West.
CONTENTS
PARTI
CHAP.
I. A SLICE OF INFINITY 11. READY-MADE CLOTHES 111. THE HIDDEN GOLD IV. 'SUCH A LOVELY
BITE!' V. LANDLORD AND TENANT VI. THE CORNER CUPBOARD VII. WITH THE WOLVES IN
THE WILD Vm. DICK SUNSHINE IX. FORTY! X. A WOMAN'S REASON
PART II
I. THE HANDICAP II. GOG AND MAGOG HI. MY WARDROBE IV. PITY MY SIMPLICITY!' V.
TUNING FROM THE BASS VI. A FRUITLESS DEPUTATION VH. TRAMP! TRAMP! TRAMP! VIE.
THE FIRST MATE
PARTHI
CHAP.
I. WHEN THE COWS COME HOME II. MUSHROOMS ON THE MOOR m. ONIONS IV. ON GETTING
OVER THINGS V. NAMING THE BABY VI. THE MISTRESS OF THE MARGIN VH. LILY
https://sellfy.com/p/jIvF/ (and more)
Basil, son of a father WHO values the family pedigree and WHO wouldn't let him marry below his station, falls crazy initially sight with a lady he sees on a bus. He follows her and discovers she is Margaret Sherwin, solely female offspring of a linen bargainer. He persuades her father to let him marry her on the QT. He agrees on the condition, that, as his female offspring is barely seventeen, they live apart for the primary year. initially the key works, on the other hand the mysterious Mannion, whose emotions can not be browse in his face, returns from abroad. On the last night of the year Basil follows Margaret and Mannion and discovers them in flagrante delicto. Basil attacks Mannion within the street and tries to murder him, however succeeds solely in mutilating his face by pushing it into the recent tarmacadam within the road. Mannion survives, recovers and swears revenge, and it's unconcealed that Basil's father indirectly caused Mannion's father to be hanged for forgery.
Basil repudiates Margaret, however Sherwin threatens him with exposure unless he holds to his wedding. Basil confesses to his father, WHO disowns him, however his sister Clara stands by him. Basil's brother Ralph undertakes to shop for Sherwin off, however in the meantime Margaret flees to Mannion, thereby acknowledging her guilt. Visiting Mannion in hospital, she catches rickettsial disease and dies. Basil, having been placed on her track by Ralph, visits her on her deathbed.
https://sellfy.com/p/jIvF/
THE CINEMATIC ADAPTATION OF CHITRA BANERJEE DIVAKARUNI’S THE MISTRESS OF SPICESpaperpublications3
Abstract: This paper endeavours to study award-winning writer Chitra Banerjee Divakaruni’s first full-length novel, The Mistress of Spices, that adopts a rather complex strategy for portraying diasporic identity, and elaborates on the success or failure (as analysed in the course of the paper) of the cinematic adaptation of the same. Named one of the best books of the 20th Century by the San Francisco Chronicle, the heroine Tilo provides spices, not only for cooking, but also for the homesickness and alienation that the Indian immigrants in her shop experience. The multi-dimensional themes of the novel primarily focus on the inner conflict between duty and love in Tilo’s life and the issues relating to the survival of the immigrant Indians in America. However, the cinematic rendition of the novel by director Mayeda and the scriptwriter Chadha bears a different look altogether, leaving the audience with a clear understanding that the adaptation is the film makers’ personal and political opinion not only about the novel but also about immigrant identity. Granted that in adaptation, a literal transposition of the novel is impossible, as diverse mediums of expressions are employed. However, in a successful cinematic adaptation of a literary text the resemblances have to be clearly distinguished. Unfortunately, The Mistress of Spices - the film - at times appears to be completely divorced from its original text. While the novel is beautifully reflects myriad shades of magical realist elements, the film prefers to ignore most of them, while also considerably minimising the ignoble reality of immigrant life that has been depicted in the novel. The film makers, rather, focus on a passionate love story, which brings together and blends together the East-West cultural dichotomies. At the end, the film leaves behind an aftertaste of a cosmetic display of Indian culture to impress the first world viewers. Yet, honestly enough, although Chadha and Berges’ film omits issues of cultural conflicts and imbues the film with shallow exoticism, it successfully reflects a visually appealing amalgamation of the East and the West.
Cheryl Strayed's advice to an aspiring writer on faith and humility....Ashok Kumar
“Writing is hard for every last one of us… Coal mining is harder. Do you think miners stand around all day talking about how hard it is to mine for coal? They do not. They simply dig.”
I have lived in different countries and cities and every time I move, every time I leave
home, something changes inside me. Even I have always thought traveling and living in different parts of the world is an enriching experience I can confirm that having a stronger relationship with the place that you feel as home is really important in order to reach happiness. This essay explores it.
The Virgin Suicides - "Why does Jeffrey Eugenides’ narrate in the first perso...Maria Freitas
Este trabalho foi feito no âmbito da disciplina de Inglês.
É de destacar que estes trabalhos não estão de acordo com o novo acordo ortográfico e podem conter erros ortográficos/científicos/históricos visto que foram efetuados por alunos, alguns deles sem posterior correção.
A story of love long postponed but never forgotten,�Little Wishes�is a tale to be treasured. Michelle's Adam's lovely, luminous�writing is a beacon that draws readers closer and brings them home to the lasting truths about life and love. �Marie Bostwick,�New York Times�and�USA Today�bestselling author of�The Restoration of Celia FairchildFor anyone who loves�One Day in December�and�Me Before You,�a sweeping love story, written with tenderness, warmth, and a generosity of spirit, about first love and second chances, a lifelong dream and finding the courage to follow your heart.On her favorite day of the year, Elizabeth Davenport awakens in her cottage on the wild and windy Cornish coast, opens her front door, and discovers a precious gift: the small blue crocus and a note that begins I Wish . . . They are not signed, but she knows they�ve been left by her first and truest love, Tom Hale. Each of these precious missives convey a simple wish for something they had missed, and the life they might have shared. She has kept them all.�But on this day, what should have been the fiftieth anniversary of their falling in love, the gift fails to arrive. Could something have happened to Tom? Elizabeth has always been plagued by thoughts of �what if?�. Propelled by worry and decades of pent up longing, Elizabeth packs a little suitcase, leaves Porthsennenon, and journeys to London . . . to find the love of her life once again, years after circumstances forced them apart.�Finding him, Elizabeth is faced with the desperate knowledge that any time they might have now is running out.� Never before had she thought that she might truly lose time�forever. And now, knowing that life is too short, Elizabeth vows to fulfill as many of Tom�s wishes as she can. Yet she fears that her efforts may expose the shameful secret that, until now, has kept them apart.Can she continue to hide the truth, or will she have the courage to reveal herself completely and finally make their dreams come true�before it�s too late? .
“Why does Jeffrey Eugenides’ narrate in the first person plural?” - The Virg...Maria Freitas
Este trabalho foi feito no âmbito da disciplina de Inglês.
É de destacar que estes trabalhos não estão de acordo com o novo acordo ortográfico e podem conter erros ortográficos/científicos/históricos visto que foram efetuados por alunos, alguns deles sem posterior correção.
Cheryl Strayed's advice to an aspiring writer on faith and humility....Ashok Kumar
“Writing is hard for every last one of us… Coal mining is harder. Do you think miners stand around all day talking about how hard it is to mine for coal? They do not. They simply dig.”
I have lived in different countries and cities and every time I move, every time I leave
home, something changes inside me. Even I have always thought traveling and living in different parts of the world is an enriching experience I can confirm that having a stronger relationship with the place that you feel as home is really important in order to reach happiness. This essay explores it.
The Virgin Suicides - "Why does Jeffrey Eugenides’ narrate in the first perso...Maria Freitas
Este trabalho foi feito no âmbito da disciplina de Inglês.
É de destacar que estes trabalhos não estão de acordo com o novo acordo ortográfico e podem conter erros ortográficos/científicos/históricos visto que foram efetuados por alunos, alguns deles sem posterior correção.
A story of love long postponed but never forgotten,�Little Wishes�is a tale to be treasured. Michelle's Adam's lovely, luminous�writing is a beacon that draws readers closer and brings them home to the lasting truths about life and love. �Marie Bostwick,�New York Times�and�USA Today�bestselling author of�The Restoration of Celia FairchildFor anyone who loves�One Day in December�and�Me Before You,�a sweeping love story, written with tenderness, warmth, and a generosity of spirit, about first love and second chances, a lifelong dream and finding the courage to follow your heart.On her favorite day of the year, Elizabeth Davenport awakens in her cottage on the wild and windy Cornish coast, opens her front door, and discovers a precious gift: the small blue crocus and a note that begins I Wish . . . They are not signed, but she knows they�ve been left by her first and truest love, Tom Hale. Each of these precious missives convey a simple wish for something they had missed, and the life they might have shared. She has kept them all.�But on this day, what should have been the fiftieth anniversary of their falling in love, the gift fails to arrive. Could something have happened to Tom? Elizabeth has always been plagued by thoughts of �what if?�. Propelled by worry and decades of pent up longing, Elizabeth packs a little suitcase, leaves Porthsennenon, and journeys to London . . . to find the love of her life once again, years after circumstances forced them apart.�Finding him, Elizabeth is faced with the desperate knowledge that any time they might have now is running out.� Never before had she thought that she might truly lose time�forever. And now, knowing that life is too short, Elizabeth vows to fulfill as many of Tom�s wishes as she can. Yet she fears that her efforts may expose the shameful secret that, until now, has kept them apart.Can she continue to hide the truth, or will she have the courage to reveal herself completely and finally make their dreams come true�before it�s too late? .
“Why does Jeffrey Eugenides’ narrate in the first person plural?” - The Virg...Maria Freitas
Este trabalho foi feito no âmbito da disciplina de Inglês.
É de destacar que estes trabalhos não estão de acordo com o novo acordo ortográfico e podem conter erros ortográficos/científicos/históricos visto que foram efetuados por alunos, alguns deles sem posterior correção.
Spider woman's hands a native american myth for our timeLauren Raine
An overview by artist Lauren Raine MFA of the Native American Creatrix mythology of the Spider Woman, and its significance for the contemporary world, and includes overview of community arts projects facilitated by Ms. Raine as participants explore the meanings of weaving and interconnection
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Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
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The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
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Model Attribute Check Company Auto PropertyCeline George
In Odoo, the multi-company feature allows you to manage multiple companies within a single Odoo database instance. Each company can have its own configurations while still sharing common resources such as products, customers, and suppliers.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
3. Autobiographical and Sociohistorical Context.
‘Even the most solid of things and the most real,
the best-loved and the well-known, are only hand-
shadows on the wall. Empty space and points of
light.’ (Winterson. 1990).
4. Jeanette Winterson (Author)
• Born 1959 in Manchester.
• Adopted by Jack and Constance Winterson.
• Went to Accrington High school for girls, then studied English at
St. Catherine's College Oxford.
• At 16 she fell in love with a girl.
• Jeanette found herself homeless living in her mini.
• First novel was ‘Oranges are the only fruit’
• Her love for literature ironically was born through the restrictions
on what she could read. (Dwyer. 2012)
7. Time travelling through Narration
‘Thinking about time is like turning the
globe round and round, recognising that all
journeys exist simultaneously, to be in one
place is not to deny the existence of another,
even though that other place cannot be felt
or seen, our usual criteria for belief.’
(Winterson. 1989).
9. ‘Either we are all fantasists and
liars or the past has nothing
definitive in it. I have heard
people say we are shaped by our
childhood. But which one?’(Winterson,
1989)
10. Lies
• Lies 1: - There is only the present and nothing to remember.
• Lies 2: - Time is a straight line.
• Lies 3: - The difference between the past and the future is that
one has happened while the other has not.
• Lies 4: - We can only be in one place at a time.
• Lies 5: - Any proposition that contains the ‘finite’ (the world, the
universe, experience, ourselves…)
• Lies 6: - Reality as something which can be agreed upon.
• Lies 7: - Reality as truth. (Winterson,1989.p. 83)
12. Time
‘Sexing the Cherry’ (Winterson, 1989)
evokes the question of time and
reality before the story even begins.
‘The Hopi, an Indian tribe, have a
language as sophisticated as ours, but
no tenses for past, present and
future. The division does not exist.
What does that say about time?’
(Winterson, 1989.)
This suggests that language
constructs the idea of time and in
many cultures formats time into a
linear form. The ‘Hopi’ tribe do not
divide time. Therefore, suggesting
that time is not linear but perhaps
there are many ‘times’ running
simultaneously. As the book unfolds
the concept of time is twisted and
changed to reflect these possibilities.
Reality
‘Matter, that thing the most solid and
the well-known, which you are holding
in your hands and which makes up
your body, is now known to be mostly
empty space. Empty space and points
of light. What does this say about the
reality of our world?’ (Winterson,
1989)
The question of reality provides
a framework for the which the
whole book is written.
The relationship between time scales
and reality are evident throughout the
book.
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‘Every journey conceals another
journey within its lines: the path not
taken and the forgotten angle. These
are journeys I wish to record. Not the
ones I made, but the ones I might
have made, or perhaps did make in
some other place or time.’(Winterson.
1989.p.)
Various passages elude to the idea
that there are parallels in time and
reality which are only discovered if
that path is taken. Also, that the
alternative paths will run alongside
and can be accessed to see the
alternative reality.
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tbn0.gstatic.com/images?q=tbn:ANd9GcSGcj0CLfu
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‘In a night 2000,000 years can pass,
time moving only in our minds. The
steady markings of the seasons, the
land well-loved and always changing,
continues outside, while inside light
years revolve us under different
skies.’ (Winterson, 1989.p. 132)
The question of how time works and
the feeling of time are evident in this
passage as it describes how a minute
can feel like an hour depending on
the internalization of situation. But
also, how an hour can feel like a
minute. This puts into question
whether time can be accurately
measured or whether the real
concept of time is actually a feeling.
13. NOTES: -
Autobiography/sociographical context
Brought up in Accrington
Birth mother was called Ann
Adoptive parents were strict Pentecostal evangelists
Raised to be a missionary
She was preaching on street corners by the age of 12
Was only allowed to read religious books
Rebelled against this and her adoptive mother burned none religious books.
Her adoptive mother instructed her adoptive father to beat her regularly, she was often locked out of the house
and in the coal house. When her mother found out about her first love she was reported to have said ‘why be
happy when you could be normal?’
Oranges are the only fruit was largely biographical
She draws on experiences from her childhood in her writing of Sexing the Cherry and the dog-woman, is based on
her adoptive mother. Also, can be seen are the religious references within this novel and the obvious rebellion
against the strictness of her upbringing.
14. Postmodernist literature
Sexing the Cherry: - Is the epitome of postmodernist literature as it pushes the boundaries of
realism and questions reality as in the second quote in the leaflet (read Quote)
Distortion of Reality: - verisimilitude is used by quoting specific time periods as we know
sexing the cherry was set in the 17th century and in various places alludes to actual events for
example the great fire of London (p 142-143) includes real people, like for example, John
Tradescant. This use of the real set alongside the fantasy makes the reader question the
distorted use of fantasy alongside the supposed reality of history, but history itself is a story
told and recorded from a persons perspective therefore Time, Reality and History are
subjective as each recollection is perceived and recorded or remembered from an alternative
angle. Historiographic Metafiction- the use of real history in fictional context. Winterson
acknowledges the fictional element of the book within the story. The fact time is mentioned
and distorted leads the reader to question the aspects of reality.
15. Lies: -
1) Past-social construction-‘lumber room’ of ‘memento’s. The past is only accounts of perspective and perception
rather than hard facts.
2) Relates to living as though the world is flat and linear-although its round, different sides, different times, different
realities occurring at any one time.
3) Sapir whorf hypothesis- language builds conceptions of time in relation to cultural habits-in turn the words past
present future present an image of what they are. Mention Hopi tribe.
4) Perception of reality-reality of the mind or the reality of living and existing which is the actual reality as we are living
both.
5) How can ‘finite’ be proved? If the end comes who knows it’s the end can anyone truly know. Maybe time runs on an
infinite continuum.
6) Reality is personalised-Jordan wasn’t sure if Fortunata was real or imagined. Jordan also found himself in the fog.
7) Get different people to read a quote each from the leaflet.
Conclusion: -
To sum up- Jeanette Winterson creates a reality out of fantasy which questions everything which generally people take
for granted- classic postmodernist book- the narrative takes the reader on a rollercoaster through time reality history
past present and future. Yet the story flows with an odd sense of ease which transports the reader into these parallel
corridors of fantasy… or is it reality??
16. Handout: -
‘Lies 1: - There is only the present and nothing to remember.
Lies 2: - Time is a straight line.
Lies 3: - The difference between the past and the future is that one has happened while
the other has not.
Lies 4: - We can only be in one place at a time.
Lies 5: - Any Proposition that contains the ‘finite’ (the world, the universe, experience,
ourselves…).
Lies 6: - reality as something which can be agreed upon.
Lies 7: - Reality as truth.’ (Winterson. 1989. P. 83).
17. BIBLIOGRAPHY: -
Butter, M. (2017). Historiographic Metafiction : The Encyclopedia of Twentieth-
Century Fiction : Blackwell Reference Online. [online] Blackwellreference.com.
Available at:
http://www.blackwellreference.com/public/tocnode?id=g9781405192446_chunk_
g978140519244636_ss1-12 [Accessed 9 Feb. 2017].
Guides, S. and Cherry, S. (2017). Sexing the Cherry
Analysis - eNotes.com. [online] eNotes. Available at:
https://www.enotes.com/topics/sexing-cherry/in-depth
[Accessed 9 Feb. 2017].
Jaggi, M. (2017). Profile: Jeanette Winterson. [online]
the Guardian. Available at:
https://www.theguardian.com/books/2004/may/29/ficti
on.jeanettewinterson [Accessed 9 Feb. 2017].
www.BookRags.com. (2017). Sexing the Cherry Summary.
[online] Available at:
http://www.bookrags.com/studyguide-sexing-the-
cherry/#gsc.tab=0 [Accessed 9 Feb. 2017].
18. Winterson, J. (1989). Sexing the Cherry 1989. 1st ed.
London: Vintage.
Winterson, J. (1990). Sexing The Cherry - Jeanette
Winterson. [online] Jeanette Winterson. Available at:
http://www.jeanettewinterson.com/book/sexing-the-
cherry/ [Accessed 9 Feb. 2017].