This document provides a summary of secondary research conducted for a media coursework project, including summaries and analysis of the short films Vincent, Frankenweenie, and Mater and the Ghostlight. Key points taken from the research include using changes in music to represent different personalities in the project film, incorporating the title into the story, and employing different color schemes and lighting to contrast two worlds or personalities. Dialogue is found to often be more visual than spoken in the referenced films.
The document summarizes the opening of a student film project. It describes editing techniques used such as fading characters in, introducing the setting with environmental shots, and using titles with fading effects. It discusses using friendly character interactions at first to build anticipation before introducing horror elements. Research on other film openings informed genre and tone decisions. A variety of shots were used including close-ups to show emotions. The opening represents some gender and age groups in a stereotypical way but subverts others. The target audience is teenagers and the skills learned include editing, sound mixing, and using music to build tension.
The opening scene of War of the Planet of the Apes introduces soldiers fighting apes in the forest. Tension is built through silence and ominous music. When gunshots erupt, the sounds of battle ensue. The title hints this is a sci-fi film involving apes fighting soldiers. Many soldiers and apes are shown, but the ape leader Caesar is a main focus. Various shots like close-ups effectively set the scene and capture emotion. This suspenseful beginning establishes the genre and leaves viewers wondering what will happen next.
The document discusses the filmmaking choices made for a post-apocalyptic film opening. Locations in woods were used to look abandoned and derelict. Dark clothing was chosen to fit the theme. Establishing shots highlighted isolation. Characters were mostly male to fit the modern apocalypse theme. The title sequence used a found footage effect with glitching, textured green text and a red virus symbol. Ominous music was included to elicit emotion, though it risked making it feel like a trailer. While similar to real openings by explaining the situation and using footage out of order, the opening had a horror theme music choice unlike typical suspenseful music in apocalypse films.
The document provides a script summary and critique of Thor: Ragnarok. It notes that the film opens with standard Marvel openings and introduces jokes within the first few minutes that are repetitive. It finds that the plot progresses slowly due to drawn-out gags and that emotional moments meant to be serious are undercut by jokes. While the visuals and CGI are praised, over 95% of the dialogue is described as lazy jokes, with the comedy criticized as cheap and easy rather than clever or witty.
The document provides details about the production of an opening sequence for a film. It discusses the ideas behind using shots of the protagonist's eye, exterior locations of past murders, and revealing the protagonist through mise-en-scene. It describes using a drum sound to introduce the protagonist and faster camera movements when an alarm goes off. Visual and audio changes are made to shots and music to create tension and unsettle the audience. Sound editing in Logic Pro is used to loop music under shots to extend its length.
The document provides information about single camera production. It notes that single camera means only using one camera to film an entire scene. This allows characters to move naturally but requires resetting camera positions between shots. Single camera production has advantages like being cheaper, requiring less space, and testing filmmaking skills. However, disadvantages include potentially losing footage if the camera breaks and taking a long time to reset camera positions between shots. Examples of shows that use single camera include Doctor Who and The Big Bang Theory.
The document provides information about single camera production. It notes that single camera means only using one camera to film an entire scene. This allows characters to move naturally but requires resetting camera positions between shots. Single camera production has advantages like being cheaper, requiring less equipment and space, and improving filmmaking skills through camera placement. However, it also has disadvantages like losing footage if the camera breaks and taking longer to film. Found footage films like Quarantine use single camera to appear more realistic since it's presented as raw footage being filmed. Quarantine's linear story and use of a single camera help maintain the found footage illusion.
The document summarizes the research and creative process behind developing a title sequence for a horror film called "Third Time Around." The author watched title sequences from films like Sinister, Insidious, and The Conjuring to get ideas for locations, costumes, props, lighting, camera work and sound. Key elements incorporated from these examples include low-key lighting, ominous music, and diegetic sounds. The narrative focuses on the theme of demonic child possession. While conforming to horror conventions, the author also challenges some, like including more action shots over written text and changing between two points of view during the sequence.
The document summarizes the opening of a student film project. It describes editing techniques used such as fading characters in, introducing the setting with environmental shots, and using titles with fading effects. It discusses using friendly character interactions at first to build anticipation before introducing horror elements. Research on other film openings informed genre and tone decisions. A variety of shots were used including close-ups to show emotions. The opening represents some gender and age groups in a stereotypical way but subverts others. The target audience is teenagers and the skills learned include editing, sound mixing, and using music to build tension.
The opening scene of War of the Planet of the Apes introduces soldiers fighting apes in the forest. Tension is built through silence and ominous music. When gunshots erupt, the sounds of battle ensue. The title hints this is a sci-fi film involving apes fighting soldiers. Many soldiers and apes are shown, but the ape leader Caesar is a main focus. Various shots like close-ups effectively set the scene and capture emotion. This suspenseful beginning establishes the genre and leaves viewers wondering what will happen next.
The document discusses the filmmaking choices made for a post-apocalyptic film opening. Locations in woods were used to look abandoned and derelict. Dark clothing was chosen to fit the theme. Establishing shots highlighted isolation. Characters were mostly male to fit the modern apocalypse theme. The title sequence used a found footage effect with glitching, textured green text and a red virus symbol. Ominous music was included to elicit emotion, though it risked making it feel like a trailer. While similar to real openings by explaining the situation and using footage out of order, the opening had a horror theme music choice unlike typical suspenseful music in apocalypse films.
The document provides a script summary and critique of Thor: Ragnarok. It notes that the film opens with standard Marvel openings and introduces jokes within the first few minutes that are repetitive. It finds that the plot progresses slowly due to drawn-out gags and that emotional moments meant to be serious are undercut by jokes. While the visuals and CGI are praised, over 95% of the dialogue is described as lazy jokes, with the comedy criticized as cheap and easy rather than clever or witty.
The document provides details about the production of an opening sequence for a film. It discusses the ideas behind using shots of the protagonist's eye, exterior locations of past murders, and revealing the protagonist through mise-en-scene. It describes using a drum sound to introduce the protagonist and faster camera movements when an alarm goes off. Visual and audio changes are made to shots and music to create tension and unsettle the audience. Sound editing in Logic Pro is used to loop music under shots to extend its length.
The document provides information about single camera production. It notes that single camera means only using one camera to film an entire scene. This allows characters to move naturally but requires resetting camera positions between shots. Single camera production has advantages like being cheaper, requiring less space, and testing filmmaking skills. However, disadvantages include potentially losing footage if the camera breaks and taking a long time to reset camera positions between shots. Examples of shows that use single camera include Doctor Who and The Big Bang Theory.
The document provides information about single camera production. It notes that single camera means only using one camera to film an entire scene. This allows characters to move naturally but requires resetting camera positions between shots. Single camera production has advantages like being cheaper, requiring less equipment and space, and improving filmmaking skills through camera placement. However, it also has disadvantages like losing footage if the camera breaks and taking longer to film. Found footage films like Quarantine use single camera to appear more realistic since it's presented as raw footage being filmed. Quarantine's linear story and use of a single camera help maintain the found footage illusion.
The document summarizes the research and creative process behind developing a title sequence for a horror film called "Third Time Around." The author watched title sequences from films like Sinister, Insidious, and The Conjuring to get ideas for locations, costumes, props, lighting, camera work and sound. Key elements incorporated from these examples include low-key lighting, ominous music, and diegetic sounds. The narrative focuses on the theme of demonic child possession. While conforming to horror conventions, the author also challenges some, like including more action shots over written text and changing between two points of view during the sequence.
This document summarizes the research and creative process behind developing a title sequence for a horror film called "Third Time Around." The author watched title sequences from films like Sinister, Insidious, and The Conjuring for inspiration on conventions like lighting, sound, costumes, locations, and camera work. Key elements incorporated into the sequence include ominous music, diegetic sounds, a sinister antagonist in black clothing, and locations like an old house and abandoned areas. The sequence challenges some conventions by including more action shots over written text and integrating different points of view between the antagonist and protagonist. Overall, the author drew from horror film conventions but also developed new elements for an engaging title sequence that sets up the narrative.
Opening Sequences Of 3 Fantasy Genre Filmsimanshafi
The labyrinth opening sequence uses magical elements like twinkling lights and sounds to set a fantasy tone. An owl that appears throughout hints at themes of being watched. Shots of a girl's bedroom filled with toys, fairy tales, and a goblin statue further position the film as fantasy. The changing music speeds create an ominous feeling. Jumanji's opening shows two children burying a chest at night, foreshadowing later events. Dialogue hints at the chest's discovery impacting someone's soul. Night at the Museum's opening features twinkly music over shots of a city transitioning from dawn to dusk, with the glowing museum at night suggesting life inside relating to the film's narrative.
The document discusses genre conventions for horror trailers. It outlines several key conventions including low-key lighting being used for tense or scary moments, the use of music to build tension and unease, shot types consisting mainly of close-ups and reaction shots, the use of leitmotifs like repeated symbols to hint at the narrative, and editing techniques like jump cuts and black screens to create tension. The document also discusses conventions for trailer elements like titles, company logos, and not revealing the entire plot. The student aimed to incorporate these conventions into their own horror trailer and ancillary tasks like a poster and magazine cover.
The film The Woman in Black was directed by James Watkins and stars Daniel Radcliffe. Radcliffe is a highly professional actor and his star power helped promote the low-budget film, which cost around £9 million to make. The trailer uses camera angles, editing, lighting, color, and sound to create an unsettling and suspenseful atmosphere for viewers. Dark cinematography, a creepy voiceover, and unnerving music build tension as unseen threats lurk in the shadows.
The document discusses the filmmaker's choices for the title, setting, costumes/props, camerawork/editing, title font/style, story/character introduction, genre, and special effects for their short film opening. They aimed to both challenge thriller conventions by introducing older styles while keeping elements familiar to engage audiences. While some choices like the doll and blood amount test horror boundaries, other aspects stick closely to thriller genres.
Jack Jackson proposes a horror film trailer that builds tension and suspense through psychological elements rather than graphic violence. He will use themes of tension, isolation, and the unknown relating to the Gothic tradition. The protagonist Jack will be pursued by the spirits of the forest as the antagonists. Jackson aims to create fear in the audience through tension and suspse rather than attractive victims or everyday props. Diegetic and non-diegetic music will be used to build climax. Shots like close-ups, panning and point-of-view will engage the audience in the protagonist's experience without revealing too much of the plot.
This document provides a detailed analysis of the film "The Woman in Black" including a plot summary and examination of mise-en-scene, sound, camerawork, and editing techniques. The plot involves a lawyer who travels to a remote village to examine the estate of a deceased woman and encounters the vengeful ghost of a woman dressed in black. The analysis discusses how the film's Victorian-era setting and costumes are established through visual elements. It also analyzes the use of diegetic and non-diegetic sounds, camera shots like close-ups and angles, and editing techniques like cutaways to build tension and symbolism. The document concludes by discussing how the film's techniques could inspire the production of their own
This document provides analysis of several short films. It discusses the shots, editing, sound, and themes of the films. Key points include:
- Close ups and extreme close ups are used to show emotion without dialogue. Medium shots provide background context.
- Wide depths of field keep everything in focus to emphasize all details are important.
- Editing techniques like match cuts create meaning and tension. Music sets atmosphere.
- Locations and lighting provide symbolic meaning, like a bright room representing heaven.
- Films send messages about topics like substance abuse, temptation, and bringing light to people's lives.
Q1 Evaluation- In what ways does your media product use, develop or challenge...amberloo20
The document analyzes how the media product uses and develops conventions of real spy-thriller films. It discusses researching films like Skyfall, Casino Royale, and Salt to understand typical conventions. Key conventions identified include withholding information to create mystery, showing danger, using flashbacks/forwards, building suspense with sound and lighting, and setting. The document then discusses specific creative choices made for the opening scene title, narrative, shots, and sound to follow conventions while also attempting to be unique.
The document discusses camera techniques used in three Martin Scorsese films: The Wolf of Wall Street, Shutter Island, and Shark Tale. It analyzes the camera angles, shots, editing, sound, lighting, props, and settings used in each film and how they help establish genre and tone. Over-the-shoulder shots were frequently used in The Wolf of Wall Street to portray the main character's biography. Shutter Island used close-up cut-in shots and a first-person point-of-view to create horror and mystery. Shark Tale employed wide shots and close-ups to match its animated comedy genre.
The document provides information about conventions used in film openings and how the student's media product both develops and challenges some of those conventions. Some key points:
- Film openings typically introduce characters, setting, credits, and engage the audience within the first 2 minutes. The student's opening challenges this by not clearly showing the main character's face and using flashbacks.
- Music in films usually sets the mood but does not change dramatically. The student's opening challenges this with sections of different music to reflect changing emotions.
- Shots in the student's opening vary between long, close-up, tracking to emphasize someone watching the character and focus attention on important details.
- The title appears as the character
The document provides a detailed analysis and summary of a movie trailer. It examines how the trailer uses various techniques to immerse the audience and build suspense, while also providing context about the plot and genre. This includes the use of logos, settings, characters, music, anticipation/climax building scenes, references to other similar films, and more. The overall goal of the trailer analysis is to understand how it engages audiences and leaves them wanting to learn more about the film.
The document provides an analysis of a student film project called "The Hidden". It discusses:
1) The original ideas for the project and how it evolved from its initial concept.
2) The production process, including challenges with camera work, sound, and adhering to the script.
3) An evaluation of the final film and trailer, noting successes with atmosphere but also areas for improvement.
The opening credits of the movie "Mama" establish key elements through visuals and sound over 2 minutes:
1) Visuals of the two main characters - young sisters - drawn on cave walls in an animal-like way introduce them as mentally unstable or animal-like.
2) Shots progress chronologically, possibly foreshadowing the film's story, and establish about 8 settings including a house and cave.
3) Sound uses unsettling music that builds tension without dialogue, reinforcing the characters' animal-like nature, with one frog-like sound effect.
4) Cinematography uses zooms and tracking shots between the drawings to introduce characters and their background through 11 different
The document provides an overview and evaluation of a student film project called "The Hidden". It summarizes that the film was based on an idea combining a school murder mystery and characters with mental disabilities, though only one character had schizophrenia. It discusses challenges with camera work, sound, and following the original script. Overall it evaluates the film positively and that feedback praised the dramatic tone from the self-composed music, though sound quality could be improved.
This document discusses how a media product uses, develops, or challenges conventions of real horror films. It analyzes the film opening's use of titles, credits, characters, music, lighting, editing, locations, costumes, props, and more. While some conventions were followed, such as fast editing and low-key lighting, other aspects developed or challenged conventions, like having a female antagonist instead of the usual male villain, and setting the film in a pub cellar rather than a typical haunted house. The goal was to create a unique film that stands out while still drawing inspiration from popular horror film techniques and styles.
The document discusses how the student's media thriller production follows thriller genre conventions. It analyzes the use of conventions like low-key lighting, characters archetypes like the protagonist and antagonist, settings like graveyards, costumes and makeup, facial expressions and body language, cinematography techniques, editing with jump cuts and slow motion, sound design with sharp tones, and opening credits with neutral colors. The target audience is identified as young adults ages 15 and older who enjoy the tension, suspense and mystery common to thriller films.
The document provides an analysis of Season 2 Episode 5 of the TV show Spaced. It discusses several film techniques used in the episode, including mise-en-scene, camerawork, editing, sound, and intertextuality. It notes the episode's well-constructed story elements and clever use of references to other media. Specific techniques highlighted include J-cuts between scenes, the homage to Star Wars in a character's voice, and a humorous fake gunfight scene employing quick editing. Context about the show's target audience and director Edgar Wright is also provided.
The document summarizes how the filmmaker's horror movie challenges several conventions of the genre. It shows the monster early and during daylight, rather than hiding it in shadows. It uses natural sounds and unsettling music that shifts tones without warning. It features a diverse cast of victims and kills off the main character, unlike typical films where the hero survives. The goal is to create a more unpredictable and terrifying story by subverting expectations set by common horror movie tropes.
The document provides information about studying AS Media, including that the course is divided into two units, one of which focuses on coursework involving research, planning, and evaluation of a main product. It also discusses conventions of horror movies like blood, screams, and pale makeup. Additionally, it outlines the history of horror movies and how certain films influenced others. The document proposes an opening sequence for a horror film involving a man befriending girls who disappear and a mysterious phone call.
The document discusses several common techniques used in horror movie music and sounds to scare audiences. It notes that music often starts quiet and gets suddenly loud with screams or bangs. Screaming is also commonly used to show a character's fear. Some films include unseen voices on recordings or characters receiving scary phone calls. These techniques place the audience in the situation and make them wonder what they would do. The document will likely use screaming and scary phone calls in its own horror movie trailer.
This document summarizes the research and creative process behind developing a title sequence for a horror film called "Third Time Around." The author watched title sequences from films like Sinister, Insidious, and The Conjuring for inspiration on conventions like lighting, sound, costumes, locations, and camera work. Key elements incorporated into the sequence include ominous music, diegetic sounds, a sinister antagonist in black clothing, and locations like an old house and abandoned areas. The sequence challenges some conventions by including more action shots over written text and integrating different points of view between the antagonist and protagonist. Overall, the author drew from horror film conventions but also developed new elements for an engaging title sequence that sets up the narrative.
Opening Sequences Of 3 Fantasy Genre Filmsimanshafi
The labyrinth opening sequence uses magical elements like twinkling lights and sounds to set a fantasy tone. An owl that appears throughout hints at themes of being watched. Shots of a girl's bedroom filled with toys, fairy tales, and a goblin statue further position the film as fantasy. The changing music speeds create an ominous feeling. Jumanji's opening shows two children burying a chest at night, foreshadowing later events. Dialogue hints at the chest's discovery impacting someone's soul. Night at the Museum's opening features twinkly music over shots of a city transitioning from dawn to dusk, with the glowing museum at night suggesting life inside relating to the film's narrative.
The document discusses genre conventions for horror trailers. It outlines several key conventions including low-key lighting being used for tense or scary moments, the use of music to build tension and unease, shot types consisting mainly of close-ups and reaction shots, the use of leitmotifs like repeated symbols to hint at the narrative, and editing techniques like jump cuts and black screens to create tension. The document also discusses conventions for trailer elements like titles, company logos, and not revealing the entire plot. The student aimed to incorporate these conventions into their own horror trailer and ancillary tasks like a poster and magazine cover.
The film The Woman in Black was directed by James Watkins and stars Daniel Radcliffe. Radcliffe is a highly professional actor and his star power helped promote the low-budget film, which cost around £9 million to make. The trailer uses camera angles, editing, lighting, color, and sound to create an unsettling and suspenseful atmosphere for viewers. Dark cinematography, a creepy voiceover, and unnerving music build tension as unseen threats lurk in the shadows.
The document discusses the filmmaker's choices for the title, setting, costumes/props, camerawork/editing, title font/style, story/character introduction, genre, and special effects for their short film opening. They aimed to both challenge thriller conventions by introducing older styles while keeping elements familiar to engage audiences. While some choices like the doll and blood amount test horror boundaries, other aspects stick closely to thriller genres.
Jack Jackson proposes a horror film trailer that builds tension and suspense through psychological elements rather than graphic violence. He will use themes of tension, isolation, and the unknown relating to the Gothic tradition. The protagonist Jack will be pursued by the spirits of the forest as the antagonists. Jackson aims to create fear in the audience through tension and suspse rather than attractive victims or everyday props. Diegetic and non-diegetic music will be used to build climax. Shots like close-ups, panning and point-of-view will engage the audience in the protagonist's experience without revealing too much of the plot.
This document provides a detailed analysis of the film "The Woman in Black" including a plot summary and examination of mise-en-scene, sound, camerawork, and editing techniques. The plot involves a lawyer who travels to a remote village to examine the estate of a deceased woman and encounters the vengeful ghost of a woman dressed in black. The analysis discusses how the film's Victorian-era setting and costumes are established through visual elements. It also analyzes the use of diegetic and non-diegetic sounds, camera shots like close-ups and angles, and editing techniques like cutaways to build tension and symbolism. The document concludes by discussing how the film's techniques could inspire the production of their own
This document provides analysis of several short films. It discusses the shots, editing, sound, and themes of the films. Key points include:
- Close ups and extreme close ups are used to show emotion without dialogue. Medium shots provide background context.
- Wide depths of field keep everything in focus to emphasize all details are important.
- Editing techniques like match cuts create meaning and tension. Music sets atmosphere.
- Locations and lighting provide symbolic meaning, like a bright room representing heaven.
- Films send messages about topics like substance abuse, temptation, and bringing light to people's lives.
Q1 Evaluation- In what ways does your media product use, develop or challenge...amberloo20
The document analyzes how the media product uses and develops conventions of real spy-thriller films. It discusses researching films like Skyfall, Casino Royale, and Salt to understand typical conventions. Key conventions identified include withholding information to create mystery, showing danger, using flashbacks/forwards, building suspense with sound and lighting, and setting. The document then discusses specific creative choices made for the opening scene title, narrative, shots, and sound to follow conventions while also attempting to be unique.
The document discusses camera techniques used in three Martin Scorsese films: The Wolf of Wall Street, Shutter Island, and Shark Tale. It analyzes the camera angles, shots, editing, sound, lighting, props, and settings used in each film and how they help establish genre and tone. Over-the-shoulder shots were frequently used in The Wolf of Wall Street to portray the main character's biography. Shutter Island used close-up cut-in shots and a first-person point-of-view to create horror and mystery. Shark Tale employed wide shots and close-ups to match its animated comedy genre.
The document provides information about conventions used in film openings and how the student's media product both develops and challenges some of those conventions. Some key points:
- Film openings typically introduce characters, setting, credits, and engage the audience within the first 2 minutes. The student's opening challenges this by not clearly showing the main character's face and using flashbacks.
- Music in films usually sets the mood but does not change dramatically. The student's opening challenges this with sections of different music to reflect changing emotions.
- Shots in the student's opening vary between long, close-up, tracking to emphasize someone watching the character and focus attention on important details.
- The title appears as the character
The document provides a detailed analysis and summary of a movie trailer. It examines how the trailer uses various techniques to immerse the audience and build suspense, while also providing context about the plot and genre. This includes the use of logos, settings, characters, music, anticipation/climax building scenes, references to other similar films, and more. The overall goal of the trailer analysis is to understand how it engages audiences and leaves them wanting to learn more about the film.
The document provides an analysis of a student film project called "The Hidden". It discusses:
1) The original ideas for the project and how it evolved from its initial concept.
2) The production process, including challenges with camera work, sound, and adhering to the script.
3) An evaluation of the final film and trailer, noting successes with atmosphere but also areas for improvement.
The opening credits of the movie "Mama" establish key elements through visuals and sound over 2 minutes:
1) Visuals of the two main characters - young sisters - drawn on cave walls in an animal-like way introduce them as mentally unstable or animal-like.
2) Shots progress chronologically, possibly foreshadowing the film's story, and establish about 8 settings including a house and cave.
3) Sound uses unsettling music that builds tension without dialogue, reinforcing the characters' animal-like nature, with one frog-like sound effect.
4) Cinematography uses zooms and tracking shots between the drawings to introduce characters and their background through 11 different
The document provides an overview and evaluation of a student film project called "The Hidden". It summarizes that the film was based on an idea combining a school murder mystery and characters with mental disabilities, though only one character had schizophrenia. It discusses challenges with camera work, sound, and following the original script. Overall it evaluates the film positively and that feedback praised the dramatic tone from the self-composed music, though sound quality could be improved.
This document discusses how a media product uses, develops, or challenges conventions of real horror films. It analyzes the film opening's use of titles, credits, characters, music, lighting, editing, locations, costumes, props, and more. While some conventions were followed, such as fast editing and low-key lighting, other aspects developed or challenged conventions, like having a female antagonist instead of the usual male villain, and setting the film in a pub cellar rather than a typical haunted house. The goal was to create a unique film that stands out while still drawing inspiration from popular horror film techniques and styles.
The document discusses how the student's media thriller production follows thriller genre conventions. It analyzes the use of conventions like low-key lighting, characters archetypes like the protagonist and antagonist, settings like graveyards, costumes and makeup, facial expressions and body language, cinematography techniques, editing with jump cuts and slow motion, sound design with sharp tones, and opening credits with neutral colors. The target audience is identified as young adults ages 15 and older who enjoy the tension, suspense and mystery common to thriller films.
The document provides an analysis of Season 2 Episode 5 of the TV show Spaced. It discusses several film techniques used in the episode, including mise-en-scene, camerawork, editing, sound, and intertextuality. It notes the episode's well-constructed story elements and clever use of references to other media. Specific techniques highlighted include J-cuts between scenes, the homage to Star Wars in a character's voice, and a humorous fake gunfight scene employing quick editing. Context about the show's target audience and director Edgar Wright is also provided.
The document summarizes how the filmmaker's horror movie challenges several conventions of the genre. It shows the monster early and during daylight, rather than hiding it in shadows. It uses natural sounds and unsettling music that shifts tones without warning. It features a diverse cast of victims and kills off the main character, unlike typical films where the hero survives. The goal is to create a more unpredictable and terrifying story by subverting expectations set by common horror movie tropes.
The document provides information about studying AS Media, including that the course is divided into two units, one of which focuses on coursework involving research, planning, and evaluation of a main product. It also discusses conventions of horror movies like blood, screams, and pale makeup. Additionally, it outlines the history of horror movies and how certain films influenced others. The document proposes an opening sequence for a horror film involving a man befriending girls who disappear and a mysterious phone call.
The document discusses several common techniques used in horror movie music and sounds to scare audiences. It notes that music often starts quiet and gets suddenly loud with screams or bangs. Screaming is also commonly used to show a character's fear. Some films include unseen voices on recordings or characters receiving scary phone calls. These techniques place the audience in the situation and make them wonder what they would do. The document will likely use screaming and scary phone calls in its own horror movie trailer.
This document discusses different types and conventions of documentaries. It begins by defining documentaries as focusing on real people and events to allow audiences to form their own perspectives. It then discusses conventions like interviews, archival footage, and narration. Reality television is described as combining information and entertainment. Docusoaps prioritize entertainment over social commentary by following quirky characters. The document also provides outlines for three episodes of a documentary about youth representation in media that would showcase stereotypes, challenges those views, and highlights positive contributions of youth.
Document Sets: Move over Folders, there is a new organizer in town!Andrew Clark
The document discusses an event called SharePoint Saturday Chicago 2011. It provides an agenda for the event with over 35 sessions/talks on various SharePoint topics, including development, administration, business intelligence and more. Speaker names and session titles are listed. The event also recognizes sponsor levels including Premier, Gold, Silver and Bronze sponsors who supported the event.
Social computing with share point 2010Andrew Clark
This document discusses social computing features in SharePoint 2010 such as MySites, profiles, newsfeeds, tagging, rating, and note boards. It covers setting up and configuring these features, related services like User Profile and Managed Metadata, and considerations for governance, infrastructure planning, and training administrators and users.
The document summarizes several horror movies and how they meet conventions of the genre:
1) "The Possession of Joel Delany" involves a man seemingly possessed by a voodoo spirit and features victims, weapons, and violence.
2) "The Shout" includes screams that can kill, mystical powers, weapons, and an intense musical score creating a dark atmosphere.
3) "Death Bed: The Bed That Eats" features a demonic bed that seduces and eats young women, showing victims and a supernatural monster.
From Trashy to Classy: How The SharePoint 2013 App Model Changes EverythingAndrew Clark
Everybody wants an app or at least they think so, SharePoint 2013 provides an Application Model to handle all your 'appy' desires. Are your current SharePoint 2007 or 2010 solutions considered truly 'self-contained'? Probably not. In this session we will discuss the short comings of older solutions, briefly review the different App Model options and finally walk through the architecture of an existing SharePoint 2013 application. We will help you ignore the hype and spend time understanding the benefits of the App Model as it is crucial for your 2013 strategy.
The document provides information on three existing products:
1) The DVD cover for the film "It" (2017), analyzing its techniques, audience appeal, and use of dark colors and imagery.
2) The opening Warner Bros. logo for "Harry Potter and the Deathly Hallows Part 1", noting its 3D animation and connection to the film's tone.
3) A synopsis of the film "The Conjuring 2", describing its plotlines about a haunted family and demon-hunting Warrens investigating the case.
This document provides summaries of two horror films:
1) The Conjuring 2 (2016) tells the story of a family haunted by demons in their new home. It also follows paranormal investigators Ed and Lorraine Warren who help battle the demons. The film blends these two storylines.
2) It (2017) is a remake of the 1990 miniseries based on the Stephen King novel about a shapeshifting clown who preys on children in Derry, Maine. Every 27 years, Pennywise awakens from hibernation to feed on fear and flesh. The film follows a group of outcast children targeted by Pennywise.
Ewan Wild conducted research on existing dark comedy films and TV shows to inform his short film project. He analyzed how shows like The End of the F***ing World use techniques like voicing characters' thoughts to portray meaning differently. Trailers for shows like Shaun of the Dead aim to attract specific audiences with their tone and violence portrayal. Research also covered how films like Dr. Strangelove and Four Lions use comedy to address serious subjects. Audience reviews emphasized the importance of strong writing, character development, and avoiding cliches. Wild aims to craft unexpected endings and make audiences laugh and feel emotion through an emphasis on script.
The document analyzes the opening sequence of the film Insidious through its use of camera work, editing, mise-en-scene, sound, and character representation. The opening uses techniques like tracking camera movements, slow pacing through montage editing, and ominous music to set an eerie tone and establish suspense. Iconic horror elements like a moving chair and disturbing toys are used to subtly indicate the supernatural genre. Character roles like the vulnerable boy and threatening antagonist are clearly depicted through lighting and positioning to introduce the narrative.
The document provides a brief synopsis and background of the horror film "It" (2017). It discusses how the film is based on Stephen King's novel of the same name, which was previously adapted into a 1990 TV miniseries. The 2017 film version remakes and updates the story for a new generation in a darker and creepier tone. It focuses on a group of outcast kids in Derry, Maine who are targeted by a mysterious killer clown. One particularly disturbing scene discussed is when a character named Ben is chased by the clown in the library while a creepy nursery rhyme plays. The film is said to be part of a two-part adaptation of the novel.
The document discusses conventions used in film trailers. It begins by outlining typical elements of trailers such as providing an outline of the story, enticing viewers to watch, and expressing the genre. It then distinguishes between "open" and "closed" narrative structures used in different types of trailers. Various theorists who have studied narrative structure, like Tzvetan Todorov and Vladimir Propp, are mentioned. Common conventions for different genres of trailers are then analyzed, including the use of voiceovers, music, and text. Finally, the document discusses how the conventions analyzed from other trailers have been applied to the author's own trailer for a horror film.
The opening sequence of The Possession begins with a close-up shot of an old woman looking extremely worried while holding an antique box engraved with symbols. It is revealed through cross-cutting that the box is the source of her distress. As she tries to destroy the box, she begins chanting in a foreign language and her body contorts, seemingly possessed by a supernatural force within the box. Throughout, a song plays about heaven, contrasting with the evil force of the box. The sequence wastes no time establishing the supernatural themes of possession and evil that will be central to the film's plot.
The document discusses the creator's 5-minute short film exploring mental health themes like depression and anxiety. The film portrays the dismissive reactions people often have to mental health and how toxic that mindset can be. It uses a dark comedy genre with comical elements to contrast the serious subject matter. Non-diegetic music and sounds are used throughout to convey the protagonist's emotional state and build tension. Overall the creator felt they clearly portrayed the protagonist's mental descent but could have better explored how making light of mental health can be toxic.
The document analyzes and summarizes the opening sequence of the romance film "The Notebook." It notes that the opening establishes the tone and introduces the two main characters through a series of slow, romantic shots. These include a character rowing toward a sunset, a distressed woman looking out from a white house, and an upbeat elderly man in a hospital. The analysis compares the opening to those of "Pulp Fiction" and "Insidious," noting how each establishes genre through pacing, music, lighting, and other techniques.
The document discusses the filmmaker's opening sequence for their short film about knife crime among teenagers. They describe their choices for camera work, editing, soundtrack, characters, and ending scene. They wanted to portray the main character Max as a typical troubled teenager and challenge stereotypes about the demographics involved in such crimes. The opening sequence aims to quickly introduce Max and hint at the disturbing events that occurred through flashing images and unsettling music on the soundtrack. It ends on a graphic image meant to be a shocking conclusion that leaves an impression on viewers.
The document analyzes elements from the trailers of three films: The Number 23, The Lovely Bones, and Shutter Island. It discusses themes, characters, shots, sounds, and mise-en-scene for each trailer. Key techniques highlighted include the use of cross-cutting and flashbacks to build tension, incorporating unexpected random cuts, and focusing on a younger or female protagonist to subvert horror genre conventions. These techniques will inform the creation of the trailer.
The document analyzes the conventions of romantic film trailers and how the student's media project trailer both followed and subverted some of these conventions. The trailer featured two main female characters instead of a typical male-female pairing. It used conventions like a moving storyline, emotional music, diegetic and non-diegetic sounds. However, it also subverted expectations by having two female leads and making the storyline intentionally more cliched than typical romantic films.
The document provides analysis of the opening sequences of three Tim Burton films - Corpse Bride, Frankenweenie, and Vincent. For each film, it examines the color palette, framing, shot types, title sequences, character and setting introductions, and use of music and sound. Key recurring elements in Burton's style include dull colors like black and grey, low camera angles, and transforming or contrasting title logos. The openings set up mysteries or adventures but reveal little about the overall narratives.
The document provides details about the zombie comedy film "The Chronicles of Kev". It describes the film's genre, intended 15 rating, and target audience of male and strong female fans of comedy/horror films. The trailer will be 1-1.5 minutes, using fast cuts and shifts in pace to transition between horror and comedy elements. It will showcase the characters and their survival in a zombie apocalypse world.
The document provides details about the zombie comedy film "The Chronicles of Kev". It describes the intended 15 rating due to language, violence and references. It outlines plans to promote the low-budget film through websites, art house cinemas, and Film4. The trailer aims to initially portray horror through music and editing before revealing the film's comedic elements and tone.
The document discusses the opening two minutes of the film Twilight. It begins with non-diegetic sounds and music playing as the main characters talk to set the scene. The film is based on the popular book Twilight and focuses on the relationship between a human girl and vampire. The opening scene uses sound effects and music to build emotion and mystery without showing characters. It establishes the film's forest setting and that the main character is a shy girl through her monologue.
The document discusses the opening two minutes of the film Twilight. It begins with non-diegetic sounds and music playing as the main characters talk to set the scene. The film is based on the popular book Twilight and focuses on the relationship between a human girl and vampire. The opening scene uses sound effects and music to build emotion and mystery without showing characters. It establishes the film's forest setting and that the main character is a shy girl through her monologue.
The document discusses how the filmmaker used and challenged conventions of short films and romantic comedies in developing their short film "Fluent in Love".
Some conventions that were used include a cyclical narrative structure, conventional camera shots like two shots and close-ups, diagetic sound, and a film poster featuring a two shot of the characters in red font.
Some conventions that were challenged include using plain credits without an ident, more inventive shots like extreme close-ups of objects, manipulated editing techniques, and non-diagetic music at the end. Overall the filmmaker aimed to have an independent and lighthearted style while still following some traditional conventions.
The document provides an analysis of the opening 5 minutes of the horror film "Insidious". It summarizes that the opening sequence establishes an eerie atmosphere through the use of red credits with ghost-like effects, unsettling camera work from the point-of-view of a ghost, and non-diegetic eerie music. It introduces the vulnerable child character and establishes the haunted house setting. The sequence sets up typical horror iconography and techniques to clearly signal to the audience that this is a horror genre film.
This trailer summarizes the plot of the film "The Conjuring", which is based on the true case files of paranormal investigators Ed and Lorraine Warren. It establishes that the film has two unique selling points - it is based on a true story, and surprisingly, has a happy ending unlike most horror films. Through dialogue, sounds and frightening imagery, the trailer builds an unsettling atmosphere and teases the plot of a family being terrorized by a demonic spirit in their home that the Warrens must help them overcome.
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Sagagreendigital
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspirationgreendigital
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
Top IPTV UK Providers of A Comprehensive Review.pdfXtreame HDTV
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1. Secondary Research In this power point is all the secondary research I conducted for my A2 media coursework. it consists of many screen shots from the short filmsVincentFrankenweenieMater and the GhostlightOne man band
2. Vincent! Vincent is a short stop-motion film made by Tim Burton in 1982. It lasts a total of 6 minutes and so is round about the right length to be researching for my own film. The film has a very dark mysterious feel about it and this is the kind of atmosphere I would like to achieve for my own film. The target audience for this film is much like the target audience for my own and therefore it will be very effective for me to thoroughly research this film and pick up as many tips as possible from it.
3. Dialogue The only dialogue in this short film is a Non-Diegetic voice over in the form of a narration conducted by Vincent Price. The narration is also in the form as a poem. Vincent Malloy is seven years old; He’s always polite and does what he’s told. For a boy his age he’s considerate and nice, but he wants to be just like Vincent Price. He doesn’t mind living with his sister, dog and cat, though he’d rather share a home with spiders and bats. There he could reflect on the horrors he’s invented, and wander dark hallways alone and tormented. Vincent is nice when his aunt comes to see him, but imagines dipping her in wax for his wax museum. This introduction works very well because it gives the audience a basic idea of what the movie will be about, without revealing to much about the story. From this introduction it is clear that this boy has duel personalities and that the duel personalities are going to be the focus of the story, just like in my short film. The introduction also informs us that one of his personalities is a sweet seven year old boy and the other is a very dark kind of person who enjoys being alone and thinking about evil things and making dark creatures, basically everything that we, as an audience, associate with evil. The voice of the narrator, Vincent Price, is a legendary horror movie actor and so if this film was watched by older generation the sound of the narration its self would set a very accurate mood for the movie. While Vincent backed slowly against the wall. The room started to sway, to shiver and creak. His horrid insanity had reached its peak. He saw Abacrombie his zombie slave, and heard his wife call from beyond the grave. She spoke from her coffin, and made ghoulish demands. While through cracking walls reached skeleton hands. Every horror in his life that had crept through his dreams, Swept his mad laugh to terrified screams. To escape the madness, he reached for the door, so he and his horrible zombie dog, but fell limp and lifeless down on the floor. His voice was soft and very slow, as he quoted The Raven from Edgar Allen Poe, “And my soul from out that shadow floating on the floor, Shall be lifted –Nevermore!” The last part of the narration is very much darker than the first. It explains how Vincent is reaching the climax of his insanity about thinking he is Vincent Price. It explains that he can see all the bad things about his life, a lot of these things we heard about earlier on in the film, and so in a way it acts as a kind of review, reminding the audience of what Vincent has gone through and what he has seen during the course of the movie. So even without actually seeing any of the movie it is very clear that Vincent has gone on a journey and is now a much darker and more bizarre person. At the very end of the narration a quote from Edgar Allen Poe’s ‘The Raven’ is used. Edgar Allen Poe is also very famous for writing horror novels and so this coupled with the fact the narration is by Vincent Price all add the horror element of the movie and make the character of Vincent much darker.
4. Music The music for this short film changes throughout of the course of the movie. The music changes as the mood of the movie gets darker, more depressing and ‘’creepy’’. This gave me the idea to change the music through out the course of my film, however instead of the music changing through out the course of the film I thought (considering my plot) that it would be more effective for the two different personalities of the girl to have their own individual sound motif, and therefore the that sound, Non diegetic and Diegetic both, is played during my short film will change back and forth depending on which personality the girl possess at the time. For the ‘Good’ personality the music will be very happy, bouncy and create a very light mood for the character. The ‘Evil’ personality on the other hand, I imagine the Non-diegetic music being very eerie and creepy and for the diegetic music I think that heavy metal or rock music would probably be the best suited. I made these decisions because this is the classic kind of music you hear when such personalities appear.
5. Colour/Lighting This short movie is filmed in black and white, which really adds to the feel of the film and creates a very accurate mood for the movie. However when I thought about colour schemes in regards to my film, I didn’t think that black and white would work very effectively and therefore I decided to conduct further research into different colour schemes and how well they work. During this research I came across the feature length film ‘The Corpse Bride’ in which different colour schemes are used very effectively to create two different worlds. I decided to go in this direction for my film, using two different colour schemes for the two different personalities. As you can see one of the pictures is much les colourful than the other. This picture is still not in black and whiter however, there is still colour it is just not very bright and there is not that much of it This picture is much more colourful and almost everything in the picture has a different colour. All of all of these different colours seem to create a light happy feeling to the scene.
6. Screen shots I chose this shot because I would like, in my film, to include the title in a shot like this instead of just having a title screen. I would like to do it like this because I think it is much more interesting when the title is incorporated into the story. This shot I chose because I like the way it represents Vincent’s good side. It is a very light shot and he is holding his cat and seems very content and happy. This is how I would like my characters good side to be. This shot shows Vincent’s darkest side. He is surrounded by all the things he made when ‘Evil’ and it is a very dark shot with not much light. I will take of these things into account when making my film. For the darker side there will not be as much light and she will have things the lighter side would never consider having.
7. Frankenweenie! Frankenweenie is a short film made by Tim Burton in 1984. It was filmed in black and white and lasts around 29 minutes and therefore is too long for me to base the timing of my film on this. However it has a similar genre to my film and therefore I think to research it would be useful. The target audience may also be very similar to mine. This film also has a darker side that isn’t really horror just ‘creepy’ and so I will research how this was done and use the same methods in my filming.
8. Dialogue The dialogue in the short movie is much like the dialogue in any other. It isn’t unique in any way. However, something I noticed when watching this film is that a large majority of all the information is visual rather than in the form of sound. In other words all of the key moments in the film are shown to us rather than a character talking about what is happening. Perhaps the prime example of this is when Victor brings Sparky back to life, this is the defining moment in the movie and yet there is no dialogue what so ever to explain what is happening we can just see the process playing out on screen. Also the dialogue in the movie tends to be much more conversational than informative.
9. Music A majority of the story of Frankenweenie is told using music. There isn’t as much dialogue as you would expect, even for a short film the spaces where you would expect dialogue to be there is in fact music of all different kinds which show, I think, the emotions of the characters on screen much more than any dialogue ever could. Not only does the music do an excellent job of portraying the emotions on screen but there is also a lot of sound effects that all add to the mood of the movie. For example when Victor is digging up Sparky’s body, and when he is bringing Sparky back to life there is a lot of lightening. As an audience we always associate lightening with fear and evil and of course digging up a grave is a very bad thing to do and so the lightening works very well in creating an atmosphere. I will take this into account when filming. Although I don’t think lightening would work with my story I will try and think of some other sound affect that portrays a certain feeling and use this in my film to further contrast the girls two different personalities.
10. Colour/Lighting This film is in black and white and so not much can be said about the colours in the movie. However, the lighting in this film is used very well. The film starts of very light, showing happiness and a family that are very close and content. The film becomes much greyer when Sparky dies however it is still not very dark, it still however shows a drop in the happiness of the family. When Sparky is brought back to life it once again becomes lighter like he has brought the happiness back with him. When Sparky begins doing things to scare the neighbours it get very dark, and continues to get darker until the climax of the movie which is at the miniature golf course. The movie however ends on a high note. When they bring Sparky back to life for the final time all of the cars lights come on and shine directly onto Sparky, showing finally, that he is the light and happiness associated with this film.
11. Screen shots I like this shot because it is unique. Instead of starting the main story straight away we have a brief introductory story, in this case in the form of a home movie, in which one of the main characters, Sparky, is introduced. The home movie also works very well at establishing Victor and Sparky’s relationship at the very start of the film. Again I like this shot because of how original it is, it shows the creativeness of Tim Burton and this is what I would like to aim for in my film, to add an element that makes it interesting and a little bizarre but still doesn't become stilly or difficult to understand as in this shot it is still very clear what is happening in this scene. This is one of the final shots in the movie and I think it works very affectively because there are a lot of visible lights and from this the audience is given hope that not all is lost for Sparky and it builds up very well to the climax of the movie when Sparky comes back to life again. I will take note of this for my film. I like the idea of creating the mood of the ending a few shots before by using different lighting.
12. Mater and the Ghostlight! Mater and the Ghost Light is a short film (animation) directed by John Lasseter in 2006. It lasts a total of 7 minutes and there fore is fairly ideal for me to use as research. Unfortunately it has a different kind of target audience to my film, however, this short film has a horror element and is still very suitable for children, this is what I will be focusing on in my research because even though I would like my movie to have a horror element I don’t really want it to be scary
13. Dialogue In this short it is not so much what is said but how it is said. Because in this short one of the characters it telling a ghost story the tone of his voice changes. His voice is usually very light happy and quite quick, however when he tells the ghost story his voice becomes much deeper and slower. I will take this in to account in my movie. As the girl has to different personalities for her ‘Darker’ personality her voice will be (not drastically) lower and slower and the ‘Lighter’ personalitie’s voice will be happy light and slightly quicker. I hope that by doing this it will help the audience further differentiate between the two different personalities.
14. Music A majority of this short film doesn’t have any music at all. This is probably done to create a lot of tension, and silence makes us, as an audience, very tense and so it work very well. When there is music it is very dramatic. This music is when Mater is being chased by the Ghost Light and so the music is a perfect combination of ‘chase’ and ‘horror’ this will help with the music on my film as I will need to make sure that nothing is done to the extremes of it my start to look ‘cheesy’.
15. Colour/Lighting The short film is very colourful to start with (first 2 screen shots on next page) and although it is dark there are colourful lights everywhere to lighten the mood. However when the Sheriff finishes telling his ghost story all of these lights go out and it becomes very dark and there is no longer any colour and the mood changes almost instantly into one of danger and isolation. This shows me how useful colour can be and so for my film I think I will need to come up with 2 very different colour schemes for the two very different personalities.
16. Screen shots This is a very good example of an establishing shot. It shows the audience where this movie is going to be set and what kind of place it is, quite and remote. I would like to use a combination of this along with the start of ‘Frankenweenie’ (home movie) at the start of my movie because then in just the few opening shots I will have created the kind of uniqueness I want for my film, plus I will have given the audience and idea of the setting. I chose this shot because it is a perfect example of 2 things. The first is colour, it shows how effective colour can be in a shot and how much it can change the feel and mood of a scene. The second is it shows very well how much you can reveal about a character in just one shot as long as these shot are done correctly. I will try and use both of these techniques when filming. This shot shows a very good group shot. Group shots are very effective at showing how people (or cars in this case) interact with each other. This will be very help full in my film as the entire point of it is to show how a girl with split personalities interacts with people in different ways and because of this I think that there will be quite a few group shots used in my short movie.
17. One Man Band! One Man Band is a short film (animation) directed by John Lasseter in 2006. It lasts a total of 4 minutes and there fore is perfect for me to use as research. The target audience in much like the one for ‘Mater and the Ghost Light’ However it is very interesting in many other way and therefore I will use it for my research.
18. Dialogue There is no dialogue at all in this movie. Then entire story is told via the music and images. I will take note of some on the things they do to make it understandable because there are a lot of moments in my movie that would be better told by music and images rather than dialogue.
19. Music This story is told completely through the music and the music is then entire point of the film, and therefore is a very good film to research the effects of music. The music all the way through the film is diegetic which it very strange for a film but it works well. Personally I don’t think all of the music on my movie being diegetic would work and so I think the best thing to do is to use a combination of them both. And so in my movie I will use a combination of diegetic and non-diegetic to create two different moods for the two different personalities.
20. Colour/Lighting The lighting in this films isn’t really anything special and doesn’t really change through out the course of the movie. However the colour in the movie is used to distinguish between the three different characters that appear in the film. The first musician we see is in red, the second musician is wearing green and the little girl is wearing blue. I may use this technique in my movie. For example each of the two personalities will have a favourite colour and this colour will be used as yet another way to differentiate.
21. Screen shots This is another good example of an establishing shot. It shows not only the character and his surroundings but it also shows is isolation straight away. A good establishing shot is a very effective way of setting up a mood at the very start of the movie. This shot I chose because it shows a lot of originality. And although I want my film to be original I don’t this kind of originality would work very well because it is much more comical than anything else and this is not what I want. This is a good example of a high angle shot and it shows many different things. It shows all of the characters, how the interact, and it shows there surroundings and for this reason a high angle shot may be a good thing for me to use in my movie.