This document outlines the plans for the production of a film trailer. It discusses the cinematography, mise-en-scene, props, and sound design. For cinematography, there will be high angle shots of the office building and household. The mise-en-scene section describes the planned costumes for characters, including professional attire for the main character initially and more casual clothes after becoming a housekeeper. Two filming locations are needed - a modern office building in London and a large countryside house. Props include items showing the main character's wealth initially and household items once she is a housekeeper. The sound design calls for dramatic music in the beginning and a romantic soundtrack later, with character dialogue and sound effects
L’autubus stava per partire, rombava sordo con improvvisi raschi e singulti. La piazza era silenziosa. nel grigio dell’alba, sfilacce di nebbia ai campanili della Matrice: solo il rombo dell’autobus e la voce del venditore di panelle, panelle calde panelle, implorante ed ironica. Il bigliettaio chiuse lo sportello, l’autobus si mosse con un rumore di sfasciume. L’ultima occhiata che il bigliettaio girò sulla piazza, colse l’uomo vestito di scuro che veniva correndo; il bigliettaio disse all’autista «un momento» e aprì lo sportello mentre l’autobus ancora si muoveva. Si sentirono due colpi squarciati: l’uomo vestito di scuro, che stava per saltare sul predellino, restò per un attimo sospeso, come tirato su per i capelli da una mano invisibile; gli cadde la cartella di mano e sulla cartella lentamente si afflosciò. (Incipit da "Il giorno della civetta" di Leonardo Sciascia
L’autubus stava per partire, rombava sordo con improvvisi raschi e singulti. La piazza era silenziosa. nel grigio dell’alba, sfilacce di nebbia ai campanili della Matrice: solo il rombo dell’autobus e la voce del venditore di panelle, panelle calde panelle, implorante ed ironica. Il bigliettaio chiuse lo sportello, l’autobus si mosse con un rumore di sfasciume. L’ultima occhiata che il bigliettaio girò sulla piazza, colse l’uomo vestito di scuro che veniva correndo; il bigliettaio disse all’autista «un momento» e aprì lo sportello mentre l’autobus ancora si muoveva. Si sentirono due colpi squarciati: l’uomo vestito di scuro, che stava per saltare sul predellino, restò per un attimo sospeso, come tirato su per i capelli da una mano invisibile; gli cadde la cartella di mano e sulla cartella lentamente si afflosciò. (Incipit da "Il giorno della civetta" di Leonardo Sciascia
Partendo da Plutarco, attraverso i quadri di Magritte, ci soffermiamo su l' applicazione di questo aforisma di Alfred Korzybski, con l' intento di contrapporre al neo-riduzionismo il pensiero di Gregory Bateson.
This is the pitch we made for our opening scene.
We got some good feedback from the group including:
The fact we had good detail
They liked the genre and concept we had
Accelerate your Kubernetes clusters with Varnish CachingThijs Feryn
A presentation about the usage and availability of Varnish on Kubernetes. This talk explores the capabilities of Varnish caching and shows how to use the Varnish Helm chart to deploy it to Kubernetes.
This presentation was delivered at K8SUG Singapore. See https://feryn.eu/presentations/accelerate-your-kubernetes-clusters-with-varnish-caching-k8sug-singapore-28-2024 for more details.
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State of global ICS asset and network exposure
Sectoral targets and attacks as well as the cost of ransom
Global APT activity, AI usage, actor and tactic profiles, and implications
Rise in volumes of AI-powered cyberattacks
Major cyber events in 2024
Malware and malicious payload trends
Cyberattack types and targets
Vulnerability exploit attempts on CVEs
Attacks on counties – USA
Expansion of bot farms – how, where, and why
In-depth analysis of the cyber threat landscape across North America, South America, Europe, APAC, and the Middle East
Why are attacks on smart factories rising?
Cyber risk predictions
Axis of attacks – Europe
Systemic attacks in the Middle East
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https://sectrio.com/resources/ot-threat-landscape-reports/sectrio-releases-ot-ics-and-iot-security-threat-landscape-report-2024/
Dev Dives: Train smarter, not harder – active learning and UiPath LLMs for do...UiPathCommunity
💥 Speed, accuracy, and scaling – discover the superpowers of GenAI in action with UiPath Document Understanding and Communications Mining™:
See how to accelerate model training and optimize model performance with active learning
Learn about the latest enhancements to out-of-the-box document processing – with little to no training required
Get an exclusive demo of the new family of UiPath LLMs – GenAI models specialized for processing different types of documents and messages
This is a hands-on session specifically designed for automation developers and AI enthusiasts seeking to enhance their knowledge in leveraging the latest intelligent document processing capabilities offered by UiPath.
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👩🏫 Lenka Dulovicova, Product Program Manager, UiPath
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LF Energy Webinar: Electrical Grid Modelling and Simulation Through PowSyBl -...DanBrown980551
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Then welcome to this PowSyBl workshop, hosted by Rte, the French Transmission System Operator (TSO)!
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The framework is mostly written in Java, with a Python binding so that Python developers can access PowSyBl functionalities as well.
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2. Heatmap utilization for testing
3. Optimization of testing processes
4. Demo
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Execution from the test manager
Orchestrator execution result
Defect reporting
SAP heatmap example with demo
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Paper presented at SYNERGY workshop at AVI 2024, Genoa, Italy. 3rd June 2024
https://alandix.com/academic/papers/synergy2024-epistemic/
As machine learning integrates deeper into human-computer interactions, the concept of epistemic interaction emerges, aiming to refine these interactions to enhance system adaptability. This approach encourages minor, intentional adjustments in user behaviour to enrich the data available for system learning. This paper introduces epistemic interaction within the context of human-system communication, illustrating how deliberate interaction design can improve system understanding and adaptation. Through concrete examples, we demonstrate the potential of epistemic interaction to significantly advance human-computer interaction by leveraging intuitive human communication strategies to inform system design and functionality, offering a novel pathway for enriching user-system engagements.
Epistemic Interaction - tuning interfaces to provide information for AI support
Second pitch
1. Second Pitch
Brianna Barwell
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2. This Second pitch of our film idea develops
the thoughts we have for the actual
making and production. It explores our
film concept and how we will portray this.
This will help us decide upon all ideas
and start on the trailer production.
3. Cinematography
• For the shots we are planning to include we will
have high angle shots to show the tall building of
the lawyer firm company. But however show high
angle shots when she is realising she has done
wrong. The shots at the posh household where she
becomes a housekeeper will be out of her comfort
zone.
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4. Mise-En-Scene
• COSTUME: For our costume we will need of characters
dressed appropriately. For the main girl at the beginning
she must look smart and business like. For example, a
reasonably long skirt, coloured button shirt and blazer .
As she goes to the country side, she must look much more
casual but still smart, this will help to show how she feels
more at ease and at home with them. She needs to wear
clothes and aprons in order to look the part of a
housekeeper. The family owners and their son should
dress in casual clothes but be of a designer make. The
Father and son could every now and again appear in a suit
to show they work for important companies, showing that
this is why they’re so wealthy.
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5. • HOUSES: The houses we will need for the shoot. We will need
two houses to film at. One not being being a house but an
office. We may have to look up in London for a modern
supreme looking building. For this we have taken into
consideration that if we do find somewhere we will have to ask
for permission to film our actor walking in beforehand. For an
filming at an office desk we have agreed that we can probably
use a staff one at school that looks important and modern. For
the other house we will need a house that is or looks as if it is
based in the countryside. This house has to be quite big to
show the family of as wealthy because they a very rich family,
this is already shown by the way they can afford a
housekeeper.
Mise-En-Scene
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6. • PROPS: We have thought about any of the possible props we may
need for the film trailer. We will need the basics of the main girl
to look like she isn’t poor because she is a highly thought about
lawyer. Therefore she may have a designer bag, iPhone or
blackberry android phone. She will then turn this off for the film
and the other family will give her a new better iPhone when she
lies and tells them she doesn’t own a mobile. We will also need
the basic pots, pans and aprons to show her as a housekeeper and
show her struggle to cook and wash. Simple daytime props will be
needed like the washing machine and dishes also. For within the
beginning, we will need documents by the office side, using own
as the document that shows her mistake.
Mise-En-Scene
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7. • SOUND: For the sound in the trailer we think involving music
will be more exciting and enjoyable for an audience. We are
thinking to include modern music that implies a dramatic feel at
beginning. However as the audience are introduced to the son
and the girl becoming more friendly the music should uplift into
a light heart, romantic sound. This will imply that a possible
romance could occur between them however the trailer will never
show them in that way. We were considering maybe having a
narration from the main girl over the top but however we think
this may draw away attention from the trailer itself. Therefore we
have decided to include speech from the characters. At the end of
the trailer we want a happy, cheerful sounding music that also
suggests possible drama and tension. This we hope will excite the
audience and make them want to come and watch it. When any
text comes up on the trailer also we want there to be a sound
effect.
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