Scripts is a short play written by four authors: Ciaran, Harry, Jack, and Jake. The play likely involves dialogue between the characters as it is labeled a "script." In just a few lines or pages, the four authors collaborated on this creative work.
The revised pitch document summarizes a zombie film plot and takes inspiration from popular zombie movies like Zombieland, The Walking Dead, and I Am Legend. The plot involves two characters eating breakfast around a campfire when they hear noises and discover a third character killing a zombie sneaking up on them. They realize the area is no longer safe as more zombies approach. The document discusses shots that will emphasize weapons, zombies, gore, abandoned areas to create unease, and close-ups of the protagonist to show how they have adapted to the apocalypse. It also notes the third character will not be introduced much, creating narrative mysteries.
This document outlines two potential zombie-themed opening title sequences (OTS). The first pitch proposes a symbolic OTS depicting the spread of a zombie virus through abstract visuals and effects. The second proposes a linear OTS introducing three protagonist characters around a campfire and including a zombie encounter. Both aim to set an apocalyptic tone through conventions like isolated locations, violence, and a small survivor group. The target audience is described as mainly young adult males interested in the zombie genre.
This document lists the costume and props for Group 9's performance, which includes pyjamas, a brown T-shirt, and a black short sleeve shirt as costume items, along with a bed sheet, flour, phone, camera, cosmetics, and microphone as props.
The document summarizes several zombie and horror movies and TV shows that could provide inspiration for an individual research project on zombie genre films. It discusses key plot points and conventions of The Walking Dead, Saw, I Am Legend, Wolf Creek, and 28 Days Later. These include the characterization of the protagonist as an authoritative figure, the realistic progression of zombie makeup over time, focusing on small groups of survivors, and starting the story already in the midst of an apocalyptic outbreak.
The document discusses preliminary planning for a student film project by Ciaran, Harry, Jack, and Jake. It considers two potential filming locations: a school classroom and Harry's house. The school classroom is more convenient with easier access during school hours, but it has limited time and potential interruptions. Harry's house allows for a wider range of props but would be less convenient to access. The document also includes potential story ideas, props, locations, photographs of the classroom location, a timeline for one story idea, and overhead plans for framing shots.
This document discusses choosing a film distribution company. It lists several similar UK distribution companies for zombie films, including Warner Bros., Paramount Pictures, Universal Studios, 20th Century Fox, Columbia Pictures/Sony Pictures, Studio Canal, and Channel 5 Television. It recommends selecting Sony Pictures/Columbia Pictures as they could distribute the film worldwide and have more experience distributing popular zombie films in the UK than other companies.
The document discusses potential filming locations for a zombie movie. It analyzes several areas in Old Windsor, Virginia Waters, and Eton. Eton is selected as the final location because it is within a five minute walk of one of the filmmaker's houses, looks overgrown and abandoned which fits the narrative, is enclosed making it hard for characters to escape, and is out of the way to avoid alarming the public. The document also outlines the group's filming organization which will take place most weekends and Wednesdays, with cast and crew being transported from various starting points to the Eton location.
The document outlines the planning and organization for a group film project. It includes:
1) A casting list of 5 boys - Ciaran, Harry, Jack, Jake, and Henry who will be the main actors, with 3 optional actors.
2) Schedules for each boy showing their availability during the week and weekends.
3) Notes that Jake will book weekends off for filming and that Ciaran and Harry have morning commitments on Saturdays and Sundays that can be worked around.
4) A production schedule showing media lessons as times when everyone is available.
5) Plans to meet at Ciaran's house before filming to organize, and then walk to the filming
The revised pitch document summarizes a zombie film plot and takes inspiration from popular zombie movies like Zombieland, The Walking Dead, and I Am Legend. The plot involves two characters eating breakfast around a campfire when they hear noises and discover a third character killing a zombie sneaking up on them. They realize the area is no longer safe as more zombies approach. The document discusses shots that will emphasize weapons, zombies, gore, abandoned areas to create unease, and close-ups of the protagonist to show how they have adapted to the apocalypse. It also notes the third character will not be introduced much, creating narrative mysteries.
This document outlines two potential zombie-themed opening title sequences (OTS). The first pitch proposes a symbolic OTS depicting the spread of a zombie virus through abstract visuals and effects. The second proposes a linear OTS introducing three protagonist characters around a campfire and including a zombie encounter. Both aim to set an apocalyptic tone through conventions like isolated locations, violence, and a small survivor group. The target audience is described as mainly young adult males interested in the zombie genre.
This document lists the costume and props for Group 9's performance, which includes pyjamas, a brown T-shirt, and a black short sleeve shirt as costume items, along with a bed sheet, flour, phone, camera, cosmetics, and microphone as props.
The document summarizes several zombie and horror movies and TV shows that could provide inspiration for an individual research project on zombie genre films. It discusses key plot points and conventions of The Walking Dead, Saw, I Am Legend, Wolf Creek, and 28 Days Later. These include the characterization of the protagonist as an authoritative figure, the realistic progression of zombie makeup over time, focusing on small groups of survivors, and starting the story already in the midst of an apocalyptic outbreak.
The document discusses preliminary planning for a student film project by Ciaran, Harry, Jack, and Jake. It considers two potential filming locations: a school classroom and Harry's house. The school classroom is more convenient with easier access during school hours, but it has limited time and potential interruptions. Harry's house allows for a wider range of props but would be less convenient to access. The document also includes potential story ideas, props, locations, photographs of the classroom location, a timeline for one story idea, and overhead plans for framing shots.
This document discusses choosing a film distribution company. It lists several similar UK distribution companies for zombie films, including Warner Bros., Paramount Pictures, Universal Studios, 20th Century Fox, Columbia Pictures/Sony Pictures, Studio Canal, and Channel 5 Television. It recommends selecting Sony Pictures/Columbia Pictures as they could distribute the film worldwide and have more experience distributing popular zombie films in the UK than other companies.
The document discusses potential filming locations for a zombie movie. It analyzes several areas in Old Windsor, Virginia Waters, and Eton. Eton is selected as the final location because it is within a five minute walk of one of the filmmaker's houses, looks overgrown and abandoned which fits the narrative, is enclosed making it hard for characters to escape, and is out of the way to avoid alarming the public. The document also outlines the group's filming organization which will take place most weekends and Wednesdays, with cast and crew being transported from various starting points to the Eton location.
The document outlines the planning and organization for a group film project. It includes:
1) A casting list of 5 boys - Ciaran, Harry, Jack, Jake, and Henry who will be the main actors, with 3 optional actors.
2) Schedules for each boy showing their availability during the week and weekends.
3) Notes that Jake will book weekends off for filming and that Ciaran and Harry have morning commitments on Saturdays and Sundays that can be worked around.
4) A production schedule showing media lessons as times when everyone is available.
5) Plans to meet at Ciaran's house before filming to organize, and then walk to the filming
This document discusses the development of a production company by Ciaran, Harry, Jack, and Jake. It lists several similar existing production companies known for horror films. It then suggests some name ideas for the new production company, such as Apocalyptic Pictures and Torture Pictures. Finally, it proposes ideas for the production company's ident or logo, drawing inspiration from Blumhouse Productions and aiming to establish a dark and disturbing tone through quick flashes of light and imagery in a dark corridor.
The document discusses several horror films that provide inspiration for an original student film (OTS). It summarizes the plots of The Cabin in the Woods, The Conjuring, Ouija, You're Next, and Unfriended. Key ideas discussed include using an isolated setting, supernatural elements, masks/axes as threatening props, and low-key lighting to set a dark atmosphere. The document considers how elements from these films could inform the mise-en-scene, storyline, and genre conventions of the student's own film project.
The document discusses target audiences for horror films. It explains that a target audience is important for generating box office revenue. Typical viewers of horror films are males aged 15-24 who seek thrill. However, women's viewership of horror has recently exceeded men's. The document then examines target audiences for specific horror subgenres like paranormal, slasher, and zombie films. It provides details on the expected age, gender, ethnicity, class, and sexuality of viewers for each subgenre. Audience research found that people enjoy horror for adrenaline and gore while others dislike it for being too scary. Feedback revealed common expectations for chase scenes, blood, stabbing, and hideouts in horror films.
Three campers are being chased by a zombie down a path. They come to a fence that slows them down and have to squeeze through a tight gap. One camper is out of breath and realizes another forgot their inhaler. As two campers carry on, zombies appear and surround the breathless camper while the others look on.
This document discusses the editing tools used by Group 9 for Assignment 45. It describes the Selection tool for moving clips on the timeline, the Razor tool for cutting clips into sections, the Crop tool for shortening clips by trimming starts or ends, and the Pen tool for creating fade in and fade out transitions and other special effects.
Institutions involved in the horror movie industry include movie production companies like Twisted Pictures, known for the popular Saw franchise, and Universal Pictures, known for films like Dawn of the Dead. While Twisted Pictures focuses primarily on horror, Universal Pictures also produces other genres but has experimented with horror movies. Other major institutions in the horror genre include long-standing companies like Hammer Productions, which has had global success over 80 years producing classics like Curse of Frankenstein and Dracula films.
Music is used in horror movies to determine the mood for viewers and make them feel certain emotions like fear. Scary, sinister music builds suspense by making viewers suspect something is about to happen due to the dark music. The horror movie music adds to the atmosphere to increase intensity and make the film scarier by adding suspense and dramatic effect as it leads up to events in the film.
This document outlines an editing schedule for Assignment 44. It provides details for a group working on post-production for the assignment. The schedule likely includes deadlines and tasks for editing the video produced for the assignment.
The document analyzes and summarizes 15 different opening title sequences from horror films. It observes that most OTS are symbolic and use techniques like asynchronous sound, narrative enigmas through headings, and mise-en-scene to represent characters. Specific films highlighted include The Walking Dead, which uses a dark color palette and abandoned locations to set an ominous tone without characters, and Evil Dead, which has a nonlinear sequence showing blood spreading to foreshadow violence in a gory yet unconventional way using opera music. The document discusses how opening sequences prepare audiences for films through setting atmosphere, mood, and leaving questions unanswered to generate interest.
The document outlines a pre-production schedule for Group 9. It will include planning meetings the weeks of January 15th and 22nd to finalize designs, assign tasks, and establish a production timeline. Storyboards and animatics will be completed by February 5th, with filming scheduled during the week of February 12th. Post-production work such as editing, sound design, and graphics will take place between February 19th through March 12th.
This document summarizes the film techniques used in 5 horror and thriller films: Shaun of the Dead, Insidious, The Women in Black 2, The Purge, and Dead Snow. For each film, the student analyzes elements like lighting, sound, mise-en-scene, editing, camera shots, and makeup to understand how they enhance the mood and scare audiences. Effective techniques included realistic zombie costumes and makeup, lighting used to increase fear, and point-of-view shots showing the characters' perspectives. The document evaluates how these cinematic elements were skillfully employed to immerse viewers and make the films more unsettling experiences.
Group 9 has been assigned to create storyboards. Storyboards are a sequence of drawings or images displaying key details of a film or video project. They help visualize how a video will be filmed and edited together. The storyboards for this assignment should include at least 5 scenes that advance the narrative and help convey the overall story.
The document outlines common plot points, character types, settings, and technical elements in zombie films. It notes that a tight-knit group of protagonists slowly loses members to zombies until only two remain. Characters are usually level-headed and vulnerable. Settings tend to be abandoned and enclosed. Editing uses techniques like montage and match cuts. Camera work employs close-ups and establishing shots. Narratively, zombies outnumber humans and the number of surviving humans decreases in an apocalyptic scenario as they try to survive and sometimes overcome the zombies. Costuming and props indicate weakness through blood and weapons.
The production schedule outlines tasks for Group 9 over March and April. In March, the group will finalize designs and submit them for approval. They will then begin manufacturing prototypes in early April and conduct testing of the initial designs by mid-April.
This document provides recipes and evaluations for different types of fake blood for a video project. It lists the ingredients for fake blood made from washing-up liquid, coco powder, ketchup, and icing sugar. Coco powder and washing-up liquid blood are identified as the favorites because they look the most realistic through the camera lens. Icing sugar blood is deemed the least favorite as it is too runny and bubbly, looking too artificial to be used in the opening title sequence.
This document outlines costumes and props created for a school assignment. It lists ingredients like fairy liquid, chocolate powder, food coloring, and golden syrup that were used to create fake blood. Descriptions of 3 costumes are provided that have cuts and fake blood splattered on them to be worn by zombies and characters who are running. A knife was used to create holes in the clothing.
The document discusses font and title design considerations for zombie film openings. It recommends sans serif fonts in bold and large sizes with dark colors like black, dark red, or brown. Inspiration is drawn from The Walking Dead which uses a title wipe. Potential fonts include Arial Black, Bank Gothic, Century Gothic, Lucida Sans Unicode, Verdana, and Tahoma. Text should contrast the background but not stand out too much. Big bold text on a black background will introduce the title, while smaller bold text lists the crew names and regular text gives their jobs. Minimal or no movement is preferred, though a slow crawl could work. Text should appear in unused negative space and wipe away as clips change.
This document discusses sound design for a film, noting that heavy music can help build tension and that diegetic, or naturalistic, sounds bring realism to create a believable world.
This document summarizes and compares the film credits/titles of three movies: Zombieland, The Last of Us, and The Walking Dead. It describes the order of credits, font styles used, placement of production team vs actors' names, use of photographs, and background colors. The document analyzes differences in how the credits are formatted between a film and television series.
The document discusses various technologies used during the process of constructing a product. These include:
- Blogger and Slideshare for research and planning to organize work and embed presentations
- Final Cut Pro, anchor points, and color correction for video editing during construction
- Powtoon and Emaze for creating interactive presentations for evaluation
The student learned how to use these technologies and apply various functions and skills like fading, text effects, and presentation design. Overall the document reflects on the technologies used and what was learned from using each tool.
This document discusses the development of a production company by Ciaran, Harry, Jack, and Jake. It lists several similar existing production companies known for horror films. It then suggests some name ideas for the new production company, such as Apocalyptic Pictures and Torture Pictures. Finally, it proposes ideas for the production company's ident or logo, drawing inspiration from Blumhouse Productions and aiming to establish a dark and disturbing tone through quick flashes of light and imagery in a dark corridor.
The document discusses several horror films that provide inspiration for an original student film (OTS). It summarizes the plots of The Cabin in the Woods, The Conjuring, Ouija, You're Next, and Unfriended. Key ideas discussed include using an isolated setting, supernatural elements, masks/axes as threatening props, and low-key lighting to set a dark atmosphere. The document considers how elements from these films could inform the mise-en-scene, storyline, and genre conventions of the student's own film project.
The document discusses target audiences for horror films. It explains that a target audience is important for generating box office revenue. Typical viewers of horror films are males aged 15-24 who seek thrill. However, women's viewership of horror has recently exceeded men's. The document then examines target audiences for specific horror subgenres like paranormal, slasher, and zombie films. It provides details on the expected age, gender, ethnicity, class, and sexuality of viewers for each subgenre. Audience research found that people enjoy horror for adrenaline and gore while others dislike it for being too scary. Feedback revealed common expectations for chase scenes, blood, stabbing, and hideouts in horror films.
Three campers are being chased by a zombie down a path. They come to a fence that slows them down and have to squeeze through a tight gap. One camper is out of breath and realizes another forgot their inhaler. As two campers carry on, zombies appear and surround the breathless camper while the others look on.
This document discusses the editing tools used by Group 9 for Assignment 45. It describes the Selection tool for moving clips on the timeline, the Razor tool for cutting clips into sections, the Crop tool for shortening clips by trimming starts or ends, and the Pen tool for creating fade in and fade out transitions and other special effects.
Institutions involved in the horror movie industry include movie production companies like Twisted Pictures, known for the popular Saw franchise, and Universal Pictures, known for films like Dawn of the Dead. While Twisted Pictures focuses primarily on horror, Universal Pictures also produces other genres but has experimented with horror movies. Other major institutions in the horror genre include long-standing companies like Hammer Productions, which has had global success over 80 years producing classics like Curse of Frankenstein and Dracula films.
Music is used in horror movies to determine the mood for viewers and make them feel certain emotions like fear. Scary, sinister music builds suspense by making viewers suspect something is about to happen due to the dark music. The horror movie music adds to the atmosphere to increase intensity and make the film scarier by adding suspense and dramatic effect as it leads up to events in the film.
This document outlines an editing schedule for Assignment 44. It provides details for a group working on post-production for the assignment. The schedule likely includes deadlines and tasks for editing the video produced for the assignment.
The document analyzes and summarizes 15 different opening title sequences from horror films. It observes that most OTS are symbolic and use techniques like asynchronous sound, narrative enigmas through headings, and mise-en-scene to represent characters. Specific films highlighted include The Walking Dead, which uses a dark color palette and abandoned locations to set an ominous tone without characters, and Evil Dead, which has a nonlinear sequence showing blood spreading to foreshadow violence in a gory yet unconventional way using opera music. The document discusses how opening sequences prepare audiences for films through setting atmosphere, mood, and leaving questions unanswered to generate interest.
The document outlines a pre-production schedule for Group 9. It will include planning meetings the weeks of January 15th and 22nd to finalize designs, assign tasks, and establish a production timeline. Storyboards and animatics will be completed by February 5th, with filming scheduled during the week of February 12th. Post-production work such as editing, sound design, and graphics will take place between February 19th through March 12th.
This document summarizes the film techniques used in 5 horror and thriller films: Shaun of the Dead, Insidious, The Women in Black 2, The Purge, and Dead Snow. For each film, the student analyzes elements like lighting, sound, mise-en-scene, editing, camera shots, and makeup to understand how they enhance the mood and scare audiences. Effective techniques included realistic zombie costumes and makeup, lighting used to increase fear, and point-of-view shots showing the characters' perspectives. The document evaluates how these cinematic elements were skillfully employed to immerse viewers and make the films more unsettling experiences.
Group 9 has been assigned to create storyboards. Storyboards are a sequence of drawings or images displaying key details of a film or video project. They help visualize how a video will be filmed and edited together. The storyboards for this assignment should include at least 5 scenes that advance the narrative and help convey the overall story.
The document outlines common plot points, character types, settings, and technical elements in zombie films. It notes that a tight-knit group of protagonists slowly loses members to zombies until only two remain. Characters are usually level-headed and vulnerable. Settings tend to be abandoned and enclosed. Editing uses techniques like montage and match cuts. Camera work employs close-ups and establishing shots. Narratively, zombies outnumber humans and the number of surviving humans decreases in an apocalyptic scenario as they try to survive and sometimes overcome the zombies. Costuming and props indicate weakness through blood and weapons.
The production schedule outlines tasks for Group 9 over March and April. In March, the group will finalize designs and submit them for approval. They will then begin manufacturing prototypes in early April and conduct testing of the initial designs by mid-April.
This document provides recipes and evaluations for different types of fake blood for a video project. It lists the ingredients for fake blood made from washing-up liquid, coco powder, ketchup, and icing sugar. Coco powder and washing-up liquid blood are identified as the favorites because they look the most realistic through the camera lens. Icing sugar blood is deemed the least favorite as it is too runny and bubbly, looking too artificial to be used in the opening title sequence.
This document outlines costumes and props created for a school assignment. It lists ingredients like fairy liquid, chocolate powder, food coloring, and golden syrup that were used to create fake blood. Descriptions of 3 costumes are provided that have cuts and fake blood splattered on them to be worn by zombies and characters who are running. A knife was used to create holes in the clothing.
The document discusses font and title design considerations for zombie film openings. It recommends sans serif fonts in bold and large sizes with dark colors like black, dark red, or brown. Inspiration is drawn from The Walking Dead which uses a title wipe. Potential fonts include Arial Black, Bank Gothic, Century Gothic, Lucida Sans Unicode, Verdana, and Tahoma. Text should contrast the background but not stand out too much. Big bold text on a black background will introduce the title, while smaller bold text lists the crew names and regular text gives their jobs. Minimal or no movement is preferred, though a slow crawl could work. Text should appear in unused negative space and wipe away as clips change.
This document discusses sound design for a film, noting that heavy music can help build tension and that diegetic, or naturalistic, sounds bring realism to create a believable world.
This document summarizes and compares the film credits/titles of three movies: Zombieland, The Last of Us, and The Walking Dead. It describes the order of credits, font styles used, placement of production team vs actors' names, use of photographs, and background colors. The document analyzes differences in how the credits are formatted between a film and television series.
The document discusses various technologies used during the process of constructing a product. These include:
- Blogger and Slideshare for research and planning to organize work and embed presentations
- Final Cut Pro, anchor points, and color correction for video editing during construction
- Powtoon and Emaze for creating interactive presentations for evaluation
The student learned how to use these technologies and apply various functions and skills like fading, text effects, and presentation design. Overall the document reflects on the technologies used and what was learned from using each tool.
Our production schedule has been updated for the upcoming quarter. Several projects have been pushed back due to delays receiving parts from our suppliers. The robotics project will now begin in June instead of April, while the new product line launch is pushed to August from July. Overall, these delays will likely impact our quarterly revenue projections.
This document lists the costumes and props needed for a production, including pyjamas, t-shirts, a short sleeve shirt, and an all white costume. It also lists props like a bed sheet, flour, phone, camera, cosmetics, and microphone. The document also mentions a script and storyboards were included.
This document provides research on music and sound for an assignment, including screenshots and hyperlinks to stock music sites and a blog with free music. It appears to contain research from Group 9 on finding music and sound files for a project.
This document provides feedback on a draft assignment and targets for improvement. It outlines positives and negatives of the draft, including good camera angles but focusing issues. Audience research found that chase scenes, dark atmospheres, enclosed areas, blood, and stabbings were well-received genres. The targets for the final draft are to clearly indicate the sub-genre, improve mise-en-scene, properly place titles, use a range of shots and angles, make a well-produced title sequence, and employ editing techniques to create effects.
The document provides feedback on a draft title sequence project, noting positives like some good camera angles but also negatives like focusing issues and bad language. It then summarizes audience research preferences for thriller title sequences, such as chase scenes and dark atmospheres. Finally, it lists targets for the final draft, including clearly indicating the sub-genre, improving mise-en-scene, using varied camera angles and shots, and employing editing techniques.
Three campers are being chased by a zombie down a side path. They stop to decide which route to take, hearing the zombie gaining on them. They choose to go left down a narrow path but the zombie continues following closely behind. One camper begins having breathing difficulties, realizing another forgot to bring the inhaler. More zombies appear, surrounding the struggling camper as the others look on from a distance.
Three campers are being chased by a zombie down a side path. They stop to decide which route to take, hearing the zombie gaining on them. They go left down a path but reach a fence that slows them down, forcing them to squeeze through a tight gap. One camper is short of breath and realizes another forgot their inhaler. As more zombies appear, the breathless camper tells the others to carry on as they are surrounded.
The document outlines common plot points, character types, settings, editing techniques, camera work, and narrative structure in zombie films. It notes that a tight-knit group of protagonists slowly loses members until only two are left. Settings are usually abandoned and run-down enclosed spaces. Character types include those who are level-headed, vulnerable, and scared. Editing uses montage and matches action. Camera work includes close-ups and establishing shots. The zombies outnumber humans and the plot involves the dwindling group of humans trying to survive and sometimes finding a solution.
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Beyond Degrees - Empowering the Workforce in the Context of Skills-First.pptxEduSkills OECD
Iván Bornacelly, Policy Analyst at the OECD Centre for Skills, OECD, presents at the webinar 'Tackling job market gaps with a skills-first approach' on 12 June 2024
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
Leveraging Generative AI to Drive Nonprofit InnovationTechSoup
In this webinar, participants learned how to utilize Generative AI to streamline operations and elevate member engagement. Amazon Web Service experts provided a customer specific use cases and dived into low/no-code tools that are quick and easy to deploy through Amazon Web Service (AWS.)
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
Reimagining Your Library Space: How to Increase the Vibes in Your Library No ...Diana Rendina
Librarians are leading the way in creating future-ready citizens – now we need to update our spaces to match. In this session, attendees will get inspiration for transforming their library spaces. You’ll learn how to survey students and patrons, create a focus group, and use design thinking to brainstorm ideas for your space. We’ll discuss budget friendly ways to change your space as well as how to find funding. No matter where you’re at, you’ll find ideas for reimagining your space in this session.
How to Fix the Import Error in the Odoo 17Celine George
An import error occurs when a program fails to import a module or library, disrupting its execution. In languages like Python, this issue arises when the specified module cannot be found or accessed, hindering the program's functionality. Resolving import errors is crucial for maintaining smooth software operation and uninterrupted development processes.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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Training: ISO/IEC 27001 Information Security Management System - EN | PECB
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