This document defines key terms related to copyright including: audiovisual works, best edition, collective works, compilations, copies, copyright owners, created works, derivative works, devices/machines/processes, digital phonorecord deliveries, displays, establishments, fixed works, food service/drinking establishments, performances, phonorecords, pseudonymous works, publications, public performances/displays, performing rights societies, registrations, sound recordings, transfers of copyright ownership, transmission programs, transmissions, works made for hire, works of authorship, and US government publications. It also outlines the 6 exclusive rights of copyright owners and exceptions for fair use and compulsory mechanical licenses.
Heat Seeker - An Interactive Audio-Visual Project for Performance, Video and Web
Presented at IADIS Visual Communication Conference Albert-Ludwigs-Universität Freiburg, 27.7.2010
Nuno N. Correia is a doctor of arts student at Aalto University, School of Art and Design: http://mlab.taik.fi/
More information:
http://www.nunocorreia.com
mail(at)nunocorreia.com
Heat Seeker - An Interactive Audio-Visual Project for Performance, Video and Web
Presented at IADIS Visual Communication Conference Albert-Ludwigs-Universität Freiburg, 27.7.2010
Nuno N. Correia is a doctor of arts student at Aalto University, School of Art and Design: http://mlab.taik.fi/
More information:
http://www.nunocorreia.com
mail(at)nunocorreia.com
A slideshow about the dynamic history and present of Scott Phinney's community, Tualatin, OR. Scott Phinney works in Tualatin as a Property Tax Expert. For more information, check out http://phinneyscott.wix.com/resume and
http://phinneyscott.wix.com/scottphinney
Scott Phinney - Property Tax AdministrationScott Phinney
Scott Phinney's upload of information about Property Tax Administration. For more about Scott Phinney, check out http://scottphinneyprimepropertytax.blogspot.com/
UNITED STATES CODE ANNOTATED - Chapter 1VogelDenise
UNITED STATES CODE ANNOTATED - Chapter 1
This information is being shared because United States President Barack Obama, his Administration, his Legal Counsel (Baker Donelson Bearman Caldwell & Berkowitz), The Garretson Resolution Firm and other CONSPIRATORS/CO-CONSPIRATORS are trying to keep the PUBLIC/WORLD from obtaining documents Newsome is sharing.
Provides information as to the REASONS why the FEDERAL BUREAU OF INVESTIGATION, JUDICIAL COMPLAINTS and CONGRESSIONAL COMPLAINTS Filed by Vogel Denise Newsome are being OBSTRUCTED from being PROSECUTED!
Garretson Resolution Group appears to be FRONTING Firm for United States President Barack Obama and Legal Counsel/Advisor (Baker Donelson Bearman Caldwell & Berkowitz) which has submitted a SLAPP Complaint to OneWebHosting.com in efforts of PREVENTING the PUBLIC/WORLD from knowing of its and President Barack Obama's ROLE in CONSPIRACIES leveled against Vogel Denise Newsome in EXPOSING the TRUTH behind the 911 DOMESTIC TERRORIST ATTACKS, COLLAPSE OF THE WORLD ECONOMY, EMPLOYMENT violations and other crimes of United States Government Officials. Information that United States President Barack Obama, The Garretson Resolution Group, Baker Donelson Bearman Caldwell & Berkowitz, and United States Congress, etc. do NOT want the PUBLIC/WORLD to see. Information of PUBLIC Interest!
Reference source is "A HAND BOOK OF COPYRIGHT LAW"
There is an acute lack of awareness on various issues relating to copyright and related rights amongst stakeholders, enforcement agencies, professional users like the scientific and academic communities and members of the public. The questions put forth by the representatives of these sections of society vary from those relating to the very fundamentals of intellectual property rights to those which relate to practical applications.
A slideshow about the dynamic history and present of Scott Phinney's community, Tualatin, OR. Scott Phinney works in Tualatin as a Property Tax Expert. For more information, check out http://phinneyscott.wix.com/resume and
http://phinneyscott.wix.com/scottphinney
Scott Phinney - Property Tax AdministrationScott Phinney
Scott Phinney's upload of information about Property Tax Administration. For more about Scott Phinney, check out http://scottphinneyprimepropertytax.blogspot.com/
UNITED STATES CODE ANNOTATED - Chapter 1VogelDenise
UNITED STATES CODE ANNOTATED - Chapter 1
This information is being shared because United States President Barack Obama, his Administration, his Legal Counsel (Baker Donelson Bearman Caldwell & Berkowitz), The Garretson Resolution Firm and other CONSPIRATORS/CO-CONSPIRATORS are trying to keep the PUBLIC/WORLD from obtaining documents Newsome is sharing.
Provides information as to the REASONS why the FEDERAL BUREAU OF INVESTIGATION, JUDICIAL COMPLAINTS and CONGRESSIONAL COMPLAINTS Filed by Vogel Denise Newsome are being OBSTRUCTED from being PROSECUTED!
Garretson Resolution Group appears to be FRONTING Firm for United States President Barack Obama and Legal Counsel/Advisor (Baker Donelson Bearman Caldwell & Berkowitz) which has submitted a SLAPP Complaint to OneWebHosting.com in efforts of PREVENTING the PUBLIC/WORLD from knowing of its and President Barack Obama's ROLE in CONSPIRACIES leveled against Vogel Denise Newsome in EXPOSING the TRUTH behind the 911 DOMESTIC TERRORIST ATTACKS, COLLAPSE OF THE WORLD ECONOMY, EMPLOYMENT violations and other crimes of United States Government Officials. Information that United States President Barack Obama, The Garretson Resolution Group, Baker Donelson Bearman Caldwell & Berkowitz, and United States Congress, etc. do NOT want the PUBLIC/WORLD to see. Information of PUBLIC Interest!
Reference source is "A HAND BOOK OF COPYRIGHT LAW"
There is an acute lack of awareness on various issues relating to copyright and related rights amongst stakeholders, enforcement agencies, professional users like the scientific and academic communities and members of the public. The questions put forth by the representatives of these sections of society vary from those relating to the very fundamentals of intellectual property rights to those which relate to practical applications.
A lecture outlining the basics of online copyright protection. Copyright laws are used by anti-piracy groups, reputation management firms and copyright holders to demand removal of copyrighted content from the web.
Music Publishing & Copyright Administration In The Internet AgeDae Bogan
The following presentation is from my lecture, "Music Publishing & Copyright Administration In The Internet Age" at the Independent Music Conference on October 25th, 2014 at SAE Institute in Los Angeles.
Conference Description: This workshop will cover basic music publishing and copyright administration from the perspective of a DIY independent artist. You will learn about self-publishing in the Internet age and takeaway resources for music placement, music licensing, and royalty collection around the world. Attendees should leave with an understanding of synchronization rights, mechanical rights, and performance rights in the United States.
Similar to Scott Phinney - Copyright Definitions (20)
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
Unveiling Paul Haggis Shaping Cinema Through Diversity. .pdfkenid14983
Paul Haggis is undoubtedly a visionary filmmaker whose work has not only shaped cinema but has also pushed boundaries when it comes to diversity and representation within the industry. From his thought-provoking scripts to his engaging directorial style, Haggis has become a prominent figure in the world of film.
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
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Barbie Movie Review - The Astras.pdffffftheastras43
Barbie Movie Review has gotten brilliant surveys for its fun and creative story. Coordinated by Greta Gerwig, it stars Margot Robbie as Barbie and Ryan Gosling as Insight. Critics adore its perky humor, dynamic visuals, and intelligent take on the notorious doll's world. It's lauded for being engaging for both kids and grown-ups. The Astras profoundly prescribes observing the Barbie Review for a delightful and colorful cinematic involvement.https://theastras.com/hca-member-gradebooks/hca-gradebook-barbie/
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Sagagreendigital
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
Experience the thrill of Progressive Puzzle Adventures, like Scavenger Hunt Games and Escape Room Activities combined Solve Treasure Hunt Puzzles online.
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At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
innovative approach towards advertainment with vast revenue opportunities. Designed and developed by Joe Q. Bretz
Modern Radio Frequency Access Control Systems: The Key to Efficiency and SafetyAITIX LLC
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdfAzura Everhart
Matt Rife's comedy tour took an unexpected turn. He had to cancel his Bloomington show due to a last-minute medical emergency. Fans in Chicago will also have to wait a bit longer for their laughs, as his shows there are postponed. Rife apologized and assured fans he'd be back on stage soon.
https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
2. Audiovisual Works
• Works that consist of a series of related
images which are intrinsically intended to be
shown by the use of machines or devices such
as projectors, viewers, or electronic
equipment, together with accompanying
sounds, if any, regardless of the nature of the
material objects, such as films or tapes, in
which the works are embodied.
3. Best Edition
• The edition published in the US at any time
before the date of deposit, that the Library of
Congress determines to be the most suitable
for its purposes.
4. Collective Work
• A work, such as a periodical issue, anthology
or encyclopedia, in which a number of
contributions, constituting separate and
independent works in themselves, are
assembled into a collective whole.
5. Compilation
• A work formed by the collection and
assembling of preexisting materials or of data
that are selected, coordinated, or arranged in
such a way that the resulting work as a whole
constitutes an original work of authorship.
Includes collective works.
6. Copies
• Material objects, other than phonorecords, in
which a work is fixed by any method now
known or later developed, and from which the
work can be perceived, reproduced, or
otherwise communicated, either directly or
with the aid of a machine or device. The term
copies includes the material object, other than
a phonorecord, in which the work is first fixed.
7. Copyright Owner (proprietor)
• With respect to any one of the exclusive rights
comprised in a copyright, refers to the owner
of that particular right.
8. Created
• A work is “created” when it is fixed in a copy
or phonorecord for the first time; where a
work is prepared over a period of time, the
portion that has been fixed at any particular
time constitutes the work as of that time, and
where the work has been prepared in
different versions, each version constitutes a
separate work.
9. Derivative Work
• A work based on one or more preexisting works,
such as a translation, musical arrangement,
dramatization, fictionalization, motion picture
version, sound recording, art reproduction,
abridgment, condensation, or any other form in
which a work may be recast, transformed, or
adapted. A work consisting of editorial revisions,
annotations, elaborations, or other modifications
that, as a whole represent an original work of
authorship is a derivative work.
11. Digital Phonorecord Delivery
• Each individual delivery of (the sound embodied in) a
phonorecord by digital transmission of a sound recording
which results in a specifically identifiable reproduction by
or for any transmission recipient of a phonorecord of that
sound recording, regardless of whether the digital
transmission is also a public performance of the sound
recording or any nondramatic musical work embodied
therein. A digital phonorecord delivery does not result
from a real-time, nonintegrated subscription transmission
of a sound recording where no reproduction of the sound
recording or the musical work embodied therein is made
from the inception of the transmission through to its
receipt by the transmission recipient in order to make the
sound recording audible.
12. Display
• To display a work means to show a copy of it,
either directly or by means of a film, slide,
television image, or any other device or
process or, in the case of a motion picture or
other audiovisual work, to show individual
images nonsequentially.
13. Establishment
• Store, shop, or any similar place of business
open to the general public for the primary
purpose of selling goods or services in which
the majority of the gross square feet of space
that is nonresidential is used for that
purpose, and in which nondramatic musical
works are performed publicly.
14. Fixed
• A work is “fixed” in a tangible medium of
expression when its embodiment in a copy or
phonorecord, by or under the authority of the
author, is sufficiently permanent or stable to
permit it to be perceived, reproduced, or
otherwise communicated for a period of more
than transitory duration. A work consisting of
sounds, images, or both that are being
transmitted is “fixed” for purposes of this title if a
fixation of the work is being made simultaneously
with its transmission.
15. Food Service or Drinking Establishment
• A restaurant, inn, bar, tavern, or any other
similar place of business in which the public or
patrons assemble for the primary purpose of
being served food or drink in which the
majority of the gross square feet of space that
is nonresidential is used for that purpose and
in which nondramatic musical works are
performed publicly.
16. Perform
• To “perform” a work means to
recite, render, play, dance, or act it, either
directly or by means of an device or
process, or in the case of a motion picture or
other audiovisual work, to show its images in
any sequence or to make the sounds
accompanying it audible.
17. Phonorecords
• Material objects in which sounds, other than
those accompanying a motion picture or other
audiovisual work, are fixed by any method
now known or later developed, and from
which the sounds can be perceived,
reproduced, or otherwise communicated,
either directly or with the aid of a machine or
device. The term phonorecord includes the
material object in which the sounds are first
fixed.
18. Pseudonymous work
• A work on the copies or phonorecords of
which the author is identified under a
fictitious name.
19. Publication
• The distribution of copies or phonorecords of
a work to the public by sale or other transfer
of ownership, or by rental, lease, or lending.
The offering to distribute copies or
phonorecords to a group of persons for
purposes of further distribution, public
performance, or public display constitutes
publication. A public performance or display
of a work does not of itself constitute
publication.
20. To Perform or Display a work
“publicly” means:
• 1. To perform or display it at a place open to the public
or at any place where a substantial number of persons
outside of a normal circle of family and its social
acquaintances are gathered; or
• 2. To transmit or otherwise communicate a
performance or display of the work to a place specified
by clause (1) or to the public, by means of any device
or process, whether the members of the public capable
of receiving the performance or display receive it in the
same place or in separate places and at the same time
or at different times.
21. Performing Rights Society
• An association, corporation, or other entity
that licenses the public performance of
nondramtaic musical works on behalf of
copyright owners of such works, such as the
American Society of Composers, Authors and
Publishers (ASCAP), Broadcast Music, Inc.
(BMI), and SESAC, Inc.
22. Registration Means
• a registration of a claim in the original or the
renewed and extended term of copyright.
23. Sound Recordings
• Works that result from the fixation of a series
of musical, spoken, or other sounds, but not
including the sounds accompanying a motion
picture or other audiovisual work, regardless
of the nature of the material objects such as
discs, tapes, or other phonorecords, in which
they are embodied.
24. Transfer of Copyright Ownership
• An assignment, mortgage, exclusive license, or
any other conveyance, alienation, or
hypothecation of a copyright or of any of the
exclusive rights comprised in a
copyright, whether or not it is limited in time
or place of effect, but not including a
nonexclusive license.
25. Transmission Program
• A body of material that, as an aggregate, has
been produced for the sole purpose of
transmission to the public in sequence and as
a unit.
26. Transmit
• To “transmit” a performance or display is to
communicate it by any device or process
whereby images or sounds are received
beyond the place from which they are sent.
27. Work made for hire
• (a) a work prepared by an employee within the scope of his or her
employment, or
• (b) a work specially ordered or commissioned for use as a
contribution to a collective work, as part of a motion picture or
other audiovisual work, as a translation, as a supplementary
work, as a compilation, as an instructional text, as a test, as answer
material for a test, or as an atlas, if the parties expressly agree in a
written instrument signed by them that the work shall be
considered a work made for hire. A “supplementary work” is a
work prepared for publication as a secondary adjunct to a work by
another author for the purpose of
introducing, concluding, illustrating, explaining, revising, commenti
ng upon, or assisting in the use of the other work, such as a musical
arrangement.
28. Copyright Protection is for Works of
Authorship
• Literary Works
• Musical Works, including any accompanying
words
• Dramatic works, including any accompanying
music
• Pantomimes and choreographic works
• Pictorial, graphic, and sculptural works
• Motion pictures and other audiovisual works
• Sound recordings
• Architectural works
30. 6 Exclusive Rights
• 1. to reproduce the copyrighted work in
copies or phonorecords;
• 2. to prepare derivative works based upon the
copyrighted work;
• 3. to distribute copies or phonorecords of the
copyrighted work to the public by sale or
other transfer of ownership, or b rental, lease
or lending
31. 6 Exclusive Rights Cont.
• 4. in the case of literary, musical, dramatic, and
choreographic works, pantomimes, and motion
pictures and other audiovisual works, to perform the
copyrighted work publicly;
• 5. in the case of literary, musical, dramatic, and
choreographic works, pantomimes, and
pictorial, graphic, or sculptural works, including the
individual images of a motion picture or other
audiovisual work, to display the copyrighted work
publicly; and
• 6. in the case of sound recordings, to perform the
copyrighted work publicly by means of a digital audio
transmission.
32. Fair Use of Copyrighted Material – not
considered an infringement
• 1. The purpose or character of the use, including
whether such use is of a commercial nature or is
for nonprofit educational purposes.
• 2. The nature of the copyrighted work.
• 3. The amount and substantiality of the portion
used in relation to the copyrighted work as a
whole.
• 4. The effect of the use on the potential market
for or value of the copyrighted work.
33. Compulsory Mechanical License
• After the first recording is distributed to the
public, the law requires the copyright owner
to license any other person to record and
distribute recordings for a fixed statutory
royalty.
• Can negotiate a different royalty rate
• The Harry Fox Agency handles most of these
negotiations and the administration of the
royalties.
34. Duration of the Copyright
• Life of author plus 70 years
• Joint work – life of last to die plus 70 years
• Works for hire – 95 years from the date of first
publication or 120 years from
creation, whichever is first