The short film Saw is set in a derelict industrial factory and hospital. David awakens trapped in the factory with a bear trap on his face. Through instructions from the villain Jigsaw on a television, David must find the key to the trap or it will activate. The contrasting hospital setting provides no escape from David's trauma. Editing uses rapid cuts to build tension as David searches desperately. The film's techniques isolate and manipulate the character to terrify the audience.
A woman returns to an event wearing red and encounters an intruder. She demands retribution for past wrongs through eloquent but expletive-filled speech. Though she tries to escape the intruder's wily responses, she is unable and eventually retreats, indignant that her words were not properly heard or understood.
Todorov suggests there are 5 stages of narrative: equilibrium, disruption of equilibrium, recognition of disruption, attempt to repair disruption, and new equilibrium. These stages are represented in a diagram with arrows showing the sequence. The disruption pushes a chain of events that makes up the plot. Different genres will show the stages differently. Levi-Strauss believed our world can be described through binary oppositions like good/evil and light/dark that provide structure and meaning. However, this can lead to problematic hierarchies. Barthes discussed how narratives provide mystery through enigmas that the audience tries to solve. Propp identified character functions like heroes, villains, dispatchers, and donors that typically appear in stories.
Juries play a role in deciding certain civil cases such as defamation, false imprisonment, and fraud that involve issues of character and reputation. However, judges can refuse juries even in these cases if the evidence is too complicated. Juries are allowed in personal injury cases in exceptional circumstances according to Ward v James, but none have been deemed exceptional since. In civil cases juries have a dual role in deciding liability and assessing damages to be awarded.
The document provides examples and descriptions for conventions that could be used in the opening sequence of a drama about the harms of drug use. It discusses using slow motion to show a teenage girl falling to the ground from a drug overdose. It also discusses portraying the girl's hallucinations, happiness at first trying drugs, and eventual depression as she cuts herself in the bathtub. The purpose is to warn teenagers about the dangers of drugs and how they can negatively impact health, relationships, and mental state over time.
The document provides details about three inspirational film scenes:
1) A scene from Hard Candy builds suspense as a 14-year-old girl interrogates a photographer she suspects has a hidden past.
2) A scene from Saw 3D shocks the audience as a young girl is tied up and a man is trapped in a dangerous machine.
3) A scene from Rush Hour 3 creates dramatic irony as the audience learns why one of the main characters is behind a curtain during a performance, building suspense.
- The document analyzes elements of mise-en-scene in the film Star Wars: The Force Awakens, including location, lighting, props, costumes, and actor movements.
- Key locations include desert planets associated with Rey, ruins associated with Kylo Ren, and a forest where Rey hides but is vulnerable.
- Lighting uses colors like blue and red to identify good and villainous characters, and shadows create tension.
- Iconic props like lightsabers further define characters, and stormtrooper costumes make them anonymous and numerous.
- Costumes also clearly identify characters with colors like white for Rey and black for Kylo Ren and stormtroopers.
- Character movements establish
The document discusses techniques used in horror films and analyzes a scene from The Woman in Black. It notes that:
1) The scene establishes tension through diegetic sounds like a creaking rocking chair that get louder as the character gets closer, putting the audience on edge.
2) Shot types like close-ups are used to convey the character's fear and allow audiences to empathize with him, while wide shots show the vulnerable open space he must cross.
3) The pacing of shots and camera movements create a sense of apprehension and frenzied searching as the character tears at the wallpaper, mirroring his state of mind.
The document provides a detailed analysis of the mise-en-scene elements of the 2006 horror film Monster directed by Jennifer Kent. It examines the film's locations, lighting, costumes, props, actor movements, sounds, cinematography, and editing techniques. Key details include the cramped and unkept family home setting, the monster's dark clothing that helps it hide in shadows, the mother's white nightgown that stands out for the audience, and the slow pacing with bursts of speed during key monster appearances.
A woman returns to an event wearing red and encounters an intruder. She demands retribution for past wrongs through eloquent but expletive-filled speech. Though she tries to escape the intruder's wily responses, she is unable and eventually retreats, indignant that her words were not properly heard or understood.
Todorov suggests there are 5 stages of narrative: equilibrium, disruption of equilibrium, recognition of disruption, attempt to repair disruption, and new equilibrium. These stages are represented in a diagram with arrows showing the sequence. The disruption pushes a chain of events that makes up the plot. Different genres will show the stages differently. Levi-Strauss believed our world can be described through binary oppositions like good/evil and light/dark that provide structure and meaning. However, this can lead to problematic hierarchies. Barthes discussed how narratives provide mystery through enigmas that the audience tries to solve. Propp identified character functions like heroes, villains, dispatchers, and donors that typically appear in stories.
Juries play a role in deciding certain civil cases such as defamation, false imprisonment, and fraud that involve issues of character and reputation. However, judges can refuse juries even in these cases if the evidence is too complicated. Juries are allowed in personal injury cases in exceptional circumstances according to Ward v James, but none have been deemed exceptional since. In civil cases juries have a dual role in deciding liability and assessing damages to be awarded.
The document provides examples and descriptions for conventions that could be used in the opening sequence of a drama about the harms of drug use. It discusses using slow motion to show a teenage girl falling to the ground from a drug overdose. It also discusses portraying the girl's hallucinations, happiness at first trying drugs, and eventual depression as she cuts herself in the bathtub. The purpose is to warn teenagers about the dangers of drugs and how they can negatively impact health, relationships, and mental state over time.
The document provides details about three inspirational film scenes:
1) A scene from Hard Candy builds suspense as a 14-year-old girl interrogates a photographer she suspects has a hidden past.
2) A scene from Saw 3D shocks the audience as a young girl is tied up and a man is trapped in a dangerous machine.
3) A scene from Rush Hour 3 creates dramatic irony as the audience learns why one of the main characters is behind a curtain during a performance, building suspense.
- The document analyzes elements of mise-en-scene in the film Star Wars: The Force Awakens, including location, lighting, props, costumes, and actor movements.
- Key locations include desert planets associated with Rey, ruins associated with Kylo Ren, and a forest where Rey hides but is vulnerable.
- Lighting uses colors like blue and red to identify good and villainous characters, and shadows create tension.
- Iconic props like lightsabers further define characters, and stormtrooper costumes make them anonymous and numerous.
- Costumes also clearly identify characters with colors like white for Rey and black for Kylo Ren and stormtroopers.
- Character movements establish
The document discusses techniques used in horror films and analyzes a scene from The Woman in Black. It notes that:
1) The scene establishes tension through diegetic sounds like a creaking rocking chair that get louder as the character gets closer, putting the audience on edge.
2) Shot types like close-ups are used to convey the character's fear and allow audiences to empathize with him, while wide shots show the vulnerable open space he must cross.
3) The pacing of shots and camera movements create a sense of apprehension and frenzied searching as the character tears at the wallpaper, mirroring his state of mind.
The document provides a detailed analysis of the mise-en-scene elements of the 2006 horror film Monster directed by Jennifer Kent. It examines the film's locations, lighting, costumes, props, actor movements, sounds, cinematography, and editing techniques. Key details include the cramped and unkept family home setting, the monster's dark clothing that helps it hide in shadows, the mother's white nightgown that stands out for the audience, and the slow pacing with bursts of speed during key monster appearances.
This document provides a detailed mise-en-scene analysis of a scene from the film Paranormal Activity: The Ghost Dimension. It describes the props, settings, lighting, costumes, character movements, sounds, cinematography, and editing used in the scene. Specifically, it notes that the scene takes place in a family's decorated house as they try to trap the ghost Toby, and analyzes how the filmmaking techniques are used to build tension, fear, and establish Toby as a threatening force.
Siting and Safe Operation of Liquefied Natural Gas FacilitiesBREEZE Software
BREEZE LFG Fire/Risk from Trinity Consultants combines SOURCE5, DEGADIS and LNGFIRE3 into one package, allowing the analyst to efficiently simulate a broad set of potential hazards associated with LNG process operations.
Extended Primary Care Access in Southwark Nuffield Trust
Dr Lauren Parry, Improving Health; Rebecca Dallmeyer, Quay Health Solutions and Hayley Sloan, NHS Southwark CCG present on their Extended Primary Care Access programme.
Este documento presenta una capacitación para trabajadores de la salud sobre el cambio de la vacuna oral contra la poliomielitis trivalente (tOPV) a la vacuna oral bivalente (bOPV). Explica que el componente de tipo 2 de la tOPV causa la mayoría de los casos de poliovirus derivados de la vacuna, por lo que se eliminará a nivel mundial en abril de 2016 a través de un evento sincronizado llamado "el Switch". Después del Switch, los trabajadores de salud usarán solo la bOPV y la vac
This document discusses codes and conventions used in music videos. Conventions refer to recurring techniques that convey meaning, like symbolism. Codes are specific techniques, such as editing, camera shots, lighting, and mise-en-scene. Common music video genres include performance, narrative, parody, surreal, and combinations. Codes examined include camera composition/movement, editing pace and style, lighting, location design/dressing, costumes, and props. Conventions depend on context and can have denotative or connotative meanings. Music videos target audiences based on age, gender, class, and social groups. Students are assigned to analyze a music video considering these elements.
This document outlines the key sections to cover in analyzing a music video, including its purpose, content, meaning, form and genre, and intended audience. The purpose section discusses how music videos are typically used as marketing to promote songs and raise awareness. The content section examines the technical elements like camerawork, editing, locations, and costumes. Meaning analyzes the narrative, representations, and how these relate to the song. Form and genre identify the types of genre for both the song and video. The final section on intended audience describes targeting by age, gender, and socioeconomic group.
In the final scene of The Babadook, the mise-en-scene includes props like family photos and lamps that fall and break, making the mother's voice sound more powerful against the Babadook. Her dirty nightgown and messy appearance show her innocence is ruined. The boy's dirty clothes indicate his stress is washed away. Dark lighting and moonlight highlight the mother's angry face. Editing uses continuity and transitions between shots of objects and characters to focus on the mother's aggressive conversation with the Babadook. A fade transitions to a new chapter for the characters.
The document provides a summary of the mise-en-scene, camera work, and sound design in the 2006 horror film "Monster". It notes that the film uses low key lighting to build tension and that costumes are used to distinguish good characters in bright colors from the monster in dark colors. Common horror film camera shots like close-ups and wide shots are used to build tension. The main sounds are a boy screaming, which creates jump scares, and a boiling pot, both of which serve as warnings to the audience that something is about to happen.
The document analyzes key elements of a Saw film through props, locations, lighting, costumes, character movements, sound, camera work, and editing. Props like a mask indicated a character's mission to survive or die. Locations like a police office created safety while a basement isolated characters. Lighting in the police scene was bright but added blue for unease. A character's clothing like a black jacket foreshadowed capture. Character movements showed fear through shaking and smoking. Sound design heightened tension through non-diegetic noises and diegetic cues like ticking. Camera work like panning captured confusion while close-ups emphasized important props. Editing started slow but sped up during flashbacks and chaotic scenes.
The mama scenes begin with dim, blue lighting to set a cold, isolated tone. Characters wear winter clothes while the mama creature has a ghost-like, siren-inspired costume. Props include a dead baby and box. The camera moves slowly between characters to show their feelings and expressions, and sometimes hides what is happening. The editing has a slow pace with quick cuts to build suspense. Creepy sounds and sad music match the scene, with a sharp, deep narrator voice heightening the sense that something is about to happen.
Chethan C.Kotian is seeking a challenging position that provides opportunities for learning and growth. He has over 16 years of experience in quality control, customer service, and production roles. Currently he works as a Quality Control Assistant in Saudi Arabia, where he inspects products, coordinates with customers and ensures quality documentation. Previously he held roles in India like team leader and service engineer, where he supported customers, managed inventory, and ensured on-time project completion. He is skilled in quality control, customer relations, and time management.
The document contains ideas for horror movie plots, including:
1) Two siblings telling scary stories until strange things start happening and they are killed, possibly by Bloody Mary.
2) A bullied child who dies and begins killing their bullies by possessing them.
3) Friends who go camping and get lost, chased, and killed after taking a wrong turn into the mountains.
The movie Monster uses lighting, costumes, sounds and camera techniques to build tension and create a creepy atmosphere. A creepy doll under the stairs begins terrorizing a family at night, feeding off their fear and growing larger. The lighting is dim to make scenes mysterious. Costumes conform to the myth of white representing good and black representing evil. Sounds like boiling water and screams heighten anxiety. Camera shots like close-ups and low angles make the monster seem threatening. Slow, tension-building editing is used between shots.
This document analyzes lighting, location, costume, props, movement, sound, cinematography, and editing techniques used in a scene from Star Wars: The Force Awakens. It notes that the lighting helps make the villain seem ominous and the battle clear. Locations look modern to provide visual contrast. Costumes follow the convention of villains in black and heroes in white. Sound effects and music build atmosphere. Camera movements keep pace with the intense battle action. Editing techniques build suspense by cutting away at climactic moments.
The document discusses how different social groups are represented in the film. Teenagers are shown as the main victims, presented as ordinary but mysterious to add intrigue. The disabled killer is initially portrayed violently but hints are given of his gentler side and mental illness to encourage understanding over harsh judgment. Males are typically strong villains, but the killer uses stealth over strength, and his disability and lack of dialogue make his motives less clear-cut. The goal is to subvert stereotypes through more complex and humanized portrayals.
The document discusses the use of lighting in the film Fight Club, directed by David Fincher. It notes that Fincher typically uses dark, moody lighting that casts long shadows. In Fight Club, scenes involving the main character's madness or alter ego Tyler are lit more darkly and grittily. The dark lighting of the fight club scenes suggests the unhealthy nature of using violence to solve problems and shows the protagonist descending further into his subconscious. The lighting helps tell the story of a man battling his inner demons through its contrast of bright scenes in the real world and darker scenes involving madness and Tyler.
Jake Barnes will play the protagonist, a nerd who wins the lottery and transforms into a "cool" persona. Sophie Carey will play the lead female role, and has extensive acting experience. Other actors include Katy Barrett, Gideon Lax, and Dexter Gibson who will portray bullies. Costumes help convey the characters' personalities, with the nerd wearing pink and then a suit. Props like books, glasses, and a lottery check help tell the story of the nerd's transformation after winning money.
Our group produced a thriller film titled "The Hunt" about a father seeking revenge for his daughter's murder. They used techniques from other thriller films to engage their target middle-aged male audience. Shots and music were chosen from films like Psycho, Taken, and Vanilla Sky to set tone and relate to the audience's experiences. Through making the film, the group learned important skills with technologies like video cameras, Mac computers, iMovie editing software, and tripods to produce professional-looking shots and edits.
Our group produced a thriller film titled "The Hunt" about a father seeking revenge for his daughter's murder. They used techniques from other thriller films to engage their target middle-aged male audience. Shots and music were chosen from films like Psycho, Taken, and Vanilla Sky to set tone and relate to the audience's experiences. Through making the film, the group learned important skills with technologies like video cameras, Mac computers, iMovie editing software, and tripods to produce professional-looking shots and tell their story.
This document provides a detailed mise-en-scene analysis of a scene from the film Paranormal Activity: The Ghost Dimension. It describes the props, settings, lighting, costumes, character movements, sounds, cinematography, and editing used in the scene. Specifically, it notes that the scene takes place in a family's decorated house as they try to trap the ghost Toby, and analyzes how the filmmaking techniques are used to build tension, fear, and establish Toby as a threatening force.
Siting and Safe Operation of Liquefied Natural Gas FacilitiesBREEZE Software
BREEZE LFG Fire/Risk from Trinity Consultants combines SOURCE5, DEGADIS and LNGFIRE3 into one package, allowing the analyst to efficiently simulate a broad set of potential hazards associated with LNG process operations.
Extended Primary Care Access in Southwark Nuffield Trust
Dr Lauren Parry, Improving Health; Rebecca Dallmeyer, Quay Health Solutions and Hayley Sloan, NHS Southwark CCG present on their Extended Primary Care Access programme.
Este documento presenta una capacitación para trabajadores de la salud sobre el cambio de la vacuna oral contra la poliomielitis trivalente (tOPV) a la vacuna oral bivalente (bOPV). Explica que el componente de tipo 2 de la tOPV causa la mayoría de los casos de poliovirus derivados de la vacuna, por lo que se eliminará a nivel mundial en abril de 2016 a través de un evento sincronizado llamado "el Switch". Después del Switch, los trabajadores de salud usarán solo la bOPV y la vac
This document discusses codes and conventions used in music videos. Conventions refer to recurring techniques that convey meaning, like symbolism. Codes are specific techniques, such as editing, camera shots, lighting, and mise-en-scene. Common music video genres include performance, narrative, parody, surreal, and combinations. Codes examined include camera composition/movement, editing pace and style, lighting, location design/dressing, costumes, and props. Conventions depend on context and can have denotative or connotative meanings. Music videos target audiences based on age, gender, class, and social groups. Students are assigned to analyze a music video considering these elements.
This document outlines the key sections to cover in analyzing a music video, including its purpose, content, meaning, form and genre, and intended audience. The purpose section discusses how music videos are typically used as marketing to promote songs and raise awareness. The content section examines the technical elements like camerawork, editing, locations, and costumes. Meaning analyzes the narrative, representations, and how these relate to the song. Form and genre identify the types of genre for both the song and video. The final section on intended audience describes targeting by age, gender, and socioeconomic group.
In the final scene of The Babadook, the mise-en-scene includes props like family photos and lamps that fall and break, making the mother's voice sound more powerful against the Babadook. Her dirty nightgown and messy appearance show her innocence is ruined. The boy's dirty clothes indicate his stress is washed away. Dark lighting and moonlight highlight the mother's angry face. Editing uses continuity and transitions between shots of objects and characters to focus on the mother's aggressive conversation with the Babadook. A fade transitions to a new chapter for the characters.
The document provides a summary of the mise-en-scene, camera work, and sound design in the 2006 horror film "Monster". It notes that the film uses low key lighting to build tension and that costumes are used to distinguish good characters in bright colors from the monster in dark colors. Common horror film camera shots like close-ups and wide shots are used to build tension. The main sounds are a boy screaming, which creates jump scares, and a boiling pot, both of which serve as warnings to the audience that something is about to happen.
The document analyzes key elements of a Saw film through props, locations, lighting, costumes, character movements, sound, camera work, and editing. Props like a mask indicated a character's mission to survive or die. Locations like a police office created safety while a basement isolated characters. Lighting in the police scene was bright but added blue for unease. A character's clothing like a black jacket foreshadowed capture. Character movements showed fear through shaking and smoking. Sound design heightened tension through non-diegetic noises and diegetic cues like ticking. Camera work like panning captured confusion while close-ups emphasized important props. Editing started slow but sped up during flashbacks and chaotic scenes.
The mama scenes begin with dim, blue lighting to set a cold, isolated tone. Characters wear winter clothes while the mama creature has a ghost-like, siren-inspired costume. Props include a dead baby and box. The camera moves slowly between characters to show their feelings and expressions, and sometimes hides what is happening. The editing has a slow pace with quick cuts to build suspense. Creepy sounds and sad music match the scene, with a sharp, deep narrator voice heightening the sense that something is about to happen.
Chethan C.Kotian is seeking a challenging position that provides opportunities for learning and growth. He has over 16 years of experience in quality control, customer service, and production roles. Currently he works as a Quality Control Assistant in Saudi Arabia, where he inspects products, coordinates with customers and ensures quality documentation. Previously he held roles in India like team leader and service engineer, where he supported customers, managed inventory, and ensured on-time project completion. He is skilled in quality control, customer relations, and time management.
The document contains ideas for horror movie plots, including:
1) Two siblings telling scary stories until strange things start happening and they are killed, possibly by Bloody Mary.
2) A bullied child who dies and begins killing their bullies by possessing them.
3) Friends who go camping and get lost, chased, and killed after taking a wrong turn into the mountains.
The movie Monster uses lighting, costumes, sounds and camera techniques to build tension and create a creepy atmosphere. A creepy doll under the stairs begins terrorizing a family at night, feeding off their fear and growing larger. The lighting is dim to make scenes mysterious. Costumes conform to the myth of white representing good and black representing evil. Sounds like boiling water and screams heighten anxiety. Camera shots like close-ups and low angles make the monster seem threatening. Slow, tension-building editing is used between shots.
This document analyzes lighting, location, costume, props, movement, sound, cinematography, and editing techniques used in a scene from Star Wars: The Force Awakens. It notes that the lighting helps make the villain seem ominous and the battle clear. Locations look modern to provide visual contrast. Costumes follow the convention of villains in black and heroes in white. Sound effects and music build atmosphere. Camera movements keep pace with the intense battle action. Editing techniques build suspense by cutting away at climactic moments.
The document discusses how different social groups are represented in the film. Teenagers are shown as the main victims, presented as ordinary but mysterious to add intrigue. The disabled killer is initially portrayed violently but hints are given of his gentler side and mental illness to encourage understanding over harsh judgment. Males are typically strong villains, but the killer uses stealth over strength, and his disability and lack of dialogue make his motives less clear-cut. The goal is to subvert stereotypes through more complex and humanized portrayals.
The document discusses the use of lighting in the film Fight Club, directed by David Fincher. It notes that Fincher typically uses dark, moody lighting that casts long shadows. In Fight Club, scenes involving the main character's madness or alter ego Tyler are lit more darkly and grittily. The dark lighting of the fight club scenes suggests the unhealthy nature of using violence to solve problems and shows the protagonist descending further into his subconscious. The lighting helps tell the story of a man battling his inner demons through its contrast of bright scenes in the real world and darker scenes involving madness and Tyler.
Jake Barnes will play the protagonist, a nerd who wins the lottery and transforms into a "cool" persona. Sophie Carey will play the lead female role, and has extensive acting experience. Other actors include Katy Barrett, Gideon Lax, and Dexter Gibson who will portray bullies. Costumes help convey the characters' personalities, with the nerd wearing pink and then a suit. Props like books, glasses, and a lottery check help tell the story of the nerd's transformation after winning money.
Our group produced a thriller film titled "The Hunt" about a father seeking revenge for his daughter's murder. They used techniques from other thriller films to engage their target middle-aged male audience. Shots and music were chosen from films like Psycho, Taken, and Vanilla Sky to set tone and relate to the audience's experiences. Through making the film, the group learned important skills with technologies like video cameras, Mac computers, iMovie editing software, and tripods to produce professional-looking shots and edits.
Our group produced a thriller film titled "The Hunt" about a father seeking revenge for his daughter's murder. They used techniques from other thriller films to engage their target middle-aged male audience. Shots and music were chosen from films like Psycho, Taken, and Vanilla Sky to set tone and relate to the audience's experiences. Through making the film, the group learned important skills with technologies like video cameras, Mac computers, iMovie editing software, and tripods to produce professional-looking shots and tell their story.
The document discusses common conventions and representations in horror films. It outlines several character archetypes including the female victim, non-believer, hero/protagonist, hysterical character, villain/antagonist, and false hero. It also describes common elements of setting, costume, makeup, props, and lighting used to portray villains. Additionally, it notes historical gender stereotypes in horror and how more recent films have challenged traditional conventions.
Jake Barnes will play the protagonist, a nerd who wins the lottery and undergoes a transformation. Sophie Carey and Katy Barrett, both experienced actresses, will play the lead girl and cheating girl respectively. Gideon Lax and Dexter Gibson, who are physically imposing, will play school bullies. Costumes are chosen to convey the characters' personalities and stages of the protagonist's transformation from nerd to popular. Props like books, glasses, and vehicles are also used to symbolize the protagonist's changing circumstances and mindset from powerless to powerful and careless.
The document provides an analysis of the filmmaking techniques used in a student media project. It discusses how characterization, setting, genre, narrative, visual style, and ideology are developed. For characterization, stereotypes and props are used to indicate the antagonist and make the victim appear vulnerable. The dark, enclosed setting traps the victim with no escape. Audience research confirmed the horror/thriller genre. Enigma code and juxtaposition create unanswered questions. Visuals of the victim being tied to a chair contrasted with mundane shots establish an uncomfortable tone and disturbing assumptions without full context. The antagonist's motives and the victim's innocence are intentionally ambiguous.
The document provides analysis of various film techniques used in the movie Shutter Island. It examines the symbolism and meaning behind elements like eerie music, lighting, camera angles, uniforms, facial expressions, and more. The analysis aims to show how these techniques are used to build tension, foreshadow plot points, and suggest that the main character Teddy may not be who he seems.
The document discusses how the media product represents various social groups through its characters. It focuses on age, gender, social class, and ethnicity. For age, most actors are teenagers or young adults to subvert expectations. Females outnumber males and are portrayed as innocent through white clothing. Social class is represented through the teenagers' working class clothing and behaviors in one scene. Ethnic diversity is limited, with only one black actor as a zombie to show that a pandemic can affect anyone. Locations and lighting are also used to convey meaning about characters and danger.
The document discusses how the media product represents various social groups through its characters. It focuses on age, gender, social class, and ethnicity. For age, most actors are teenagers or young adults to subvert expectations. Females outnumber males and are portrayed as innocent through white clothing. Social class is represented through the teenagers' working class clothing and behaviors in one scene. Ethnic diversity is limited, with only one black actor as a zombie to show that a pandemic can affect anyone. Locations and lighting are also used to convey meaning about the characters and social norms.
The document discusses how the media product represents social groups. For women, it challenges stereotypes by portraying the character Sarah as violent and dominant, taking on a leadership role rather than being recessive. For men, it challenges conventions by having both male characters controlled by Sarah rather than being dominant leaders. The camera angles and shots are used to influence viewers and show Sarah's superiority over David. Costuming, music, and editing choices were made to adhere to or challenge stereotypes depending on what best served the narrative.
English 2: Compare and contrast essay (Assignment 1)Canisius Bong
- The document compares and contrasts the horror films "Dark Water" and "Ouija".
- "Dark Water" takes place in a dilapidated apartment building and features the character of Dahlia Williams and her daughter, while "Ouija" involves teenagers contacting spirits through a ouija board in various locations.
- Both films use isolated settings and psychological horror techniques effectively, but differ in their use of flashbacks, visions, and storylines.
The document discusses techniques used in the filmmaker's thriller project to build tension and suspense. It describes putting the main character in a suit to make him relatable, setting the scene in a dark room to connote danger. Monitors are used to show the victim being watched and isolate them. An eye shot is used at the beginning to unsettle the audience. Blue lighting from a monitor creates an eerie effect. A knife is chosen as the weapon to increase tension over a gun. Fire and close-ups are used to intensify emotion and torture. Titles are placed over the video and end on a title over black focused on a scream.
The document outlines two potential short film treatments. The first treatment is for a psychological thriller titled "Meaning" about a young man who spirals into depression and isolation before committing suicide. It includes details on the key characters, three act structure, target audience, film style, and potential market. The second treatment is for a horror comedy titled "Father" about a teenage boy who discovers a strange fish creature that emerged from his DNA in the sewers calling him "Father." It also provides characters, the three acts, target audience, film style, and notes on the market.
The document provides two pitches for opening title sequences (OTS) for horror films. The first pitch is for a voodoo/occult film and discusses conventions of the genre, inspirational films, and plans for a nonlinear OTS that focuses on the mysterious antagonist without revealing their identity. The second pitch is for a killer/psychological thriller based on the true story of "Bible John." It also discusses plans for a nonlinear, montage-style OTS that implies violence through techniques like music and quick cuts to attract audiences aged 15-35 without revealing too much of the plot.
The narrative introduces a teenage vampire who has recently joined high school and is trying to conceal his true identity. He struggles with sexual urges that cause him to lose control and kill. After a recent encounter where he kills a female classmate, his best friend starts to suspect his nature and helps him navigate the dangers and temptations. The story explores themes of internal conflict, anonymity, and living with remorse as the vampire battles his dark urges.
The document describes a short horror film about a teenage vampire named Xavier attending high school while trying to conceal his true identity. He struggles with sexual urges that cause him to lose control and kill. After a recent encounter where he kills a female classmate, his best friend starts to suspect Xavier's secret and helps him deal with the temptation, though it is dangerous. The film will feature both implied and depicted violence, as well as sexual references and a dark psychological tone, targeting a 15 rating.
The document discusses project management tasks for a film production. It covers managing people through call sheets and scripts, managing resources like equipment and actors using booking forms and budgets, managing time with production schedules, and ensuring progress through schedules and production diaries. It also discusses keeping documentation like forms and footage organized, and managing risk with a risk assessment. Potential areas for improvement include allowing more equipment setup time, scheduling actors further in advance, improving budgets, and making storyboards more detailed.
The document is an edit decision list for a film shoot that contains 82 shots ranging from close ups to wide shots. It provides the shot number, timecode, take number, and whether each take was used or not used in the final cut. The majority of shots featured the second actor either walking, running or interacting with the main actor. Key shots that were used included shots of the main actor cutting open a heart and eating it, as well as shots of the second actor running through the trees.
The document is an edit decision list for a film shoot that describes 82 shots taken between various actors and scenes. It provides the timecode for each take, a description of the shot, and whether it was used in the final cut. Many of the shots were not used, while others spanning different scenes and levels of closeness were used to tell the story.
Will invites a woman named Sarah to dinner after their date, but later murders her in a forest. Scenes show Will cooking a meal made from human remains. He is then seen calling another woman, Rachel, to invite her to dinner at his home on Friday, implying he intends to murder and eat her as well.
The production schedule outlines the shooting plan for Scene 2 taking place in a house kitchen. It details 40 shots ranging from close-ups of a heart being cut and organs being prepared to medium shots of the actor cooking, with timing for lighting setup, rehearsal, and each individual shot between 3:20pm and 5:25pm.
Laura Rollason has scheduled the production of scenes for the film "Appetite". Scene 1 takes place in a house and dining room. It involves setting up lighting and cameras from 6:20pm to 7:00pm and rehearsing from 6:45pm to 7:00pm. From 7:00pm to 8:00pm, several shots will be filmed of an actor sitting at a dining table and using items on the table like a phone, plate, and knife.
The production schedule outlines 24 shots to be filmed on location at Prestwood Road over 2 hours and 15 minutes. It begins with setting up lighting from 6:45-7:00pm followed by a short rehearsal. The various shots include medium shots of characters talking and walking, point-of-view shots looking through trees, close-ups of a character on a phone with blood on the screen, and a match cut at the end.
Laura Rollason booked several pieces of equipment for her project titled "Appetite" from July 13-17, 2017, including a video camera, batteries, tripod, and microphone with an XLR cable.
Will invites a woman named Sarah on a date and then to his home for dinner. However, his intentions are sinister - he kills Sarah and uses her body as the main ingredient in the meal he serves. After eating the meal, Will crosses Sarah's name off a list and calls another woman, Rachel, to invite her to dinner as well. The short film depicts Will as a serial killer who lures women on dates with the intention of killing and eating them.
Laura Rollason booked several pieces of equipment for her project titled "Appetite" from July 13-17, 2017, including a video camera, batteries, tripod, and microphone with an XLR cable.
This call sheet provides production details for the film "Appetite" including the location, scenes to be shot, cast and crew members. The film will be shooting two scenes - an outdoor conversation between a male and female character that turns violent. The call sheet lists the director, producer, locations and equipment needed as well as transportation, parking and medical details for the shoot.
This document is a call sheet for the film "Appetite" produced by Laura Rollason. It provides production details such as the location, scene details, cast and crew information. One scene will be filmed at Frederick Road in Wednesfield involving a male character entering a dining room and preparing food in the kitchen. The call sheet lists the director, producer, production manager and contact details as well as requirements for cameras, lighting and transportation.
This document contains an equipment budget and crew costs for a production. The equipment budget lists the items needed including cameras, lighting, and audio equipment totaling $2539. The crew costs section lists the roles, day rates, and number of days needed for the production manager, camera operator, gaffa, spark, sound mixer, and others, totaling $7628. The overall total cost of equipment and crew is $10167.
The document outlines a production schedule for filming Scene 3 of a project called "Appetite" on Prestwood Road. It details the arrival time, lighting setup, rehearsal, and various shots that will be filmed of two actors (A and B) interacting on the street and then (B) being attacked by (A) in the evening. Makeup, lighting adjustments and additional shots of (A) with (B) on the ground are also scheduled.
The document outlines a production schedule for filming Scene 2 of a project called "Appetite". It details the timing for setting up cameras and lighting, rehearsals, and shooting various shots of an actor in a house and kitchen from 3:20pm to 6:25pm. These shots include medium shots, close-ups, and points-of-view of the actor walking, reaching in the fridge, cooking, eating, washing dishes, talking on the phone, and holding a knife.
The production schedule outlines the filming of Scene 1 for the movie "Appetite". It details the shots planned for the dining room, including close-ups of the actor's hands, reaching for a prop, and lighting a candle, as well as medium shots of the actor moving around the room, putting a cover on the table, walking to the table, and sitting at the table. The lighting and camera will be set up from 3:20-3:45 pm and rehearsal will take place from 3:45-4:00 pm.
The document outlines the production process for a film over three stages: pre-production involving script writing, casting, location scouting, and design work in the first 5 days; production consisting of 4 days of filming, effects, and crew work; and post-production in the next 15 days including editing, sound, visual effects, music, and screenings.
This document identifies and assesses trip hazards, falling objects, and assault risks for an outdoor film shoot location. Trip hazards like cables will be secured or moved, and equipment will be put away when not in use to reduce risks of falling and injury. Falling objects from lights, props, and cameras will be minimized by ensuring equipment is stable and secured, and a first aid kit will be on site. An adult will supervise outdoor scenes and each crew member will have a phone in case of emergency, as the location is near a school and emergency services.
Working with sharp tools and knives poses a risk of slight cuts. To reduce this risk, blunt or fake props will be used in close contact shots and a first aid kit will be on site. Tripping hazards from cables or equipment pose a risk of negligible bruising. Cables will be taped down and equipment stored away when not in use to reduce these risks. Falls from moving objects like lights, props, or cameras could cause slight cuts or bruises. Equipment will be secured and on flat surfaces, and a first aid kit will be available. Use of candles and matches poses a slight risk of minor burns. Flames will be attended and on non-flammable surfaces, with loose clothing banned and fire extingu
Beyond Degrees - Empowering the Workforce in the Context of Skills-First.pptxEduSkills OECD
Iván Bornacelly, Policy Analyst at the OECD Centre for Skills, OECD, presents at the webinar 'Tackling job market gaps with a skills-first approach' on 12 June 2024
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) CurriculumMJDuyan
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
How to Setup Warehouse & Location in Odoo 17 InventoryCeline George
In this slide, we'll explore how to set up warehouses and locations in Odoo 17 Inventory. This will help us manage our stock effectively, track inventory levels, and streamline warehouse operations.
This presentation was provided by Racquel Jemison, Ph.D., Christina MacLaughlin, Ph.D., and Paulomi Majumder. Ph.D., all of the American Chemical Society, for the second session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session Two: 'Expanding Pathways to Publishing Careers,' was held June 13, 2024.
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LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
Gender and Mental Health - Counselling and Family Therapy Applications and In...PsychoTech Services
A proprietary approach developed by bringing together the best of learning theories from Psychology, design principles from the world of visualization, and pedagogical methods from over a decade of training experience, that enables you to: Learn better, faster!
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
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Answers about how you can do more with Walmart!"
2. Mise-en-scene
• The short film Saw is set in what seems to be a derelict industrial factory facility. The location is
abandoned which is typical of the horror genre as it creates isolation for the victim. The industrial
theme is carried over to the props as they are mechanical and often metal to cause more damage. The
overall location is tinted heavily green, this has significant value to the short film as the colours
connotation is envy or jealousy, the Saw franchise is based around a killer who is terminally ill this
shows that the victims are chosen because that do not value or deserve the life they have therefore
must earn it through completing challenges, hence the use of green shows the villains feeling toward
the victims that they are ungrateful. In addition to the location the green tint and derelict look shows
sharp contrast to the hospital where it is significantly cleaner, the fact that the factory is dirty
highlights to the audience that it is unpleasant and not a place anyone would want to be, which
creates empathy to the main character David who is trapped there.
• Hospital- The station is shown almost completely white this implies the industrialized, methodical and
sterilized environment that the character is in. The tint of blue is contrast of the factory's green, the
blue shows isolation and coldness which is reflected in David loneliness and the inspectors uncaring
demeanor. Furthermore the use of hospitals is typical of the horror type movies, however in Saw it
relates to the actions of the main character and what he had to do to escape, the association of
hospitals and medical instruments and the characters props of needles and scalpels shows that David
is still somehow linked or trapped in the factory most likely his mental state.
• The interrogation room in the hospital is deliberately show smaller , through the close camera shots
and lack of character movement around the room, it also has the same isolated feeling as the hospital,
implying that David is still trapped however this time by the authorities.
Location
3. Lighting
• The lighting in the extract depends on the location of the character, for example in the hospital
where David is first attacked it is well lit and tinted blue to show the hospital is institutionalized
and methodical by the atmosphere of being cold and detached, moreover because David is
attacked in what seems to be daylight it shows how in control the villain is and that the main
character in not safe anywhere, this breaks the conventions of horror as the protagonist is
typically safe in light, this creates tension in the audience because of how the antagonist is
presented as stronger.
• The lighting of the factory is considerably darker than the hospital to show the audience that the
victim is in danger. In addition to this the darkness created shadows and plays on the victims and
audiences sense of paranoia and tension. The green tint shows the setting is dirty and old but
also a sharp contrast to the hospitals atmosphere. As the hospital is presented as detached and
impersonal the contrast of the green and the blue means that whatever happens in the factory
room is now personal and calculated towards David also shown by the fact the killer knows who
David is.
• The lightning gives flashes of white light on screen, which is blinding to the main character, the
random flashes of light disorientate both David and the audience as they cannot see what is
happening around them, furthermore the lightning has the same effects as shadows as it hides
the character and scene from the audience momentarily because of this the audience relates to
David struggle as they are going though the same visual experience
4. Costume
• David’s costume consists of casual everyday clothes, which helps the audience relate to the
character moreover instill the idea that it could happen to anyone. The plain white shirt depicts
David's innocence which id typical of horror films to dress the victim in white, in addition to this it
shows a clear opposite to the villain of jigsaw who is dressed in black. As the extract progresses
the shirt becomes bloodstained the red means he is now part of the killers intent, specifically his
innocence when he killed another to save himself.
• Inspector- The police inspector is dressed in a formal suit showing he takes his job seriously,
because of this it implies that he is not personal with David, when shown the two characters
interaction it heightens David's sense of isolation. The suit the inspector is wearing is slightly
creased which shows to the audience that it has been worn for along time, most likely all day,
because of the duration the clothes are worn it reflects the characters demeanor of wanting the
questioning of David to end quickly and his lack of energy.
• Jigsaw- The puppets costume is a suit and bow tie, this iconic look is established to differentiate
the victim and the villain, the clashes of red of the bow and face paint against the black hint at the
fact that there will be bloodshed, as the connotation of red is violence and injury. The puppets
make-up and costume makes him look like a carnival toy, this shows that what he is doing and that
the actions of David trying to escape is considered entertaining and something close to a theme
park attraction as the victim is made to perform impossible tasks to win Jigsaws game.
5. Props
• The bear trap is important as it is the source of the danger but also shows how the villain kills. The look
of the device is mechanical and industrial matching the location of the scene, in addition to this as it is
made of metal it indicates the amount of damage it can inflict on the victim, because the prop is on
David’s face it makes it easier to show his reaction to he device and how much fear it inflicts, moreover
the audience becomes tense of the scene because the actions of the killer becomes more personal as a
persons face is their identity, this shows the antagonist has single the main character out.
• Jigsaw is considered a prop as well as a character, his iconic look makes the audience think of carnivals
and fair ground attractions this causes the audience to think that David's struggles are a source of
entertainment. As jigsaw is controlled by the killer, the puppet symbolizes the fact that the villain can
manipulate, in the case of the victims he can force them do things which are morally questionable or
which led them to injure or kill themselves.
• The television is also an important prop as it creates the first interaction between the villain and the
victim, because of the fact that the puppet is in a different location but can see the main character
creates the sense of paranoia from the David as the unknown builds the tense atmosphere. The static of
the TV and the recording shows that the actions are planned, the organized attack means that the victim
was specifically chosen and the way in which he will be killed, this creates fear and adrenaline in the
audience as the question of whether David can escape is what the extract builds on. Similar to the TV the
timer on the bear trap builds tension as the victim is limited and the fact that the he knows what will
happen if he runs out of time creates anticipation from the viewer and compels them to keep watching
to see how it ends.
6. Actors Movements
• When David is being interrogated this movements clearly show he is traumatized and distant like he is
still remembering what has happened to him or what he has done, his hand gestures are shaky and
uncontrollable, the cigarette can be seen as a stress related item and a way of calming himself, this is a
contrast to his uncaring and confident movements before he was captured, this highlights that he is a
changed person which is what jigsaw wanted to do to him, the fact that he was ungrateful for his life he
is now glad to be alive as he has taken someone else's life.
• When David is in the bear trap, he is disorientated and frantic when trying to escape, he is constantly
turning his head and moving his hands, by doing this it shows the audience that he is unable to move and
trapped creating vulnerability in the character but also giving the villain the control over him. Once he is
standing up his movements are sluggish implying he is injured other than the device on his face, however
the countdown timer continues he speeds up his movements to show his desperation in trying to escape,
the hesitation before he kills the other person shows that he is unwilling but self-preservation makes
him. When the bear trap is removed is breathing becomes deeper and slower showing his relief at being
alive.
• The investigator is depicted as uncaring to David’s situation making the main character relatable as the
audience will empathies as everyone as felt ignored at some point. The investigators demeanor matches
his environment as cold and detached as well as methodical like a hospital as he only cares about the
facts and not opinion. In comparison to David and the Investigator the authorities movement s are much
more controlled and professional.
• Jigsaw’s movements are slow and controlled implying he has power of David, his calm demeanor shows
that he has planned what will happen creating apprehension from the audience towards his and sides
with David as they sympathize with is situation of being manipulated and trapped, when jigsaw turns or
move forward his movements are jerky showing that someone else is controlling him, this creates
tension as the villain is still unknown.
7. Sound
• Diegetic sound includes the timer on the bear trap, this repetitive sound shows that the victim is in
danger and is a constant noise which creates the tension from the audience. In the extract the
ticking speeds up the closer the bear trap is to activating, this builds adrenaline and tension from
the character and viewer.
• The scenes in the factory has most of the sound to make the character more disorientated and the
audience have small jumps from each noise occurring randomly, the lighting, Television and
scraping metal sounds have an echo effect to make the location seem empty and isolated for the
character, the fact that the majority of the sound is with in a short amount of time shows that the
scene will have the most action in them meaning the sound is synchronous to what is happening on
screen, as the chaotic noise reflects the characters emotional state of panic
• The hospital almost has no noise, the quietness means the character has no distractions and can
reflect on what has happened, however the lack of sound and emptiness of the scene means that
the flashbacks of the factory the sound seems harsher, is could be the character remembering the
trauma worse and to make the audience see the contrast between the two settings and go through
the same experiences of the main character, increasing the empathy and tension in the film.
• In the Hospital where David is
shown leaving work his
headphone music is the loudest
in the scene, this allows the
audience to experience what the
character is including his
obliviousness to his surrounding,
hence the attack on him is
unexpected to both David and
the audience as there is no
sound to indicate any violence.
8. Camera
• Close-up. The camera shot on David’s face shows his uncertainty about where he is from eye
movement and how slowly he is waking up. The shot only allows the audience see just below his
eyes, by hiding the bear trap on his face the audience become curious and empathetic towards his as
the he also doesn't know what his is wearing. In addition the close up shows the strap around his
head implying that he is trapped in to whatever situation the villain wants him in.
• Wide shot/ high angle- The wide shot establishes the change in location for the character, but also
how he is isolated in the empty room. The single spotlight implies that he is alone, however it
suggests that he is part of some scheme as the room is set up for him. The carnival theme of Jigsaw
implies that David is in the spotlight and performing or is the main attraction, either of these means
he is the focus of the killer actions. The high angle shows he is less powerful and at Jigsaws mercy
making himself vulnerable.
• Tracking/ pan. The camera movement in the hospital scene follows David to the elevator, later on in
the short film he is attacked by someone off camera, the tracking motion can suggests the villain
watching the victim, this heightens the idea of a planned attack
• Arc- David is at the centre of the movement with the camera rotating around him, this shows that
David will be the focus of the attack or torture. As the audience is only watching and not being part
of the shot like a point of view shot it gives the sense of helplessness to stop the attack but the 360
view shows he is alone with only darkness around him highlighting that no-one is going to help him.
9. Editing
• The editing of the film is slower in the scene of the hospital, this is due to the actors movements
of being dethatched from reality or aware of what is going on around him when being
questioned, therefore the editing reflects his dream like state.
• The fasted pace editing is when the main character is looking for the key to the bear trap, after
Jigsaw has given him information on how to escape which is a long shot due to it being a
conversation and allowing the audience process the instructions, the shots then switch rapidly
from his hands to the timer to show that he is running out of time and is a state of panic, the
faster pace creates adrenaline for the audience to relate to the disposition of the character.
• There is an editing montage of David's escape attempts, the overlapping shots and shaky camera
movements reflect David's frustration and frantic tries at removing the device, the failed
attempts creates tension about how he will escape.
• Special effects like the flash lighting were used to produce lightning, to build the tense
atmosphere, however pathetic fallacy was used to reflect David's bursts of energy to break free
from the bear trap, the blinding light implies that David can literally not see another way out
apart from doing what jigsaw has said, by doing this it produces a sense of hopelessness from
the audience and character.
10. Editing
• The editing of the film is slower in the scene of the hospital, this is due to the actors movements
of being dethatched from reality or aware of what is going on around him when being
questioned, therefore the editing reflects his dream like state.
• The fasted pace editing is when the main character is looking for the key to the bear trap, after
Jigsaw has given him information on how to escape which is a long shot due to it being a
conversation and allowing the audience process the instructions, the shots then switch rapidly
from his hands to the timer to show that he is running out of time and is a state of panic, the
faster pace creates adrenaline for the audience to relate to the disposition of the character.
• There is an editing montage of David's escape attempts, the overlapping shots and shaky camera
movements reflect David's frustration and frantic tries at removing the device, the failed
attempts creates tension about how he will escape.
• Special effects like the flash lighting were used to produce lightning, to build the tense
atmosphere, however pathetic fallacy was used to reflect David's bursts of energy to break free
from the bear trap, the blinding light implies that David can literally not see another way out
apart from doing what jigsaw has said, by doing this it produces a sense of hopelessness from
the audience and character.