The document summarizes feedback from a focus group on a horror movie trailer. The focus group found that the trailer effectively used non-diegetic sound, titles, and a tense montage sequence to follow horror genre conventions. They also noted the effective use of an old setting, dark makeup and lighting. The weaknesses identified were a lack of shot variety and limited montage. Based on the feedback, the creator added more short scenes to the montage to make the storyline clearer and increase tension. The conclusion is that receiving this feedback helped the creator understand how to make the trailer more conventional and appealing to the target audience.
The document summarizes feedback from a focus group on a horror movie trailer. The focus group found that the trailer effectively used non-diegetic sound, titles, and a tense montage sequence to follow horror genre conventions. They also felt the old setting and dark makeup/lighting made the trailer more conventional. Suggested weaknesses included lacking shot variety and a clearer storyline. The creator has since added more short scenes and a stronger montage to the trailer to address the feedback.
1. The document discusses the use of mise-en-scene, camerawork, editing, and typography in creating a horror magazine cover and movie poster.
2. For the magazine cover, makeup was used to make the character look bruised and bleeding, low key lighting created a scary vibe, and photo editing made the image brighter and blurred into the black background. The layout followed conventions like placing text in the left third.
3. For the movie poster, low key lighting, a dark costume, and makeup made the character look scary. A mid-shot drew attention to the character in the center, and features were arranged conventionally from top to bottom. Fonts and colors connoted
A group of friends visit a supposedly haunted house to investigate paranormal activity and film their investigation. Strange events begin to occur, such as lights turning on and off and unexplained noises. Each night, something bad happens to one of the friends. By the end of the week-long stay, the friends have disappeared without a trace.
The document summarizes feedback from a focus group on a horror movie trailer. The focus group found that the trailer effectively used non-diegetic sound, titles, and a tense montage sequence to follow horror genre conventions. They also noted the effective use of an old setting, dark makeup and lighting. The weaknesses identified were a lack of shot variety and limited montage. Based on the feedback, the creator added more short scenes to the montage to make the storyline clearer and increase tension. The conclusion is that receiving this feedback helped the creator understand how to make the trailer more conventional and appealing to the target audience.
The document summarizes feedback from a focus group on a horror movie trailer. The focus group found that the trailer effectively used non-diegetic sound, titles, and a tense montage sequence to follow horror genre conventions. They also felt the old setting and dark makeup/lighting made the trailer more conventional. Suggested weaknesses included lacking shot variety and a clearer storyline. The creator has since added more short scenes and a stronger montage to the trailer to address the feedback.
1. The document discusses the use of mise-en-scene, camerawork, editing, and typography in creating a horror magazine cover and movie poster.
2. For the magazine cover, makeup was used to make the character look bruised and bleeding, low key lighting created a scary vibe, and photo editing made the image brighter and blurred into the black background. The layout followed conventions like placing text in the left third.
3. For the movie poster, low key lighting, a dark costume, and makeup made the character look scary. A mid-shot drew attention to the character in the center, and features were arranged conventionally from top to bottom. Fonts and colors connoted
A group of friends visit a supposedly haunted house to investigate paranormal activity and film their investigation. Strange events begin to occur, such as lights turning on and off and unexplained noises. Each night, something bad happens to one of the friends. By the end of the week-long stay, the friends have disappeared without a trace.
The document discusses plans for a magazine cover and poster for a horror film project. For the magazine cover, key conventions will be used including a large masthead, storylines on the left side, a barcode in the bottom right, and issue details in the top left. There will be a main close-up or mid-shot image and details about the cover story below it. For the poster, it will feature either a main character image or setting with characters, reviews along the top, a billing block at the bottom, and the release date. Both the magazine cover and poster will use dark colors like black, red and white that represent the horror genre.
This poster analyzes the typography, imagery, lighting, colors, layout, and language used in a horror movie poster and how they effectively follow horror genre conventions. The serif font creates a masculine and aggressive tone suitable for horror. An extreme close-up shot shows emotions and clues on the characters' faces. Low key lighting and the use of blood make the characters look creepy and scary. Dark colors like red and black connote violence and danger. The poster's orderly layout focuses attention on the main image and text. Dramatic language ties into the film's theme and follows conventions to attract audiences to the horror genre.
The document analyzes the results of a questionnaire about potential storylines for a horror film. Most respondents preferred storyline 2, which involves everyday settings and characters. The analysis suggests incorporating elements from both storylines 1 and 2 that tested well, such as possessions, stereotypical props, and the use of children, into the final media product. It also recommends addressing criticisms of storyline 1 by making it scarier and setting it in a more conventional location.
Sophie Lunny compares several of her draft ancillary products and a script for a horror film trailer to actual published materials.
Her draft posters, magazine covers, and script are quite similar to real examples in their layout, imagery, and adherence to genre conventions. Comparing her storyboard to a published trailer demonstrates that her storyboard utilizes establishing shots, close-ups, and a similar number of shots to real trailers.
Her animatic also shares similarities to an actual trailer, using comparable shot types and sequencing events similarly to build suspense through scary characters, lighting, and sound effects.
This document discusses applying effects in Adobe Premiere Elements. It describes how to access effects through the action bar or bottom right corner, including blur, lighting, color, and black and white adjustments. Effects can be applied to video clips or images on the timeline by dragging and dropping them. Adjustments can be made and effects removed using buttons in the interface. Rendering allows smooth playback of clips with applied effects.
The document provides tips for effectively planning and producing a short film or trailer, including having a clear storyline, using a range of locations and shots, developing tension and suspense, including an appropriate range of actors, and using effective camerawork, mise en scene, and original footage without cliches. Proper planning, rehearsal, production qualities, and variety in fonts, photos, and shots are also recommended for marketing materials.
Sophie Lunny compares several of her draft ancillary products and film production materials to actual examples from horror films and magazines to evaluate how similar and conventional her work is. Her posters, magazine covers, script, storyboards, and animatic are all quite similar to real examples in terms of layout, imagery, formatting, shot types, and use of suspense-building techniques. Comparing her work to professionals helps ensure her materials properly follow horror film conventions.
This document describes the main characters that have been cast for a horror trailer. It introduces Michaela Head, a 17-year-old student who believes her house is haunted and invites friends to investigate. James Evans is chosen to play the antagonist who becomes possessed and murders two other characters, Liberty Wallis and Lauren Barber, both 17-year-old friends of Michaela who stay at the house.
This production plan outlines locations, costumes, props, equipment, and personnel needed for portraying the antagonist in two scenes. The first scene involves shooting the antagonist on the cover of a magazine at Michaela's house with dark clothing, makeup, and lighting to look scary. The second scene also takes place at Michaela's house showing the antagonist in normal ragged clothing in a mid-shot with dark lighting, a camera, and tripod operated by James Evans.
This production plan outlines locations, costumes, props, equipment, and personnel needed for portraying the antagonist in promotional materials and a scene. The antagonist will first appear in a magazine with dark clothing and makeup to look scary, then in Michaela's house with normal ragged clothing under dark lighting, photographed with a camera and tripod by Emily Lunny and James Evans.
This document contains drafts for marketing materials for a horror film called "The Unknown." The first draft is a one-sentence film poster that shows a dark, full-page image of a demon. The second draft is a magazine cover for a horror film magazine, featuring the film's demon image and metadata like the masthead, cover lines, barcode and release date.
This document outlines the production plan and schedule for a horror film trailer. It includes details about test footage and location scouting taking place on September 23rd. The main locations are outside and inside the haunted house of one of the characters, Michaela. Props will include clocks, knives, blood, and religious items to create tension and fit the horror genre. Costumes will be casual to portray normal teenagers. The film will focus on four 17-year-old friends - Michaela, James, Libby, and Sophie - who go to Michaela's supposedly haunted house. James becomes possessed and kills Libby and attacks Sophie, leaving her for dead. The camera and tripod listed are the main equipment needed.
This shot list outlines 30 shots for a horror film called "The Unknown". It documents a variety of shots that will be used to tell the story of 4 main characters, Michaela, James, Sophie and Libby, who experience strange and frightening events while staying in a house. The shots include establishing shots of the house, characters interacting, setting up cameras, reviewing footage which reveals suspicious activity, characters discussing what's happening and reacting to scary events, and climactic shots of a character being killed and another trying to escape from danger.
Michaela convinces her three friends James, Libby, and Sophie to spend the weekend at her house to prove that it is haunted. Sophie sets up cameras throughout the house. The camera footage shows some suspicious noises and movements. As more strange events occur, the friends begin to get scared. They review footage of James standing over Michaela's sleeping body, increasing the tension. Jump scares and shots show the friends in danger, with one close to death, building fear as the trailer ends.
Time Warner would be a suitable producer for the film due to their past success with horror films. As one of the major studios, they could widely distribute the film and use their subsidiaries like Warner Bros. and New Line Cinema to promote it. The film would target audiences aged 16-30 with a wide variety of interests. It would use horror film conventions like blood, low-key lighting, and tense music and sound effects. The story involves friends investigating a supposedly haunted house with cameras but facing danger.
Script formatting guidelines require capitalizing character names, specifying indoor/outdoor scene locations and times, using slug lines to identify settings like (INT. AIRPLANE), indenting dialogue, and using 12 point Courier font.
This document profiles the audience for horror genre films and media. The target audience is 16-30 year old males and females who enjoy shopping, music, socializing, sports, and television. They prefer trailers and films that build tension and suspense through techniques like montages, fast editing, short shots, and establishing shots to keep them entertained and feeling scared.
This document summarizes the results of a questionnaire about horror films. It found that the target audience is 16-30 years old and there are equal numbers of both genders who enjoy horror films. Most respondents watch horror films regularly and have similar interests, so they can provide reliable feedback. They expect trailers to include montages, music, characters, and story introductions with fast pacing and sound effects. Supernatural and psychological horror films were most popular. Respondents enjoyed tension, editing, characters in horror films.
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
The document discusses plans for a magazine cover and poster for a horror film project. For the magazine cover, key conventions will be used including a large masthead, storylines on the left side, a barcode in the bottom right, and issue details in the top left. There will be a main close-up or mid-shot image and details about the cover story below it. For the poster, it will feature either a main character image or setting with characters, reviews along the top, a billing block at the bottom, and the release date. Both the magazine cover and poster will use dark colors like black, red and white that represent the horror genre.
This poster analyzes the typography, imagery, lighting, colors, layout, and language used in a horror movie poster and how they effectively follow horror genre conventions. The serif font creates a masculine and aggressive tone suitable for horror. An extreme close-up shot shows emotions and clues on the characters' faces. Low key lighting and the use of blood make the characters look creepy and scary. Dark colors like red and black connote violence and danger. The poster's orderly layout focuses attention on the main image and text. Dramatic language ties into the film's theme and follows conventions to attract audiences to the horror genre.
The document analyzes the results of a questionnaire about potential storylines for a horror film. Most respondents preferred storyline 2, which involves everyday settings and characters. The analysis suggests incorporating elements from both storylines 1 and 2 that tested well, such as possessions, stereotypical props, and the use of children, into the final media product. It also recommends addressing criticisms of storyline 1 by making it scarier and setting it in a more conventional location.
Sophie Lunny compares several of her draft ancillary products and a script for a horror film trailer to actual published materials.
Her draft posters, magazine covers, and script are quite similar to real examples in their layout, imagery, and adherence to genre conventions. Comparing her storyboard to a published trailer demonstrates that her storyboard utilizes establishing shots, close-ups, and a similar number of shots to real trailers.
Her animatic also shares similarities to an actual trailer, using comparable shot types and sequencing events similarly to build suspense through scary characters, lighting, and sound effects.
This document discusses applying effects in Adobe Premiere Elements. It describes how to access effects through the action bar or bottom right corner, including blur, lighting, color, and black and white adjustments. Effects can be applied to video clips or images on the timeline by dragging and dropping them. Adjustments can be made and effects removed using buttons in the interface. Rendering allows smooth playback of clips with applied effects.
The document provides tips for effectively planning and producing a short film or trailer, including having a clear storyline, using a range of locations and shots, developing tension and suspense, including an appropriate range of actors, and using effective camerawork, mise en scene, and original footage without cliches. Proper planning, rehearsal, production qualities, and variety in fonts, photos, and shots are also recommended for marketing materials.
Sophie Lunny compares several of her draft ancillary products and film production materials to actual examples from horror films and magazines to evaluate how similar and conventional her work is. Her posters, magazine covers, script, storyboards, and animatic are all quite similar to real examples in terms of layout, imagery, formatting, shot types, and use of suspense-building techniques. Comparing her work to professionals helps ensure her materials properly follow horror film conventions.
This document describes the main characters that have been cast for a horror trailer. It introduces Michaela Head, a 17-year-old student who believes her house is haunted and invites friends to investigate. James Evans is chosen to play the antagonist who becomes possessed and murders two other characters, Liberty Wallis and Lauren Barber, both 17-year-old friends of Michaela who stay at the house.
This production plan outlines locations, costumes, props, equipment, and personnel needed for portraying the antagonist in two scenes. The first scene involves shooting the antagonist on the cover of a magazine at Michaela's house with dark clothing, makeup, and lighting to look scary. The second scene also takes place at Michaela's house showing the antagonist in normal ragged clothing in a mid-shot with dark lighting, a camera, and tripod operated by James Evans.
This production plan outlines locations, costumes, props, equipment, and personnel needed for portraying the antagonist in promotional materials and a scene. The antagonist will first appear in a magazine with dark clothing and makeup to look scary, then in Michaela's house with normal ragged clothing under dark lighting, photographed with a camera and tripod by Emily Lunny and James Evans.
This document contains drafts for marketing materials for a horror film called "The Unknown." The first draft is a one-sentence film poster that shows a dark, full-page image of a demon. The second draft is a magazine cover for a horror film magazine, featuring the film's demon image and metadata like the masthead, cover lines, barcode and release date.
This document outlines the production plan and schedule for a horror film trailer. It includes details about test footage and location scouting taking place on September 23rd. The main locations are outside and inside the haunted house of one of the characters, Michaela. Props will include clocks, knives, blood, and religious items to create tension and fit the horror genre. Costumes will be casual to portray normal teenagers. The film will focus on four 17-year-old friends - Michaela, James, Libby, and Sophie - who go to Michaela's supposedly haunted house. James becomes possessed and kills Libby and attacks Sophie, leaving her for dead. The camera and tripod listed are the main equipment needed.
This shot list outlines 30 shots for a horror film called "The Unknown". It documents a variety of shots that will be used to tell the story of 4 main characters, Michaela, James, Sophie and Libby, who experience strange and frightening events while staying in a house. The shots include establishing shots of the house, characters interacting, setting up cameras, reviewing footage which reveals suspicious activity, characters discussing what's happening and reacting to scary events, and climactic shots of a character being killed and another trying to escape from danger.
Michaela convinces her three friends James, Libby, and Sophie to spend the weekend at her house to prove that it is haunted. Sophie sets up cameras throughout the house. The camera footage shows some suspicious noises and movements. As more strange events occur, the friends begin to get scared. They review footage of James standing over Michaela's sleeping body, increasing the tension. Jump scares and shots show the friends in danger, with one close to death, building fear as the trailer ends.
Time Warner would be a suitable producer for the film due to their past success with horror films. As one of the major studios, they could widely distribute the film and use their subsidiaries like Warner Bros. and New Line Cinema to promote it. The film would target audiences aged 16-30 with a wide variety of interests. It would use horror film conventions like blood, low-key lighting, and tense music and sound effects. The story involves friends investigating a supposedly haunted house with cameras but facing danger.
Script formatting guidelines require capitalizing character names, specifying indoor/outdoor scene locations and times, using slug lines to identify settings like (INT. AIRPLANE), indenting dialogue, and using 12 point Courier font.
This document profiles the audience for horror genre films and media. The target audience is 16-30 year old males and females who enjoy shopping, music, socializing, sports, and television. They prefer trailers and films that build tension and suspense through techniques like montages, fast editing, short shots, and establishing shots to keep them entertained and feeling scared.
This document summarizes the results of a questionnaire about horror films. It found that the target audience is 16-30 years old and there are equal numbers of both genders who enjoy horror films. Most respondents watch horror films regularly and have similar interests, so they can provide reliable feedback. They expect trailers to include montages, music, characters, and story introductions with fast pacing and sound effects. Supernatural and psychological horror films were most popular. Respondents enjoyed tension, editing, characters in horror films.
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
How to Add Chatter in the odoo 17 ERP ModuleCeline George
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
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আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
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Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.