Risk assessment
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The document discusses risk assessment considerations for filming a music video. It identifies potential hazards from props, liquids, food, costumes, technical equipment, tripods, location, and performers. Props, liquids, food, costumes and equipment need to be stored carefully when not in use to prevent damage, loss or injury. Tripods require proper bags for transport and flat surfaces for stability. Locations need to be checked for safety hazards. Performers must be aware of their environment and properly warm up.
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Risk assessment
Props, liquids, food, costumes, and technical equipment need to be properly stored and handled to prevent damage or safety hazards during filming. Locations must be reviewed to ensure no slips, trips, or other dangers are present. Performers should familiarize themselves with locations in advance and warm up beforehand to avoid injury.
Risk assessment
This risk assessment document identifies several potential hazards for a film production called "The Dilemma" including road traffic, weather conditions like rain and wind, bodies of water, fire, and transportation. For each hazard, it lists possible injuries or damage, preventative measures being taken, the number of people at risk, and who is responsible. The producer, Steph Webb, conducted the assessment to help ensure the safety of all those involved in the production.
Risk Assessment
The document identifies several potential hazards from filming at a public park at night and proposes resolutions:
Cigarette lighters or glass in the park could cause burns or cuts, so the film crew will use caution or avoid these hazards. Slippery conditions from ice are a risk, so salt should be applied or slippery shoes avoided. The swing could cause falls, impacts, or splinters, so safe swinging practices and gloves will be followed. Inappropriate people may be present at night, so the crew will stay together in a group. General public could interfere with filming, so polite requests will be made for space. Park equipment will be respected and not damaged.
Recce Clifford
The document summarizes the recce for a student film location. The proposed location is a wooded walkway that would provide a mysterious atmosphere for a horror film. However, it may face sound interference from people in a nearby field and road. The lighting would be sufficient without extras. A risk assessment identifies hazards like tripping and equipment damage. Interruption from the public is also a moderate risk. The backup location is a children's park with more light but potential disruption from dogs and owners.
Risk Assessment – North Weald Location
This risk assessment document identifies potential risks at the North Weald location and precautions to take. Key risks include falling from heights, cuts from sharp objects, falling through unstable floors, slipping on mud or falling into the pond. Precautions include staying away from edges, clearing sharp objects, identifying weak floors, wearing sturdy shoes in muddy areas. Emergencies like injuries would require first aid, cleaning wounds, or ambulance depending on severity. Props are to be secured when not in use and bags not fully closed to prevent suffocation.
Risk Assessment
The document provides a risk assessment for a music video production titled "My Music Video – All about tonight". It identifies four main types of risks: personal injury, damage to costumes and equipment, and halting production either outside or inside. For each risk, it details possible issues and recommends ways to minimize the risks, such as bringing comfortable shoes for rehearsals, avoiding filming in fully dark areas, speaking to neighbors, and booking studio space in advance. The producer is identified as responsible for minimizing most of the risks.
Technical skills
The document discusses what was learned from a preliminary task to the full product of a music magazine. Specifically, it mentions learning how to overlay sections to create depth and interest, creating a clean and sophisticated layout tailored to the target audience, improving the genre to subtly suggest the magazine's focus, and strengthening the media language with eye-catching elements and connotations on the cover and masthead.
Las cuevas de altamira
La cueva de Altamira contenía pinturas rupestres realizadas por Homo Sapiens que vivían como cazadores y representaban animales.
Recommended
Risk assessment
Props, liquids, food, costumes, and technical equipment need to be properly stored and handled to prevent damage or safety hazards during filming. Locations must be reviewed to ensure no slips, trips, or other dangers are present. Performers should familiarize themselves with locations in advance and warm up beforehand to avoid injury.
Risk assessment
This risk assessment document identifies several potential hazards for a film production called "The Dilemma" including road traffic, weather conditions like rain and wind, bodies of water, fire, and transportation. For each hazard, it lists possible injuries or damage, preventative measures being taken, the number of people at risk, and who is responsible. The producer, Steph Webb, conducted the assessment to help ensure the safety of all those involved in the production.
Risk Assessment
The document identifies several potential hazards from filming at a public park at night and proposes resolutions:
Cigarette lighters or glass in the park could cause burns or cuts, so the film crew will use caution or avoid these hazards. Slippery conditions from ice are a risk, so salt should be applied or slippery shoes avoided. The swing could cause falls, impacts, or splinters, so safe swinging practices and gloves will be followed. Inappropriate people may be present at night, so the crew will stay together in a group. General public could interfere with filming, so polite requests will be made for space. Park equipment will be respected and not damaged.
Recce Clifford
The document summarizes the recce for a student film location. The proposed location is a wooded walkway that would provide a mysterious atmosphere for a horror film. However, it may face sound interference from people in a nearby field and road. The lighting would be sufficient without extras. A risk assessment identifies hazards like tripping and equipment damage. Interruption from the public is also a moderate risk. The backup location is a children's park with more light but potential disruption from dogs and owners.
Risk Assessment – North Weald Location
This risk assessment document identifies potential risks at the North Weald location and precautions to take. Key risks include falling from heights, cuts from sharp objects, falling through unstable floors, slipping on mud or falling into the pond. Precautions include staying away from edges, clearing sharp objects, identifying weak floors, wearing sturdy shoes in muddy areas. Emergencies like injuries would require first aid, cleaning wounds, or ambulance depending on severity. Props are to be secured when not in use and bags not fully closed to prevent suffocation.
Risk Assessment
The document provides a risk assessment for a music video production titled "My Music Video – All about tonight". It identifies four main types of risks: personal injury, damage to costumes and equipment, and halting production either outside or inside. For each risk, it details possible issues and recommends ways to minimize the risks, such as bringing comfortable shoes for rehearsals, avoiding filming in fully dark areas, speaking to neighbors, and booking studio space in advance. The producer is identified as responsible for minimizing most of the risks.
Technical skills
The document discusses what was learned from a preliminary task to the full product of a music magazine. Specifically, it mentions learning how to overlay sections to create depth and interest, creating a clean and sophisticated layout tailored to the target audience, improving the genre to subtly suggest the magazine's focus, and strengthening the media language with eye-catching elements and connotations on the cover and masthead.
Las cuevas de altamira
La cueva de Altamira contenía pinturas rupestres realizadas por Homo Sapiens que vivían como cazadores y representaban animales.
Risk assessment
This document lists potential risks for a music video shoot and measures to prevent issues. Camera/equipment risks include rain damage, theft, and dropping. Strategies are checking weather, constant supervision, and secure equipment. For performers, skateboarders risks include injury, so pads and helmets will be worn. Dancers risks are injury from poor lighting or surfaces, so lighting and smooth floors will be used. Minor injuries will be treated on site, but serious injuries require immediate hospital transport.
Risk assessment
The document identifies several potential hazards for a film production crew:
- Slipping hazards from wet surfaces both inside and outside could cause injury.
- Tripping over obstacles, especially on stairs, poses a risk.
- Heavy or fragile equipment could cause injury if dropped accidentally during handling or transport.
- Electrical equipment left on or near water presents electrical and fire dangers.
- Moving vehicles near outdoor filming locations endanger actors and crew in the road.
- Sharp objects like knives in kitchen filming locations could damage equipment or injure someone if left accessible.
The document outlines actions already taken and responsibilities to address each hazard during filming.
Risk assessment
The document identifies several potential hazards for a film production:
- Slipping hazards from wet surfaces either outside or inside if there are spills. The production team will check for spillages and wet surfaces before filming.
- Tripping hazards from obstacles, especially on stairs. The production team will be aware of trip hazards and remove obstacles.
- Injuries from dropping or breaking heavy or fragile equipment. The team will be careful handling equipment and clean up immediately if anything is dropped.
- Electrical hazards from equipment left on or near water. The production team will turn off and properly store electrical equipment.
- Injury from moving vehicles for outdoor shots. The team will ensure no cars are moving where filming occurs.
Risk assesment
The document identifies several potential equipment hazards and proposes resolutions. It notes that the tripod could fall or cause tripping, and the resolution is to clear space around it and ensure proper setup. It also notes that certain location aspects could endanger models or others, and the resolution is to stay together and keep belongings out of the way. Additionally, it states that busy roads pose a risk of cars hitting people, and the resolution is to stay far from roads.
Risk assessment
The document discusses various risks involved in an outdoor film production and provides precautions to mitigate those risks. It identifies risks such as equipment being damaged if dropped on the road, the camera getting wet and stopping working, cast or crew becoming ill or injured from slipping on wet surfaces. Precautions include carrying equipment in bags, covering cameras with umbrellas, filming only on dry paths, ensuring people are healthy before shooting, and being aware of surroundings. The goal is to anticipate risks and take steps to prevent accidents, illness, equipment damage or loss that could disrupt the production.
Risk assessment 2
The document discusses various risks involved in an outdoor film production and provides precautions to mitigate those risks. It identifies risks such as equipment being damaged if dropped on the road, the camera getting wet and stopping working, cast or crew becoming ill or injured from slipping on wet surfaces. Precautions include carrying equipment in bags, covering cameras with umbrellas, filming only on dry paths, ensuring people are healthy before shooting, and being aware of surroundings.
Hazard Form
This document provides a template for conducting a risk assessment for filming activities. It lists common hazards that could be present during different scenes, who may be harmed, what property could be damaged, existing risk controls, and a risk assessment level. Hazards addressed include slipping or falling on equipment, camera damage from rain, tripping in the dark, getting stung by nettles, dog attacks, and hair getting caught in equipment. For each hazard, the document suggests further actions that could be taken based on the risk level. The goal is to identify risks and put controls in place to protect people, equipment and property.
Risk assessment
This document lists various risks that could occur during a film project and provides information on the likelihood of each risk, how to prevent it, and what to do if it happens. Some of the key risks addressed include car accidents while traveling, actors getting injured from handling knives or props, technical issues like cameras running out of battery or data being lost, and actors becoming ill or injured before filming. The document recommends taking preventative measures like having experienced drivers, handling objects carefully, fully charging equipment, and having backup actors or plans. It also provides steps to take in emergency situations like calling for medical assistance or rescheduling filming.
Risk assessment
Filming in and around cars requires taking extra care not to exceed the driver's limits while being respectful and minimizing distraction. When filming outside, weather can affect filming quality and equipment, so caution is needed. Filming at night requires caution and awareness when in strange or dark locations, and it's best to never be alone and always film in a group. To prevent damage to equipment, costumes and props, proper preparation is key - keeping careful inventory allows knowing what is available. If actors are missing or busy during filming, shots can be done that don't include them. All electronic equipment should be fully charged beforehand and chargers kept nearby in case batteries need recharging.
Location risk assesment
The document provides a risk assessment for filming at four different locations - Runswick Bay Beach, Colburn Business Park, QESFC Dance Studio, and Darlington. Some of the key risks identified include equipment damage from sand, water or weather; safety issues from proximity to roads, electricity or slippery surfaces; and filming people without consent. The risks will be addressed by measures such as checking tide times, using protective bags, scouting weather, controlling filming areas and shots, ensuring safe wiring and floors, and rescheduling shoots if needed.
Health and safety
Before using camera equipment, students had a health and safety tutorial to learn how to properly handle the equipment to avoid damage or injury. They were instructed on safely using tripods outdoors and checking equipment and weather conditions before filming. The tutorial also covered basic camera functions like turning it on/off and inserting memory cards.
Recce, risk assessment, legal and ethical
1) The document discusses the locations, Ringwood Park and outside the author's house, that will be used to film a short film.
2) Hazards like slopes, play equipment, sticks and rocks are identified at each location and control measures are proposed like marking areas and removing hazards.
3) A risk assessment is presented covering potential risks like slipping, tripping and getting hit by a car at the locations, and how each risk will be controlled.
Fmp pre production
The document discusses the pre-production planning for a surfing trailer, including potential footage to capture in Thailand and the UK, intended audience which is surfers and non-surfers interested in nature and travel, equipment needed like an iPhone and wetsuit, and a production schedule detailing editing and adding music over the first 3 weeks. Contingency plans and health and safety considerations are also outlined to mitigate risks while filming in the ocean.
Risk assessment
This document lists potential hazards from filming a music video and the risk levels associated with each hazard. It then describes how each hazard will be controlled. The hazards include fire when burning a prop, makeup irritation, slippery surfaces from rain, lack of water, water near filming equipment, the general public in backgrounds, and tripping in the dark. Control methods include monitoring fires, using tested makeup, being prepared for rain, bringing water, filming at a distance from water, checking for people, and using lights to see in the dark.
Health and safety risk assessment
This risk assessment document outlines potential health and safety hazards for a film shoot occurring on February 3rd, 2014 at a location in Ilford. It identifies hazards such as actors falling down stairs in heels, breaking glass, dehydration, tripping over camera equipment, and physical issues from extended editing. Mitigation strategies are provided, assigning responsibilities to ensure actors are comfortable and safe, equipment is secured, and breaks are taken to prevent hazards.
Risk assesment - Actual
This document identifies and addresses various risks that could occur during the production and post-production of a short film. It outlines risks such as adverse weather, equipment damage or failure, actor absences, memory card capacity issues, safety concerns for scenes involving glass, fire or props, and potential editing or creative problems in post-production. Prevention and contingency plans are proposed to mitigate each risk, such as having backup equipment, reshooting scenes if needed, and building extra time into the schedule.
Risk Assessment
Alfie Green has created a risk assessment for his upcoming film production. The document identifies potential risks such as personal injury, equipment damage, and interruptions. It details ways to minimize each risk, including taping wires, checking equipment regularly, learning lines in advance, and scheduling around weather and availability. The producer Alfie Green is responsible for mitigating risks during filming.
Risk Assessment
Alfie Green has created a risk assessment for his upcoming film production. The document identifies potential risks such as personal injury, equipment damage, and interruptions. It details ways to minimize each risk, including taping wires, checking equipment regularly, learning lines in advance, and scheduling around weather and availability. Alfie assigns responsibilities for mitigating risks to himself and other crew members to help ensure a safe and successful production.
Risk Assessment
The document outlines several risks associated with filming a music video and plans to mitigate those risks:
1) Equipment could be damaged while filming, so care will be taken to properly secure the tripod and camera.
2) Filming in a woodland brings the risk of falling trees during windy conditions, so filming will only occur during calm weather.
3) Recording an argument scene could disrupt neighbors, so that audio will be added later instead of recording live on location.
4) Tripping hazards like tree roots and curbs could cause injuries, so the director will clearly communicate hazards to cast and crew between shots.
5) Continuity between shots filmed on different days is important, so
Risk Assessment
This risk assessment document outlines several safety measures for an upcoming film production. It addresses risks from actor illnesses and performances, loss of footage, low camera batteries, proper collection of props and costumes, handling of equipment, hazards from props, lighting in dark scenes, and ensuring general safety for actors and film crew. The document emphasizes taking necessary precautions through risk assessment to identify any potential issues or injuries before filming to minimize threats.
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Risk assessment
This document lists potential risks for a music video shoot and measures to prevent issues. Camera/equipment risks include rain damage, theft, and dropping. Strategies are checking weather, constant supervision, and secure equipment. For performers, skateboarders risks include injury, so pads and helmets will be worn. Dancers risks are injury from poor lighting or surfaces, so lighting and smooth floors will be used. Minor injuries will be treated on site, but serious injuries require immediate hospital transport.
Risk assessment
The document identifies several potential hazards for a film production crew:
- Slipping hazards from wet surfaces both inside and outside could cause injury.
- Tripping over obstacles, especially on stairs, poses a risk.
- Heavy or fragile equipment could cause injury if dropped accidentally during handling or transport.
- Electrical equipment left on or near water presents electrical and fire dangers.
- Moving vehicles near outdoor filming locations endanger actors and crew in the road.
- Sharp objects like knives in kitchen filming locations could damage equipment or injure someone if left accessible.
The document outlines actions already taken and responsibilities to address each hazard during filming.
Risk assessment
The document identifies several potential hazards for a film production:
- Slipping hazards from wet surfaces either outside or inside if there are spills. The production team will check for spillages and wet surfaces before filming.
- Tripping hazards from obstacles, especially on stairs. The production team will be aware of trip hazards and remove obstacles.
- Injuries from dropping or breaking heavy or fragile equipment. The team will be careful handling equipment and clean up immediately if anything is dropped.
- Electrical hazards from equipment left on or near water. The production team will turn off and properly store electrical equipment.
- Injury from moving vehicles for outdoor shots. The team will ensure no cars are moving where filming occurs.
Risk assesment
The document identifies several potential equipment hazards and proposes resolutions. It notes that the tripod could fall or cause tripping, and the resolution is to clear space around it and ensure proper setup. It also notes that certain location aspects could endanger models or others, and the resolution is to stay together and keep belongings out of the way. Additionally, it states that busy roads pose a risk of cars hitting people, and the resolution is to stay far from roads.
Risk assessment
The document discusses various risks involved in an outdoor film production and provides precautions to mitigate those risks. It identifies risks such as equipment being damaged if dropped on the road, the camera getting wet and stopping working, cast or crew becoming ill or injured from slipping on wet surfaces. Precautions include carrying equipment in bags, covering cameras with umbrellas, filming only on dry paths, ensuring people are healthy before shooting, and being aware of surroundings. The goal is to anticipate risks and take steps to prevent accidents, illness, equipment damage or loss that could disrupt the production.
Risk assessment 2
The document discusses various risks involved in an outdoor film production and provides precautions to mitigate those risks. It identifies risks such as equipment being damaged if dropped on the road, the camera getting wet and stopping working, cast or crew becoming ill or injured from slipping on wet surfaces. Precautions include carrying equipment in bags, covering cameras with umbrellas, filming only on dry paths, ensuring people are healthy before shooting, and being aware of surroundings.
Hazard Form
This document provides a template for conducting a risk assessment for filming activities. It lists common hazards that could be present during different scenes, who may be harmed, what property could be damaged, existing risk controls, and a risk assessment level. Hazards addressed include slipping or falling on equipment, camera damage from rain, tripping in the dark, getting stung by nettles, dog attacks, and hair getting caught in equipment. For each hazard, the document suggests further actions that could be taken based on the risk level. The goal is to identify risks and put controls in place to protect people, equipment and property.
Risk assessment
This document lists various risks that could occur during a film project and provides information on the likelihood of each risk, how to prevent it, and what to do if it happens. Some of the key risks addressed include car accidents while traveling, actors getting injured from handling knives or props, technical issues like cameras running out of battery or data being lost, and actors becoming ill or injured before filming. The document recommends taking preventative measures like having experienced drivers, handling objects carefully, fully charging equipment, and having backup actors or plans. It also provides steps to take in emergency situations like calling for medical assistance or rescheduling filming.
Risk assessment
Filming in and around cars requires taking extra care not to exceed the driver's limits while being respectful and minimizing distraction. When filming outside, weather can affect filming quality and equipment, so caution is needed. Filming at night requires caution and awareness when in strange or dark locations, and it's best to never be alone and always film in a group. To prevent damage to equipment, costumes and props, proper preparation is key - keeping careful inventory allows knowing what is available. If actors are missing or busy during filming, shots can be done that don't include them. All electronic equipment should be fully charged beforehand and chargers kept nearby in case batteries need recharging.
Location risk assesment
The document provides a risk assessment for filming at four different locations - Runswick Bay Beach, Colburn Business Park, QESFC Dance Studio, and Darlington. Some of the key risks identified include equipment damage from sand, water or weather; safety issues from proximity to roads, electricity or slippery surfaces; and filming people without consent. The risks will be addressed by measures such as checking tide times, using protective bags, scouting weather, controlling filming areas and shots, ensuring safe wiring and floors, and rescheduling shoots if needed.
Health and safety
Before using camera equipment, students had a health and safety tutorial to learn how to properly handle the equipment to avoid damage or injury. They were instructed on safely using tripods outdoors and checking equipment and weather conditions before filming. The tutorial also covered basic camera functions like turning it on/off and inserting memory cards.
Recce, risk assessment, legal and ethical
1) The document discusses the locations, Ringwood Park and outside the author's house, that will be used to film a short film.
2) Hazards like slopes, play equipment, sticks and rocks are identified at each location and control measures are proposed like marking areas and removing hazards.
3) A risk assessment is presented covering potential risks like slipping, tripping and getting hit by a car at the locations, and how each risk will be controlled.
Fmp pre production
The document discusses the pre-production planning for a surfing trailer, including potential footage to capture in Thailand and the UK, intended audience which is surfers and non-surfers interested in nature and travel, equipment needed like an iPhone and wetsuit, and a production schedule detailing editing and adding music over the first 3 weeks. Contingency plans and health and safety considerations are also outlined to mitigate risks while filming in the ocean.
Risk assessment
This document lists potential hazards from filming a music video and the risk levels associated with each hazard. It then describes how each hazard will be controlled. The hazards include fire when burning a prop, makeup irritation, slippery surfaces from rain, lack of water, water near filming equipment, the general public in backgrounds, and tripping in the dark. Control methods include monitoring fires, using tested makeup, being prepared for rain, bringing water, filming at a distance from water, checking for people, and using lights to see in the dark.
Health and safety risk assessment
This risk assessment document outlines potential health and safety hazards for a film shoot occurring on February 3rd, 2014 at a location in Ilford. It identifies hazards such as actors falling down stairs in heels, breaking glass, dehydration, tripping over camera equipment, and physical issues from extended editing. Mitigation strategies are provided, assigning responsibilities to ensure actors are comfortable and safe, equipment is secured, and breaks are taken to prevent hazards.
Risk assesment - Actual
This document identifies and addresses various risks that could occur during the production and post-production of a short film. It outlines risks such as adverse weather, equipment damage or failure, actor absences, memory card capacity issues, safety concerns for scenes involving glass, fire or props, and potential editing or creative problems in post-production. Prevention and contingency plans are proposed to mitigate each risk, such as having backup equipment, reshooting scenes if needed, and building extra time into the schedule.
Risk Assessment
Alfie Green has created a risk assessment for his upcoming film production. The document identifies potential risks such as personal injury, equipment damage, and interruptions. It details ways to minimize each risk, including taping wires, checking equipment regularly, learning lines in advance, and scheduling around weather and availability. The producer Alfie Green is responsible for mitigating risks during filming.
Risk Assessment
Alfie Green has created a risk assessment for his upcoming film production. The document identifies potential risks such as personal injury, equipment damage, and interruptions. It details ways to minimize each risk, including taping wires, checking equipment regularly, learning lines in advance, and scheduling around weather and availability. Alfie assigns responsibilities for mitigating risks to himself and other crew members to help ensure a safe and successful production.
Risk Assessment
The document outlines several risks associated with filming a music video and plans to mitigate those risks:
1) Equipment could be damaged while filming, so care will be taken to properly secure the tripod and camera.
2) Filming in a woodland brings the risk of falling trees during windy conditions, so filming will only occur during calm weather.
3) Recording an argument scene could disrupt neighbors, so that audio will be added later instead of recording live on location.
4) Tripping hazards like tree roots and curbs could cause injuries, so the director will clearly communicate hazards to cast and crew between shots.
5) Continuity between shots filmed on different days is important, so
Risk Assessment
This risk assessment document outlines several safety measures for an upcoming film production. It addresses risks from actor illnesses and performances, loss of footage, low camera batteries, proper collection of props and costumes, handling of equipment, hazards from props, lighting in dark scenes, and ensuring general safety for actors and film crew. The document emphasizes taking necessary precautions through risk assessment to identify any potential issues or injuries before filming to minimize threats.
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Discover how Standard Chartered Bank harnessed the power of Neo4j to transform complex data access challenges into a dynamic, scalable graph database solution. This keynote will cover their journey from initial adoption to deploying a fully automated, enterprise-grade causal cluster, highlighting key strategies for modelling organisational changes and ensuring robust disaster recovery. Learn how these innovations have not only enhanced Standard Chartered Bank’s data infrastructure but also positioned them as pioneers in the banking sector’s adoption of graph technology.
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How does your privacy program stack up against your peers? What challenges are privacy teams tackling and prioritizing in 2024?
In the fifth annual Global Privacy Benchmarks Survey, we asked over 1,800 global privacy professionals and business executives to share their perspectives on the current state of privacy inside and outside of their organizations. This year’s report focused on emerging areas of importance for privacy and compliance professionals, including considerations and implications of Artificial Intelligence (AI) technologies, building brand trust, and different approaches for achieving higher privacy competence scores.
See how organizational priorities and strategic approaches to data security and privacy are evolving around the globe.
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- The top 10 privacy insights from the fifth annual Global Privacy Benchmarks Survey
- The top challenges for privacy leaders, practitioners, and organizations in 2024
- Key themes to consider in developing and maintaining your privacy program
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Removing Uninteresting Bytes in Software Fuzzing
Imagine a world where software fuzzing, the process of mutating bytes in test seeds to uncover hidden and erroneous program behaviors, becomes faster and more effective. A lot depends on the initial seeds, which can significantly dictate the trajectory of a fuzzing campaign, particularly in terms of how long it takes to uncover interesting behaviour in your code. We introduce DIAR, a technique designed to speedup fuzzing campaigns by pinpointing and eliminating those uninteresting bytes in the seeds. Picture this: instead of wasting valuable resources on meaningless mutations in large, bloated seeds, DIAR removes the unnecessary bytes, streamlining the entire process.
In this work, we equipped AFL, a popular fuzzer, with DIAR and examined two critical Linux libraries -- Libxml's xmllint, a tool for parsing xml documents, and Binutil's readelf, an essential debugging and security analysis command-line tool used to display detailed information about ELF (Executable and Linkable Format). Our preliminary results show that AFL+DIAR does not only discover new paths more quickly but also achieves higher coverage overall. This work thus showcases how starting with lean and optimized seeds can lead to faster, more comprehensive fuzzing campaigns -- and DIAR helps you find such seeds.
- These are slides of the talk given at IEEE International Conference on Software Testing Verification and Validation Workshop, ICSTW 2022.
Cosa hanno in comune un mattoncino Lego e la backdoor XZ?
ABSTRACT: A prima vista, un mattoncino Lego e la backdoor XZ potrebbero avere in comune il fatto di essere entrambi blocchi di costruzione, o dipendenze di progetti creativi e software. La realtà è che un mattoncino Lego e il caso della backdoor XZ hanno molto di più di tutto ciò in comune.
Partecipate alla presentazione per immergervi in una storia di interoperabilità, standard e formati aperti, per poi discutere del ruolo importante che i contributori hanno in una comunità open source sostenibile.
BIO: Sostenitrice del software libero e dei formati standard e aperti. È stata un membro attivo dei progetti Fedora e openSUSE e ha co-fondato l'Associazione LibreItalia dove è stata coinvolta in diversi eventi, migrazioni e formazione relativi a LibreOffice. In precedenza ha lavorato a migrazioni e corsi di formazione su LibreOffice per diverse amministrazioni pubbliche e privati. Da gennaio 2020 lavora in SUSE come Software Release Engineer per Uyuni e SUSE Manager e quando non segue la sua passione per i computer e per Geeko coltiva la sua curiosità per l'astronomia (da cui deriva il suo nickname deneb_alpha).
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Risk assessment
- 1. Risk Assessment By Erica Hall
- 2. Props • Props could be a hazard if not using them for the correct use and this could cause disruption to people or for the props to get broken. In order to stop this from happen they will need to be stored in a box or cupboard when not in use so they are out of the way and protected. Also when filming if we have them in a box then we can always put them back in there so they don’t get lost or broken. One of our props is a guitar and in order to protect this from getting scratch or damaged it need to be kept in a guitar bag or case. Not only does it protect the guitar but it makes it easier to travel to and from the location. • Liquids- We are having bubbles in our music video and to prevent any spillages when filming we need to make sure the lip is kept on the bubble pot or keep on a flat service. As bubbles have soap liquid in it the injuries will be more serious than just water if spilt. • Food- Bubble gum can become a sticky situation when not treated in a good fashion or messed around with. The individual bubble gum needs to be kept in its wrapper away in a plastic bag so that it cant touch any other items or costume. When eating the bubble gum the activity we do must be kept to a minimum so that no one chokes on it. After used the gum should be put in a bin to respect the environment and also having chewing gum on the floor doesn’t look professional.
- 3. Costumes The costumes that we have for filming need to be treated with respect so they don’t dirty or creased. As there maybe more than one costume for performers the best idea is to keep all accessories and lose clothing in a box and any smart clothes in suite holders. So that performers put costume back in the correct box there will be a label on the box saying costume. Not only does it protect the clothing but also it keeps the day organised and easy to find exactly what you are looking for. Doing all of this will protect the costumes from: • Dirt • Damage • Tears • Losing them
- 4. Technical Equipment The technical Equipment used: • Camera • Phones • Ipods • Ipad All of the above are all valued items and need to be well protected and looked after. As this will be on the filming day phones will have to be switched off to prevent distraction to the performers and so the video camera doesn’t pick up the sound. If it happens to rain on the day that we film them all electrical item should be kept away because the water could stop the devices from working. This could also mean having to change the day that we shoot.
- 5. Tripods Tripod need a professional bag to carry it in to make it easier for traveling to location and also to protect it if dropped. If anything happens to get on the tripod it need to be cleaned as soon as possible to keep a clean working environment. Tripod need to be placed on a flat surface in order to make the recording look flat. If not this could disrupt the audience from watching the video. Also for our safety if it is flat them in means when moving the camera on the tripod we will keep balance if it was the other way then there could be injuries.
- 6. Location/Setting On the filming day we need to review our location to make sure that it is safe to work in. This is very important to check as we don’t want any series of injuries or disruption in our music video otherwise this could cause our audience to zone out and not be intrigued to the rest on the music video. This means so there is no: • Slips • Trips • Construction of builders • Any cars that may be dangerous • Litter • Sharp objects
- 7. Performers/Actors • Performers need to be well aware of the environment that they are working in. This will mean reviewing it in advance to know the step that they will taking and where everything will be placed. When filming by roads if cars are approaching they need to make sure they are well out of the way allowing lots of space for the passing cars ( taking time when crossing roads) • Before filming the scenes performers should warm up all areas of them body; voice and muscles are important to warm up. This is so the performer doesn’t hurt and muscle or cause damage to their voice.