Risk assesment
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The risk assessment document identifies several risks for an upcoming music video shoot and the actions needed to mitigate each risk. It lists risks such as slipping due to weather, characters not showing up, equipment damage, accidentally deleting footage, missing important shots, and unsteady camera angles. For each risk, it recommends precautions like checking the weather, having backup actors, properly storing equipment, understanding camera functions, creating a shot list, and using a tripod as needed.
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The document outlines several hazards and existing controls for a film shoot in different locations. It identifies risks such as tripping over camera equipment, slipping on saturated ground at the park scene, broken glass at a bar scene, and mugging in the city center at night. Controls include safe placement of equipment, instructing crew to wear proper footwear near water, and staying together in groups during filming. Further actions are also listed, such as testing grounds before filming and doing city filming only during daylight.
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Music video production shoot risk assessment form
This document contains a risk assessment for filming scenes at different locations. It identifies potential hazards such as traffic, weather, mud, bystanders, climbing a tree, and smashed glass. For each hazard, it lists the scene location, persons or property that could be harmed, existing risk controls, and further actions needed to reduce risk, such as avoiding roads when possible, not filming in unsuitable weather, staying away from muddy areas, asking bystanders to leave briefly, not climbing too high in a tree to avoid major injury from a fall, and throwing smashed glass in a direction that avoids harming anyone. It also includes a risk assessment chart that defines risk levels from extreme to low based on the likelihood of an incident occurring
Risk assessment
This document contains a risk assessment for filming scenes at different locations. It identifies potential hazards such as traffic, weather, mud, bystanders, climbing a tree, and smashed glass. For each hazard, it lists the scene location, persons or property that could be harmed, existing risk controls, and further actions needed to reduce risk, such as avoiding roads when possible, not filming in unsuitable weather, staying away from muddy areas, asking bystanders to leave briefly, not climbing too high in a tree to avoid major injury from a fall, and throwing smashed glass in a direction that avoids harming anyone. It also includes a risk assessment chart that defines risk levels from extreme to low based on the likelihood of an incident occurring
Risk assessment
The document outlines several risks to consider for a film shoot, including keeping the tripod grounded to avoid improper shots, fully charging cameras to prevent battery issues, potentially editing out unwanted people at the public filming location, staying away from water while filming at a marina, and avoiding loose wires that could cause accidents.
Risk assessment
This document outlines potential risks for a film shoot and describes how the filmmaker will prevent them. It includes risks such as illness or injury of cast members, broken equipment, bad weather interfering with outdoor filming, on-set injuries, and low battery life in the camera. The filmmaker takes responsibility for all risks and provides prevention strategies such as having replacement cast, safely storing equipment, checking the weather forecast, ensuring a safe working environment, and fully charging the camera battery.
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This document outlines several risks that need to be considered for an upcoming film shoot. These risks include tripping over wiring and equipment, electrical equipment being damaged in poor weather, low lighting affecting footage quality, improper equipment use causing damage, batteries running out, actors slipping or dropping out, allergic reactions to makeup, and interference from the public. Mitigation strategies are provided for each risk, such as equipment checks, practice runs, backup plans, and scouting an appropriate filming location.
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Risk assessment 1
This risk assessment document identifies potential risks for an upcoming film production shooting in a public park, including personal injury from tripping over tree roots or slipping on wet grass, harm from residents or visitors, equipment damage, and risks from adverse weather. The producer, Rag'e Ali, is responsible for minimizing these risks by making the actress aware of hazards, filming during off-peak hours, securing equipment when not in use, and ensuring proper medication and training for weather-related risks.
Risk assessment
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Risk assessment
This risk assessment document identifies potential risks and preventative measures for locations, equipment, and props for a film shoot. The locations of a tunnel and Warley woods are assessed for risks of blocking access, tripping, slipping on wet surfaces, interference from dogs or golf balls. Preventative measures include being aware of surroundings, having a partner, choosing footwear, moving equipment out of the way. The equipment of a camera and tripod are assessed for risks of damage, theft, or water damage. Preventative measures include handling with care, having multiple people, and an umbrella. Burning cards are assessed for risk of burns, and the preventative measure is having a water bucket nearby.
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This document outlines potential health and safety risks for a film shoot and proposes controls to mitigate those risks. It identifies risks such as a tripod falling over, equipment getting damaged from water or being dropped, actors not showing up on time, using the wrong props, backaches from carrying equipment, and tripping over wires. It then provides solutions for each risk, such as securely setting up the tripod, protecting equipment from water, having an accurate filming schedule, preparing props in advance, distributing equipment weight evenly between team members, and securing electrical wires out of walkways. The overall goal is to anticipate hazards, assess their potential impact, and implement controls to safely complete the film shoot.
Risk assessment
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Task B - Risk Assessment
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The document discusses filming at a bridge location and identifies slipping as a potential hazard that puts everyone at risk. To manage this risk, filming should avoid rainy conditions or people should move carefully. Everyone is responsible for managing this slipping risk.
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The document discusses filming at a location and identifies potential slipping hazards when it has been raining. It states that everyone is at risk from slipping and that the risk will be managed by either not filming when it's wet outside or moving carefully. Everyone is responsible for managing the slipping risk.
Risk assessment
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This document identifies several risks that could occur during the filming of a media studies project and provides solutions to mitigate each risk. The risks addressed are breaking the camera, running out of memory, unavailable actors, broken bottles, actor injury, bad weather, the camera running out of battery, and instruments breaking. Solutions include securely attaching the camera, ensuring ample memory, having backup actors, cleaning up broken glass, being careful of actors' safety, rescheduling for bad weather, keeping the camera charged, and replacing broken instrument parts.
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To minimize risks during filming of the music video, the document outlines safety procedures for equipment, personal safety, and general risks. Equipment like the camera and tripod should be handled carefully and stored properly when not in use to prevent damage. Personal safety measures include taking extra care filming near roads and wearing appropriate clothing. General risks like actors being late, equipment damage from weather or handling, and unpreparedness are addressed by scheduling and planning filming days in advance.
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Risk assessment
The document identifies several potential hazards for a film production crew:
- Slipping hazards from wet surfaces both inside and outside could cause injury.
- Tripping over obstacles, especially on stairs, poses a risk.
- Heavy or fragile equipment could cause injury if dropped accidentally during handling or transport.
- Electrical equipment left on or near water presents electrical and fire dangers.
- Moving vehicles near outdoor filming locations endanger actors and crew in the road.
- Sharp objects like knives in kitchen filming locations could damage equipment or injure someone if left accessible.
The document outlines actions already taken and responsibilities to address each hazard during filming.
Risk assessment
The document identifies several potential hazards for a film production:
- Slipping hazards from wet surfaces either outside or inside if there are spills. The production team will check for spillages and wet surfaces before filming.
- Tripping hazards from obstacles, especially on stairs. The production team will be aware of trip hazards and remove obstacles.
- Injuries from dropping or breaking heavy or fragile equipment. The team will be careful handling equipment and clean up immediately if anything is dropped.
- Electrical hazards from equipment left on or near water. The production team will turn off and properly store electrical equipment.
- Injury from moving vehicles for outdoor shots. The team will ensure no cars are moving where filming occurs.
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Katie Snook has identified several risks associated with her upcoming film production including tripping over tree logs on the film location, camera batteries dying, changes in weather preventing filming, and equipment being damaged. To minimize these risks, she will clear the filming area of debris, ensure cameras are fully charged and not left on when not in use, have backup indoor filming locations, and not leave equipment unattended. Katie is responsible for mitigating all the identified risks.
Risk assesement
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Risk assesment
This document outlines the risks and risk precautions for shooting a video. It identifies risks such as actors dropping out, weather impacting outdoor shots, injuries from smashing props, and equipment damage or theft. Precautions are outlined like having backup actors and locations, testing equipment, removing glass from frames, and supervising cameras. The biggest risks are injuries from smashing furniture and damage to cameras during the energetic shoot. Overall precautions aim to have backups, safe environments, and careful equipment handling and supervision.
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Song choice
The student initially chose to work alone on the project instead of joining a group. They wanted to develop their filming and editing skills. However, choosing a song proved difficult as they did not have access to original music and knew they would need to contact the record label for the song they wanted to use. While the student knew "Rather Be" by Clean Bandit fit their video idea, as they continued working, the song no longer seemed current. They instead chose "Sun Goes Down" by Jasmine Thompson, a new artist, because it would help blend the shots and tell the story in a cinematic way for their whole idea.
Analysis of three music videos
The document analyzes the music video for "Young and Beautiful" by Lana Del Rey. It notes that the video has a 1920s vintage aesthetic created through Lana's makeup, costumes, and editing techniques. The video is performance-based, featuring many close-up shots of Lana singing. It uses dark colors and lighting to create a melancholy mood that matches the lyrics. Overall, the analysis finds the video successfully matches the song's lyrics through its visual storytelling and vintage style.
Evaluation Question 3
The document summarizes feedback received from an audience on an unfinished music video. Based on the feedback, the creator made several changes to improve the final music video. The feedback showed that the title, story, sound/images, and editing were generally understood, but could be improved. Specifically, the creator filmed extra shots, reordered shots chronologically, changed editing software, and ensured a clear ending. This feedback helped the creator understand how to develop the music video more effectively.
Digi pak analysis
Digipaks were introduced in the early 2000s by record labels and artists to advertise music and increase album sales. Digipaks provide more information than just listening to music online, focusing on why people should purchase the physical album. They include pictures of the artist, messages to fans, and sometimes song lyrics. Digipaks offer a unique experience for fans through the extra features and ability to personally own the album.
Digipak advert analysis
Ed Sheeran's album advert uses simple yet effective techniques to promote his music and identity. It features a black and white picture of himself to introduce himself to the audience. The predominant color orange relates to his hair color and helps differentiate his image. It also shows the album cover and includes the untraditional album title "+", song titles, and a quote connecting him to his fans. These visual elements work together to inform the audience about Ed Sheeran's style and genre of music in a straightforward manner without much elaboration.
Schedule
The document contains a filming log from November 2015 to December 2015 in Barcelona and Paris. It details the date, time, location, duration of filming, characters needed, and shots taken for each filming session. A variety of establishing shots were taken of landmarks like Tibidabo mountain, Placa d'Espanya, Fontain magicade Montjuic, Sagrada Familia, Plaja Barceloneta, the Eiffel Tower, Notre Dame, and streets in Barcelona and Paris. Close up and interaction shots between characters were also captured to show the development of their relationships over time.
Equipment -facility-list
This document from Elvira Motorga details a shoot with Lana Del Rey on April 1, 2015 at Lea Valley. It includes a list of 6 characters and equipment such as a DSLR camera, Premier Pro, and iMovie that were required for the shoot and their sources.
Moodboard
The document discusses developing a plan for a music video by creating a mood board to understand the concept and appeal to the target audience. Images from the mood board will be used to begin planning the music video by making lists of props, camera angles, shots and creating a risk assessment. An animation could also be created to demonstrate how the finished music video may look.
Target audience
The document discusses targeting audiences for a music video. It analyzes demographic and psychographic segmentation to determine the target audience is teenagers and young adults of lower socioeconomic status. Primary research in surveys finds the target audience identifies as "explorers" who enjoy discovery and new concepts in music videos. They most often listen to pop music on YouTube. Shots showing new locations and the creator's experience will appeal to these explorers.
Intertextuality
Intertextuality refers to when a media text references another media text to add deeper meaning. In music videos, intertextuality is commonly used to add cinematic elements by including scenes from movies. For example, the "Love Me Like You Do" music video included scenes from Fifty Shades of Grey. The Red Hot Chili Peppers music video for "Californication" implemented a video game style that was popular among younger audiences at the time to promote the song, gaining over 200 million views on YouTube and increasing their popularity. Other bands later used similar intertextuality, such as Linkin Park referencing video games in their "Breaking the Habit" music video.
Music video theories
Andrew Goodwin's theory analyzes 5 aspects of music videos: 1) thought beats which focus on chorus/verses, 2) narrative/performance which tell a story, 3) star images which portray the artist, 4) technical aspects like camerawork and editing, and 5) how visuals relate to the song through illustrating, disjuncture, or amplification. The document discusses applying these aspects, particularly using narrative to clearly convey themes without misinterpretation. It also notes that the artist's participation enhances connection but may not be possible. Overall, the music video aims to match visuals and song to create a cinematic narrative for the target audience.
Production and distribution
The document discusses different options for artists to produce and distribute their work: major labels, independent labels, or self-producing. Major labels like Sony, Universal, and EMI have greater resources for publicity but artists have less control. Independent labels have fewer resources but focus more on the artistic vision and allow artists more ownership. Self-producing gives artists full control but limits their audience reach. The document also provides details on the history and operations of some major labels like Sony Music and Universal Music Group.
Categories and conventions of music videos
Music videos can be categorized into three types: performance, narrative, and conceptual. Performance videos focus on the artist performing for the camera. Narrative videos tell a story to help audiences relate to the song's lyrics. Conceptual videos are based on a concept rather than the song itself. Conventions like camera shots, editing, sound, and mise-en-scene help convey the artist's message. Different music genres also have their own conventions - for example, pop videos often use quick cuts and colorful aesthetics while rock videos feature rebellious styles and unpolished camerawork.
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一比一原版(UniSA毕业证)南澳大学毕业证成绩单如何办理
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一比一原版美国亚利桑那大学毕业证（ua毕业证书）如何办理
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留信网认证的作用:
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4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
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→ 【关于价格问题（保证一手价格）
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1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
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请您先以qq或微信的方式对我们的服务进行了解后如果有昆士兰科技大学昆士兰科技大学毕业证offer帮助再进行电话咨询。
国外毕业证学位证成绩单如何办理：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作昆士兰科技大学毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。望着父亲山娃反问道父亲听了并不回答只是吃吃地笑山娃很精神越逛越起劲父亲却越逛越疲倦望着父亲呵欠连天的样子山娃也说困了累了回家吧小屋闷罐一般头顶上的三叶扇彻夜呜呜作响搅得满屋热气腾腾也搅得山娃心烦意乱父亲一上床就呼呼大睡山娃却辗转反侧睡不着山娃一次又一次摸索着爬起来一遍又一遍地用暖乎乎的冷水擦身往水泥地板上一勺一勺的洒水也不知过了多久山娃竟迷迷糊糊地睡着了迷迷糊糊地又闻到了闹钟刺耳的铃声和哐咣的关和
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Ealing London Independent Photography meeting - June 2024
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Risk assesment
- 1. Name Elvira Motorga Date 17th November 2015 RISK ASSESSMENT for Musicvideo RISK ACTIONS REQUIRED Slipping Check the weather before choosing the shooting day. M The characters chosen for the music video are not turningup. Have morepeople booked in case of anything unexpected. H Damage of the equipment Alwaysplace the equipmentin the most suitable place. H Deleting the footage by mistake Be fully awareof how to usethe camera, especially if more than one modelis used duringthe music video creation. Not taking important shots which might affect the project Create a list of all the shots which need to be taken, to make surethat no oneof them are missed out. Steady camera angles I tripod should be used when necessary, to makesurethat the quality of the shots are not damaged. Please indicate risk level. Small, medium, or high.