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Richa Tilwani,Fashion Designer
The document discusses the evolution of fashion from ancient times to the modern era, highlighting key figures such as Coco Chanel and Christian Dior who influenced women's fashion. It also touches on the impact of the Industrial Revolution on textile production and the shift towards more diverse styles. Additionally, the document outlines design principles and elements, garment construction methods, and a client project focusing on designing a stylish top for a 30-32 year old woman attending a professional event.
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Richa Tilwani,Fashion Designer
- 1. PRESENTED BY:- RICHA TILWANI B.SCFT 1ST YEAR FASHION TECHNOLOGY WOMEN’S WEAR
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- 4. Fashion, as weknow it, is a relatively new concept. In ancient and medieval times, clothing styles remained practically unchanged for a century at a time. Fashion change began to accelerate during the Renaissance, as Western civilization discovered different cultures, customs, and costumes. As new fabrics and ideas became available, people craved more new things. The pace of fashion change has continued to increase. FASHION DEVELOPMENT
- 5. Effects Of TheIndustrial Revolution On Fashion The Industrial Revolution marked the beginning of technological advances in textiles and apparel production
- 6. Dresses and suitswere individually sewn by dressmakers were secrets guarded by the wealthy. No one wanted to Share the talents of clever dressmakers for Fear or losing them RoseBertin (Ber-tan’), dressmaker to Queen Marie Antoinette was known only because she was made the official court minister of fashion. Hand Sewing By Dressmakers And Tailors
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- 10. • Gabrielle Chanel(Sha-nelle’) :- Also known as Coco, was at the forefront of French fashion following World War I. Chanel popularized the Garcon (garsohn’) or boyish style with sweaters and jersey dresses and was the first designer to make high-fashion pants for women.
- 11. • Elsa Schiaparelli(Ska-pa-rell’-ee):- Was the trendsetter of European fashion in 1930s. Schiaparelli moved the center of interest to the shoulder, which she began to widen, accentuating them by pleats, padding, or braid, a silhouette that remained popular through World War II.
- 12. • Christion Dior(Chris-tee-ahn’Dec-or):- Showed his first collection in 1947 and was an instant success. In a reaction against the wartime silhouette, women adopted this New Look, with longer, flare skirts; smooth, rounded, sloping shoulders; and tiny fitted waists. Within a few seasons, Dior’s name became a household word, and he was doing as much business as the rest of the combined.
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- 28. PRINCIPLES AND ELEMENTSOF DESIGN
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- 33. MONOCHROMATIC COLOUR SCHEME SINGLE COMPLEMENTARY COLOURSCHEME ACCENTED NEUTRAL COLOUR SCHEME
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- 41. PATTERN MAKING DRAPING METHODFLATPATTERN METHOD
- 43. WOMEN’S BASIC BODICE BLOCKScale=1/4” Scale=1”
- 44. BASIC SKIRT BLOCKScale=1/4” Scale=1”
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- 51. WAIST DART FRONT VIEWSIDE VIEW BACK VIEW
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- 53. MID SHOULDER PRINCESSSTYLE LINE FRONT VIEW SIDE VIEW BACK VIEW
- 54. MID SHOULDER PRINCESSSTYLE LINE FRONT VIEW SIDE VIEW BACK VIEW
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- 58. CLIENT BOARD Make adesigner top suitable for sari, skirt, haram etc. with any surface design technique. My client is 30-32 years old woman who is an accountant in a company in Delhi. Her height is tall and has fair complexion. She is very energetic and is very confident about her personality. As she is going in Official Get-Together so she has to look attractive, powerful and energetic. Along with these colours I’ll make a designer top working with certain surface design technique.
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- 60. MOOD BOARD HAPPINESS, ENERGY JOY,HAPPINESS CONFIDENCE, CALMNESS NATURE, FERTILITY ELEGANCE, REPECT PASSION, POWERFUL
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