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PRESENTED BY:-
RICHA TILWANI
B.SC FT 1ST YEAR
FASHION TECHNOLOGY
WOMEN’S WEAR
GARMENT INDUSTRY
Fashion, as we know it, is a relatively new concept. In ancient and medieval times, clothing styles remained
practically unchanged for a century at a time. Fashion change began to accelerate during the Renaissance,
as Western civilization discovered different cultures, customs, and costumes. As new fabrics and ideas
became available, people craved more new things. The pace of fashion change has continued to increase.
FASHION DEVELOPMENT
Effects Of The Industrial
Revolution On Fashion
The Industrial Revolution marked the beginning of technological advances in textiles and
apparel production
Dresses and suits were individually sewn by dressmakers were secrets guarded by the
wealthy. No one wanted to Share the talents of clever dressmakers for Fear or losing
them RoseBertin (Ber-tan’), dressmaker to Queen Marie Antoinette was known only
because she was made the official court minister of fashion.
Hand Sewing By Dressmakers
And Tailors
Women’s Fashion Reflects
Social Changes
• Gabrielle Chanel (Sha-nelle’) :- Also known as Coco, was at the forefront of French
fashion following World War I. Chanel popularized the Garcon (garsohn’) or boyish style
with sweaters and jersey dresses and was the first designer to make high-fashion
pants for women.
• Elsa Schiaparelli (Ska-pa-rell’-ee):- Was the trendsetter of European fashion in 1930s.
Schiaparelli moved the center of interest to the shoulder, which she began to widen,
accentuating them by pleats, padding, or braid, a silhouette that remained popular
through World War II.
• Christion Dior (Chris-tee-ahn’Dec-or):- Showed his first collection in 1947 and was an
instant success. In a reaction against the wartime silhouette, women adopted this New
Look, with longer, flare skirts; smooth, rounded, sloping shoulders; and tiny fitted
waists. Within a few seasons, Dior’s name became a household word, and he was
doing as much business as the rest of the combined.
ILLUSTRATION
CUFFS
CUFFS
SLEEVES
NECKLINES
COLLARS
YOKES
POCKETS
WAISTBANDS
GRAPHIC DESIGN
PRINCIPLES AND ELEMENTS OF DESIGN
PRINCIPLES OF DESIGN
PRINCIPLE
REPETITION
GRADATION
RADIATION
DOMINANCE
HARMONY
CONTRAST
PROPORTION
BALANCE
RHYTHM
UNITY
ELEMENTS OF DESIGN
ELEMENTS
DOT
LINE
SHAPE
COLOUR
TEXTURE
COLOUR WHEEL
MONOCHROMATIC
COLOUR SCHEME
SINGLE COMPLEMENTARY
COLOUR SCHEME
ACCENTED NEUTRAL
COLOUR SCHEME
TINTS AND SHADES
FABRIC TEXTURE
KASUTI
EMBROIDERY
FABRIC
MANIPULATION
FABRIC
MANIPULATION
FABRIC PRINTING
GARMENT CONSTRUCTION
PATTERN MAKING
DRAPING METHODFLAT PATTERN METHOD
WOMEN’S BASIC BODICE
BLOCK Scale=1/4”
Scale=1”
BASIC SKIRT BLOCK Scale=1/4”
Scale=1”
Scale=1/4”WOMEN’S SAREE BLOUSE
Scale=1/2”
Scale=1/4”
KAMEEZ KURTA
Scale=1/3”
Scale=1/4”CHURIDAR PYJAMA
Scale=1/2”
Scale=1/4”PRINCESS PANEL
KURTA Scale=1/3”
Scale=1/4”
KALIDAR KURTA
Scale=1/3”
DRAPING
WAIST DART
FRONT VIEW SIDE VIEW BACK VIEW
SHOULDER DART
MID SHOULDER PRINCESS STYLE LINE
FRONT VIEW SIDE VIEW BACK VIEW
MID SHOULDER PRINCESS STYLE LINE
FRONT VIEW SIDE VIEW BACK VIEW
GROUPACTIVITY
VORTEX
GROUPACTIVITY
ORIGAMI
CLIENT BOARD
Make a designer top suitable for sari, skirt, haram etc. with
any surface design technique.
My client is 30-32 years old woman who is an accountant in a company in Delhi. Her
height is tall and has fair complexion. She is very energetic and is very confident about
her personality.
As she is going in Official Get-Together so she has to look attractive, powerful and
energetic.
Along with these colours I’ll make a designer top working with certain surface design
technique.
RESEARCH BOARD
MOOD BOARD
HAPPINESS, ENERGY
JOY, HAPPINESS
CONFIDENCE,
CALMNESS
NATURE, FERTILITY
ELEGANCE, REPECT
PASSION, POWERFUL
MATERIAL BOARD
DESIGN AND DEVELOPMENT
REPETITION
BALANCE
FINAL DRESS
Richa Tilwani,Fashion Designer

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