This document discusses representations of strippers and related concepts including ideology, stereotypes, construction, selection, genre, narrative, encoding, decoding, and connotation.
This 3 sentence summary provides the high-level information from the document:
This script is a first draft that includes notes on adaptations and is intended as a skeletal outline to illustrate dialogue, character movements, and costumes for an original story. It serves as the beginning stage of script drafting and development for a creative work.
Audience theories examine the complex relationship between media producers and audiences. Producers aim to position audiences through encoded messages, but audiences can interpret these messages differently as active or passive receivers. Different factors like demographics, beliefs, and level of engagement influence how audiences decode media texts.
This document outlines various visual, technical, and audio codes that can be analyzed when conducting a textual analysis. For visual codes, it lists clothing, physical appearance, gestures, facial expressions, settings, color use, and graphics. Technical codes include shot types, camera movements, editing styles, pace, and lighting. Audio codes cover sound, ambient noise, voice-overs, and music.
Stuart Hall was a cultural theorist who developed a model for how audiences interpret mass media texts. The model suggests there are three ways of reading: the dominant reading where the audience fully accepts the intended message, the negotiated reading where the audience partly accepts it but modifies it based on their own views, and the oppositional reading where the audience rejects the intended message based on how it conflicts with their own social position. Hall was interested in how the media propagates ideologies and frames public debates by positioning audiences, and the concept that texts can have multiple meanings open to different interpretations.
This documentary follows a group of strippers at the Glasgow club "Diamond Dolls" and aims to provide understanding of their lives and challenge stereotypes about strippers. Visual codes like low lighting in the club and interviews focusing on the faces rather than bodies aim to give insight beyond the stereotypes. While the strippers fit some stereotypes like being young and skinny, the documentary shows they have ambitions beyond stripping and more complexity to their identities and lives.
This document appears to be related to coursework for the year 2013. It gives no other context or details about the specific courses, assignments, or other academic work involved. In just two words, it provides a minimal amount of information about some type of course-related materials or requirements from that year.
The document instructs the audience to select TV clips from YouTube, upload them to a blog, and annotate the clips by identifying the intended audience, what needs or benefits the program satisfies for the audience, and how the program is produced or presented.
This document discusses how audiences become familiar with the conventions and predictable narrative elements of different genres. It provides examples of how genres have recognizable plot situations, characters, settings, iconography, technical elements like camera shots and editing styles, and audio cues like music and sound effects that establish expectations and provide a sense of satisfaction when viewers encounter them. These narrative and stylistic genre conventions help audiences understand and anticipate the structure and events within a text.
This 3 sentence summary provides the high-level information from the document:
This script is a first draft that includes notes on adaptations and is intended as a skeletal outline to illustrate dialogue, character movements, and costumes for an original story. It serves as the beginning stage of script drafting and development for a creative work.
Audience theories examine the complex relationship between media producers and audiences. Producers aim to position audiences through encoded messages, but audiences can interpret these messages differently as active or passive receivers. Different factors like demographics, beliefs, and level of engagement influence how audiences decode media texts.
This document outlines various visual, technical, and audio codes that can be analyzed when conducting a textual analysis. For visual codes, it lists clothing, physical appearance, gestures, facial expressions, settings, color use, and graphics. Technical codes include shot types, camera movements, editing styles, pace, and lighting. Audio codes cover sound, ambient noise, voice-overs, and music.
Stuart Hall was a cultural theorist who developed a model for how audiences interpret mass media texts. The model suggests there are three ways of reading: the dominant reading where the audience fully accepts the intended message, the negotiated reading where the audience partly accepts it but modifies it based on their own views, and the oppositional reading where the audience rejects the intended message based on how it conflicts with their own social position. Hall was interested in how the media propagates ideologies and frames public debates by positioning audiences, and the concept that texts can have multiple meanings open to different interpretations.
This documentary follows a group of strippers at the Glasgow club "Diamond Dolls" and aims to provide understanding of their lives and challenge stereotypes about strippers. Visual codes like low lighting in the club and interviews focusing on the faces rather than bodies aim to give insight beyond the stereotypes. While the strippers fit some stereotypes like being young and skinny, the documentary shows they have ambitions beyond stripping and more complexity to their identities and lives.
This document appears to be related to coursework for the year 2013. It gives no other context or details about the specific courses, assignments, or other academic work involved. In just two words, it provides a minimal amount of information about some type of course-related materials or requirements from that year.
The document instructs the audience to select TV clips from YouTube, upload them to a blog, and annotate the clips by identifying the intended audience, what needs or benefits the program satisfies for the audience, and how the program is produced or presented.
This document discusses how audiences become familiar with the conventions and predictable narrative elements of different genres. It provides examples of how genres have recognizable plot situations, characters, settings, iconography, technical elements like camera shots and editing styles, and audio cues like music and sound effects that establish expectations and provide a sense of satisfaction when viewers encounter them. These narrative and stylistic genre conventions help audiences understand and anticipate the structure and events within a text.
This document discusses national and regional identity and how they are represented and constructed. It notes that national identity is often defined in relation and contrast to other nations through stereotypical character traits. Regional identity is similarly defined by recognizable characteristics outside the region, especially accent, dialect and customs. As an example, it discusses how "Essex girls" are commonly represented in British media as unintelligent and promiscuous through jokes and stereotypes, helping construct a regional identity and representation.
Lesson 19 - Regional and national identityElle Sullivan
This document discusses regional identity in the UK and how it is portrayed in television and film. It examines stereotypes of different regions including Northerners, Southerners, Scousers, Welsh, and Londoners. Key theorists are discussed who argue that media plays a role in constructing national and regional identities through appealing to shared values and traditions. However, some media presents a more fragmented picture and must find ways of representing diverse identities in multicultural Britain. The use of stereotypes in establishing characters and identities is also examined.
The document compares the representations of age in the programs "Baby Face Brides" and "Strippers". "Baby Face Brides" portrays three girls aged 17-18 who are getting married, showing them as too young and immature to understand the commitment. Their behavior at hen nights and choosing a recycled dress leads viewers to see them as lacking maturity and tradition. "Strippers" portrays mature, independent women who choose that career out of necessity despite societal views. However, some similarities exist, as one stripper was only 18 and left college, while another at 21 hadn't told her family about her job.
The document provides an analysis of the Channel 4 series "Strippers" which documents the lives of women who have chosen lap dancing as a short term career. It focuses on three major cities in Scotland: Glasgow, Edinburgh, and Aberdeen. Throughout the analysis, several techniques used in the show are examined. Close-ups of sexualized body parts give the impression that women are objects for male lust. Fluorescent lighting has connotations of artificiality and the red light district, suggesting things are fake and tacky. Low camera angles frequently show body parts but rarely faces, implying the women's identities do not matter and they exist only to please customers.
The document discusses various aspects of representation in media. It begins by explaining that all media texts are representations of reality crafted by producers to portray their concept of existence. It then discusses how media both extends and restricts our experience of reality by selectively showing us only parts of it. The document also examines how media representations influence our perceptions of truth and reality. It analyzes common representations of gender, race, age and other groups and how these representations can promote stereotypes.
The document provides guidelines for students taking the MS1 examination in media studies following issues that arose from the January 2009 exam. It outlines that many students were underprepared to take the exam in January as the course is designed to be taught over the full AS year. It provides guidance on answering different types of questions, including spending adequate time analyzing stimuli for all questions and using detailed examples from multiple media forms and formats in responses. It emphasizes developing coherent, structured essays applying media concepts rather than simply describing or listing theories.
This document discusses different narrative theories including those proposed by Tzvetan Todorov, Vladimir Propp, and Levi-Strauss. Todorov's theory states that narratives follow a structure of equilibrium being disrupted, a quest to restore equilibrium, a confrontation, and resolution. Propp analyzed character functions. Levi-Strauss suggested narratives are driven by conflicts arising from binary oppositions. The document also mentions enigma codes and action codes that control narrative pacing and advance the story.
MS1 AS Media Studies Summer 2011 mark schemeJaskirt Boora
This document provides a marking scheme for a GCE Media Studies exam from Summer 2011. It includes four levels to assess students' answers with criteria for each level. The marking scheme provides generic levels to assess how students analyze media products and processes. It also includes a question-specific scheme that lists possible points students may discuss in their answers. The scheme analyzes sample questions on representing audiences and age in magazines.
This document provides exam guidance for a 2.5 hour print media exam:
- Students should spend 10-20 minutes analyzing and making notes on stimulus materials before answering questions.
- Question 1 focuses on textual analysis of media materials and assessing purposes and effects of techniques.
- Question 2 may have multiple parts and assess representation or audience, requiring students to discuss their own media examples.
- Question 3 also focuses on representation or audience, requiring students to deeply analyze 2-3 of their own examples across different media forms.
The document discusses representations of ethnicity in British media and common stereotypes. It notes that while ethnic minorities make up nearly 8% of the UK population, their representation in television is often limited and relies on stereotypes. Common stereotypes seen include black people portrayed as entertainers or criminals, Middle Eastern people as shopkeepers or traditional/misogynistic, and stereotypes of other groups are often absent entirely. The document argues for more progressive representations that move beyond limited stereotypes.
This document outlines three case studies and corresponding questions about representing various topics in the media. Case study 1 focuses on TV/film/video games, case study 2 on ads/music videos, and case study 3 on magazines/newspapers. For each case study, students are asked to explore the representation of a topic in the media by referencing their own detailed examples, and are given 30 marks. Topics include national/regional identities, events, issues, gender, age, and young people. Key terminology and points are also to be discussed.
The document discusses representation of women in the music industry. It notes that women are often hyper-sexualized to help sell music. This can negatively impact youth by influencing ideas about body image and sexuality. While some artists embrace their sexuality, others feel pressure to do so. The document examines how different artists present themselves, from highly sexualized performers to those who find success without relying on sexuality.
This lecture discusses gender in popular culture, focusing on representations of masculinity and femininity. It analyzes the pop group Pussycat Dolls, noting their themes of asserting female sexuality and independence while portraying men as useless or overly aggressive. The implications for gender and power relationships are complex, as leveraging sexuality can empower women by contesting the male gaze, but may also lead to objectification over time. The appropriateness and impact of various popular culture portrayals remains open to debate.
Media representations are intentionally constructed versions of reality that audiences use to make sense of the world; however, gender representations in media often rely on stereotypical portrayals of masculinity focusing on strength and power and femininity focusing on beauty, sexuality, and relationships. Studying how gender and other identities are represented in media involves considering who produced the content and why they selected those specific portrayals.
Representation describes how signs like media texts stand in for and depict reality. Producers intentionally frame reality through signs like editing and camerawork to position texts ideologically. Audiences make sense of reality through these representations. Common representations of social groups in media include stereotypes like criminal black men, nerdy white men, sexy Latinas, and helpless disabled people. Understanding how media represent social groups through signs is important for recognizing the ideologies that shape perceptions of reality.
This document discusses representation and textual analysis for media studies examinations. It focuses on analyzing representations of ethnicity and sexuality through techniques like mise-en-scene, camerawork, editing and sound. Stereotypical portrayals of different ethnic groups like Afro-Caribbean, East Asian and Latin American are outlined. Representations of sexuality, both heterosexual and homosexual, are also described in terms of common stereotypes. Analyzing these representations is important to understand the dominant ideologies and social myths being created or reinforced in media texts.
This document discusses gender representation in media. It begins by outlining the learning objectives of exploring how femininity and masculinity are represented in media through stereotypes in film, music and advertising. It then discusses student tasks analyzing representations of gender in magazines, television shows, and advertisements. Specifically, it notes that women are often represented narrowly through domestic or sexualized roles, while representations of men increasingly focus on physique, strength, and sexuality. The document aims to have students understand and critique common gender stereotypes in various media.
This document discusses stereotypes of age in media representations. It lists both positive and negative stereotypes commonly associated with being either young or old. Some negative stereotypes of youth include being immature, stupid, greedy, lazy, selfish, unfit, violent, callous, gullible, unreliable and careless. Positive stereotypes include being active, sociable, innocent, strong, with a long future ahead and being adventurous and fun. Negative stereotypes of old age include being grumpy, outdated, slow, weak, whining, unhealthy, miserly, hard-of-hearing, ugly, unable to use technology and being lonely, dependent, boring and unwilling to try new things. The document
Media Representations of Representation of regional identityCraig Osborne
The document discusses regional identity and stereotypes within the United Kingdom. It describes stereotypes associated with being Scottish (money-obsessed, drinks alcohol, loves outdoors), Welsh (lives in countryside, jokes about shagging sheep), Irish (lives in countryside, works on farms, religious, good at music), English (racist, obsessed with beer and football), and people from various cities and regions like London, Manchester, Liverpool, Essex, Yorkshire, and Cornwall. It also contrasts stereotypes of northern and southern England, associating the north with poverty, weather, lower class jobs and the south with culture, wealth, and professional jobs. The document provides questions to consider when analyzing regional identity in media clips.
The document discusses representation of race and ethnicity in media. It notes that while race has biological elements, there are also cultural components to representation. Media often relies on rigid racial stereotypes, especially in portrayals of minority groups. This can negatively impact viewers' perceptions, especially for children who have little other exposure to different cultures. The document calls for more accurate and diverse portrayals of various racial and ethnic groups in television, films, and other media to avoid perpetuating harmful stereotypes. It provides several specific examples of how different minority groups such as African Americans, Latinos, Asians, and Native Americans have been stereotyped in media over time.
This document provides guidance on analyzing media texts for AS Media Revision exams. It outlines various technical, audio, visual, and genre codes that communicate messages to audiences. These include camera shots, angles, and movement; diegetic and non-diegetic sound; dialogue; music; and narrative genres. The document also discusses representing gender, ethnicity, age, issues, and regional identities in examples. It provides direction on analyzing audience definitions, responses to texts, how audiences are positioned, and how media attract audiences.
The document analyzes four studies on gender portrayals in children's entertainment such as movies and TV shows. The key findings are:
1) Females make up only 28% of speaking characters in G-rated films from 1990-2005. They are also less likely than males to appear in crowd scenes.
2) Across G, PG, PG-13 and R rated films from 1990-2006, females make up only 27% of speaking characters. This ratio of 2.71 males for every 1 female has not changed over time.
3) Females are more likely than males to be portrayed as parents or in relationships, presenting traditional gender roles. However, females are also five times more
This document discusses national and regional identity and how they are represented and constructed. It notes that national identity is often defined in relation and contrast to other nations through stereotypical character traits. Regional identity is similarly defined by recognizable characteristics outside the region, especially accent, dialect and customs. As an example, it discusses how "Essex girls" are commonly represented in British media as unintelligent and promiscuous through jokes and stereotypes, helping construct a regional identity and representation.
Lesson 19 - Regional and national identityElle Sullivan
This document discusses regional identity in the UK and how it is portrayed in television and film. It examines stereotypes of different regions including Northerners, Southerners, Scousers, Welsh, and Londoners. Key theorists are discussed who argue that media plays a role in constructing national and regional identities through appealing to shared values and traditions. However, some media presents a more fragmented picture and must find ways of representing diverse identities in multicultural Britain. The use of stereotypes in establishing characters and identities is also examined.
The document compares the representations of age in the programs "Baby Face Brides" and "Strippers". "Baby Face Brides" portrays three girls aged 17-18 who are getting married, showing them as too young and immature to understand the commitment. Their behavior at hen nights and choosing a recycled dress leads viewers to see them as lacking maturity and tradition. "Strippers" portrays mature, independent women who choose that career out of necessity despite societal views. However, some similarities exist, as one stripper was only 18 and left college, while another at 21 hadn't told her family about her job.
The document provides an analysis of the Channel 4 series "Strippers" which documents the lives of women who have chosen lap dancing as a short term career. It focuses on three major cities in Scotland: Glasgow, Edinburgh, and Aberdeen. Throughout the analysis, several techniques used in the show are examined. Close-ups of sexualized body parts give the impression that women are objects for male lust. Fluorescent lighting has connotations of artificiality and the red light district, suggesting things are fake and tacky. Low camera angles frequently show body parts but rarely faces, implying the women's identities do not matter and they exist only to please customers.
The document discusses various aspects of representation in media. It begins by explaining that all media texts are representations of reality crafted by producers to portray their concept of existence. It then discusses how media both extends and restricts our experience of reality by selectively showing us only parts of it. The document also examines how media representations influence our perceptions of truth and reality. It analyzes common representations of gender, race, age and other groups and how these representations can promote stereotypes.
The document provides guidelines for students taking the MS1 examination in media studies following issues that arose from the January 2009 exam. It outlines that many students were underprepared to take the exam in January as the course is designed to be taught over the full AS year. It provides guidance on answering different types of questions, including spending adequate time analyzing stimuli for all questions and using detailed examples from multiple media forms and formats in responses. It emphasizes developing coherent, structured essays applying media concepts rather than simply describing or listing theories.
This document discusses different narrative theories including those proposed by Tzvetan Todorov, Vladimir Propp, and Levi-Strauss. Todorov's theory states that narratives follow a structure of equilibrium being disrupted, a quest to restore equilibrium, a confrontation, and resolution. Propp analyzed character functions. Levi-Strauss suggested narratives are driven by conflicts arising from binary oppositions. The document also mentions enigma codes and action codes that control narrative pacing and advance the story.
MS1 AS Media Studies Summer 2011 mark schemeJaskirt Boora
This document provides a marking scheme for a GCE Media Studies exam from Summer 2011. It includes four levels to assess students' answers with criteria for each level. The marking scheme provides generic levels to assess how students analyze media products and processes. It also includes a question-specific scheme that lists possible points students may discuss in their answers. The scheme analyzes sample questions on representing audiences and age in magazines.
This document provides exam guidance for a 2.5 hour print media exam:
- Students should spend 10-20 minutes analyzing and making notes on stimulus materials before answering questions.
- Question 1 focuses on textual analysis of media materials and assessing purposes and effects of techniques.
- Question 2 may have multiple parts and assess representation or audience, requiring students to discuss their own media examples.
- Question 3 also focuses on representation or audience, requiring students to deeply analyze 2-3 of their own examples across different media forms.
The document discusses representations of ethnicity in British media and common stereotypes. It notes that while ethnic minorities make up nearly 8% of the UK population, their representation in television is often limited and relies on stereotypes. Common stereotypes seen include black people portrayed as entertainers or criminals, Middle Eastern people as shopkeepers or traditional/misogynistic, and stereotypes of other groups are often absent entirely. The document argues for more progressive representations that move beyond limited stereotypes.
This document outlines three case studies and corresponding questions about representing various topics in the media. Case study 1 focuses on TV/film/video games, case study 2 on ads/music videos, and case study 3 on magazines/newspapers. For each case study, students are asked to explore the representation of a topic in the media by referencing their own detailed examples, and are given 30 marks. Topics include national/regional identities, events, issues, gender, age, and young people. Key terminology and points are also to be discussed.
The document discusses representation of women in the music industry. It notes that women are often hyper-sexualized to help sell music. This can negatively impact youth by influencing ideas about body image and sexuality. While some artists embrace their sexuality, others feel pressure to do so. The document examines how different artists present themselves, from highly sexualized performers to those who find success without relying on sexuality.
This lecture discusses gender in popular culture, focusing on representations of masculinity and femininity. It analyzes the pop group Pussycat Dolls, noting their themes of asserting female sexuality and independence while portraying men as useless or overly aggressive. The implications for gender and power relationships are complex, as leveraging sexuality can empower women by contesting the male gaze, but may also lead to objectification over time. The appropriateness and impact of various popular culture portrayals remains open to debate.
Media representations are intentionally constructed versions of reality that audiences use to make sense of the world; however, gender representations in media often rely on stereotypical portrayals of masculinity focusing on strength and power and femininity focusing on beauty, sexuality, and relationships. Studying how gender and other identities are represented in media involves considering who produced the content and why they selected those specific portrayals.
Representation describes how signs like media texts stand in for and depict reality. Producers intentionally frame reality through signs like editing and camerawork to position texts ideologically. Audiences make sense of reality through these representations. Common representations of social groups in media include stereotypes like criminal black men, nerdy white men, sexy Latinas, and helpless disabled people. Understanding how media represent social groups through signs is important for recognizing the ideologies that shape perceptions of reality.
This document discusses representation and textual analysis for media studies examinations. It focuses on analyzing representations of ethnicity and sexuality through techniques like mise-en-scene, camerawork, editing and sound. Stereotypical portrayals of different ethnic groups like Afro-Caribbean, East Asian and Latin American are outlined. Representations of sexuality, both heterosexual and homosexual, are also described in terms of common stereotypes. Analyzing these representations is important to understand the dominant ideologies and social myths being created or reinforced in media texts.
This document discusses gender representation in media. It begins by outlining the learning objectives of exploring how femininity and masculinity are represented in media through stereotypes in film, music and advertising. It then discusses student tasks analyzing representations of gender in magazines, television shows, and advertisements. Specifically, it notes that women are often represented narrowly through domestic or sexualized roles, while representations of men increasingly focus on physique, strength, and sexuality. The document aims to have students understand and critique common gender stereotypes in various media.
This document discusses stereotypes of age in media representations. It lists both positive and negative stereotypes commonly associated with being either young or old. Some negative stereotypes of youth include being immature, stupid, greedy, lazy, selfish, unfit, violent, callous, gullible, unreliable and careless. Positive stereotypes include being active, sociable, innocent, strong, with a long future ahead and being adventurous and fun. Negative stereotypes of old age include being grumpy, outdated, slow, weak, whining, unhealthy, miserly, hard-of-hearing, ugly, unable to use technology and being lonely, dependent, boring and unwilling to try new things. The document
Media Representations of Representation of regional identityCraig Osborne
The document discusses regional identity and stereotypes within the United Kingdom. It describes stereotypes associated with being Scottish (money-obsessed, drinks alcohol, loves outdoors), Welsh (lives in countryside, jokes about shagging sheep), Irish (lives in countryside, works on farms, religious, good at music), English (racist, obsessed with beer and football), and people from various cities and regions like London, Manchester, Liverpool, Essex, Yorkshire, and Cornwall. It also contrasts stereotypes of northern and southern England, associating the north with poverty, weather, lower class jobs and the south with culture, wealth, and professional jobs. The document provides questions to consider when analyzing regional identity in media clips.
The document discusses representation of race and ethnicity in media. It notes that while race has biological elements, there are also cultural components to representation. Media often relies on rigid racial stereotypes, especially in portrayals of minority groups. This can negatively impact viewers' perceptions, especially for children who have little other exposure to different cultures. The document calls for more accurate and diverse portrayals of various racial and ethnic groups in television, films, and other media to avoid perpetuating harmful stereotypes. It provides several specific examples of how different minority groups such as African Americans, Latinos, Asians, and Native Americans have been stereotyped in media over time.
This document provides guidance on analyzing media texts for AS Media Revision exams. It outlines various technical, audio, visual, and genre codes that communicate messages to audiences. These include camera shots, angles, and movement; diegetic and non-diegetic sound; dialogue; music; and narrative genres. The document also discusses representing gender, ethnicity, age, issues, and regional identities in examples. It provides direction on analyzing audience definitions, responses to texts, how audiences are positioned, and how media attract audiences.
The document analyzes four studies on gender portrayals in children's entertainment such as movies and TV shows. The key findings are:
1) Females make up only 28% of speaking characters in G-rated films from 1990-2005. They are also less likely than males to appear in crowd scenes.
2) Across G, PG, PG-13 and R rated films from 1990-2006, females make up only 27% of speaking characters. This ratio of 2.71 males for every 1 female has not changed over time.
3) Females are more likely than males to be portrayed as parents or in relationships, presenting traditional gender roles. However, females are also five times more
This document defines key terms used in analyzing various media forms including:
- Audience refers to the intended consumers of a media product and how they may be divided.
- Codes are systems that allow cultures to communicate through signs and create meaning.
- Genre refers to specific types of films, television, or radio productions like action, horror, or comedy.
- Mediation is the process by which media select and alter aspects of the world before presenting representations to audiences.
- Representation is the process of producing meaning in media, which can include misrepresentations of social groups.
This document outlines three assessment tasks for media studies. The first task involves selecting TV clips and annotating how they meet audience needs and are constructed. The second task requires finding examples of representations of class, gender, age, race, and sexuality in different media and commenting on whether the representations are positive or negative. The third task involves selecting TV clips and doing a detailed textual analysis of the visual, audio, and technical codes used and the meanings they create. Students are to upload clips, examples, and analyses to their blogs with embedded videos or links.
This document provides a task for a blog post that involves finding 1 example each of representations of class, gender, age, race, and sexuality in different media like newspapers, TV shows, and films. The blog post should comment on whether each representation is positive or negative and the values of the media producer, and it should include embedded videos, links, or pictures from the examples.
The Uses and Gratifications model is an audience theory that justifies why people spend time engaging with certain types of media. It classifies audience motivations into 4 categories: personal identity, information, entertainment, and social integration. The model suggests people use media to reinforce personal values, learn, be entertained through escape or relaxation, and connect with others for understanding, belonging, and interaction.
Gender and Mental Health - Counselling and Family Therapy Applications and In...PsychoTech Services
A proprietary approach developed by bringing together the best of learning theories from Psychology, design principles from the world of visualization, and pedagogical methods from over a decade of training experience, that enables you to: Learn better, faster!
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
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Chapter wise All Notes of First year Basic Civil Engineering.pptxDenish Jangid
Chapter wise All Notes of First year Basic Civil Engineering
Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
Buildings: Selection of site for Buildings, Layout of Building Plan, Types of buildings, Plinth area, carpet area, floor space index, Introduction to building byelaws, concept of sun light & ventilation. Components of Buildings & their functions, Basic concept of R.C.C., Introduction to types of foundation
Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
Leveraging Generative AI to Drive Nonprofit InnovationTechSoup
In this webinar, participants learned how to utilize Generative AI to streamline operations and elevate member engagement. Amazon Web Service experts provided a customer specific use cases and dived into low/no-code tools that are quick and easy to deploy through Amazon Web Service (AWS.)
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) CurriculumMJDuyan
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
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Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.