Regulation
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This document discusses different forms of regulation for media including legal, official, cultural, self, and economic regulation. It provides examples of media regulatory bodies in the UK such as Ofcom, ASA, BBC Trust, BBFC, and PCC. It also summarizes a case study about a Heinz deli meat advertisement that received complaints but was never officially banned or pulled in the UK.
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The document provides an overview of the strategic management process and a table summarizing major equal employment opportunity (EEO) laws and regulations. The strategic management process includes elements like the external environment, internal analysis, strategic control, short and long-term objectives, and feedback. The table lists EEO laws like the Thirteenth Amendment, Civil Rights Acts, Equal Pay Act, Title VII, Age Discrimination in Employment Act, Rehabilitation Act, Americans with Disabilities Act, Pregnancy Discrimination Act, and Executive Order 11246. It notes the requirements, coverage, and enforcement agencies for each law.
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The Race Relations Act of 1976 established laws to prevent racial discrimination in employment, education, housing, and other areas based on race, color, or national origin. It was later updated in 2000 to further promote racial equality.
The Broadcasting Act of 1990 deregulated the British broadcasting industry by abolishing the Independent Broadcasting Authority and replacing it with the Independent Television Commission to license commercial television stations. It also limited ownership of television companies.
The Obscene Publications Act of 1959 determines what can be published in England and Wales by deeming content that tends to corrupt or deprave audiences as obscene and therefore illegal. It affects what television and film content can be broadcast.
Potential codes and constraints
This document outlines several key codes and constraints that must be considered for a documentary project, including:
1) Legal and ethical codes around employment, health and safety, employees' rights, confidentiality, offensive material, and ensuring the accuracy of interviews.
2) The UK broadcasting code of practice which aims to support the independent production sector through fair negotiations.
3) Copyright restrictions which require permission to use any non-original footage or audio to avoid legal issues.
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Case study task
The document outlines key information to help formulate arguments for exam questions on media regulation:
1) It provides example exam questions on the nature and effectiveness of contemporary media regulation compared to past practices, and arguments for and against specific forms.
2) It lists relevant UK legislation affecting film regulation from 1952 to the present and the powers they give to regulatory bodies like the BBFC.
3) Students are instructed to research case studies of contemporary and historical films assessed by the BBFC to support their arguments, including release data, cuts made, and supporting theories and statistics.
Regulating ad
Advertising regulation refers to laws and rules that define how products can be advertised in a particular region. Advertising is regulated through self-regulation by the advertising industry and media to maintain consumer trust, federal regulation, and state regulation. Self-regulatory bodies like the National Advertising Division ensure advertising complies with codes. Special rules govern advertising in different media, like television which is subject to the Advertising Standards Association code due to television's intimate presence in homes. Regulations also protect privacy, like the Children's Online Privacy Protection Act which restricts collecting child information online and requires privacy policies.
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Recommended
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The document provides an overview of the strategic management process and a table summarizing major equal employment opportunity (EEO) laws and regulations. The strategic management process includes elements like the external environment, internal analysis, strategic control, short and long-term objectives, and feedback. The table lists EEO laws like the Thirteenth Amendment, Civil Rights Acts, Equal Pay Act, Title VII, Age Discrimination in Employment Act, Rehabilitation Act, Americans with Disabilities Act, Pregnancy Discrimination Act, and Executive Order 11246. It notes the requirements, coverage, and enforcement agencies for each law.
Legal and ethical regulations
The Race Relations Act of 1976 established laws to prevent racial discrimination in employment, education, housing, and other areas based on race, color, or national origin. It was later updated in 2000 to further promote racial equality.
The Broadcasting Act of 1990 deregulated the British broadcasting industry by abolishing the Independent Broadcasting Authority and replacing it with the Independent Television Commission to license commercial television stations. It also limited ownership of television companies.
The Obscene Publications Act of 1959 determines what can be published in England and Wales by deeming content that tends to corrupt or deprave audiences as obscene and therefore illegal. It affects what television and film content can be broadcast.
Potential codes and constraints
This document outlines several key codes and constraints that must be considered for a documentary project, including:
1) Legal and ethical codes around employment, health and safety, employees' rights, confidentiality, offensive material, and ensuring the accuracy of interviews.
2) The UK broadcasting code of practice which aims to support the independent production sector through fair negotiations.
3) Copyright restrictions which require permission to use any non-original footage or audio to avoid legal issues.
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The document discusses campaign finance in the United States, including sources of campaign funding, laws regulating finance, and the role of the Federal Election Commission. It notes that campaigns receive funds from small donors, wealthy supporters, PACs, and temporary organizations. The Federal Election Commission enforces disclosure laws and limits on contributions and expenditures. However, loopholes exist like soft money, independent spending, and issue ads that allow large sums to influence elections while circumventing regulations.
Case study task
The document outlines key information to help formulate arguments for exam questions on media regulation:
1) It provides example exam questions on the nature and effectiveness of contemporary media regulation compared to past practices, and arguments for and against specific forms.
2) It lists relevant UK legislation affecting film regulation from 1952 to the present and the powers they give to regulatory bodies like the BBFC.
3) Students are instructed to research case studies of contemporary and historical films assessed by the BBFC to support their arguments, including release data, cuts made, and supporting theories and statistics.
Regulating ad
Advertising regulation refers to laws and rules that define how products can be advertised in a particular region. Advertising is regulated through self-regulation by the advertising industry and media to maintain consumer trust, federal regulation, and state regulation. Self-regulatory bodies like the National Advertising Division ensure advertising complies with codes. Special rules govern advertising in different media, like television which is subject to the Advertising Standards Association code due to television's intimate presence in homes. Regulations also protect privacy, like the Children's Online Privacy Protection Act which restricts collecting child information online and requires privacy policies.
Regulatory bodies
The document discusses advertising regulation and self-regulatory bodies in India. It outlines several organizations that manage advertising standards, including the News Broadcaster Association (NBA) and Advertising Standards Council of India (ASCI). The Indian Broadcasting Federation (IBF) is the apex organization for television broadcasters and consists of over 250 TV channels. The NBA represents private news broadcasters and presents a unified voice to the government on issues concerning the industry.
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This document discusses different types of ownership and funding models in the UK television and global film industries. It describes public service broadcasters like the BBC, which are publicly funded; private commercial companies that operate for profit; and multinational media conglomerates that own multiple brands across different countries. The document also covers topics like vertical and horizontal integration, synergy between media properties, and how organizations like the BBC, ITV, Channel 4 and BSkyB generate revenue.
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The bbfc
The BBFC was established in 1912 as the British Board of Film Censors by the British film industry to self-regulate film content and avoid government censorship. It began operating in 1913 and is now a non-governmental organization responsible for classifying and censoring films, videos, DVDs, and some video games in the UK. The BBFC aims to protect the public, especially children, from harmful content while respecting adult freedom of choice. It also works to reflect changing social attitudes and provide classification services efficiently. The BBFC is adapting to new online content by offering voluntary classification for straight-to-online videos and working with fifteen online platforms, but faces challenges from amateur user-generated content on sites like YouTube.
Contractual legal and ethical considerations
This document discusses various contractual, legal and ethical obligations in the television and film industries. It covers topics such as contracts, employment legislation, health and safety, trade unions, representation, social concerns, regulators such as Ofcom and the BBFC, obscenity, intellectual property, and copyright. The key points are:
- Contracts are legal agreements that outline terms of employment such as payment and work requirements. They contain important details that must be carefully reviewed.
- Employment legislation like the Equality Act prohibits discrimination and protects employee rights regarding issues like equal pay, discrimination, health and safety.
- Ethical issues relate to how certain groups are represented which could influence audience opinions. Codes of practice aim to promote
Regulatory Bodies
The BBFC classifies films and videos in the UK according to age ratings and provides context about why films receive certain ratings. The BBFC was founded in 1912 and has statutory authority over video and DVD classification. The Advertising Standards Authority regulates advertising across all media in the UK and acts on misleading or harmful ads. PEGI provides age ratings for video games in Europe and became the sole ratings system for video games in the UK in 2012. The Press Complaints Commission was replaced by the Independent Press Standards Organisation in 2014 as the independent regulator for newspapers and magazines in the UK.
Regulatorybobies
The document discusses several regulatory and professional bodies within the UK creative media sector, including the British Board of Film Classification (BBFC) which classifies films, the British Video Association (BVA) which represents the video industry, the Film Distributors Association (FDA) which supports the UK film industry, the Video Standards Council (VSC) which established a code of practice for videos and games, and Ofcom which regulates TV, radio, telecoms and wireless devices. It also mentions Trading Standards which enforces consumer legislation, the Press Complaints Commission (PCC) which regulates the press, and the Advertising Standards Authority (ASA) which regulates advertising across all media.
Regulatory and Professional Bodies within the Creative Media Sector
The document discusses several regulatory and professional bodies within the UK creative media sector, including:
The BBFC which classifies films and was established in 1912 to remain independent of government funds. The BVA represents over 90% of the UK video industry. Ofcom regulates TV, radio, telecoms and wireless devices under the 2003 Communications Act. The ASA applies advertising codes to act against misleading ads across all media.
Unit2 task1
This document discusses several regulatory and professional bodies that govern the UK creative media sector, including:
- The British Board of Film Classification (BBFC) which classifies films and videos using rating codes like PG, 12, 15, 18.
- The British Video Association (BVA) which represents video publishers and rights owners.
- The Film Distributors Association (FDA) which represents film distributors for UK cinemas.
- The Video Standards Council (VSC) which establishes standards for video and games industries and administers the PEGI age rating system for video games in the UK.
- Ofcom, the communications regulator for TV, radio, telecoms and wireless trans
Regulatory and professional bodies within the creative media
The British Board of Film Classification (BBFC) is a non-governmental organization funded by the film industry that is responsible for the national classification and censorship of films and some video games in the UK based on their suitability for different age groups. The Video Standards Council (VSC) was set up in 1989 to create a code of practice for the UK video industry and is responsible for age ratings of video games in the UK. The Office of Communications (Ofcom) is the government-approved regulatory authority for broadcasting, telecommunications, and postal industries in the UK and has a duty to represent consumers by promoting competition and protecting the public from harmful or offensive material.
U8A3 PowerPoint
This document discusses the contractual, legal, and ethical obligations in the television and film industries. It addresses various types of contracts including confidentiality and exclusivity agreements. It also examines employment legislation regarding health and safety, equal opportunities, and trade unions. Legal issues covered include the Race Relations Act, Broadcasting Act, Obscene Publications Act, and regulatory bodies like OFCOM, BBFC, and VSC. Ethical issues discussed are representation and invasion of privacy. The document provides examples and discusses advantages and disadvantages of these various obligations and issues.
Regulatorybobies
The document discusses several regulatory and professional bodies that regulate the UK creative media sector, including the British Board of Film Classification (BBFC) which classifies films and videos, the British Video Association (BVA) which represents video publishers and owners, the Film Distributors Association (FDA) which oversees film licensing, the Video Standards Council (VSC) which promotes standards in video and games, and Ofcom which regulates broadcasting and communications. It also mentions Trading Standards which protects consumers, the Press Complaints Commission (PCC) which deals with print media complaints, and the Advertising Standards Authority (ASA) which regulates advertising across all media.
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Divisão de acesso 2016 - artilharia
O documento lista os artilheiros e seus gols marcados por time na Divisão de Acesso de 2016. O jogador com mais gols foi Léo Mineiro do União Frederiquense com 8 gols. Outros destaques foram Jajá do Caxias e Flávio Torres do São Gabriel com 7 e 5 gols respectivamente. Vários times tiveram jogadores que marcaram 3 gols ou mais.
Las drogas
El documento describe diferentes tipos de drogas, incluyendo sus clasificaciones, métodos de consumo y efectos. Se mencionan drogas como el LCD, anfetaminas, alcohol, marihuana, cocaína, heroína, esteroides, hongos y metanfetaminas. También se describen las consecuencias que pueden tener estas drogas en el cuerpo como alteraciones en la comunicación neuronal, aumento de la presión sanguínea y el riesgo de derrame cerebral o paro cardíaco. Finalmente, se mencionan algunas causas comunes para el consumo
Plataformas tecnológicas existentes para la tele formación
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Metodología unidad 2
Este documento describe los pasos clave en el proceso de creación de un modelo de simulación. Estos incluyen 1) documentar detalladamente la actividad que se simulará, 2) estudiar formalmente el contexto del problema y objetivos del proyecto, y 3) definir el sistema, medidas de desempeño y objetivos del modelo de simulación. El propósito final es usar los resultados de la simulación para la toma de decisiones.
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This presentation was created in collaboration with Dr. Thomas Kuzma. He was approach by Dr. Joseph Mahoney MD to talk with the pediatricians in the area about chiropractic and pediatrics. The goal of the presentation was to inform the pediatricians of the benefits of chiropractic care for their patients and to bridge the gap in feelings of chiropractic in general developing relationships that led to referral of patients to one another.
Watch MyAFibRisk Race Live On MAC
"(WATCH NASCAR LIVE ) http://www.nascarlivetv.com/
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NASCAR Sprint cup Series MyAFibRisk On 20 September 2015 ! Live Stream on Android IOS, Mac Tab Ipod,Ipad,Laptop,Windows Phone,Black berry, Or Any DIGITAL DEVICES Live Here http://www.nascarlivetv.com/"
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Artículo de opinión sobre los retos para el fomento de un ambiente de cultura justa en las organizaciones y sistemas de aviación civil, y su importancia para la correcta implementación de sistemas de gestión de la seguridad operacional.
El autor plantea qué es una cultura justa, qué no es una cultura justa, JUSTA, PERO ¿PARA QUIÉNES?, y algunos retos para la correcta implantación de la misma.
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En el mismo se planteas las fortalezas de la autoridad de aviación civil de la República Dominicana para este proceso.
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Similar to Regulation
The bbfc
The BBFC was established in 1912 as the British Board of Film Censors by the British film industry to self-regulate film content and avoid government censorship. It began operating in 1913 and is now a non-governmental organization responsible for classifying and censoring films, videos, DVDs, and some video games in the UK. The BBFC aims to protect the public, especially children, from harmful content while respecting adult freedom of choice. It also works to reflect changing social attitudes and provide classification services efficiently. The BBFC is adapting to new online content by offering voluntary classification for straight-to-online videos and working with fifteen online platforms, but faces challenges from amateur user-generated content on sites like YouTube.
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- Contracts are legal agreements that outline terms of employment such as payment and work requirements. They contain important details that must be carefully reviewed.
- Employment legislation like the Equality Act prohibits discrimination and protects employee rights regarding issues like equal pay, discrimination, health and safety.
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Regulatory Bodies
The BBFC classifies films and videos in the UK according to age ratings and provides context about why films receive certain ratings. The BBFC was founded in 1912 and has statutory authority over video and DVD classification. The Advertising Standards Authority regulates advertising across all media in the UK and acts on misleading or harmful ads. PEGI provides age ratings for video games in Europe and became the sole ratings system for video games in the UK in 2012. The Press Complaints Commission was replaced by the Independent Press Standards Organisation in 2014 as the independent regulator for newspapers and magazines in the UK.
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The document discusses several regulatory and professional bodies within the UK creative media sector, including the British Board of Film Classification (BBFC) which classifies films, the British Video Association (BVA) which represents the video industry, the Film Distributors Association (FDA) which supports the UK film industry, the Video Standards Council (VSC) which established a code of practice for videos and games, and Ofcom which regulates TV, radio, telecoms and wireless devices. It also mentions Trading Standards which enforces consumer legislation, the Press Complaints Commission (PCC) which regulates the press, and the Advertising Standards Authority (ASA) which regulates advertising across all media.
Regulatory and Professional Bodies within the Creative Media Sector
The document discusses several regulatory and professional bodies within the UK creative media sector, including:
The BBFC which classifies films and was established in 1912 to remain independent of government funds. The BVA represents over 90% of the UK video industry. Ofcom regulates TV, radio, telecoms and wireless devices under the 2003 Communications Act. The ASA applies advertising codes to act against misleading ads across all media.
Unit2 task1
This document discusses several regulatory and professional bodies that govern the UK creative media sector, including:
- The British Board of Film Classification (BBFC) which classifies films and videos using rating codes like PG, 12, 15, 18.
- The British Video Association (BVA) which represents video publishers and rights owners.
- The Film Distributors Association (FDA) which represents film distributors for UK cinemas.
- The Video Standards Council (VSC) which establishes standards for video and games industries and administers the PEGI age rating system for video games in the UK.
- Ofcom, the communications regulator for TV, radio, telecoms and wireless trans
Regulatory and professional bodies within the creative media
The British Board of Film Classification (BBFC) is a non-governmental organization funded by the film industry that is responsible for the national classification and censorship of films and some video games in the UK based on their suitability for different age groups. The Video Standards Council (VSC) was set up in 1989 to create a code of practice for the UK video industry and is responsible for age ratings of video games in the UK. The Office of Communications (Ofcom) is the government-approved regulatory authority for broadcasting, telecommunications, and postal industries in the UK and has a duty to represent consumers by promoting competition and protecting the public from harmful or offensive material.
U8A3 PowerPoint
This document discusses the contractual, legal, and ethical obligations in the television and film industries. It addresses various types of contracts including confidentiality and exclusivity agreements. It also examines employment legislation regarding health and safety, equal opportunities, and trade unions. Legal issues covered include the Race Relations Act, Broadcasting Act, Obscene Publications Act, and regulatory bodies like OFCOM, BBFC, and VSC. Ethical issues discussed are representation and invasion of privacy. The document provides examples and discusses advantages and disadvantages of these various obligations and issues.
Regulatorybobies
The document discusses several regulatory and professional bodies that regulate the UK creative media sector, including the British Board of Film Classification (BBFC) which classifies films and videos, the British Video Association (BVA) which represents video publishers and owners, the Film Distributors Association (FDA) which oversees film licensing, the Video Standards Council (VSC) which promotes standards in video and games, and Ofcom which regulates broadcasting and communications. It also mentions Trading Standards which protects consumers, the Press Complaints Commission (PCC) which deals with print media complaints, and the Advertising Standards Authority (ASA) which regulates advertising across all media.
Regulatorybodies
This document summarizes several regulatory and professional bodies within the UK creative media sector, including the British Board of Film Classification which classifies and censors films; the British Video Association which organizes an annual video awards ceremony; the Film Distributors Association which oversees film marketing and distribution; and the Video Standards Council which regulates video and video game content through a code of practice. It also outlines the roles of Ofcom in regulating broadcasting, telecommunications and postal services; Trading Standards in enforcing commercial regulations; the now closed Press Complaints Commission for printed media; and the Advertising Standards Authority for self-regulating the advertising industry.
Task 3 regulatory_bodies
The document discusses several regulatory and professional bodies that govern the UK creative media sector, including the British Board of Film Classification (BBFC) which classifies films and videos based on age ratings and published guidelines. It also mentions the Pan European Game Information (PEGI) system which provides age ratings for computer games, the Film Distributors Association trade body, and the Video Standards Council (VSC) which promotes high standards in the video industry. Additionally, it discusses the role of the Office of Communications (OFCOM) in regulating TV, radio and telecommunications, the Press Complaints Commission (PCC) which handles press complaints, and the Advertising Standards Authority (ASA) which regulates advertising standards. It provides an example case study
Task 3 regulatory bodies
The document summarizes several regulatory and professional bodies within the UK creative media sector:
The BBFC regulates age ratings for films and videos in the UK. PEGI regulates age ratings for computer and video games across Europe. The FDA represents UK film distributors and promotes the film industry. The VSC establishes standards for video, DVD, and video game content and retailers. OFCOM regulates broadcasting standards for TV, radio, telecoms and ensures protection of UK consumers.
Task 3 regulatory bodies
The document provides information on various regulatory and professional bodies within the UK creative media sector. It discusses the roles of the British Board of Film Classification (BBFC) in age rating films and videos. It also outlines the Pan European Game Information (PEGI) system for age rating video games across Europe. Finally, it briefly describes the roles of organizations like the Film Distributors' Association (FDA), Video Standards Council (VSC), Office of Communications (Ofcom), Trading Standards Institute, Press Complaints Commission (PCC) and Advertising Standards Authority (ASA) in regulating different aspects of the media sector in the UK.
Controversy In Media
The document provides information on the legal, contractual and ethical obligations for television and film companies. It discusses laws around discrimination, employment contracts, privacy, and ethical issues like phone hacking. Examples are given of gender discrimination cases at the BBC and a lack of diversity in Hollywood directing. Guidelines from organizations like Ofcom, Channel 4 and the BFI on promoting diversity and inclusion are summarized.
Assignment 3C
The Race Relations Act 1976 was established by the UK parliament to prevent discrimination based on race, color, nationality, ethnic and national origin in employment, education, provision of goods and services, and public functions.
The Broadcasting Act 1990 led to the abolition of the Independent Broadcasting Authority and its replacement with new regulatory bodies. This law regulates broadcasting content and censorship of potentially offensive programming.
The Obscene Publications Act 1959 makes it illegal to publish content that could "deprave and corrupt" audiences, including images of extreme sexual acts. This is important for regulating what media and advertising reaches audiences.
The British Board of Film Classification (BBFC) was set up in 1912 to uniformly classify film ages ratings nationally. The
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British board of film classification (bbfc) 2
The BBFC regulates age ratings for movies in the UK, determining if movies are suitable for all audiences based on graphic or sexual content. Films are submitted for rating along with information on length and intended rating. The distributor pays a fee per minute to have the film rated. The BBFC was established in 1912 when local authorities started imposing varying censorship standards, to bring uniformity to the national standards.
4. relevant bodies
The document discusses several regulatory bodies in the UK media industries:
- The British Board of Film Classifications (BBFC) which classifies and rates films for suitable audiences. Their ratings range from Universal for all ages to 18 restricting viewers to those over 18.
- The Video Standards Council (VSC) which allows memberships to legally distribute restricted digital content and acts as the statutory body for rating video games in the UK.
- OFCOM which regulates broadcasting, broadband, and communications to ensure quality and protects the public interest, enforcing standards through fines like one imposed on the BBC for deceiving viewers.
- Trading Standards and the Advertising Standards Authority which protect consumers and regulate advertising respectively through inspections
Regulatorybodies
The British Board of Film Classification (BBFC) is a non-governmental organization funded by the film industry that is responsible for classifying and censoring films by assigning age ratings. The British Video Association represents the interests of video publishers and copyright owners and oversees the release of around 6,000 DVDs and Blu-Rays annually. The Film Distributors Association originally formed in 1915 and works with individuals, companies, and organizations in the film distribution industry, meeting six times per year to discuss matters of generic interest.
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Regulatory and Professional Bodies within the Creative Media Sector
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Regulatory and professional bodies within the creative media
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