An introduction to using archives for family historians, presented on May 4th, 2013, at a one-day conference organized by the Toronto branch of the Ontario Genealogical Society.
After a show closes, how you handle and store materials can mean the difference between preserving theatre legacy and irreversible damage and loss. This workshop introduces theatre artists to the process of archiving their work, with tips on selection, storage and preservation. The American Theatre Archive Project (ATAP) is a collaboration of archivists, dramaturgs, and academics who support theatre makers in archiving records of their work for the benefit of future generations of artists, scholars, patrons, and the public. Members of ATAP’s New York City team have collaborated with Atlantic Theater Company, Castillo Theatre, Cherry Lane Theatre, New York Theatre Workshop, HERE, and the Medicine Show Theatre Ensemble on preserving their histories. Invited panelists from HERE, The Living Theatre and Medicine Show speak about what preserving legacy means to them and their institutions.
Introduction to arrangement and description (feb 4&5, 2012)Amanda Hill
This document provides an overview of archival arrangement and description. It discusses key principles such as provenance, original order, and respect des fonds. It explains how archivists arrange records into logical groupings like fonds and series. The document also covers descriptive standards like RAD and key elements of archival description at the fonds and series level. The goal of arrangement and description is to provide intellectual control over archival materials and enable access for users.
Daniel Wilksch, Coordinator, Digital Projects, Public Record Office Victoria (PROV), discusses the digital strategy of the PROV and the ways they have made their existing collections into new and exciting online exhibitions to excite and engage users. Daniel will discuss balancing the need for presenting curated records and stories with attention to whole-of-collection data, and how the PROV have become world renown for their web architecture and online strategy
The document discusses how the Scottish Screen Archive describes, digitizes, and displays film from Scotland's national film collection for public access. It notes challenges like unique formats, lack of metadata, and copyright issues in preservation efforts. It also outlines the digitization process and challenges balancing preservation work with limited resources.
The document describes a class trip that some students took to the National Archive in Šibenik, Croatia. Upon arriving, the students discovered that the archive contained five rooms and two hallways filled with historical documents, photographs, and artifacts. They were given a presentation and slideshow about the purpose of the archive in preserving important records and the role of archivists in assessing, organizing, and allowing access to these materials. The document then provides definitions of an archivist's responsibilities in managing documents of permanent cultural value and the challenges they face in deciding what is worth preserving amid storage and cost constraints.
An introduction to using archives for family historians, presented on May 4th, 2013, at a one-day conference organized by the Toronto branch of the Ontario Genealogical Society.
After a show closes, how you handle and store materials can mean the difference between preserving theatre legacy and irreversible damage and loss. This workshop introduces theatre artists to the process of archiving their work, with tips on selection, storage and preservation. The American Theatre Archive Project (ATAP) is a collaboration of archivists, dramaturgs, and academics who support theatre makers in archiving records of their work for the benefit of future generations of artists, scholars, patrons, and the public. Members of ATAP’s New York City team have collaborated with Atlantic Theater Company, Castillo Theatre, Cherry Lane Theatre, New York Theatre Workshop, HERE, and the Medicine Show Theatre Ensemble on preserving their histories. Invited panelists from HERE, The Living Theatre and Medicine Show speak about what preserving legacy means to them and their institutions.
Introduction to arrangement and description (feb 4&5, 2012)Amanda Hill
This document provides an overview of archival arrangement and description. It discusses key principles such as provenance, original order, and respect des fonds. It explains how archivists arrange records into logical groupings like fonds and series. The document also covers descriptive standards like RAD and key elements of archival description at the fonds and series level. The goal of arrangement and description is to provide intellectual control over archival materials and enable access for users.
Daniel Wilksch, Coordinator, Digital Projects, Public Record Office Victoria (PROV), discusses the digital strategy of the PROV and the ways they have made their existing collections into new and exciting online exhibitions to excite and engage users. Daniel will discuss balancing the need for presenting curated records and stories with attention to whole-of-collection data, and how the PROV have become world renown for their web architecture and online strategy
The document discusses how the Scottish Screen Archive describes, digitizes, and displays film from Scotland's national film collection for public access. It notes challenges like unique formats, lack of metadata, and copyright issues in preservation efforts. It also outlines the digitization process and challenges balancing preservation work with limited resources.
The document describes a class trip that some students took to the National Archive in Šibenik, Croatia. Upon arriving, the students discovered that the archive contained five rooms and two hallways filled with historical documents, photographs, and artifacts. They were given a presentation and slideshow about the purpose of the archive in preserving important records and the role of archivists in assessing, organizing, and allowing access to these materials. The document then provides definitions of an archivist's responsibilities in managing documents of permanent cultural value and the challenges they face in deciding what is worth preserving amid storage and cost constraints.
This document provides information on how to utilize a public history degree, including details on Dr. Ware Petznick's education and career path. It outlines her internships at various museums, the importance of publishing and networking, and her job duties in various history-focused roles involving exhibits, education programs, collections management, and more. It also addresses finance, hiring practices, and taking advantage of opportunities to gain experience in order to advance one's public history career.
The document discusses the 5-M model for interpretive planning at museums. The 5-M model includes Management, Message, Markets, Media, and Mechanics. It provides guidance on developing an interpretive plan, including defining the central theme and subthemes, choosing appropriate media types, and ensuring good management and audience considerations. The goal is to create a plan that guides an engaging visitor experience and clearly communicates the purpose and significance of the site.
The document discusses cultural heritage tourism. It begins with introducing the topic and defining cultural heritage tourism as traveling to experience authentic places and activities that represent the stories and people of the past and present. This includes historic, cultural, and natural resources. The document then covers benefits of cultural heritage tourism, trends in the industry, five principles of cultural heritage tourism, and a four step process to develop cultural heritage tourism.
Speaker: Dr Suzanne Keene, Reader Emeritus in Museum Studies, UCL
With the recent National media interest, it is more important than ever that museums
can put their stored collections to work and make them accessible to the visiting
public. Building on the Collections for People research, this seminar will look at
practical ways of making stored collections more accessible.
Ideas for how volunteers at cultural heritage institutions can help, using Tr...Rose Holley
Volunteers at cultural institutions can help contribute to Trove, a digital library tool from the National Library of Australia, in several ways:
1) By correcting text in historical newspaper articles related to topics of interest like particular artists.
2) Adding comments and context to records from their own institution's files to provide more background, like describing the contents of artist ephemera files or providing more location details for images.
3) Creating virtual exhibitions, reading lists, or research folders using Trove's list-making feature to showcase their institution's collections online.
The Community Heritage Grants program provides funding of up to $15,000 to nonprofit organizations to preserve collections of national significance. Since 1994, over 500 projects have received funding totaling $2.5 million. Eligible organizations include museums, libraries, archives, and community groups. Applicants must demonstrate their collection's national significance based on criteria like its association with important people or events or representation of Australia's history and culture. The grants can be used for activities like conservation, digitization, and housing improvements to ensure significant collections are preserved for future generations.
Downtown Library: Findings from Community OutreachClare Ross
The document discusses plans for a new downtown library in Anchorage, Alaska. It summarizes community outreach findings which showed support for a central location that is welcoming to all. Suggestions included having Alaska Native art and culture incorporated. The vision is for a flexible space of 3500-4000 square feet with community rooms, art displays, and proximity to transit. Financial plans discussed different funding options to cover building costs and annual operations through an endowment. The document ends by thanking community members for their input into the new library plans.
The document discusses making museum collections more accessible to the public. It analyzes survey responses from museums on current access to their stored collections and barriers to increasing access. The top 20% of museums in terms of user numbers actively promote their collections through websites, talks and outreach activities. Users report positive experiences when staff are helpful but also frustrations with lack of information and response from some museums. The document considers strategies museums use to increase access and engagement with collections.
Using Special Events to Drive Attendance, Increase Revenue, and Raise VisibilityWest Muse
The document discusses using special events to increase attendance, revenue, and visibility for cultural institutions. It features presentations from Trish Carter of Springs Preserve, Joseph Govednik of Foss Waterway Seaport, and Sarah Wininger of Museum of Craft and Design. Each presentation highlights various special events held at their institutions and the successes they have seen in attendance, membership, and revenue from implementing special events.
The document discusses best practices for developing an exhibition, including:
1) Defining the difference between storage, open storage, and an exhibition with themes, interpretation, and labeling.
2) Developing themes based on a museum's collection, key objects, and stories to tell. Collection management supports exhibitions by documenting objects and information.
3) The exhibition development process which includes consultation, defined roles and stages, and someone to drive the process from a content kit to design and layout. Labels are key to linking objects and themes.
This document summarizes three case studies about interpreting Native American connections in national parks. The case studies discuss incorporating indigenous design principles, gathering multiple perspectives in interpretive planning, and presenting the perspectives of local tribes on Glacier National Park. Key lessons include the importance of including specific tribal voices and viewpoints, addressing controversial topics respectfully, and acknowledging different tribal perspectives and ongoing connections to the land.
1) CHGs aim to preserve heritage collections of national significance held by community groups by providing grants up to $15,000. 2) Eligible applicants include not-for-profit organizations that own nationally significant collections accessible to the public. 3) Funding can support projects like assessments, conservation, digitization, software, and training.
This document summarizes a presentation given by Jamie Kohler and Stephen Marvin on promoting small museum content through digital social networking media. The presentation introduced Kohler from West Chester University's Special Collections and Archives and Marvin from the Sanderson Museum. It provided highlights about the Sanderson Museum collection and West Chester University's Special Collections. The presentation discussed potential partnerships between small museums and university collections, including sharing content online through sites like Facebook, blogs, and YouTube. It addressed issues like copyright and evaluating the effectiveness of partnerships. The goal was to explore how social networking technologies could help small museums and libraries reach wider audiences.
The document provides instructions for an activity called "Team Machine" where participants form a circle and pass a beanbag around as quickly as possible while saying each other's names. It encourages testing to decrease time and includes hints that participants can move around and stand or sit. It also provides instructions for a design challenge to create a park map within constraints and using materials provided. Finally, it describes a wind turbine building challenge using toothpicks, play dough, and straws.
This document discusses an Instagram archiving pilot project between Inner West Council and Icelab to create an archive of Instagram posts within the Inner West local government area of Sydney. The goals are to encourage participation, showcase the community's cultural identity, and establish a contemporary collection for future generations. Key steps taken include setting up external accounts on Heroku and Amazon S3 to host the archive, establishing initial hashtag categories, and discussing curation guidelines to tell a broader story of the community through built heritage, parks, festivals, and reactions to development changes.
Righting a Sinking Ship - Transforming Municipal Cemeteriesgmcassoc
The document summarizes the process of transforming Austin's municipal cemeteries through a master planning process. It discusses how in 2012, issues with cemetery management were acknowledged and a planning process began to address community concerns. Over 70 community outreach efforts were made to develop the draft master plan, which provides guidelines for managing each cemetery and recommendations for funding, programming, and oversight. The plan aims to repair deteriorated conditions, engage the community, and activate the cemeteries in a respectful manner.
Generating interest in archives: an Archives workshopFe Angela Verzosa
lecture presented by Fe Angela M. Verzosa at PAARL’s Seminar /Parallel Session-workshop on Library and Web 2011 (Holy Angel University, Angeles City, Pampanga, 20 August 2010)
lecture presented by Fe Angela M. Verzosa at PAARL's Seminar /Parallel Session-workshop on Library and Web 2011 held at Holy Angel University, Angeles City, Pampanga, on August 20, 2010
This document provides an agenda and discussion points for the 2023 Imagery Library Group planning meeting. The agenda includes recapping 2022 initiatives, brainstorming ideas for 2023, and ways for community members to get involved. Suggested 2023 programs and events include librarian-led book talks for the summer reading challenge, guest speakers on local history topics, and outings. Ideas are also shared for lifestyle programming covering wellness, education, and social activities. Volunteers are requested to help develop individual programs. Facility needs like improved lighting and door access are also noted.
Museums have the power to educate and inspire people of all ages. They bring communities together through shared experiences and provide interactive learning opportunities outside the classroom. When designed well with community input, museums can foster creativity, critical thinking, and civic engagement.
This document provides information on how to utilize a public history degree, including details on Dr. Ware Petznick's education and career path. It outlines her internships at various museums, the importance of publishing and networking, and her job duties in various history-focused roles involving exhibits, education programs, collections management, and more. It also addresses finance, hiring practices, and taking advantage of opportunities to gain experience in order to advance one's public history career.
The document discusses the 5-M model for interpretive planning at museums. The 5-M model includes Management, Message, Markets, Media, and Mechanics. It provides guidance on developing an interpretive plan, including defining the central theme and subthemes, choosing appropriate media types, and ensuring good management and audience considerations. The goal is to create a plan that guides an engaging visitor experience and clearly communicates the purpose and significance of the site.
The document discusses cultural heritage tourism. It begins with introducing the topic and defining cultural heritage tourism as traveling to experience authentic places and activities that represent the stories and people of the past and present. This includes historic, cultural, and natural resources. The document then covers benefits of cultural heritage tourism, trends in the industry, five principles of cultural heritage tourism, and a four step process to develop cultural heritage tourism.
Speaker: Dr Suzanne Keene, Reader Emeritus in Museum Studies, UCL
With the recent National media interest, it is more important than ever that museums
can put their stored collections to work and make them accessible to the visiting
public. Building on the Collections for People research, this seminar will look at
practical ways of making stored collections more accessible.
Ideas for how volunteers at cultural heritage institutions can help, using Tr...Rose Holley
Volunteers at cultural institutions can help contribute to Trove, a digital library tool from the National Library of Australia, in several ways:
1) By correcting text in historical newspaper articles related to topics of interest like particular artists.
2) Adding comments and context to records from their own institution's files to provide more background, like describing the contents of artist ephemera files or providing more location details for images.
3) Creating virtual exhibitions, reading lists, or research folders using Trove's list-making feature to showcase their institution's collections online.
The Community Heritage Grants program provides funding of up to $15,000 to nonprofit organizations to preserve collections of national significance. Since 1994, over 500 projects have received funding totaling $2.5 million. Eligible organizations include museums, libraries, archives, and community groups. Applicants must demonstrate their collection's national significance based on criteria like its association with important people or events or representation of Australia's history and culture. The grants can be used for activities like conservation, digitization, and housing improvements to ensure significant collections are preserved for future generations.
Downtown Library: Findings from Community OutreachClare Ross
The document discusses plans for a new downtown library in Anchorage, Alaska. It summarizes community outreach findings which showed support for a central location that is welcoming to all. Suggestions included having Alaska Native art and culture incorporated. The vision is for a flexible space of 3500-4000 square feet with community rooms, art displays, and proximity to transit. Financial plans discussed different funding options to cover building costs and annual operations through an endowment. The document ends by thanking community members for their input into the new library plans.
The document discusses making museum collections more accessible to the public. It analyzes survey responses from museums on current access to their stored collections and barriers to increasing access. The top 20% of museums in terms of user numbers actively promote their collections through websites, talks and outreach activities. Users report positive experiences when staff are helpful but also frustrations with lack of information and response from some museums. The document considers strategies museums use to increase access and engagement with collections.
Using Special Events to Drive Attendance, Increase Revenue, and Raise VisibilityWest Muse
The document discusses using special events to increase attendance, revenue, and visibility for cultural institutions. It features presentations from Trish Carter of Springs Preserve, Joseph Govednik of Foss Waterway Seaport, and Sarah Wininger of Museum of Craft and Design. Each presentation highlights various special events held at their institutions and the successes they have seen in attendance, membership, and revenue from implementing special events.
The document discusses best practices for developing an exhibition, including:
1) Defining the difference between storage, open storage, and an exhibition with themes, interpretation, and labeling.
2) Developing themes based on a museum's collection, key objects, and stories to tell. Collection management supports exhibitions by documenting objects and information.
3) The exhibition development process which includes consultation, defined roles and stages, and someone to drive the process from a content kit to design and layout. Labels are key to linking objects and themes.
This document summarizes three case studies about interpreting Native American connections in national parks. The case studies discuss incorporating indigenous design principles, gathering multiple perspectives in interpretive planning, and presenting the perspectives of local tribes on Glacier National Park. Key lessons include the importance of including specific tribal voices and viewpoints, addressing controversial topics respectfully, and acknowledging different tribal perspectives and ongoing connections to the land.
1) CHGs aim to preserve heritage collections of national significance held by community groups by providing grants up to $15,000. 2) Eligible applicants include not-for-profit organizations that own nationally significant collections accessible to the public. 3) Funding can support projects like assessments, conservation, digitization, software, and training.
This document summarizes a presentation given by Jamie Kohler and Stephen Marvin on promoting small museum content through digital social networking media. The presentation introduced Kohler from West Chester University's Special Collections and Archives and Marvin from the Sanderson Museum. It provided highlights about the Sanderson Museum collection and West Chester University's Special Collections. The presentation discussed potential partnerships between small museums and university collections, including sharing content online through sites like Facebook, blogs, and YouTube. It addressed issues like copyright and evaluating the effectiveness of partnerships. The goal was to explore how social networking technologies could help small museums and libraries reach wider audiences.
The document provides instructions for an activity called "Team Machine" where participants form a circle and pass a beanbag around as quickly as possible while saying each other's names. It encourages testing to decrease time and includes hints that participants can move around and stand or sit. It also provides instructions for a design challenge to create a park map within constraints and using materials provided. Finally, it describes a wind turbine building challenge using toothpicks, play dough, and straws.
This document discusses an Instagram archiving pilot project between Inner West Council and Icelab to create an archive of Instagram posts within the Inner West local government area of Sydney. The goals are to encourage participation, showcase the community's cultural identity, and establish a contemporary collection for future generations. Key steps taken include setting up external accounts on Heroku and Amazon S3 to host the archive, establishing initial hashtag categories, and discussing curation guidelines to tell a broader story of the community through built heritage, parks, festivals, and reactions to development changes.
Righting a Sinking Ship - Transforming Municipal Cemeteriesgmcassoc
The document summarizes the process of transforming Austin's municipal cemeteries through a master planning process. It discusses how in 2012, issues with cemetery management were acknowledged and a planning process began to address community concerns. Over 70 community outreach efforts were made to develop the draft master plan, which provides guidelines for managing each cemetery and recommendations for funding, programming, and oversight. The plan aims to repair deteriorated conditions, engage the community, and activate the cemeteries in a respectful manner.
Generating interest in archives: an Archives workshopFe Angela Verzosa
lecture presented by Fe Angela M. Verzosa at PAARL’s Seminar /Parallel Session-workshop on Library and Web 2011 (Holy Angel University, Angeles City, Pampanga, 20 August 2010)
lecture presented by Fe Angela M. Verzosa at PAARL's Seminar /Parallel Session-workshop on Library and Web 2011 held at Holy Angel University, Angeles City, Pampanga, on August 20, 2010
This document provides an agenda and discussion points for the 2023 Imagery Library Group planning meeting. The agenda includes recapping 2022 initiatives, brainstorming ideas for 2023, and ways for community members to get involved. Suggested 2023 programs and events include librarian-led book talks for the summer reading challenge, guest speakers on local history topics, and outings. Ideas are also shared for lifestyle programming covering wellness, education, and social activities. Volunteers are requested to help develop individual programs. Facility needs like improved lighting and door access are also noted.
Museums have the power to educate and inspire people of all ages. They bring communities together through shared experiences and provide interactive learning opportunities outside the classroom. When designed well with community input, museums can foster creativity, critical thinking, and civic engagement.
This document provides information about a support group for developing a balanced relationship with technology. The support group aims to help people work through the various emotional states experienced in one's journey with technology, from initial excitement and confusion to understanding, contentment, and pride. It lists the contact information for the three organizers of the support group.
As a sequel to last year, this town hall session will explore the lessons learned, triumphs and defeats, of deploying technology in our institutions. We’ll share real examples, the pros and cons of implementation, audience engagement results, and ongoing maintenance.
The document discusses technology in museums of the future. It notes that the future is unpredictable and changing, and even within institutions it is not evenly distributed. When predicting future technologies, it recommends looking to past advances, what people want to be easier, and pop culture to a degree, though pop culture can also miss things. New technologies are likely to intersect, such as GPS, WiFi and iBeacon location services. While some may be worried, the future is not set and can be shaped by decisions. The best way to predict the future is to create it.
This document discusses emerging technologies that are relevant for museums over the next 5 years. It describes a process used by the New Media Consortium to identify 6 key technologies through literature reviews and stakeholder voting. These include Bring Your Own Device (BYOD), crowdsourcing, electronic publishing, location-based services, natural user interfaces, and preservation/conservation technologies. Each technology is briefly described, highlighting opportunities they provide museums and implications for their use.
This is my portion of the panel for Museums and Mobile Online Conference 7. The topic was sustaining mobile programs and I specifically spoke on sustaining mobile checkout devices.
Given at the Arkansas Museums Association annual meeting in March 2014. This presentation looks at the technologies covered in the Horizon Report: Museum Edition 2013.
Presented at the Arkansas Museums Association annual meeting March 2013. This presentation covers a number of aspects to consider when choosing mobile platforms and devices. Presented with Kelly Miller, Mill Creek Software.
An examination of the emerging technologies that are expected to have a large impact in the museum world during the coming five years. Looking at the 2010 and 2011 Museum Edition of the Horizon Report. I give insights into which of these technologies I think are best suited to Arkansas museums given key trends and significant challenges.
This document provides guidance on producing in-house audio content. It discusses the key steps of pre-production, production, and post-production. In pre-production, the document recommends planning goals, content, equipment needs, copyright considerations, and selecting voices. For production, it covers recording equipment, microphones, and making the recording process fun. Post-production tips include editing in Audacity, common effects, and learning from mistakes. The overall document aims to demystify the audio production process.
Museums need to stay relevant to the next generation of taxpayers, potential donors, and possible volunteers. By addressing needs of the typically underserved teen population, museums can build relationships for the future. This presentation aims to give insights into involving a generation of digital natives. Attendees will share experiences with managing a teen project, learn strategies for communication with this age group using affordable technology, explore ways to stretch resources through collaboration, and delve into techniques for project evaluation. Presented at AMA 2011.
Participants will learn about listservs, discussion groups, and wikis, including Google groups and Yahoo groups. This session covers the basics of using these resources to stay in touch with your museum's audience, including their differences/strengths/weaknesses. Presented at the Arkansas Museums Association annual meeting 2010.
A general discussion of Social Media including how it can benefit museums, agruments against and for access, and an examination of two popular platforms - Twitter and Facebook. Presented at the Arkansas Museums Association annual meeting in 2010.
Inexpensive Doesn’t Mean Cheap: Museum Applications for Low-Cost TechnologyHeather Marie Wells
A presentation on creative uses of low-cost technology for museums presented at AMA 2008 and SEMC 2008. Handouts that include links to all these technologies can be found on my website at http://hmbwells.googlepages.com/home.
The workshop contains three major points:
1. How to plan a podcast.
2. How to record a podcast.
3. How to post and advertise your podcast.
It also contains hands on experience with:
1. Writing policy for your podcast.
2. Writing a draft for an introduction episode.
3. Recording audio with the equipment discussed.
4. Editing the audio recorded in the workshop.
Presented by Heather Marie Wells for AMA 2008
The presentation contains three major points:
1. How to plan a podcast.
2. How to record a podcast.
3. How to post and advertise your podcast.
Presented by Heather Marie Wells at SEMC 2007 and AMA 2008.
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
innovative approach towards advertainment with vast revenue opportunities. Designed and developed by Joe Q. Bretz
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...greendigital
Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
Modern Radio Frequency Access Control Systems: The Key to Efficiency and SafetyAITIX LLC
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Barbie Movie Review - The Astras.pdffffftheastras43
Barbie Movie Review has gotten brilliant surveys for its fun and creative story. Coordinated by Greta Gerwig, it stars Margot Robbie as Barbie and Ryan Gosling as Insight. Critics adore its perky humor, dynamic visuals, and intelligent take on the notorious doll's world. It's lauded for being engaging for both kids and grown-ups. The Astras profoundly prescribes observing the Barbie Review for a delightful and colorful cinematic involvement.https://theastras.com/hca-member-gradebooks/hca-gradebook-barbie/
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Sagagreendigital
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
Christian Louboutin: Innovating with Red Solesget joys
Christian Louboutin is celebrated for his innovative approach to footwear design, marked by his trademark red soles. This in-depth look at his life and career explores the origins of his creativity, the milestones in his journey, and the impact of his work on the fashion industry. Learn how Louboutin's bold vision and dedication to excellence have made his brand synonymous with luxury and style.
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspirationgreendigital
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
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Registrars To The Rescue
1. Registrars to the Rescue
Heather Marie Wells, Collections Assistant/Podcast Producer
Shiloh Museum of Ozark History, Springdale, AR
(479) 750-8165, hmwells@springdalear.gov
Heather Bettinardi, Outreach Coordinator/Educator MacArthur
Museum of Arkansas Military History, Little Rock, AR
(501) 376-4602, hbettinardi@yahoo.com
Tom Debo, Registrar
The Ralph Foster Museum, Point Lookout, MO
(417) 690-2602, debo@cofo.edu.
2. Agenda
Registrars to the Rescue
– Interactive group discussion
Collections Care Basics
– Very quick run through
Hands On
– Helping the Marked Tree Museum
4. Who can use some extra
help?
Basic idea is trained collections
professionals volunteer to help
museums accomplish collections related
projects
– RC-AAM Reinforcement Crew
– Helping Hands Brigade
– White Gloves Gang
5. Interactive Discussion
This group can be whatever we want to
make it, so please join in the discussion.
6. Proposed Mission
The mission of Registrars to the Rescue is to
assist any Arkansas museum regardless of
staff size or budget with collections projects,
to aid Arkansas museums with collections
recovery from disasters, and to teach
techniques for proper collections care.
Registrars to the Rescue hopes to encourage
a feeling of community and inter-institutional
co-operation while also providing those
interested with museum collections a
networking opportunity.
7. Governing Body
5-7 member committee
– odd number
– size may depend on activity level
4 Congressional districts
Service of perhaps two year terms
Communication through Yahoo group
8. How to Volunteer
Application
– To help us match you to projects that you
would be interested in
Database
Benefits
– Training
– Networking
No Fees
9. How to Get Help
Application
Criteria
– Merit of project (clearly defined, realistic goals)
– Logistics (travel time, meals, housing)
– Available help
– Personal size (paid & unpaid)
– Budget size
Committee member institutions
10. Once a Project is selected
Committee members meet with host
museum (in advance of project date)
Determine list of supplies and skills
need for project
Talk about getting sponsors or
donations if needed (museum supplies
but also food, housing etc.)
11. Future Endeavors
How many helping projects a year
– AMA meeting (before, during, after)
– Different locations
Publishing handouts, booklets, etc.
Workshops
Long distance training
Disaster response
Website
14. Collections Care Basic
Tenants
Do No Harm
– Make it reversible
– When in doubt wait & seek advice
Strive for consistency
Always have a paper trail – Document,
Document, Document
– Leave your initials, date, what you did,
why you did it
18. Paperwork
Temporary receipt
Deed of gift
Accession forms
Tax forms
19. Accessioning
Basic information
– Donor info
– Description of collection as whole
– Accession number (S-2009-45)
– Sent / returned Deed of Gift
20. Cataloging
In depth history of object
– Maker, date
– Use, how it works
– Connection to donor
Classify according to nomenclature
Description, measurements, markings
– Based on your written descriptions can someone
50 years from now find that object?
Remarks – comments on cleaning,
exhibiting, storage, numbering, cross
reference, etc.
21. Cleaning
Do No Harm
– Make it reversible
– When in doubt wait & seek advice
Dusting
– Soft rags
– Natural hair brushes
Vacuuming
– Protection screen
– HEPA filter
Washing
– Distilled water
– GENTLE agitation if any at all
– Lay flat to dry, no wringing or twisting
22. Marking
Make it reversible
Use pencil when you can
Consistent location on objects
Hang tags
23. Storing
Boxing
Hanging
Shelving - Not everything needs to be in a box
Creativity
– Dealing with odd shapes
– Maximizing your space
Naming consistency
– Boxes
– Shelves
31. Hands On
Background on the Marked Tree
Museum
Explain work areas
JUST DO IT!
32. Marked Tree Delta Area Museum
• 1992 the Marked
Tree Historical
Society formed
• 1993 the Marked
Tree Delta Area
Museum was
envisioned and
the Tri-City Area
Cultural Council,
Inc. formed
33. Marked Tree Delta Area Museum
• May 1993 they
held their first
temporary public
exhibit
• 1994 first
permanent
exhibit opens at
the library and
they receive 501-
C-3 status
34. Marked Tree Delta Area Museum
• 1995 the contents
of the Verser
Hospital were
donated to the
museum and their
second permanent
exhibit opens
• 1997
groundbreaking for
the museum/library
complex
35. Marked Tree Delta Area Museum
• 1999 Grand Opening
• To date the museum features
– One quarter of a block at the center of town
– One historical building
– Five galleries
– Staff of 1 and volunteer group of 15
36. What are we doing?
Explain work areas
JUST DO IT!
37. Thank You for Coming!
Heather Marie Wells, Collections Assistant/Podcast Producer
Shiloh Museum of Ozark History, Springdale, AR
(479) 750-8165, hmwells@springdalear.gov
Heather Bettinardi, Outreach Coordinator/Educator MacArthur
Museum of Arkansas Military History, Little Rock, AR
(501) 376-4602, hbettinardi@yahoo.com
Tom Debo, Registrar
The Ralph Foster Museum, Point Lookout, MO
(417) 690-2602, debo@cofo.edu.