The document appears to be from a magazine called YM008 discussing their latest issue and thanking readers for their continued support over the years. It promotes some of the feature stories in the issue including the cover story and asks readers to help spread the word about the magazine.

2. 1 Illustration by Maria Kalavrezou nulput in euipsum modoloreet lore con velenim vendion ulputpatet alit 2

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4. CONTRIBUTORS
We asked YEAH’s watercolour illustration star, jessica Lewis to tell us a bit
more about her and her work...
jESSICA LEWIS
jONNY CASS DAMON EMRAH
WILLIAMS GOWING BAKER ALTINOK
WILL jESSICA LUCIANA GAMEL
WELLS LEWIS BIANCHI OKI
My best pieces of work are when i get the urge to draw, and just do
it without thinking. In that way i guess i am inspired by the materials
and textures from the environment around me (wherever that may
BEN GLENN jAK jAMES be). I like collaborating with designers and working in their studios;
WONG MILLINGTON SPEDDING HEAD the colours, materials and clutter create an atmosphere which i
think has an impact on my illustrations. i love working to music for
the same reason. i can only be creative if i feel like it. i have a short
attention span.
ALSO, THANKS TO... Patrick Collier, Claire Basiuk, Will Wells, Phil Evans, Kylie
Barton, Amanda Bollini, Paul Williams, jools Chaffer, Na Hooper, Richard Ock-
MARIA PAUL SWEATY DAN enden, The Beardy Grahams and Mummy Steve and Mummy Errey.
KALAVREZOU TINKER ESKIMO MACKEY
6

5. 7 Illustration by Paul Tinker

6. 9 Illustration by Dan Mackey

7. 11 Photography by Emrah Altinok 12

8. SNAPSHUT & YEAH GLENN MILLINGTON
THE WINNER PICTOGRAPHIK
Last issue, we launched our collaborative donated to the UK charity, Wannabeamazin. In The idea behind the piece was to create an graphics, banners and billboards. And the oc-
competition with Snapshut, to find a TShirt de- addition to the Snapshut ‘24/7 Collection’, the image that would work well as a paste up, that casional website.
sign to fit with the theme, Rebellion. Snapshut brand also produces a series of strictly Limited challanged the opinion of the media, suggest I’ve been working as a freelancer for a few
is a niche streetwear brand based in London, Edition T-shirts and canvas bags. - Check out an alternative point of view and do this as con- years now and draw upon experiences from
UK, producing simple art-inspired designs the Snapshut website, www.snapshutdesigns. cisely as possible. I also wanted to encourage past roles as a screen printer and sign writer
printed on eco-friendly garments such as their com, or visit Snapshut’s online ‘pop-up’ store the viewer to think about what they were being when creating and manipulating imagery or
signature soft bamboo T-shirts. for more details. told, so included the subverted logo with the constructing graphical layouts. I love to use
Snapshut uses sustainable fabrics sourced The winning design will be available on the simple question, ‘oil?’, rather than making the photoshop to make photo real composites or
from ethical manufacturers, and 5% of profits Snapshut website from November 15th. image into a statement. take it to the polar opposite and generate ab-
from the sale of Snapshut bamboo T-shirts are Pictographik fuses the disciplines of graphic stract or pattern based work. I’m also a vj/video
design and digital image manipulation for all artist working under the name thought.projec-
areas of print media, from posters and flyers, tor.
business sets and brochures to garments, vinyl
13 nulput in euipsum modoloreet lore con velenim vendion ulputpatet alit 14

9. women enjoy ever skimpier bathing suits. This music to sound nice, I like it to sync with my
might be a case of political correctness, rather emotions and stir up a harmony from within. It
than misfired rebellion, but either way, it is an in- should become the soundtrack for the scene
justice and warrants action. that it evokes. But dubstep makes me feel like
Mephedrone: A rebellion against real drugs. It I’m getting tied up and mugged on the set of a
was cheap, it was easy to score and Christ was German porno. And that’s not something many
it potent. It cascaded through university cities, of us can relate to.
subjecting once-normal people to the dreaded These things are the cul-de-sacs of human
“5-stage-mephemorphosis”; a less than subtle progress- what if the Heel-skate technicians had
Rebels tend to fall into two categories. There pliance in order to bask in a momentary illusion transition from party acolyte to “dashing” racon- been researching biofuel engines instead? What
are people with radical ideas, who believe they of individuality. Here are a few of the popular mi- teur, then proceeding from a gibbering maniac if mephedrone really was a miracle fertilizer
have a better way of living life. Then there are nor rebellions which should have had suffered a into a gurning mess, finally settling as a self- which could have ended world hunger, had it
people who are just a bit awkward so they re- rebellious nip in the bud. loathing pool of sweat with a person attached. not been swallowed up by an ocean of teenage
sort to dying their hair and getting rude tattoos on Heelie skates: A rebellion against feet. They It was a new, dangerous banner to which the nostrils? But of course, you kid’s needn’t con-
their foreheads. The former group may include make for inefficient roller skates and hazardous most unlikely groups flocked, but by the time it cern yourself with these things. Go dye your hair
individuals such as Galileo or Chairman Mao, shoes. Of course, the wheels are located in the was made illegal, most born-again users had a primary colour and pierce each other’s geni-
while the latter usually consists of failed musi- one part of your foot that you don’t use for ma- already realised that they simply weren’t made talia. And once everybody is doing it, remove
cians or musicians who have built their success noeuvring. And when you slip and fracture your of the right stuff to rebel against their own nervous the piercings and shave your heads. And once
on the image of failure. Rebellion is often a hin- pelvis, the paramedics are legally entitled to systems. we’re a nation of un-pierced slapheads, cut off
drance, a way of disrupting others from their true stand and mock you for a full 15 minutes before Star Tattoos: A rebellion against our own your ears and cover your scalp in marmalade.
goals. they administer the morphine. I put these in the complexion. Say to the world “I have no That’ll show them yellow bellied conform-
I am not a rebel. As a scientist, I’m aware same league as Soap-on-a-Rope™ and Blu- imagination, but I need to get ists. Meanwhile, WE’RE STILL
that this planet will eventually be consumed by etooth headsets; they’re just half arsed attempts inked before my midlife cri- NOT IN SPACE.
the Sun; therefore it is imperative that we all work at turning the average, frail human into an all- sis kicks in” for only £30.
towards human progress in aerospace tech- powerful multi-gadgeted-cyborg. But the end However, the classic
nology. This means that a responsible human result turns you into something less like Robo- Chinese “Special Fried
should avoid all other distractions (Art, Youtube, cop and more like a badly refurbished Inspector Rice” symbol and the
pleasure sex, computer games, horse riding, Gadget. snake fornicating with a
writing for magazines, silly things like that) for Leggings: A rebellion against the social con- flaming skull might one
the sake of our species. Dawdling is a rebellion vention of trouser-wearing. Don’t get me wrong; I day be considered “retro”
against the survival of the human race. However, love bottoms. I love the outline of ladies bottoms. (A rebellion against the pres-
there is a time and place for rebellion, and when It’s fun when girls appear to have forgotten their ent and future) and are therefore
one act of rebellion gets in the way of man- trousers. But these things cause 70% of wearers good investments the near future.
kind’s colonization of the stars, we need to rebel to brandish a cellulite-ridden camel toe that flaps Twitter: A rebellion against verbal gos-
against these rebellions to get ourselves back between every other syllable and it’s not sexy, sip? A poor man’s Facebook for... rich people?
on the straight and narrow. It’s fast becoming a it’s just sinister. It does, however, present an op- What is the point of it? Who honestly gives a
meaningless and loose fitting word, which is in portunity for the return of the cod-piece. shit about a celebrities rambling commentary?
itself a rebellion against language. Swimming trunks: A rebellion against Spee- Nobody needs a minute-by-minute string of an-
Rebellious as we are, humanity has a dos. Since a brutal smear campaign destroyed nouncements about which part of Katie Price is
dreadful habit of picking up dreadful habits. the reputation of the noble Speedo briefs, mak- next to be inflated, or an update on Bono’s at-
When enough people decide that a habit is too ing them synonymous with the paedophile, de- tempts to teach yoga to starving dolphins.
dreadful to continue, they promptly adopt a new cent men were forced to swim in gargantuan Dubstep: A rebellion against melody, har-
“thing” from the nearest celebrity or a suitably Bermuda shorts, which are about as suitable mony and symphony. I might be on my
photogenic idiot, with increasingly bovine com- for swimming as a wedding dress. Meanwhile own on this one but seriously... I like
15 Article by Ben Wong, Illustration by jonny Williams nulput in euipsum modoloreet lore con velenim vendion ulputpatet alit 16

10. DamonBakerisnotjustafashionphotographer,he’sanexplorerofstyle.
We asked him a few questions about his work...
Where did you come up with the idea for the shoot?
My ideas for shoots aren’t just ideas I have came up with, I guess you can say it’s my
mind translated into photos.
What was the best bit of this shoot?
Meeting the team, going wild in the studio and being creative in post processing.
How did you get into photography?
I get asked this question a lot. I don’t see it as something I ‘got into’, I see it more as
something I’ve always been a part of, something I’ve always had a passion for and
something I hope to do until the day I die.
If you could work with any photographer or model, who would it be?
One of my favourite models is Coco Rocha, she moves perfectly. I enjoy being in a
room surrounded by creative and interesting people so getting the meet the people I
have is a blessing on it’s own.
What are your plans for the future?
I’d like to be a photographer, pretty please.
You can see more of Damon’s work on his website - www.damonbaker.co.uk
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11. 19 Pat. Ut wisim vel ero odolobor in ulla feum vendreetummy nim irit digna corem nulput in euipsum modoloreet lore con velenim vendion ulputpatet alit 20

12. Heston
Blumenthal
& The
Fat DuckFood, Art and Science on one plate
You probably think that there is not much ceived the highest acknowledgement from the
left to talk about Heston Blumenthal, but there gourmet world with 3 Michelin stars, and occu-
is! He is not your average chef, and his ideas pies the second position in the list of the World’s
transform the dining experience in a magical 50 Best restaurants, without even having a for-
(or crazy?) trip. He can take you to Wonderland mal training as a chef. He can even make the
through the rabbit hole and turn a small village Victorians look trendy again, and the Romans
restaurant into one of the best restaurants in the to become cool by recreating their dishes on a
world. He is highly respected as a scientist, but TV show! The man can do anything!
21 Article by Luciana Bianchi, Photographs by Clive Booth, Design by Gamel Oki without having a science degree. He has re-

13. Who is
Behind the scenes there is a side of Mr. Blumen- cided on a topic for the project: Aroma Encapsulation
Heston Blumenthal
& What is
THE FAT DUCK ?
He began his interest in food after visiting a fa-
thal that we don’t know much about, but is even more - a technique which can trap a smell (or a flavour) in a mous restaurant in France with his family. It was by
important than any international prize – the influence solid compound, which can be released with several observing the theatrical movement of the service, that
and impact of his work on education. different techniques, creating a final magical effect. the 16 year old Heston became madly in love with
I have known Heston for a few years, and have The students had a budget for their entire proj- gastronomy and fine dining. Self-taught, with only
had the great opportunity of working in the kitchen of ect, a topic and a deadline. After several months of an O-level in arts, he studied science and food from
The Fat Duck for a special project. I have written a meetings, lab hours in their free time, and research, all possible angles, and saved all his money to visit
portrait and several other articles about his approach the finished project came to an end. The results ma- the best restaurants and producers around the world
to avant-garde cuisine. My experience at the Fat terialised in the form of a scientific abstract, some during his holidays. He was obsessed with food and
Duck gave me the chance to get to know his work in prototypes, a video of the lab experience through the he couldn’t think about anything else. He was initially
depth. Last year I approached Heston with a rather months of development, and 4 pictures with ideas of a salesman, but changed his life completely, when
unusual project, which he liked and approved. dishes using different techniques. he moved into the restaurant business. In Bray, a
The story began with a chemistry trip. I and two Heston received the group at the Hinds Head, small village in Berkshire, he bought a pub, hardly
scientists from Alton College, Fiona Revell and Lesley and the students were able to present and explain anticipating that this small place would one day be
Brewer, decided to open a research group in Mo- their ideas and how their work had progressed. The one of the world’s most famous restaurants.
lecular Gastronomy. The intention of the group was photographer from YEAH magazine, Ben Errey, was The Fat Duck offers more than a dining experi-
to create a new opportunity for young and talented in charge of the photos. ence. You have a dinner, a “theatre ticket” and a
chemistry students to experience the real life of a Heston asked a lot of questions, and was truly unique sensory experience. In approximately 4
researcher, with all the excitement, difficulties, limited impressed with the quality of the work, which was hours, the guest is transported into Heston’s universe,
budget and extra hours of commitment. afterwards sent to his experimental kitchen, where eating fabulous food, experiencing science and food
One biochemist (Fiona Revell, head of the chem- chefs and scientists develop dishes and techniques in a very exciting way, and discovering history and
istry Department), one research chemist (Dr. Lesley to be used in the Fat Duck menu and on TV shows. art through his dishes. It could be scrambled eggs
Brewer), one chef and wannabe scientist (me!), 10 Afterwards, the group spent the morning visiting all the in which the eggs magically taste like bacon and
A-level students, and a ‘mystery chef’ – and so, the facilities and talking with the staff from The Fat Duck. are cooked in liquid nitrogen at the table, or a dish
journey began! The selected students were: Sam The journey finished with a very special lunch at the invoking travel to the sea, accompanied by suitable
Cobb; Katy Sworn; Claire Stratford; Alexander Cobb; Hinds Head, experiencing the food from the pub with sounds and scents – even edible sand. A tea, hot
Hannah Bruton; Sam Page; Leah Devaney; Harry some treats from The Fat Duck. Each of the students and cold unbelievably at the same time, or sweets
Uzzell; Samantha Marais ( a chemistry and biology were also presented with a bag of the very unusual with edible paper, and a journey through the historical
student with a special talent for art!), james Cover- treats from ’The Sweet Shop of Heston Blumenthal’. whisky routes in Britain particularly Scotland. At The
dale and Katie Roe. Some of the students have now finished their A-levels Fat Duck, the guest must be prepared for the unex-
Dr. Lesley Brewer, an experienced research sci- and have been accepted at some of the top Universi- pected, and realise that it is not just about the food
entist, who specialises in aromas, worked for many ties in the country to begin their degrees in Septem- and drink, which are exceptional, but the whole pack-
years in the beer industry before becoming a lecturer ber. Some others still have another year to go. age with entertainment and non stop surprises; in this
at Alton College. With our guidance the students de- light, going to The Fat Duck is not expensive.
The chef has also 2 pubs in Bray and is open-
ing a new restaurant in December called ‘Dinner by
Heston Blumenthal’, inside the Mandarin Oriental Ho-
tel in London.
Luciana Bianchi is a chef de cuisine and interna-
tional food writer.
Follow her on twitter @LucianaBianchi
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14. ethos and the desire to address the us the use of a shop for free
use of an empty shop is what led us and for that we’re still really
to the idea of creating a pretend grateful. In those two weeks
shop from cardboard. It would we built our set up our
be an interactive performance exhibition. They were the
set inside a kind of general most exhausting weeks
store, loosely based on of the entire project; most
Woolworths; offering an ar- days we wouldn’t leave
ray of satirical products that until three in the morning
visitors could buy with the but somehow we got ev-
fake money we had given erything ready in time and
them. We wanted to engage opened ‘Shop’ on the last day
people with our work and our of April. That first day was intense;
ideas by simply asking them like everything else we were learning as
we went. At times the place was so busy I thought no, stating that
to do what they would normally
all our products would go on the first day, as it he needed a
do in a shop.
was we had roughly 500 visitors and ‘sold’ over cardboard CV,
It took us a year to design all
‘Shop’ 300 products on day one. With the exception of so he bought one
the various elements, to collect the
was a year a few people we knew, everyone who came in of our products and
cardboard from local shops, print every-
in the making. A on the first day was just passing by and wasn’t left, but he didn’t give up so
thing and build up support for the project. In
few of my friends and expecting to find our shop. Some people loved easily and returned after taking his product apart
that year, Project ‘Shop’ took on a life of it’s own,
I when we were in our first year studying Fine Art it straight away, while most people didn’t know and writing a CV on it! Naturally we gave him a
occasionally to the detriment of ours. Along the
at the AUCB formed a collective called OutsideIN what to make of it. Most commonly they wanted job. During the four days we experimented with
way, we organised supporting events; things like
with the intention of making work together and get- to know what it was for, who we were and how we the performance, changing things and introduc-
workshops in silkscreen printing and product de-
ting it out into the public. We noticed the empty were making money. I think their idea of the experi- ing new elements such as live product demon-
sign and although we weren’t interested in making
shops around Bournemouth and we got excited ence changed when we explained that we were strations.
money it became necessary to fund the project,
about the idea of using one of them as a place to doing it for its own sake and no one was making At the end of our final day we held an open
so we applied for grants, printed and sold t-shirts
exhibit, especially because it would give us an op- money, and that our aim was simply to challenge artist led discussion to talk about the project,
and threw a huge fundraising party in a house of
portunity to engage people who don’t go to galler- the way people think about shopping and the ef- with the MP for Bournemouth, the president of
cardboard, even so we ended up funding most
ies. We all agreed that we wanted something that fect it has. Additionally they were surprised to learn the Bournemouth Chamber of Trade and Com-
of the project with our own money. It was difficult
was both free and completely removed from the that all of the cardboard used was waste that we merce, the head of Fine Art at AUCB, the head
at times, there were points when we all became
gal- lery context, made from cheap had recovered from real shops. of Bournemouth Creatives, fellow students and
stressed and angry at the project and each other,
or found materials to We constantly streamed live footage of ‘Shop’ members of the general public. We were able to
but it was also rewarding to see what we could
create an experi- on our website, outsideincollective.com. The ben- bring all of these people together to talk about the
accomplish together. Getting a shop turned out to
ence of art that efit of the live broadcast was that people who issues surrounding the work, in particular, the use
be the most frustrating part. For a year we didn’t
would be stumbled upon our exhibition while on break from of empty shops as temporary spaces to show-
know if we would ever get a shop. Everything de-
accessible work would then go back and show it to their col- case art and ways we could build on what we had
pended on the space and towards the end it was
to any- leges, also visitors would call their friends at home done. We are now working with the Bournemouth
especially hard when we had done so much work
one. That and tell them to log-on to see ‘Shop’. It was really Chamber of Trade, the Arts University College
and it felt like we were soldiering on with nowhere
encouraging when people came and said they Bournemouth, SCAN, and other interested parties
to go and with only a few weeks until our
had been told, encouraged or even dragged by to create an annual festival of arts in Bournemouth,
deadline and no shop we were start-
friends to come see ‘Shop’ and it was especially part of which will utilise empty shops to exhibit art,
ing to admit defeat and began half-
satisfying to see people come back more than films, music, theatre, etc. We’re doing this be-
heartedly developing contingency
once. cause we want to make a difference and share
plans.
A few people joined in with the performance; with other people the art and the spaces for it that
Luckily, two weeks before we
one kid asked for a job, to which at first we said we would want to see.
opened we made a deal with let-
ting agent, Ellis & Partners who gave
25 Article by Patrick Collier, Illustration by jonny Williams 26

15. claire
27
BASIUK
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17. JAK
SPEDDING
I decided to take the idea of rebellion back to its simplest form. The human
form and the apparent ‘rebellion’ when people do not conform to the idea’s
of modern society; I decided to use a female model rebelling against so-
ciety by bearing all for the camera but took the edge of it by placing her in
a place where society has no say over what is right or wrong, nature. The
antlers from a deer are to show the idea that nature is encasing her rebellion
and inside that ‘capsule’ the idea of being naked is a totally normal thing. I
shoot most of my work on digital for convenience but I crave the look of film
so I shoot all my work using old film lenses which I have adapted usually
with a big hammer to fit on the front of my camera. This is an extremely
pleasing way to shoot as a lot of the lenses don’t have the modern coatings
and the feel you get off them is amazing! It stops you thinking about how
sharp a picture should be and what a picture truly means to you!
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18. clash yourself, buy a dress/top/leg-
gings (*delete where appropriate) with
conflicting colours.
2. Never wear mismatched pat-
terns - I say, do it. Some of the hottest
looks this season have been created
using a mismatch of different prints.
Carry it on into Autumn/Winter by mix-
ing stripes with plaid and leopard print
with polka dots. My top tip is to find a
common base colour in the clashing
items of clothing and to think couture
not trash.
3. Never wear socks and sandals
- Sometimes this is never acceptable
(four words: jesus sandals, sports
socks) but you can work it with closed
toe sandals/pumps and cutesy ankle
This issue, fashion writer Cass into your winter wardrobe, you can
socks. Think Alexa Chung not Velma
Gowing teaches you which style rules brighten up the dullest day. I say, wel-
from Scooby Doo.
you should rebel against in order to come winter whites! Personally, I think
4. Always match your clothes with
get a A* in fashion. this fashion myth should be banished
your accessories - This is the one
I’ve always found it difficult to do as to the world where Crocs came from,
style taboo which I go out of my way
I’m told and I am also a firm believer and instead it should be replaced by
to ignore, nothing looks tackier than
that rules are there to be broken. Both a new fashion law that decrees that
matching shoes, bag, necklace and
apply unconditionally when it comes leggings should not be worn as trou-
bracelets. Pick and mix your acces-
to fashion. The list of dress etiquettes sers (please don‘t get me started).
sories for best results.
that is drilled into our heads from an The following list consists of so
5. Always leave sequins and
early age urgently needs a revamp. called fashion ‘rules’, all of which I
glitter for the evening - I’m a bit
If you don’t know what I mean, here urge you to break. Express yourself
like a magpie, I’m attracted to
is an example of one of those fashion and embrace these five fashion faux
glitter and sparkle, so I be-
myths: ‘Never wear white before Me- pas.
lieve in bringing that glittery
morial Day’ (or ‘after Labor Day’). This 1. Never wear clashing colours -
jumper into your day wear
dated rule dictates that it is not suitable Ignore the ol’ saying “red and green
wardrobe by teaming with
to wear the colour white outside of the should never be seen”, because
a black high waisted skirt
summer season. Fair enough, it’s not anything is possible when it comes to
or jeans. Likewise, don’t
the wisest idea to opt for white skinny fashion. You can make sure that you
limit your wardrobe into
jeans when its raining cats and dogs don’t go OTT by clashing your acces-
two categories (daywear
outside, but who on earth invented sories with your outfit. How about an
and evening wear), feel
this style taboo? Someone who lacks emerald green bodycon skirt with a
free to mix things up a bit.
forward thinking in the fashion de- ruby red structured satchel handbag?
partment, clearly. By bringing white Or if you’re not confident enough to
33 Article by Cass Gowing, Illustration by jessica Adelaide Lewis

19. 35 Illustration by Phill Evans 36

20. Combining the concepts of Disposable Perspec-
tives and the creative and production talents of
YEAH, “WE ARE DISPOSBALE YEAH” is a pho-
tography project designed to promote analogue
film photography, concluding in a unique and ex-
clusive book. Run as a competition, entrants were
asked to enter up to five images, with only one
condition; that the images must have been taken
using film photography. Aside from that, the brief
was completely open, we just had to sit back and
watch the entries roll in.
We received huge numbers of entries from all
over the world with a whole range of brilliant, weird james Hope Flakner
and wonderful imagery. Then came the hard bit -
Choosing with final images for the book!
Sadly we couldn’t fit everyone’s work in, so we
were forced to choose 50 images for the book,
and a further 5 winners, including an overall win-
ner who would win the Diana Mini. It was one of
the hardest things we’ve had to do, with so many
amazing images to choose from it took us a long
time.
The book will be released in mid December, and
will be available for pre-order very soon.
www.wearedisposableyeah.com
jovan Todorovic
37 38

21. Stephan Kaps
Marta Kockanek
BOOK COMING SOON
WWW.WEAREDISPOSABLEYEAH.COM
Elisa Nelissen
39 40

22. going for something a bit milder like wearing stands in the way of Ikeas plans for world dom-
my shoes on the wrong feet, not blasting holes ination. But I don’t live in any of those places so
in coppers. Whether or not it’s a great way of it’s all semantics.
securing a fishing trip with Gazza I just feel that So now my contention is that it is practically
most laws are there for a reason and are pretty impossible to rebel in the 21st Century in a so-
sensible, especially murder. So as I apparently ciety weaned on naughty steps and political
lack the required evil to bowl for Columbine I’d correctness. Maybe I should be thankful that
like to lobby for the implementation of more life has become too comfortable and too ful-
laws so there are more to be broken – but petty filled and there’s just nothing worth rebelling for;
ones. I just want to fuck the system, but with- without feeling overly suppressed how could
out anyone getting properly fucked. So how to I get into it? There’s no point hunger striking
land on that ‘Do not pass GO. Head straight to just because they changed the name of Opal
jail’ square on my monopoly board of male Fruits to Starburst or because my supermarket
maturity? stopped stocking Lucky Charms.
If only I lived in Sorocaba, But we’re not in those wonderful, colour-
Brazil, where passionate ful nations where I could be an outlaw
kissing in public is illegal just for forgetting my moustache li-
(I’d do it in Dubai but I cense (Massachusetts) so another
I see rebellion in two contexts today; the first act considered insubordinate ten years ago is heard they chop off your avenue’s blocked and now I’m stuck
is rebelling at injustice – perhaps prejudice or now a mainstream movement. The day Beck- lips and I don’t want to on a square that’s not going to lead
discrimination, the second is rebelling against ham started wearing eye-makeup the day all leave puberty with no me anywhere nearer to fucking jail.
society, and for no other reason than that. just edginess left being a Goth, even wearing Ben lips). Or take France, So seeing as I don’t have the moral
wanting to be different and make old people Sherman’s and Doc Martins stopped being where you’re forbidden fibre for political activism, and I don’t
tut – both integral to bridging that gap between un-conformist in the mid 90’s. Alcoholism, wild from naming a pig Napo- heal fast enough for religious self flag-
adolescence and adulthood. Yet I cannot see drug abuse (I’m more than a little addicted to leon, I could do that without any ellation perhaps I’ll give up rebelling
space for me to do either – it seems every cough drops at the moment) and listening to qualms. Or Peru, beautiful to be different just for difference
manner of peaceful or non-violent protest has death metal have all failed me. So I tried com- Peru, where unmarried men sake. Being stuck in puberty isn’t
been done and can no longer hold attention pulsive lying, a mild eating disorder and sac- are not allowed to keep fe- so bad; at least my sex drive will
like any valued protestation requires. All my life rificing small animals – still nothing, despite male alpacas in their apart- always be sky high.. saying
I’ve been a conformist, a boring, simple guy. Its combining the last two. We’ve got a long way ments. Perhaps we should that, it will mean never having
suddenly dawned on me that if I want to finally from where sticking it to the man was swearing follow the example of Singa- the post pubescent mental ca-
be any kind of a man at all I must pre-empt a at your Gran, or wearing safety pins through pore, where if during a random pacity for a sex life that connects
look back on my youth able to say with some your ears and to my detriment! That’s when search you are found not to beyond solely a physical level
conviction ‘I was such a tearaway’, or ‘what a sticking it to the man was safe, and a big belief have flushed a public toilet it’s – though I doubt my girlfriend
jack the lad I used to be, thank god I grew up’. I of mine is that if you’re going stick it anywhere it a fine or prison sentence for holds much hope of
don’t want to be stuck in pubescent purgatory; should be safe – especially to the man. your dirty crime. Though my that happening
I’ve been here too long already. Perhaps the only sure fire way to be classed favourite is Sweden where regardless.
Unfortunately for my generation an impor- as a rebel is to get arrested. If laws are required it is illegal to train a seal to
tant part of puberty has been stripped away to keep societies in order then all I need to do balance a ball on its nose,
as it is almost impossible to rebel nowadays. is break a few so I can finally leave adoles- I can only speculate
Everyone is just too damn liberal – even Par- cence feeling I’ve ticked every box and got my that it is only this,
liament is 50% liberal at any given time. Every card stamped. Only thing is I’m not Raul Moat, and any notion
sensibility, every ideal and every image con- my mental instability remains undiagnosed for of individuality,
ceivable already exists so unfortunately any one. He may be an underclass hero, but I was that somehow
41 Article by Will Wells, Illustration by jonny Williams nulput in euipsum modoloreet lore con velenim vendion ulputpatet alit 42

23. ment against popular culture, but they all end to express concerns and foster activism. We
up wearing the same clothes with the same live in a new age that poses new challenges
hair styles listening to the same music... out and the new generation need to grab the op-
of rebellion, a new norm is formed. The British portunity to overcome such challenges. Without
people need to realise that no vote, means no such engagement and activism, nothing will
opinion, so let us break the cycle and conform change. People need to take responsibility for
to that idea, encourage activism in politics and their opinions and the media need to take re-
highlight its importance among the young. Ed- sponsibility and report rather than sensationa-
ucation needs to incorporate this notion, so that lise politics to avoid turning our political system
people across all social divides are aware of into a Big Brother, leaving the public on the out-
the power they can hold. side looking in.
The media is a fantastic tool to encourage Big Brother has died, and we need to make
engagement with politics. It is a great medium sure political apathy sharply follows suit.
Rebellion in itself is an anti-establishment tion, “this generation” needs to realise that the
act. The very word means action against what future lies in their hands.
is viewed as the norm. Any form of rebellion can It has been a turbulent time for politics spear-
be classed as political action, from the obvious headed by the expenses scandal; the general
trade union movements, to the more subtle... public have become exhausted by the media
refusing to wear the correct school uniform. And coverage that has fuelled new waves of apathy
so it seems odd, that the most prevalent form of for the system. The audiences of such media
rebellion in the 21st century is that against the became enraged with the system. This rage
nature of politics itself. however has not turned into positive activism to
Turnout for the 2010 general election was a change the system and revitalise British poli-
disappointment. Although participation was up tics, but gave people a reason to sit at home on
by 4% it still remained well below the post-war polling day. The general public and “this gen-
average of 78%. Only 44% of 18-24 year olds eration” are politically exhausted. Such silent
turned out to vote, showing that political apathy rebellion will ensure that this anger isn’t felt, and
among the young is still prominent, and this is- that the energy that it generates isn’t redirected
sue needs to be addressed.“This generation into solving the problems that lie at its core.
has a chance to change our politics” said Ed Rebellion is a part of a vicious circle leading
Miliband in his first speech as Labour Leader. back round to conformism. Take subcultures
But before this change can be wheeled into ac- for example. ‘Emo’ teens are making a state-
43 Article by Kylie Barton, Illustration by jonny Williams

24. JAMES
HEAD Skateboarding has always had a DIY
mentality from it’s genesis in the seventies.
This has ranged from people customizing
their grip tape, pressing their own tee shirts
and creating skate parks. In Aldershot, Farn-
ham and Fleet there have been spots grow-
ing in the concrete jungles (for those of us
that are trained enough to spot them). The
main force behind this increase growth is
Laup Barter. Here is the story of a skate park
that was once in Aldershot called “Laup-
side”, this account is written by the laup
himself.
“The laupside site had a mini ramp on it
some 18+ years ago so we knew there was
concrete under all the grass, beer bottles,
cans and rubbish. My friend French and I
cleared the first little bit back in August 09
and built a quarter pipe. At the time we didn’t
know that the council were planning the
much needed re-build of Aldershot’s park,
we figured if no one else is going to build
anywhere to skate then we thought we’d
build it ourselves. From then on the momen-
tum grew and by the time of its heavy hand-
ed destruction, little over a year later, there
was a regular crew of people riding there
most days and building most weekends. A
big thank you to Mike Vincent, Rob Hill and
Ian Munns who put as much time and effort
into the place as anyone.”
45 Pat. Ut wisim vel ero odolobor in ulla feum vendreetummy nim irit digna corem Velessis nulputeuipsum modoloreet lore con velenim vendion ulputpatet alit 46
nulput in in euipsum modoloreet lore con velenim vendion ulputpatet alit 46

25. 47 Pat. Ut wisim vel ero odolobor in ulla feum vendreetummy nim irit digna corem nulput in euipsum modoloreet lore con velenim vendion ulputpatet alit 48

26. Back in the late 1800s, Lancashire mill owner Today Aertex clothing is available directly from its
Lewis Haslam began trialing his theory of aeration, online store at www.aertex.com as well as in high street
trapping air within the warp and weft of fabric. The retailers such as Sarah Coggles, American Classics
result was a cellular cotton fabric that provided a bar- and Sak-is. Aertex has amped up the colour volume
rier between the warmth of the skin and the chill of the to inject that all-important modernity into its range of
atmosphere and in 1888 Aertex was born! checks, shirts, knitwear, tees and polo shirts.
By 1891 Aertex was firmly established in the With the range already making an impact in the
wardrobes of the English middle classes. The British UK music scene with ex Libertines and Dirty Pretty
Land Army wore ‘Aertex’ as part of their uniform in Things front man Carl Barat regularly wearing our
World War II and the British 7th Armored Division, one collections as well as The Courteeners, The Future-
of the most famous formations that ever served in the heads to name a few who are putting Aertex in the
British Army wore Aertex bush shirts and jackets. spotlight, the brand is set for big things this year. Aer-
By the 1960’s Aertex had not only become a tex is expertly building on its reputation for keeping
school sporting classic but was also on some of the you feeling cool with clothes that keep you looking
biggest sporting participants of that time. that way too.
To be in with a chance of winning £200 worth of Aertex Clothing, all you need to do is answer this
simple question....
WHEN WAS AERTEX ESTABLISHED?
Email your answer to contact@yeah-magazine.com with the subject line AERTEX COMP before
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