The poem expresses the speaker's deep love and connection to their partner. It says that if their love stops little by little, the speaker will also stop loving them little by little. However, if each day their partner feels destined for the speaker with sweetness, climbing flowers to their lips, the speaker's love will be repeated within them and will live in their partner's arms as long as they live.
Housing Exclusion of the Elderly in SloveniaFEANTSA
Presentation given by Maša Filipovič Hrast, University of Ljubljana, Slovenia at a FEANTSA Research Conference on "Understanding Homelessness and Housing Exclusion in the New European Context", Budapest, Hungary, 2010
Housing Exclusion of the Elderly in SloveniaFEANTSA
Presentation given by Maša Filipovič Hrast, University of Ljubljana, Slovenia at a FEANTSA Research Conference on "Understanding Homelessness and Housing Exclusion in the New European Context", Budapest, Hungary, 2010
For more information about the Informed Cities initiative visit http://informed-cities.iclei-europe.org or join us on Facebook at https://www.facebook.com/InformedCities
For more information about the Informed Cities initiative visit http://informed-cities.iclei-europe.org or join us on Facebook at https://www.facebook.com/InformedCities
Social Media presentation on digital branding from Social Media speaker and trainer Dawn Raquel Jensen of Virtual Options Coaching & Training. @virtualoptions , @dawnrjensen
For more information about Dawn visit http://www.dawnonfacebook.com or http://www.dawnraqueljensen.com
This group of mines are located in the catchment area of work Marmajito underground mine. They are operating the mines Naranjos, La Picuda and Las Brisas. The first two exploit the seam. Marmajito in its lateral extension and the third operates the hearts of the Grain Córdoba. These mines are located in the hamlet Marmajito, south of town the municipality of Segovia.
This is the final draft for the AAF competition in 2012. The campaign is for Nissan. Central Edge Communications took an edgy approach into creating the innovative campaign.
International Trade Compliance Strategy Responsibility MatrixGHY International
A quick reference tool that supports the white paper, The Case for an Integrated Trade Compliance Strategy. It shows a road map of relationships, owners, and tasks that are intertwined when an organization is active in international trade. This road map can assist an organization to benchmark their current practice versus that proposed with an Integrated Trade Strategy.
This e-book is an accompaniment to the book "Creative Workshop: 80 Challenges to Sharpen Your Design Skills," more details here: http://www.davidsherwin.com/creative
"Creative Workshop" contains 80 creative challenges that will help any designer reach a breadth of stronger design solutions, in various media, within any set time period. Exercises range from creating a typeface in an hour, to designing a paper robot in an afternoon, to designing web pages and other interactive experiences. Each exercise includes compelling visual solutions from other designers and background stories to help designers increase their capacity to innovate.
Before the book, however, there was a quarter-long class where design students had to complete 80 projects in just 11 weeks. This Teacher's Guide describes the pedagogical methods behind the book, how to create your own Creative Workshop class or workshop series, as well as how to utilize challenges from the book most effectively in a classroom setting. This text is intended for teachers of design and creative thinking, but it may also be helpful for designers and creative managers.
Mobile Marketing, a copy of the presentation delivered by Mark Challinor, Telegraph Media Group from the CIM Peterborough, Digital Marketing Boot Camp held on 25th May 2011 at Perkins Innovation Centre
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ow
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st a e im rd y ou
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2. ,
ow
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m yw og
at el .
mn me
aut u of t
h
slo w y r
fo
g.
f the bod it
kl e d
in
nc ho in wa
th
bra wr th at
red e rs
ne
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o rt
know t he
sh
o
so
f yo
u to , at ea le
n t yo o on
pal
p abl s e is
I wa tho
lm .
st a e im rd y ou
cry th wa en
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th h efi s ai le . go
at rt s, th a
t
litt for
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e
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is: if I
t
ng l it
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e
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em
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d
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,Is
ate
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hou , yo
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t hat h our
re is r
, at ach me , at fi
day ay ,e s eek a ll th
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me
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re m e m b e r t h But you yo
su p to e, ah m
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ower ah m
Me
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d, v e
ten, , belo
I f Yo u F o r g e t
ot ur love
or forg n yo
ing uished eeds o
hing is ex
t
m y love f
in me not
and as long as
you live
it w
ill
be in
your
arms
with o .
ut lea
vi n g mine
4. I want you to know
If You Forget Me
one thing. You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
Well, now, toward those isles of yours that wait for me.
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day, But
at that hour, if each day,
I shall lift my arms each hour,
and my roots will set off you feel that you are destined for me
to seek another land. with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
5. I want you to know
If You Forget Me
one thing. You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
Well, now, toward those isles of yours that wait for me.
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day, But
at that hour, if each day,
I shall lift my arms each hour,
and my roots will set off you feel that you are destined for me
to seek another land. with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
6. I want
you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
if you forget me
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
8. Iw
an
ty
ou
to
ing.
kn
ne th
you
o k
o
now
how
w
this
i s
me to you
as if every
thing that
exists,
t hat sail
t wait for me.
es of y ours tha
is l
toward those
9. tle
by lit you sto ll sto
p loving yo
le u
litt p
lo sha li
f vin eI
ttl
g m
,i
e
ow
by
ll, n
littl
We
. e.
If s
ou
ud
ny
de
te
ot
nly
rg
yo
fo
u
ve
rg
fo
et ha
m y
e ad
do lre
no la
t al
lo I sh
o kf or
or e, f
m
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek
another land.
But if each day, each hour, you feel that you are destined for me with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms without leaving mine.