• Going against typical genre conventions of a psychological thriller, I have used
  the diegetic sound of birds in the background to my advantage. I could have
  easily cut this out using Sony Vegas when editing, however, I think the
  atmospheric atmosphere it creates an uneasy feeling amongst the audience and
  makes them feel on edge. Usually in a psychological thriller I would expect there
  to be no noise in the background, except for non diegetic sounds such as music.
• Towards the end of the opening sequence, I made the cuts more fast paced and
  this helps to speed up the narrative. It also signifies that the girls’ pursuer is
  getting closer, again making the audience feel on edge and creates tension and
  suspense.
• Just before the gun shot in the middle of the sequence, the editing slows
  down, suggesting that something is about to happen. As soon as the gun
  fires, the editing speeds up again and the chase sequence takes place. The
  sequence ends on a cliff-hanger so the audience is unsure whether thee girls are
  caught or not. This is also where the tension is at its highest. It is quite a typical
  convention of a psychological thriller as to keep the audience engaged.
• As it was shot outside during the day, the lighting was difficult to control. Initially I
  wanted to include lighting as an important aspect in my opening sequence as low
  key lighting is a common convention in psychological thrillers and helps to
  connote a more sinister atmosphere and make the characters more three
  dimensional. I did this to challenge the conventions of the genre and give the
  audience the idea that a sequence being shot in the daylight can create the
  same tense atmosphere as one can in the night time.
• My opening sequence is full of enigma codes: what is going on?
  Who are the girls? Who are they running from? This is a common
  convention and reflects the chaotic scene which is taking place. It
  frustrates the audience and makes them want to continue watching
  the film to find out more about the narrative so they can understand it
  better. One of the opening sequences I analysed; A Tale of Two
  Sisters, the audience are asking themselves similar questions: Why
  is the girl in a mental institution? What is the man questioning her
  about? Why won’t she talk? Who is she?
• The gun shot is an action code and signifies the beginning of the
  chase sequence. This is intended to shock the audience as it is
  unexpected.
• It starts to introduce and begins to develop the characteristics of the
  two main protagonists. For example, Marie speaks more and is more
  ‘in charge’. Obviously she is the more experienced and confident out
  of the two girls. Most of the time she is running in front of Lilly, and
  seems to be very protective of her.
• The antagonist’s identity is not revealed, therefore conforming to the
  conventions of the genre because it creates a theme of reality vs
  illusion, which leaves the audience asking the question of is the
  pursuer real? Or a figment of the main protagonist’s imagination?
• Throughout the opening sequence there is the continuous non
  diegetic music which adds to the atmosphere in the sequence.
  This conforms to the typical conventions of this genre because
  it aims to make the audience feel uneasy and as though they
  are in the world of the film.
• The music changes when the chase sequence picks up the
  pace and so the music helps to support this and adds more
  tension and suspense to the scene. Again, this is a common
  convention in psychological thrillers as it signifies a change of
  direction within the narrative.
• On top of the change of music I have kept the atmospheric
  sound that started from the beginning of the sequence. This
  probably challenges most similar media products as I aimed to
  create a clash between the sound to add even more suspense
  to the film and professional sound editors would probably not
  do this.
• In most genres, females are usually shown to be
  victims, or represented as the ‘princess’, in a patriarchal
  society. I have conformed to this in my opening sequence
  as the two girls are running from something; they are
  scared and look weak. The audience would assume they
  are running from a male character as this is very
  stereotypical in films for a male character to be the main
  antagonist or ‘villain’.

Question 1

  • 2.
    • Going againsttypical genre conventions of a psychological thriller, I have used the diegetic sound of birds in the background to my advantage. I could have easily cut this out using Sony Vegas when editing, however, I think the atmospheric atmosphere it creates an uneasy feeling amongst the audience and makes them feel on edge. Usually in a psychological thriller I would expect there to be no noise in the background, except for non diegetic sounds such as music. • Towards the end of the opening sequence, I made the cuts more fast paced and this helps to speed up the narrative. It also signifies that the girls’ pursuer is getting closer, again making the audience feel on edge and creates tension and suspense. • Just before the gun shot in the middle of the sequence, the editing slows down, suggesting that something is about to happen. As soon as the gun fires, the editing speeds up again and the chase sequence takes place. The sequence ends on a cliff-hanger so the audience is unsure whether thee girls are caught or not. This is also where the tension is at its highest. It is quite a typical convention of a psychological thriller as to keep the audience engaged. • As it was shot outside during the day, the lighting was difficult to control. Initially I wanted to include lighting as an important aspect in my opening sequence as low key lighting is a common convention in psychological thrillers and helps to connote a more sinister atmosphere and make the characters more three dimensional. I did this to challenge the conventions of the genre and give the audience the idea that a sequence being shot in the daylight can create the same tense atmosphere as one can in the night time.
  • 3.
    • My openingsequence is full of enigma codes: what is going on? Who are the girls? Who are they running from? This is a common convention and reflects the chaotic scene which is taking place. It frustrates the audience and makes them want to continue watching the film to find out more about the narrative so they can understand it better. One of the opening sequences I analysed; A Tale of Two Sisters, the audience are asking themselves similar questions: Why is the girl in a mental institution? What is the man questioning her about? Why won’t she talk? Who is she? • The gun shot is an action code and signifies the beginning of the chase sequence. This is intended to shock the audience as it is unexpected. • It starts to introduce and begins to develop the characteristics of the two main protagonists. For example, Marie speaks more and is more ‘in charge’. Obviously she is the more experienced and confident out of the two girls. Most of the time she is running in front of Lilly, and seems to be very protective of her. • The antagonist’s identity is not revealed, therefore conforming to the conventions of the genre because it creates a theme of reality vs illusion, which leaves the audience asking the question of is the pursuer real? Or a figment of the main protagonist’s imagination?
  • 4.
    • Throughout theopening sequence there is the continuous non diegetic music which adds to the atmosphere in the sequence. This conforms to the typical conventions of this genre because it aims to make the audience feel uneasy and as though they are in the world of the film. • The music changes when the chase sequence picks up the pace and so the music helps to support this and adds more tension and suspense to the scene. Again, this is a common convention in psychological thrillers as it signifies a change of direction within the narrative. • On top of the change of music I have kept the atmospheric sound that started from the beginning of the sequence. This probably challenges most similar media products as I aimed to create a clash between the sound to add even more suspense to the film and professional sound editors would probably not do this.
  • 5.
    • In mostgenres, females are usually shown to be victims, or represented as the ‘princess’, in a patriarchal society. I have conformed to this in my opening sequence as the two girls are running from something; they are scared and look weak. The audience would assume they are running from a male character as this is very stereotypical in films for a male character to be the main antagonist or ‘villain’.