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This document discusses visual references in music videos by two artists to their album artwork. Sia uses a dancer with the same hairstyle in her "Chandelier" video as the image on her "1000 Forms of Fear" album cover. The 1975 band features strip lights arranged in the shape of their band name on their self-titled album, which is also shown that way in their "Heart Out" music video, clearly linking the video to that album.
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Digipak Analysis
The document analyzes and compares the digipak designs of three albums from artists considered part of the sadcore genre: The 1975's self-titled album, Lana Del Rey's Ultraviolence, and Bon Iver's For Emma, Forever Ago. It finds that The 1975 and Bon Iver albums feature simplistic black and white designs that fit sadcore conventions, while Lana Del Rey's includes some color elements. Key visual motifs like flowers and lighting/pyrotechnics are also discussed in connecting the albums to their artists' styles.
Promotional Package - Ella Henderson
Ella Henderson is a British singer-songwriter who finished sixth on the ninth series of The X Factor in 2012. She maintains an active online presence to promote herself, including a website with links to her social media profiles and videos advertising her music. Fans have also created websites about Henderson that further promote her work.
Lily
Lily Allen struggled to get signed to a record label initially due to her musical style. She created her own Myspace page and posted her music, which convinced her label Regal Recordings to give her more creative control over her debut album. For her second album, Allen took a risk by changing her image from a retro dress and trainer wearing girl to an indie pop artist to differentiate herself from other artists who had adopted a similar style. In addition to her music brand, Allen expanded into other areas like fashion with her "Lily Loves" line, working with New Look, hosting a chat show on BBC3, and games.
Album art
The document describes the process of creating two album covers from randomly generated artist names, album titles, and artwork. For the first album, the artist is named "Davy hill" and the album is titled "nothing has been going on." The photo was manipulated into a marble effect and overlayed with transparent color to create an indie style. For the second album, the artist is named "September Stakes" and the album title is made to seem dark by changing "great" to red. The photo was filtered black and white to make the dragonfly look ominous and fit a grunge style.
Looking At Cd Package
This document discusses ideas for a CD package design that incorporates elements from Lily Allen's album artwork. It explores using human interaction, random colorful images, and text like Allen's albums. Bringing in influences from Allen's "Alright Still" and "It's Not Me It's You" album covers, the design may feature the artist's name in large letters and a simple solid color background. Multiple versions will be created and evaluated before finalizing the CD package design.
Sample g. o'keeffe presentation
Georgia O'Keeffe was an American artist born in 1887 who is renowned for her paintings of enlarged flowers, bones, and New Mexico landscapes. She studied at the Art Students League of New York and the Art Institute of Chicago. O'Keeffe married photographer Alfred Stieglitz in 1924 and began exhibiting with his gallery. Her paintings evolved from impressionistic styles to her signature close-up depictions of natural forms. O'Keeffe lived much of her later life in New Mexico, where the landscape and colors influenced her bold, minimalist paintings until her death in 1986 at age 98.
Presentation1media star pro
Beyonce Knowles is an American singer born in 1981 in Houston, Texas. She began her career in the 1990s as the lead singer of Destiny's Child. Some of her most popular solo albums include Dangerously in Love (2003), B'Day (2006), and I Am... Sasha Fierce (2008). Her music videos often feature elaborate choreography and have evolved from primarily performance-based to more conceptual over time. Beyonce is now known worldwide for her musical talents and energetic stage presence.
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Motivator Indonesia Terkenal, Motivator Indonesia Asia, Motivator Indonesia
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Digipak Analysis
The document analyzes and compares the digipak designs of three albums from artists considered part of the sadcore genre: The 1975's self-titled album, Lana Del Rey's Ultraviolence, and Bon Iver's For Emma, Forever Ago. It finds that The 1975 and Bon Iver albums feature simplistic black and white designs that fit sadcore conventions, while Lana Del Rey's includes some color elements. Key visual motifs like flowers and lighting/pyrotechnics are also discussed in connecting the albums to their artists' styles.
Promotional Package - Ella Henderson
Ella Henderson is a British singer-songwriter who finished sixth on the ninth series of The X Factor in 2012. She maintains an active online presence to promote herself, including a website with links to her social media profiles and videos advertising her music. Fans have also created websites about Henderson that further promote her work.
Lily
Lily Allen struggled to get signed to a record label initially due to her musical style. She created her own Myspace page and posted her music, which convinced her label Regal Recordings to give her more creative control over her debut album. For her second album, Allen took a risk by changing her image from a retro dress and trainer wearing girl to an indie pop artist to differentiate herself from other artists who had adopted a similar style. In addition to her music brand, Allen expanded into other areas like fashion with her "Lily Loves" line, working with New Look, hosting a chat show on BBC3, and games.
Album art
The document describes the process of creating two album covers from randomly generated artist names, album titles, and artwork. For the first album, the artist is named "Davy hill" and the album is titled "nothing has been going on." The photo was manipulated into a marble effect and overlayed with transparent color to create an indie style. For the second album, the artist is named "September Stakes" and the album title is made to seem dark by changing "great" to red. The photo was filtered black and white to make the dragonfly look ominous and fit a grunge style.
Looking At Cd Package
This document discusses ideas for a CD package design that incorporates elements from Lily Allen's album artwork. It explores using human interaction, random colorful images, and text like Allen's albums. Bringing in influences from Allen's "Alright Still" and "It's Not Me It's You" album covers, the design may feature the artist's name in large letters and a simple solid color background. Multiple versions will be created and evaluated before finalizing the CD package design.
Sample g. o'keeffe presentation
Georgia O'Keeffe was an American artist born in 1887 who is renowned for her paintings of enlarged flowers, bones, and New Mexico landscapes. She studied at the Art Students League of New York and the Art Institute of Chicago. O'Keeffe married photographer Alfred Stieglitz in 1924 and began exhibiting with his gallery. Her paintings evolved from impressionistic styles to her signature close-up depictions of natural forms. O'Keeffe lived much of her later life in New Mexico, where the landscape and colors influenced her bold, minimalist paintings until her death in 1986 at age 98.
Presentation1media star pro
Beyonce Knowles is an American singer born in 1981 in Houston, Texas. She began her career in the 1990s as the lead singer of Destiny's Child. Some of her most popular solo albums include Dangerously in Love (2003), B'Day (2006), and I Am... Sasha Fierce (2008). Her music videos often feature elaborate choreography and have evolved from primarily performance-based to more conceptual over time. Beyonce is now known worldwide for her musical talents and energetic stage presence.
Style File
The document discusses and compares the album artwork and packaging (digipaks) of three different albums:
1) Coldplay's "Viva La Vida" features a picture of a revolution juxtaposed with modern font, appealing due to linking to the album's narrative while maintaining a painted effect. The artist is only included inside.
2) Arctic Monkeys' "AM" features a sound wave across the packaging without the band's image, intended to envision eyes and seem indie. Like "Viva La Vida" it does not include the logo on the front.
3) The 1975 album features vignetted images without the artist, using an effective font where letters in the band's name
Digipak's
The document discusses several bands that provide inspiration for the style and presentation of a new band. It analyzes the album artwork, digipaks and styles of HAIM, Lana Del Rey, Florence and the Machine, Kings of Leon, and Yeah Yeah Yeah's. Key elements that the new band wishes to adopt include simple, unique, and carefree album covers that focus on the music rather than the artists' images, as well as covers set outdoors touching on nature.
Indie album covers
Indie album covers often do not feature the artist and are instead graphic designs. They are usually black and white like indie music videos. Indie covers tend to be illustrated or studio-based with simple designs that use bright colors or pastels. The covers often convey a sense of mystery to intrigue fans.
Ed Sheeran - A2 Media Studies Case Study
Ed Sheeran is a 25-year old British singer-songwriter who combines folk, indie pop and acoustic styles. His breakout single "The A Team" was released commercially in 2011, debuting at #3 on the UK charts and becoming the highest selling debut single of that year. The low-budget music video for "The A Team" cost only £20 to make but effectively portrayed the song's narrative through use of black and white film, time-lapsing, and depiction of the character's revealing clothing. Sheeran has since achieved international success with his albums "+" in 2011 and "X" in 2014, both of which included multiple top 5 singles in the UK and US.
Album cover
Charli XCX's album cover for "Sucker" features a picture of her holding a lollipop to represent having fun and freedom. The document discusses how this cover inspired the students to create their own cover representing a single song. It also notes that Charli XCX's cover uses a medium shot of her holding the lollipop to convey that she is the main representation of her solo album.
Digipak avril
This document analyzes the album cover, back cover, and interior contents of Avril Lavigne's "The Best Damn Thing" album. On the front cover, Lavigne's posture, clothes, makeup, and the font/color scheme convey her rock and girly image across genres. The back cover features a close-up of Lavigne looking at the song list, continuing the theme while providing information. Inside, the pink CD and lyric booklet maintain coherence with the cover design through consistent colors and logos, reinforcing Avril Lavigne's artistic brand.
1960s music
The document discusses the evolution of music videos over different decades from the 1920s to the 2000s. In the 1920s, early music videos were experimental films that featured artists like Louis Armstrong and Bessie Smith. Television exposure in the 1950s increased music popularity and allowed new artists like Elvis Presley to gain fame through live performance videos. The 1960s saw more choreographed music videos and the rise of shows like "Top of the Pops" featuring dancer performances. Major artists of the 1970s like The Beatles had music videos that were typically live studio performances. The 1980s brought more conceptual music videos to MTV with artists like Michael Jackson creating short films, and the 1990s saw increased popularity for artists like Notorious B
Artist research
Gabrielle Aplin is a 20-year-old British singer-songwriter from Wiltshire who gained popularity by posting covers on YouTube. She was signed to Parlophone Records in 2012 after releasing several independently through her own label Never Fade Records. Aplin found mainstream success with a cover of "The Power of Love" that reached number 1 on the UK Singles Chart. She has since toured extensively and released her debut album English Rain in 2013 to critical acclaim.
1st draft digipak
The document summarizes feedback received on the first draft of a digipak design. It notes that the conceptual front cover image and minimal back cover image were unclear and did not properly represent the band's genre or image. Additionally, the custom font used did not fit the genre style and the back cover lacked space for important album details. Based on this feedback, the designers realized the draft design needed significant revisions.
Representation case study
Laura Mulvey developed the male gaze theory, which argues that there are three ways the male gaze operates: how men look at women, how women look at themselves, and how women compare themselves. Within music videos, females are often altered to attract male attention, and most genres assume a heterosexual male audience. For example, in Iyaz's "Replay" video the scantily clad female indicates sexual references and attraction from a stereotypical male perspective. Mulvey also argues this can lower women's self-esteem as they compare themselves to unrealistic ideals. The Greek term "scopophilia" refers to the objectification of females in films, where they have little agency and are viewed as objects for
How effective is the combination of your main product with ancillary texts?
A2 media evaluation question 2
How effective is the combination of your main product with ancillary texts?
Audience profile
The music video is aimed primarily at females ages 18-21 from a middle-class background. This is because the lead role is a female exploring her identity and belonging after a breakup, which many viewers of that age and gender can relate to. Additionally, the bright colors and unique editing are intended to attract female viewers. The themes of self-exploration and overcoming problems represented by the young female actor also align with the experiences of that adolescent age group. While the locations featured suggest a middle-class audience, the production is not intended to exclude other social classes or statuses.
Representation case study
The music video for Alt J's song "Tessellate" portrays female characters as both dominant over males at times, conforming to hyper-sexualized stereotypes of females dancing against males. However, one female character is shown ignoring and being independent of males at first, contradicting stereotypes but later gripping a male and conforming to stereotypes of dominance. The document discusses representations of gender and female stereotypes in the video.
Question 3
The document discusses the target audience for a music video:
- The target age is 16-22 to relate to the actors' ages and help aspiring filmmakers.
- The target gender is mainly female due to the topic of abuse and character relation.
- The target ethnicity is white British to match the actors and singer.
- The target media interests include artists like Ed Sheeran for their similar music genres and emotions.
Documents question 1 section 2
The document discusses how the media product, a digipak, uses conventions of real indie rock digipaks. Specifically, it uses a four panel layout like artists such as The 1975, Florence and the Machine, Lorde, and Marina and the Diamonds. It typically features a black and white aesthetic to attract the target audience. Each panel adheres to conventions - panel 1 has a clean font on a black background with artist/album name; panel 2 continues a motif; panel 3 places the CD; panel 4 uses a screenshot from the accompanying music video along with tracklist. The magazine advert also follows conventions of indie ads through minimal text, emphasis on imagery, and an uncluttered design.
Blink 182 - media
Blink-182 are an American punk rock band formed in 1992. Their 1999 single "All the Small Things" was a major commercial success that helped make them one of the biggest pop punk bands of their era. The music video for the song parodys and references other popular music videos of the time as a way of subverting genre conventions, in line with the punk ethos of rebellion and nonconformity. It features various costume changes, camera techniques like close ups and fish eye lenses, and scenes of the band enjoying wealth and freedom on a beach.
Question 1 full updated
The music video challenges conventions by using a sad indie-pop song to tell a story about domestic abuse and its impacts. It follows typical music video length and uses only indoor, British locations to represent the lack of freedom and control the main character experiences. Flashbacks and reversing the video add mystery and leave the ending open to interpretation. The album cover is inspired by films like Black Swan that portray psychological impacts, and blends track names with images to be original. The magazine ad follows a popular style to appeal to audiences.
Q4 Media Evaluation
The document discusses the various media technologies used at different stages of a media production project.
In the research stage, the author used websites like Google, YouTube, and SoundCloud to search for and find an unsigned indie band to feature in a music video. Planning was done using a Blogger website for organization and email/Facebook to contact the band.
The music video was constructed using a Canon DSLR camera with no tripod, requiring handheld shots. Adobe Premiere Pro was used for post-production editing with effects like split screens. Photoshop was used to design print materials, and feedback was gathered through an online Survey Monkey questionnaire shared on Facebook. Evaluations utilized platforms like SlideShare
Question 2
The document discusses the design choices for different panels of an album cover and advertisement. For panel 1, a stark black and white silhouette style was used to emphasize the mood of the music. Panels 2 and 3 followed digipak conventions, including photos from the accompanying music video. Panel 4 continued the silhouette theme with references to themes of entrapment from the video. The advertisement broke conventions by avoiding social media and using a circled silhouette to reinforce themes of youth imprisonment and draw attention without clutter.
Evaluation Question 3
The document discusses targeting a music video's audience and obtaining feedback. It aims the music video at 15-19 year old, white British females who enjoy pop/punk music like Panic! At The Disco and Fall Out Boy. Feedback was obtained through questionnaires distributed to another media class and online surveys open to all ages/genders. The feedback showed that both male and female viewers in the target demographic generally enjoyed the music video and found it the right length, suggesting it could appeal to both genders. Feedback from older viewers related more to the 1980s-style colors, while younger viewers connected to its depiction of escaping everyday life pressures through dreams.
In what way does your media product use, develop or challenge forms and conve...
The document summarizes how the media product challenges conventions of pop rock music videos. It discusses how the narrative-driven video breaks from the typical convention of interspersing shots of the band performing with the narrative. It also sticks to conventions by keeping the color scheme bright in dream scenes and using black and white to contrast reality. The video challenges typical representations of women by having a female protagonist rather than objectifying women for the male gaze. It takes influence from videos like Fall Out Boy's "Uma Thurman" in depicting dreams and escapism. The video creates a narrative showing a teenager's mundane daily life and dreams of escape through intertextual references to works like Alice in Wonderland and Narnia.
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What's hot
Style File
The document discusses and compares the album artwork and packaging (digipaks) of three different albums:
1) Coldplay's "Viva La Vida" features a picture of a revolution juxtaposed with modern font, appealing due to linking to the album's narrative while maintaining a painted effect. The artist is only included inside.
2) Arctic Monkeys' "AM" features a sound wave across the packaging without the band's image, intended to envision eyes and seem indie. Like "Viva La Vida" it does not include the logo on the front.
3) The 1975 album features vignetted images without the artist, using an effective font where letters in the band's name
Digipak's
The document discusses several bands that provide inspiration for the style and presentation of a new band. It analyzes the album artwork, digipaks and styles of HAIM, Lana Del Rey, Florence and the Machine, Kings of Leon, and Yeah Yeah Yeah's. Key elements that the new band wishes to adopt include simple, unique, and carefree album covers that focus on the music rather than the artists' images, as well as covers set outdoors touching on nature.
Indie album covers
Indie album covers often do not feature the artist and are instead graphic designs. They are usually black and white like indie music videos. Indie covers tend to be illustrated or studio-based with simple designs that use bright colors or pastels. The covers often convey a sense of mystery to intrigue fans.
Ed Sheeran - A2 Media Studies Case Study
Ed Sheeran is a 25-year old British singer-songwriter who combines folk, indie pop and acoustic styles. His breakout single "The A Team" was released commercially in 2011, debuting at #3 on the UK charts and becoming the highest selling debut single of that year. The low-budget music video for "The A Team" cost only £20 to make but effectively portrayed the song's narrative through use of black and white film, time-lapsing, and depiction of the character's revealing clothing. Sheeran has since achieved international success with his albums "+" in 2011 and "X" in 2014, both of which included multiple top 5 singles in the UK and US.
Album cover
Charli XCX's album cover for "Sucker" features a picture of her holding a lollipop to represent having fun and freedom. The document discusses how this cover inspired the students to create their own cover representing a single song. It also notes that Charli XCX's cover uses a medium shot of her holding the lollipop to convey that she is the main representation of her solo album.
Digipak avril
This document analyzes the album cover, back cover, and interior contents of Avril Lavigne's "The Best Damn Thing" album. On the front cover, Lavigne's posture, clothes, makeup, and the font/color scheme convey her rock and girly image across genres. The back cover features a close-up of Lavigne looking at the song list, continuing the theme while providing information. Inside, the pink CD and lyric booklet maintain coherence with the cover design through consistent colors and logos, reinforcing Avril Lavigne's artistic brand.
1960s music
The document discusses the evolution of music videos over different decades from the 1920s to the 2000s. In the 1920s, early music videos were experimental films that featured artists like Louis Armstrong and Bessie Smith. Television exposure in the 1950s increased music popularity and allowed new artists like Elvis Presley to gain fame through live performance videos. The 1960s saw more choreographed music videos and the rise of shows like "Top of the Pops" featuring dancer performances. Major artists of the 1970s like The Beatles had music videos that were typically live studio performances. The 1980s brought more conceptual music videos to MTV with artists like Michael Jackson creating short films, and the 1990s saw increased popularity for artists like Notorious B
Artist research
Gabrielle Aplin is a 20-year-old British singer-songwriter from Wiltshire who gained popularity by posting covers on YouTube. She was signed to Parlophone Records in 2012 after releasing several independently through her own label Never Fade Records. Aplin found mainstream success with a cover of "The Power of Love" that reached number 1 on the UK Singles Chart. She has since toured extensively and released her debut album English Rain in 2013 to critical acclaim.
1st draft digipak
The document summarizes feedback received on the first draft of a digipak design. It notes that the conceptual front cover image and minimal back cover image were unclear and did not properly represent the band's genre or image. Additionally, the custom font used did not fit the genre style and the back cover lacked space for important album details. Based on this feedback, the designers realized the draft design needed significant revisions.
What's hot (9)
Viewers also liked
Representation case study
Laura Mulvey developed the male gaze theory, which argues that there are three ways the male gaze operates: how men look at women, how women look at themselves, and how women compare themselves. Within music videos, females are often altered to attract male attention, and most genres assume a heterosexual male audience. For example, in Iyaz's "Replay" video the scantily clad female indicates sexual references and attraction from a stereotypical male perspective. Mulvey also argues this can lower women's self-esteem as they compare themselves to unrealistic ideals. The Greek term "scopophilia" refers to the objectification of females in films, where they have little agency and are viewed as objects for
How effective is the combination of your main product with ancillary texts?
A2 media evaluation question 2
How effective is the combination of your main product with ancillary texts?
Audience profile
The music video is aimed primarily at females ages 18-21 from a middle-class background. This is because the lead role is a female exploring her identity and belonging after a breakup, which many viewers of that age and gender can relate to. Additionally, the bright colors and unique editing are intended to attract female viewers. The themes of self-exploration and overcoming problems represented by the young female actor also align with the experiences of that adolescent age group. While the locations featured suggest a middle-class audience, the production is not intended to exclude other social classes or statuses.
Representation case study
The music video for Alt J's song "Tessellate" portrays female characters as both dominant over males at times, conforming to hyper-sexualized stereotypes of females dancing against males. However, one female character is shown ignoring and being independent of males at first, contradicting stereotypes but later gripping a male and conforming to stereotypes of dominance. The document discusses representations of gender and female stereotypes in the video.
Question 3
The document discusses the target audience for a music video:
- The target age is 16-22 to relate to the actors' ages and help aspiring filmmakers.
- The target gender is mainly female due to the topic of abuse and character relation.
- The target ethnicity is white British to match the actors and singer.
- The target media interests include artists like Ed Sheeran for their similar music genres and emotions.
Documents question 1 section 2
The document discusses how the media product, a digipak, uses conventions of real indie rock digipaks. Specifically, it uses a four panel layout like artists such as The 1975, Florence and the Machine, Lorde, and Marina and the Diamonds. It typically features a black and white aesthetic to attract the target audience. Each panel adheres to conventions - panel 1 has a clean font on a black background with artist/album name; panel 2 continues a motif; panel 3 places the CD; panel 4 uses a screenshot from the accompanying music video along with tracklist. The magazine advert also follows conventions of indie ads through minimal text, emphasis on imagery, and an uncluttered design.
Blink 182 - media
Blink-182 are an American punk rock band formed in 1992. Their 1999 single "All the Small Things" was a major commercial success that helped make them one of the biggest pop punk bands of their era. The music video for the song parodys and references other popular music videos of the time as a way of subverting genre conventions, in line with the punk ethos of rebellion and nonconformity. It features various costume changes, camera techniques like close ups and fish eye lenses, and scenes of the band enjoying wealth and freedom on a beach.
Question 1 full updated
The music video challenges conventions by using a sad indie-pop song to tell a story about domestic abuse and its impacts. It follows typical music video length and uses only indoor, British locations to represent the lack of freedom and control the main character experiences. Flashbacks and reversing the video add mystery and leave the ending open to interpretation. The album cover is inspired by films like Black Swan that portray psychological impacts, and blends track names with images to be original. The magazine ad follows a popular style to appeal to audiences.
Q4 Media Evaluation
The document discusses the various media technologies used at different stages of a media production project.
In the research stage, the author used websites like Google, YouTube, and SoundCloud to search for and find an unsigned indie band to feature in a music video. Planning was done using a Blogger website for organization and email/Facebook to contact the band.
The music video was constructed using a Canon DSLR camera with no tripod, requiring handheld shots. Adobe Premiere Pro was used for post-production editing with effects like split screens. Photoshop was used to design print materials, and feedback was gathered through an online Survey Monkey questionnaire shared on Facebook. Evaluations utilized platforms like SlideShare
Question 2
The document discusses the design choices for different panels of an album cover and advertisement. For panel 1, a stark black and white silhouette style was used to emphasize the mood of the music. Panels 2 and 3 followed digipak conventions, including photos from the accompanying music video. Panel 4 continued the silhouette theme with references to themes of entrapment from the video. The advertisement broke conventions by avoiding social media and using a circled silhouette to reinforce themes of youth imprisonment and draw attention without clutter.
Evaluation Question 3
The document discusses targeting a music video's audience and obtaining feedback. It aims the music video at 15-19 year old, white British females who enjoy pop/punk music like Panic! At The Disco and Fall Out Boy. Feedback was obtained through questionnaires distributed to another media class and online surveys open to all ages/genders. The feedback showed that both male and female viewers in the target demographic generally enjoyed the music video and found it the right length, suggesting it could appeal to both genders. Feedback from older viewers related more to the 1980s-style colors, while younger viewers connected to its depiction of escaping everyday life pressures through dreams.
In what way does your media product use, develop or challenge forms and conve...
The document summarizes how the media product challenges conventions of pop rock music videos. It discusses how the narrative-driven video breaks from the typical convention of interspersing shots of the band performing with the narrative. It also sticks to conventions by keeping the color scheme bright in dream scenes and using black and white to contrast reality. The video challenges typical representations of women by having a female protagonist rather than objectifying women for the male gaze. It takes influence from videos like Fall Out Boy's "Uma Thurman" in depicting dreams and escapism. The video creates a narrative showing a teenager's mundane daily life and dreams of escape through intertextual references to works like Alice in Wonderland and Narnia.
Narrative case study
The music video for "Playing with Fire" by Plan B tells the story of a young man named Jake who gets trapped in a London gang. It shows how gangs lure and coerce vulnerable youth. The video has a linear narrative structure, following Jake's progression into the gang. It illustrates the lyrics of the song and aims to spark social change by showing the harsh realities of gang life.
Question 1
The document discusses how a music video, digipak, and magazine advertisement utilize and develop conventions of their respective mediums to promote a band. The music video draws from conventions of music videos like relating visuals to lyrics and music, uses intertextual references, and adheres to conventions of tempo, shots, and genre. The digipak and magazine ad similarly reference scenes from the video while conforming to standard layouts, using images and text placement typical for their formats. Reoccurring motifs in the video and prints are also discussed.
Case study representation
The document provides a summary and analysis of the music video for "The Answer" by the all-female rock band Savages. Some key points:
1) Savages challenges stereotypes of women in music by adopting androgynous styles that blur gender lines. This contrasts with hyper-sexualization of women common in genres like rap.
2) In the music video, Savages is positioned in power above a mixed-gender crowd, suggesting they are in control rather than being objectified.
3) The video emphasizes androgyny among both the band and crowd, blurring lines between masculinity and femininity.
4) Representations of youth in the video both conform to stere
Audience Feedback - Print ProductionsA
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise boosts blood flow, releases endorphins, and promotes changes in the brain which help enhance one's emotional well-being and mental clarity.
Question 3
- The target audience for the media production is ages 16-20, both male and female, who are interested in niche and independent media and the migrant crisis in Europe.
- Questionnaires were given to peers aged 17-18 to rate the music video; feedback was positive overall with the composition praised most.
- The print production promoting the artist also received positive feedback, with the black and white theme and splash of color appreciated. The production successfully promoted the artist and raised awareness of important issues.
Question 1 section 2
The document describes the layout and design conventions used in the digipak and other promotional materials for an album. A 4-panel digipak layout was used, with panel 1 featuring the artist's name in a sans-serif font along with natural imagery. Panels 2-3 used a single stretched image and the artist's name in the same font as the front cover. The CD features the same image as the poster to further reinforce the artist's brand. The back cover lists the tracks in a minimalist serif font with a black background to emphasize themes of emptiness. The poster/advertisement follows conventions of featuring the artist's name prominently to promote the artist and album.
Representation case study
Savages is a London-based post-punk band formed in 2011. They draw influence from both male and female artists like Joy Division, Siouxsie and the Banshees, and Public Image Ltd. Reviews have noted Savages' revival of the post-punk genre. As a female band, Savages challenges stereotypes by presenting a dominant, empowering image through dark, fast-paced music videos without being overtly sexual. They rebrand post-punk's association with masculinity by taking inspiration from the genre's roots.
Viewers also liked (20)
How effective is the combination of your main product with ancillary texts?
How effective is the combination of your main product with ancillary texts?
In what way does your media product use, develop or challenge forms and conve...
In what way does your media product use, develop or challenge forms and conve...
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A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UP
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
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LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UP
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Qu2
- 7. Sia is a singer/songwriter from Australia who uses abstract dance within her music videos; as you can clearly see the dancer (in Chandelier) has the same hair-style as the image used for the front cover of her ‘1000 forms of fear’ album. Creating reference to which her audience would be able to recognise. The 1975 are an alternative rock band from England. As you can see on their ‘1975’ album it features the bands name surrounded by strip lights, this is shown in their ‘Heart out’ video, creating the link as there Is strip lights featured in the same shape.