Production schedule
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This document outlines the pre-production, production, and post-production schedule and tasks for a music video. Pre-production included music analysis, genre research, designing promotional materials, and storyboarding. Production took place from October 21-November 25 and involved practicing shots, dress rehearsals, and filming scenes at various outdoor and indoor locations. Post-production included reviewing footage, editing from November 27 to December 22, and exporting the final video. Evaluation of the project was to be completed by March 9 and included uploading questions to a blog and designing promotional materials.
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Production schedule
This document contains a production schedule for a music video with details of filming locations, dates, scenes, cast and crew. It also includes a post-production schedule with editing and evaluation dates. Key details include street, beach and cornfield scenes to be filmed between November 2nd and 16th. Party scenes will be filmed on November 25th. Editing will take place between December 4th and 15th, with the final video to be exported by December 22nd. Evaluation will involve designing packaging and a poster, as well as answering evaluation questions between January and March.
Filming Journal
The filming journal documents the shooting of various scenes from January 13th to February 1st for a music video about an artist's song "Black Rose". Shots include the artist performing in the studio and on various estates, as well as narrative scenes of the artist reminiscing about his father in parks and a cemetery. Additional shots include a female character revealing a pregnancy in a school house kitchen and scenes with both the male and female characters.
Shooting schedule and location
The document outlines a 5 day shooting schedule and location plan for a music video. Day 1 would involve filming in an alleyway with just the artist and camera crew. Day 2 would take place at an arcade, filming a narrative scene between the artist and a rival, with the full crew. Day 3 would film performance elements in Ruislip Woods with just the artist and camera crew, using smoke bombs as a prop. Days 4 and 5 would film additional scenes at a playground and house with the full crew. Adjustments between filming days would focus on better organizing cast, checking weather, and potentially refilming scenes to improve lip syncing or get different shots.
Shooting schedule for my music video
This document outlines the shooting schedule for a music video including 5 locations, dates, required equipment, props, crew needs, and performers. The garden and music room require only a camera, tripod, and iPhone while beach and park shoots need additional camera equipment. Reshoots were needed at Ropner Park due to weather issues the first time. The singer Megan will perform at all locations.
Shoot schedule re made
The document contains details for filming shots for a music video over several days in January and February. It outlines locations, shots needed, and crew required for filming Tom walking, interacting with girls Becca and Kellan, arguing with Rowan, and driving away in his car. Over 15 shots are scheduled at various exterior locations in Bristol, including stairs, streets, and a restaurant, as well as interior bedroom scenes. The full film crew is required except where noted for certain shots focusing on individual actors.
Shooting Schedule for Music Video
The document outlines the details of several filming sessions for a band called Glentworth, including the location, props, actors, and dates. It lists 3 guitars, drums, a smoke machine, and amps as props for sessions at Glentworth on August 13th, 14th, and 18th. A bedroom scene was filmed in Market Rasen on September 6th with misc items. Actors included Matthew Wheldon, Callum Bibby, Harrison Cattell, and Joshua Shardlow.
Media Pitch
This document provides an overview of common elements found in punk rock music videos. It notes that punk rock videos typically have a fast pace and upbeat, rebellious style associated with youth. Rather than narratives, many punk videos feature loose themes of parties and rebellion, and commonly show the band performing on stage with additional scenes of extras. The genre lends itself to fun, comical videos that effectively showcase the band and music.
Pitch
The document provides details for two short film projects titled "Façade" and "Take Us Back". For Façade, it includes the main characters of Jack, Lewis, and Sam, and describes including the song "Hit the Road Jack" by Ray Charles. Storyboards and a draft script are presented for the first scene. For Take Us Back, the main characters are Stanley and Simon, and one storyboarded scene from the end is described. A script to accompany that scene is also included, along with potential audio tracks to enhance the scene.
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Production schedule
This document contains a production schedule for a music video with details of filming locations, dates, scenes, cast and crew. It also includes a post-production schedule with editing and evaluation dates. Key details include street, beach and cornfield scenes to be filmed between November 2nd and 16th. Party scenes will be filmed on November 25th. Editing will take place between December 4th and 15th, with the final video to be exported by December 22nd. Evaluation will involve designing packaging and a poster, as well as answering evaluation questions between January and March.
Filming Journal
The filming journal documents the shooting of various scenes from January 13th to February 1st for a music video about an artist's song "Black Rose". Shots include the artist performing in the studio and on various estates, as well as narrative scenes of the artist reminiscing about his father in parks and a cemetery. Additional shots include a female character revealing a pregnancy in a school house kitchen and scenes with both the male and female characters.
Shooting schedule and location
The document outlines a 5 day shooting schedule and location plan for a music video. Day 1 would involve filming in an alleyway with just the artist and camera crew. Day 2 would take place at an arcade, filming a narrative scene between the artist and a rival, with the full crew. Day 3 would film performance elements in Ruislip Woods with just the artist and camera crew, using smoke bombs as a prop. Days 4 and 5 would film additional scenes at a playground and house with the full crew. Adjustments between filming days would focus on better organizing cast, checking weather, and potentially refilming scenes to improve lip syncing or get different shots.
Shooting schedule for my music video
This document outlines the shooting schedule for a music video including 5 locations, dates, required equipment, props, crew needs, and performers. The garden and music room require only a camera, tripod, and iPhone while beach and park shoots need additional camera equipment. Reshoots were needed at Ropner Park due to weather issues the first time. The singer Megan will perform at all locations.
Shoot schedule re made
The document contains details for filming shots for a music video over several days in January and February. It outlines locations, shots needed, and crew required for filming Tom walking, interacting with girls Becca and Kellan, arguing with Rowan, and driving away in his car. Over 15 shots are scheduled at various exterior locations in Bristol, including stairs, streets, and a restaurant, as well as interior bedroom scenes. The full film crew is required except where noted for certain shots focusing on individual actors.
Shooting Schedule for Music Video
The document outlines the details of several filming sessions for a band called Glentworth, including the location, props, actors, and dates. It lists 3 guitars, drums, a smoke machine, and amps as props for sessions at Glentworth on August 13th, 14th, and 18th. A bedroom scene was filmed in Market Rasen on September 6th with misc items. Actors included Matthew Wheldon, Callum Bibby, Harrison Cattell, and Joshua Shardlow.
Media Pitch
This document provides an overview of common elements found in punk rock music videos. It notes that punk rock videos typically have a fast pace and upbeat, rebellious style associated with youth. Rather than narratives, many punk videos feature loose themes of parties and rebellion, and commonly show the band performing on stage with additional scenes of extras. The genre lends itself to fun, comical videos that effectively showcase the band and music.
Pitch
The document provides details for two short film projects titled "Façade" and "Take Us Back". For Façade, it includes the main characters of Jack, Lewis, and Sam, and describes including the song "Hit the Road Jack" by Ray Charles. Storyboards and a draft script are presented for the first scene. For Take Us Back, the main characters are Stanley and Simon, and one storyboarded scene from the end is described. A script to accompany that scene is also included, along with potential audio tracks to enhance the scene.
Media: Production schedule
Auditions for the lead female role and band members will take place the first week of October, with location scouting the following week. Filming of sample scenes will occur in mid-October, with the final music video being filmed over the last week of October and first week of November. Editing of the final product is scheduled for the first weekend of November.
Production scheduel
This document contains a schedule for filming and editing a short film. It includes the dates, locations, equipment needed, and assignments for filming outdoor shots, indoor shots, pickup shots, editing, color grading, and touch ups between December 2016 and January 2017. Ross is assigned to film, edit, and complete post-production work, while his brother Aaron will assist with acting on filming dates. Locations include Sand Hills, Ringwood, Bournemouth, and their home. Equipment includes a camera, tripod, and SD cards.
Call sheet
The document is a call sheet for a music video shoot on December 22nd and January in Edinburgh, Chester-le-Street, and a cafe. It lists Conor Stephenson as the director, producer, and main singer and Bethan Prentice as the actress. They will call at 4 hours, and equipment includes a Panasonic camera and tripod.
Production schedule
The document outlines a production schedule for a music video from November 2016 to April 2017. It details the completion of pre-production tasks like scripting, location planning, and research. It also notes several test shoots in February and March 2017 that helped determine the best locations and shooting style. The main shooting days were March 17th and 21st at an exam hall and house. Additional pickup shots were completed in early April. The final edits of the music video, digipak, and magazine ad were finished by mid-April along with an edit decision list.
Shooting overview day 1
The document outlines a shooting schedule for a film project called BlueSkyStudios over 5 days. On day 1, filming will take place in the woods and will involve performance shots and photos for ancillary tasks, requiring Dan, John, and an artist. A camera, tripod, and guitar will be needed. After each filming session, any adjustments for the next session will be reviewed, with days 2-5 involving scenes of an elderly man in his home and walking to his family home.
Project plan
The document outlines a media studies project plan spanning from early October to late March. It includes tasks such as presenting a draft, filming, editing, creating a poster and website, and giving a final evaluation presentation. Filming takes place weekly from October to December and in early January. Editing occurs throughout December, January, and February. The project involves crew members Ant, Jess, Penny, Amy, and Maya.
Day 3 shooting
This document outlines the shooting schedule for a film project called BlueSkyStudios over 5 days. Day 1 will involve filming performance shots and photos in the woods. Day 2 will take place at Tara's house and on the street to film instrumental scenes. Day 3 returns to the woods and Ruislip Lido to re-film performances and retake photos, and add flashback scenes of the couple when young. People and equipment needed are listed for each day. After each filming session, any adjustments for the next session are noted, such as adding or changing locations and scenes.
Shooting overview day 2
The document outlines a 5 day shooting schedule for a film project called BlueSkyStudios. Day 1 will involve filming performance shots and photos in the woods with Dan, John, and the artist. Day 2 will take place at Tara's house and on the street to film instrumental scenes using a camera, tripod, and guitar. Days 3-5 locations and equipment needs are not specified but will involve additional actors and scenes. Adjustments to the schedule will be noted after each filming day is complete.
Final shooting schedule day 4
This document outlines the schedule and locations for five filming days for a project called BlueSkyStudios. Day 1 will take place in the woods and involve performance shots and photos for an ancillary task. Day 2 will film scenes at Tara's house and on the street. Day 3 returns to the woods and Ruislip Lido to re-film performance shots and photos to improve quality. Day 4 films more performance shots at Tara's house. Day 5 has no specified location. The document also lists the people and equipment needed for each day and notes any adjustments planned for subsequent filming sessions, such as adding or removing certain shot types.
Shooting schedule
The shooting schedule documents 6 days of filming over 2 weeks in September and October. The filming will take place outside during the day at an isolated field, focusing on close-ups and shots of performer Bella Warren singing and playing guitar. A chair and guitar will be needed for the shoot. Backup filming days are also scheduled in case any pickup shots are needed.
Production schedule
The production schedule outlines 5 weeks of work on a documentary called "Dream Of A Baller". Week 1 includes a field trip, film analyses of Green Street and Coach Carter, and research on London football clubs. Week 2 focuses on creating a Pecha Kucha presentation with audio. Week 3 covers pre-production tasks like storyboarding, securing costumes/props, and location scouting. Weeks 4 and 5 are dedicated to filming and editing the documentary.
Production schedule s3
The document outlines a production schedule for filming Scene 3 of a project called "Appetite" on Prestwood Road. It details the arrival time, lighting setup, rehearsal, and various shots that will be filmed of two actors (A and B) interacting on the street and then (B) being attacked by (A) in the evening. Makeup, lighting adjustments and additional shots of (A) with (B) on the ground are also scheduled.
Props list
This document lists the props needed for shooting a music video that travels through different decades, including a jukebox for shots set in a diner, an old-fashioned microphone for scenes set in the 1920s, and mannequins, a toy car, drum kit, saxophone, and classroom equipment for scenes set in a studio. Other props mentioned are glitter, protest signs, a Ghostbusters logo, a Hoover, roses, clear sheets, fans, headphones, a PowerPoint, cameras, costume pieces, and a milkshake. The document notes where these props will be obtained, such as borrowing items from a school or music department.
Product planning
The document discusses plans for a music video featuring the song "Higher Ground" by Red Hot Chili Peppers. It will have a random, non-linear style similar to RHCP's "Can't Stop" video. Band members will perform in various outdoor and indoor locations, sometimes playing real instruments and sometimes improvised props. Their plain, casual clothes may change between scenes to enhance the random feel.
Product planning
The document discusses plans for a music video featuring the song "Higher Ground" by Red Hot Chili Peppers. It will have a random, non-linear style similar to RHCP's "Can't Stop" video. Band members will perform in various outdoor and indoor locations, sometimes playing real instruments and sometimes improvised props. Their plain, casual clothes may change between scenes to enhance the random feel.
Existing music video research
This document analyzes and summarizes key elements of three music videos: Arctic Monkeys' "Why'd You Only Call Me When You're High?" and "I Bet You Look Good on the Dance Floor", and Jake Bugg's "Lightening Bolt". It finds that the videos capture a sense of realism through location, costumes, and lighting. Specifically, it notes the videos depict gritty, urban settings and casual clothing to set a downbeat, realistic tone. It also observes the videos use close-ups of the artists and long shots to engage viewers and set the scene. The document concludes it has learned indie pop videos emphasize realism and use editing techniques like close-ups and long shots to involve the audience.
Call sheet one more kiss
The call sheet provides production details for a shoot taking place on July 3rd at Wollaton Hall. The crew call time is 12 PM with an estimated wrap time of 1 PM. Rosie Allen's phone number is listed as the emergency contact. Scenes will involve an actor walking around the scenic path, taking photos on their phone and camera.
The second call sheet is for a shoot on December 12th at Lucy's House in Northampton. Crew are to arrive at 8 AM with an estimated wrap of 9 AM. Again, Rosie Allen is the listed contact. Scenes will involve shots of Lucy in her bedroom on her phone, listening to music, and looking at old photos.
Shooting schedule
This document provides the shooting schedule for a music video project taking place over multiple days in October and November. It lists the dates, locations, equipment and props needed, and types of shots required for each shoot. On October 27th shots are needed in Bristol city centre, St Nicholas market, and Temple Park using an SLR camera, slider, and shoulder support with three actors. The November 8th shoot at a gymnasium and sports centre requires an SLR, shoulder support, tripod, four actors and props like a mirror and phone. The November 15th location shoot needs crane and 360 degree head shots of the protagonists on a beach. November 22nd is kept free for reshoots if needed.
Prelimary
This document outlines the filming schedule and locations for a film project taking place at Roundwood Park over several weeks in February, March, and April. Scenes 1-18 will be filmed at the park on various dates, requiring a female actor wearing black top and jeans and a male actor wearing a hooded jumper and baggy jeans. Needles will also be needed as a prop. Editing of footage will take place after filming on specified dates in the media room. Evaluations and potential reshoots may occur throughout the process, with a first draft due on March 12th and a final deadline of April 26th.
Day 1
The document outlines the filming schedule over 4 days to capture interviews for a documentary about eating disorders.
Day 1 includes setting up at Forbury Gardens in Reading for scenic shots and an interview with Marina, as well as footage at a Sainsbury's of magazine stands and food products.
Day 2 consists of interviews with students at Henley College about their personal experiences with eating disorders while eating lunch in the courtyard, and an interview with patient Olivia in the media studio.
Day 3 covers an interview with Kathleen in the media studio about her knowledge of eating disorders, along with some close-up shots.
Day 4 is scheduled for interviews with Maggie in the media room about her friends' experiences
Research and Planning
The document summarizes the forms and conventions, representation, institutions, and audiences of several music videos. It analyzes videos such as "Knock You Down" by Keri Hilson featuring Kanye West and Neyo, "Buttons" by The Pussycat Dolls featuring Snoop Dogg, and "Take Me Back" by Tinchy Stryder featuring Taio Cruz. It also discusses the production process and target audience research for the music video "Thump" by Tinchy Stryder featuring Nav.
Research and Planning
The document summarizes the forms and conventions, representation, institutions, and audiences of several music videos. It analyzes videos such as "Knock You Down" by Keri Hilson featuring Kanye West and Neyo, "Buttons" by The Pussycat Dolls featuring Snoop Dogg, and "Take Me Back" by Tinchy Stryder featuring Taio Cruz. It also provides production notes for a music video being created for the song "Thump" by Tinchy Stryder featuring Nav.
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Media: Production schedule
Auditions for the lead female role and band members will take place the first week of October, with location scouting the following week. Filming of sample scenes will occur in mid-October, with the final music video being filmed over the last week of October and first week of November. Editing of the final product is scheduled for the first weekend of November.
Production scheduel
This document contains a schedule for filming and editing a short film. It includes the dates, locations, equipment needed, and assignments for filming outdoor shots, indoor shots, pickup shots, editing, color grading, and touch ups between December 2016 and January 2017. Ross is assigned to film, edit, and complete post-production work, while his brother Aaron will assist with acting on filming dates. Locations include Sand Hills, Ringwood, Bournemouth, and their home. Equipment includes a camera, tripod, and SD cards.
Call sheet
The document is a call sheet for a music video shoot on December 22nd and January in Edinburgh, Chester-le-Street, and a cafe. It lists Conor Stephenson as the director, producer, and main singer and Bethan Prentice as the actress. They will call at 4 hours, and equipment includes a Panasonic camera and tripod.
Production schedule
The document outlines a production schedule for a music video from November 2016 to April 2017. It details the completion of pre-production tasks like scripting, location planning, and research. It also notes several test shoots in February and March 2017 that helped determine the best locations and shooting style. The main shooting days were March 17th and 21st at an exam hall and house. Additional pickup shots were completed in early April. The final edits of the music video, digipak, and magazine ad were finished by mid-April along with an edit decision list.
Shooting overview day 1
The document outlines a shooting schedule for a film project called BlueSkyStudios over 5 days. On day 1, filming will take place in the woods and will involve performance shots and photos for ancillary tasks, requiring Dan, John, and an artist. A camera, tripod, and guitar will be needed. After each filming session, any adjustments for the next session will be reviewed, with days 2-5 involving scenes of an elderly man in his home and walking to his family home.
Project plan
The document outlines a media studies project plan spanning from early October to late March. It includes tasks such as presenting a draft, filming, editing, creating a poster and website, and giving a final evaluation presentation. Filming takes place weekly from October to December and in early January. Editing occurs throughout December, January, and February. The project involves crew members Ant, Jess, Penny, Amy, and Maya.
Day 3 shooting
This document outlines the shooting schedule for a film project called BlueSkyStudios over 5 days. Day 1 will involve filming performance shots and photos in the woods. Day 2 will take place at Tara's house and on the street to film instrumental scenes. Day 3 returns to the woods and Ruislip Lido to re-film performances and retake photos, and add flashback scenes of the couple when young. People and equipment needed are listed for each day. After each filming session, any adjustments for the next session are noted, such as adding or changing locations and scenes.
Shooting overview day 2
The document outlines a 5 day shooting schedule for a film project called BlueSkyStudios. Day 1 will involve filming performance shots and photos in the woods with Dan, John, and the artist. Day 2 will take place at Tara's house and on the street to film instrumental scenes using a camera, tripod, and guitar. Days 3-5 locations and equipment needs are not specified but will involve additional actors and scenes. Adjustments to the schedule will be noted after each filming day is complete.
Final shooting schedule day 4
This document outlines the schedule and locations for five filming days for a project called BlueSkyStudios. Day 1 will take place in the woods and involve performance shots and photos for an ancillary task. Day 2 will film scenes at Tara's house and on the street. Day 3 returns to the woods and Ruislip Lido to re-film performance shots and photos to improve quality. Day 4 films more performance shots at Tara's house. Day 5 has no specified location. The document also lists the people and equipment needed for each day and notes any adjustments planned for subsequent filming sessions, such as adding or removing certain shot types.
Shooting schedule
The shooting schedule documents 6 days of filming over 2 weeks in September and October. The filming will take place outside during the day at an isolated field, focusing on close-ups and shots of performer Bella Warren singing and playing guitar. A chair and guitar will be needed for the shoot. Backup filming days are also scheduled in case any pickup shots are needed.
Production schedule
The production schedule outlines 5 weeks of work on a documentary called "Dream Of A Baller". Week 1 includes a field trip, film analyses of Green Street and Coach Carter, and research on London football clubs. Week 2 focuses on creating a Pecha Kucha presentation with audio. Week 3 covers pre-production tasks like storyboarding, securing costumes/props, and location scouting. Weeks 4 and 5 are dedicated to filming and editing the documentary.
Production schedule s3
The document outlines a production schedule for filming Scene 3 of a project called "Appetite" on Prestwood Road. It details the arrival time, lighting setup, rehearsal, and various shots that will be filmed of two actors (A and B) interacting on the street and then (B) being attacked by (A) in the evening. Makeup, lighting adjustments and additional shots of (A) with (B) on the ground are also scheduled.
Props list
This document lists the props needed for shooting a music video that travels through different decades, including a jukebox for shots set in a diner, an old-fashioned microphone for scenes set in the 1920s, and mannequins, a toy car, drum kit, saxophone, and classroom equipment for scenes set in a studio. Other props mentioned are glitter, protest signs, a Ghostbusters logo, a Hoover, roses, clear sheets, fans, headphones, a PowerPoint, cameras, costume pieces, and a milkshake. The document notes where these props will be obtained, such as borrowing items from a school or music department.
Product planning
The document discusses plans for a music video featuring the song "Higher Ground" by Red Hot Chili Peppers. It will have a random, non-linear style similar to RHCP's "Can't Stop" video. Band members will perform in various outdoor and indoor locations, sometimes playing real instruments and sometimes improvised props. Their plain, casual clothes may change between scenes to enhance the random feel.
Product planning
The document discusses plans for a music video featuring the song "Higher Ground" by Red Hot Chili Peppers. It will have a random, non-linear style similar to RHCP's "Can't Stop" video. Band members will perform in various outdoor and indoor locations, sometimes playing real instruments and sometimes improvised props. Their plain, casual clothes may change between scenes to enhance the random feel.
Existing music video research
This document analyzes and summarizes key elements of three music videos: Arctic Monkeys' "Why'd You Only Call Me When You're High?" and "I Bet You Look Good on the Dance Floor", and Jake Bugg's "Lightening Bolt". It finds that the videos capture a sense of realism through location, costumes, and lighting. Specifically, it notes the videos depict gritty, urban settings and casual clothing to set a downbeat, realistic tone. It also observes the videos use close-ups of the artists and long shots to engage viewers and set the scene. The document concludes it has learned indie pop videos emphasize realism and use editing techniques like close-ups and long shots to involve the audience.
Call sheet one more kiss
The call sheet provides production details for a shoot taking place on July 3rd at Wollaton Hall. The crew call time is 12 PM with an estimated wrap time of 1 PM. Rosie Allen's phone number is listed as the emergency contact. Scenes will involve an actor walking around the scenic path, taking photos on their phone and camera.
The second call sheet is for a shoot on December 12th at Lucy's House in Northampton. Crew are to arrive at 8 AM with an estimated wrap of 9 AM. Again, Rosie Allen is the listed contact. Scenes will involve shots of Lucy in her bedroom on her phone, listening to music, and looking at old photos.
Shooting schedule
This document provides the shooting schedule for a music video project taking place over multiple days in October and November. It lists the dates, locations, equipment and props needed, and types of shots required for each shoot. On October 27th shots are needed in Bristol city centre, St Nicholas market, and Temple Park using an SLR camera, slider, and shoulder support with three actors. The November 8th shoot at a gymnasium and sports centre requires an SLR, shoulder support, tripod, four actors and props like a mirror and phone. The November 15th location shoot needs crane and 360 degree head shots of the protagonists on a beach. November 22nd is kept free for reshoots if needed.
Prelimary
This document outlines the filming schedule and locations for a film project taking place at Roundwood Park over several weeks in February, March, and April. Scenes 1-18 will be filmed at the park on various dates, requiring a female actor wearing black top and jeans and a male actor wearing a hooded jumper and baggy jeans. Needles will also be needed as a prop. Editing of footage will take place after filming on specified dates in the media room. Evaluations and potential reshoots may occur throughout the process, with a first draft due on March 12th and a final deadline of April 26th.
Day 1
The document outlines the filming schedule over 4 days to capture interviews for a documentary about eating disorders.
Day 1 includes setting up at Forbury Gardens in Reading for scenic shots and an interview with Marina, as well as footage at a Sainsbury's of magazine stands and food products.
Day 2 consists of interviews with students at Henley College about their personal experiences with eating disorders while eating lunch in the courtyard, and an interview with patient Olivia in the media studio.
Day 3 covers an interview with Kathleen in the media studio about her knowledge of eating disorders, along with some close-up shots.
Day 4 is scheduled for interviews with Maggie in the media room about her friends' experiences
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The document summarizes the forms and conventions, representation, institutions, and audiences of several music videos. It analyzes videos such as "Knock You Down" by Keri Hilson featuring Kanye West and Neyo, "Buttons" by The Pussycat Dolls featuring Snoop Dogg, and "Take Me Back" by Tinchy Stryder featuring Taio Cruz. It also discusses the production process and target audience research for the music video "Thump" by Tinchy Stryder featuring Nav.
Research and Planning
The document summarizes the forms and conventions, representation, institutions, and audiences of several music videos. It analyzes videos such as "Knock You Down" by Keri Hilson featuring Kanye West and Neyo, "Buttons" by The Pussycat Dolls featuring Snoop Dogg, and "Take Me Back" by Tinchy Stryder featuring Taio Cruz. It also provides production notes for a music video being created for the song "Thump" by Tinchy Stryder featuring Nav.
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Production schedule
This document outlines the production schedule and process for a music video project. It is divided into pre-production, production, and post-production sections with dates and activities listed. Pre-production involved research, planning, storyboarding and creating schedules. Production took place across multiple days in December and January, shooting scenes at various outdoor and indoor locations. Post-production included reviewing footage, editing in Adobe Premiere Pro, exporting the final video, and completing an evaluation.
Production schdule
This document outlines Chloe Collins' production schedule for filming various scenes and locations between August 7th and October 29th, 2017. It also details the post-production schedule from November 20th to December 22nd which involves organizing footage, editing clips together in Premier Pro to create a music video, adding color grading, and testing the lip sync. Locations include beaches, forests, and gardens with casting only for one actor. Equipment includes cameras, tripods, and lights.
A2 music video information
The document provides details on the themes, concepts, locations, and shots planned for a music video. It will feature a main performer rapping in various urban locations around Ringwood and Poulner, including streets, a pool house, a pub, and a school. Shots will typically be 5-10 seconds and include the performer alone and with friends, changing outfits to match locations. Diagrams provide floor plans for specific scenes like rapping outside a car or being wrapped in cling film. Additional locations like flats in Southampton are suggested if needed.
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This document profiles the target audience for a marketing pitch as mainly female, aged 16-23, who are students interested in fashion, music, and social media. It notes their preferences in brands, stores, music artists, festivals, and hobbies. It then provides ideas for an Olympic opening ceremony countdown video incorporating tea parties and vintage themes. Next, it discusses plans to relate the lyrics and visuals in a music video being created for an acoustic artist, with influences from Ellie Goulding videos. Safety precautions are outlined for filming in the town center, castle grounds, and Assembly Rooms in Ludlow.
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Question 2
The document discusses the design of a Digipack and print advert for a pop album. It analyzes design elements used in other pop albums and how they were applied to this project. Key aspects discussed include positioning the artist prominently on the cover to draw focus, using consistent colors and fonts throughout for branding, and including retro elements like black and white photos to match the 1960s style of the music. The design aims to effectively promote the album while replicating the artist's style.
Equipment List
The document provides an equipment list for a film shoot, including:
- A Canon 700D camera for tight spaces and traveling between locations. Handheld shots may be shaky so the filmmaker will build a stabilizer.
- Two tripods, one to hold the camera for still/panning shots and sometimes as a stabilizer, and the other to hold a light source.
- A light to enhance lighting in evening and cloudy scenes and create a more professional look.
- A mirror and torch to create artificial lighting on actors' eyes and bodies during dance scenes and add more light to evening shots.
Target audience research
The document summarizes the results of a questionnaire given to the target audience for a pop music video. The questionnaire looked at demographics like age and gender that prefer the genre, with most being between 18-30 or 35-40, and both male and female. Another questionnaire asked what themes and locations audiences expect in a pop video. Relationships and parties were popular themes. Home, car, and park were popular listening and viewing locations. The most popular video style was narrative, but performance and conceptual styles were also chosen.
Actors, costume and pops
The document provides casting details for the protagonist Tori Hazleton and actor Reuben Tyler-Wilkinson in a 1960s-inspired music video. Tori is described as a 16-year-old girl who connects with the target audience and is enthusiastic about retro pop music. Reuben is passionate about acting and was accepted to a prestigious drama school, demonstrating his talent and suitability for the role. Both actors have flexibility to attend rehearsals and filming given their ages and proximity to the production. Costumes and set design will reflect 1960s fashion to immerse viewers, using colorful patterns and styles worn at that time.
Question 7
The document summarizes the key learnings from the filmmaker's preliminary task to their full product. They realized the importance of thorough pre-production like planning shots, scheduling, costumes, locations and props. Sound was improved by choosing times/locations with less wind. Lighting was used more deliberately to set mood. Camera shots were steadier using a tripod. The narrative started with mystery to engage viewers. Costumes, props, and locations better fit the sci-fi genre. An experienced actor helped deliver lines and character more effectively. Overall, more planning and preparation led to a higher quality final product.
Question 7
1) For their preliminary task, the filmmaker did not adequately prepare with costumes, locations, shots, or scheduling. This resulted in a rushed, unfocused film.
2) For their full film, improved planning around storyboarding, scheduling, research, and pre-production led to higher quality in areas like costumes, locations, shots, and sound.
3) Key lessons included allowing more time for planning, preparation, and rehearsal which improved the professional quality and engagement of the full film compared to the preliminary task.
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Production schedule
- 1. PRE -PRODUCTION DATE Activity PrelimTask Preliminary MusicVideo Task June 20th Music Videoanalysis June 25th Theory of the Goodwin’s theory. July/ August Genre Research September1st PrintadvertHip Hop September 15th AlbumcoverHipop September20th A blogpostsstatingaboutmy song October 15th Permission of mysong October 15TH Ideasvisualisation –feedback October 17TH Digi Pack albumcover October 17th Digi Pack albumPrintAdvert October 20th Target Audience October 25th Annotated Lyrics October 26th Story Boards/ ShotList October 26th Recce Photos/ FloorPlans October 26th Costume, ActorsandProps
- 2. PRODUCTION Date Content Location Cast Costume + prop Equipment 21-27th October Practice Long Takesand shots Forest Garden Me and Michael King AlexanderKing ------------- CameraCanon 700D 5th November Dress rehearsal. Costume/ Make up with actors. House Tori Hazelton Reuben Tyler- Wilkinson Make up. Long socks Cardigan Black dress BOY – Jacket Black Trousers Jacket Hat. This will be needed in all the days shooting, CameraCanon 700D Tripod Lights 11th November Dancingscene and roomand livingroom scene. DiningRoom Tori Hazelton Reuben Tw Old pictures. Pattered duvet Old Lamps (Costumes - Look at 5th November) Camera Canon 700D Tripod Lights 18th November To finish of the previous days. Go to town shoot any restaurant and beach scenes. Bournemouth Ringwood. Tori H Reuben TW The Costumes (Look at 5th November) Canon 700D Tripod Lights 25th November Walking scene House Tori H Reuben TW The costumes (Look at 5th November) Canon 700D Tripod Lights
- 3. POST-PRODUCTION DATE CONTENT LOCATION CAST COSTUME +PROP EQUIPMENT 19th November Go over footage ensuring it it okay. Save the footage on a hardrive home ———- ————- Compuer, SD Card. 25th November Weekend saved for any necessary filming. To be Confirmed Tori and Reuben To be confirmed To be confirmed 27th November - 22nd December Editing my music video Ringwood School Computer, Adobe premiere Pro Adobe after effects Before the 22nd Export video Ringwood School Computer, Adobe Premiere Pro Memory Stick. EVALUATIION Week beginning Lesson Activity What goes on your blog 08/01 Design Digipak and poster x 15/01 Design Digipak and poster x 22/01 -26/01 Digipack and poster deadline x 29/01 Evaluation question plan make sue the video is uploaded to blog and embedded. 05/02 Evaluation quest.1 Upload question 1 to blog
- 4. Week beginning Lesson Activity What goes on your blog 19/02 Complete evaluation 2 upload question 2 26/02 Complete evaluation question 3 Upload question 3 05/03 Complete evaluation question 4 Upload question 4 Deadline all byFriday 9thMarch 2018