The Red Bull homepage uses a simple bold theme and large extreme sports images to promote an active lifestyle. The purpose is to inform and entertain about Red Bull's wide sponsorships of extreme sports events. The target audience is males aged 12-28 who are intrigued by daring sports. Large images are used to portray Red Bull as enabling an exciting lifestyle. Navigation is simple to guide users through content featuring videos and event information.
The website layout follows a classic formal structure. The primary navigation bar is at the top with the main content below. Smaller supporting images are below with navigation arrows. A horizontal tab navigation links to different site sections. The rest of the links are small thumbnails for easy access to information. The content relates to extreme sports through images and videos to engage the target audience of young males interested in an adrenaline-fueled lifestyle. The site must comply with advertising regulations regarding truth in claims and user privacy. Bold images and descriptive text appeal to the target audience and aim to position the brand as enabling a daredevil lifestyle. The purpose is to both inform and entertain users while introducing them to sponsored extreme sports and events.
The document discusses ideas for an Irn Bru advertising campaign including a print ad, TV commercial, and advergame. The print ad concept involves people opening doors with Irn Bru cans visible. The TV commercial would feature people shooting Irn Bru cans off a wall. The advergame would be a retro-style platformer where the player collects Irn Bru cans for power-ups. Planning documents include storyboards, locations, roles, and assets needed for each part of the campaign.
The document contains research on various careers related to photography and videography, including average salaries and gender comparisons for photographers and camera operators in both the UK and US; it also includes sample bibliographies and potential color schemes and resources needed for creating an infographic comparing the two careers.
The group created coordinated advertising content for Irn Bru including a print ad, TV commercial, and advergame. The print ad features an old woman with Irn Bru-colored face paint carrying bags. The TV commercial will be a storyboarded video shot by the group. For the advergame, the concept is an 8-bit style side-scrolling game where the player controls an old woman carrying bags across a path by button-mashing to keep her balanced. All elements feature humor and tie into Irn Bru's tone of comedy in advertising.
The document provides research on existing energy drink products, advertising, and packaging design. It analyzes features commonly found in sports drink advertising such as images of the product, logos, calls to action, and taglines. It also summarizes research conducted on the target audience for an energy drink, including surveys, interviews, and observations. Key findings indicate the audience prefers healthier options, bright designs, and digital advertising. The research will inform the design of a new energy drink product.
The document provides details about the development of a logo and branding for an organization called Surfers Against Sewage. It describes early logo concepts including using a surfboard or dolphins. Feedback was that the logos needed to be more complicated and say more about the organization. The final logo featured 3 dolphins in a brighter blue circle with writing above to make it recognizable. Further documents discuss merchandise like t-shirts, phone cases and mugs featuring the logo to promote the organization's campaigns against ocean pollution.
The document describes the design of a proposed sports betting application for Facebook. It would allow users aged 18+ to access sports information and place bets directly through the Facebook platform. Key deliverables for the project include a homepage design, storyboard demonstrating app usage, flow chart of the payment process, mobile app designs, the app logo, and backup research. The goal is to create an engaging app that fits seamlessly into users' busy lifestyles and encourages ongoing participation through opportunities to earn rewards.
This proposal outlines a marketing and advertising campaign project for an energy drink. The student will design an original energy drink and create various advertising media to promote it, including print ads like posters and billboards as well as digital ads. Research will include analyzing existing energy drink ads to understand common themes and professional design standards. Peer and self-evaluation will be used to review the project's quality and identify areas for improvement. The timeline allocates weeks for research, pre-production planning, creative production, and final evaluation.
The website layout follows a classic formal structure. The primary navigation bar is at the top with the main content below. Smaller supporting images are below with navigation arrows. A horizontal tab navigation links to different site sections. The rest of the links are small thumbnails for easy access to information. The content relates to extreme sports through images and videos to engage the target audience of young males interested in an adrenaline-fueled lifestyle. The site must comply with advertising regulations regarding truth in claims and user privacy. Bold images and descriptive text appeal to the target audience and aim to position the brand as enabling a daredevil lifestyle. The purpose is to both inform and entertain users while introducing them to sponsored extreme sports and events.
The document discusses ideas for an Irn Bru advertising campaign including a print ad, TV commercial, and advergame. The print ad concept involves people opening doors with Irn Bru cans visible. The TV commercial would feature people shooting Irn Bru cans off a wall. The advergame would be a retro-style platformer where the player collects Irn Bru cans for power-ups. Planning documents include storyboards, locations, roles, and assets needed for each part of the campaign.
The document contains research on various careers related to photography and videography, including average salaries and gender comparisons for photographers and camera operators in both the UK and US; it also includes sample bibliographies and potential color schemes and resources needed for creating an infographic comparing the two careers.
The group created coordinated advertising content for Irn Bru including a print ad, TV commercial, and advergame. The print ad features an old woman with Irn Bru-colored face paint carrying bags. The TV commercial will be a storyboarded video shot by the group. For the advergame, the concept is an 8-bit style side-scrolling game where the player controls an old woman carrying bags across a path by button-mashing to keep her balanced. All elements feature humor and tie into Irn Bru's tone of comedy in advertising.
The document provides research on existing energy drink products, advertising, and packaging design. It analyzes features commonly found in sports drink advertising such as images of the product, logos, calls to action, and taglines. It also summarizes research conducted on the target audience for an energy drink, including surveys, interviews, and observations. Key findings indicate the audience prefers healthier options, bright designs, and digital advertising. The research will inform the design of a new energy drink product.
The document provides details about the development of a logo and branding for an organization called Surfers Against Sewage. It describes early logo concepts including using a surfboard or dolphins. Feedback was that the logos needed to be more complicated and say more about the organization. The final logo featured 3 dolphins in a brighter blue circle with writing above to make it recognizable. Further documents discuss merchandise like t-shirts, phone cases and mugs featuring the logo to promote the organization's campaigns against ocean pollution.
The document describes the design of a proposed sports betting application for Facebook. It would allow users aged 18+ to access sports information and place bets directly through the Facebook platform. Key deliverables for the project include a homepage design, storyboard demonstrating app usage, flow chart of the payment process, mobile app designs, the app logo, and backup research. The goal is to create an engaging app that fits seamlessly into users' busy lifestyles and encourages ongoing participation through opportunities to earn rewards.
This proposal outlines a marketing and advertising campaign project for an energy drink. The student will design an original energy drink and create various advertising media to promote it, including print ads like posters and billboards as well as digital ads. Research will include analyzing existing energy drink ads to understand common themes and professional design standards. Peer and self-evaluation will be used to review the project's quality and identify areas for improvement. The timeline allocates weeks for research, pre-production planning, creative production, and final evaluation.
This document contains two sketches for short films. The first sketch is about a disastrous funeral conducted by an intoxicated priest who repeatedly insults the deceased and causes disturbances. Family members become outraged with the priest. The second sketch depicts three inexperienced police officers who attempt to negotiate with a hostage-taker by offering candy, leading to humorous interactions as they struggle with the situation.
This document contains two sketches for short films. The first sketch is about a disastrous funeral conducted by an intoxicated priest who repeatedly insults the deceased and causes disturbances. Family members become outraged with the priest. The second sketch depicts three inexperienced police officers who attempt to negotiate with a hostage-taker by offering candy in exchange for the hostage, but the situation devolves into chaos as one officer has an emotional breakdown over losing his candy.
This document provides information about upcoming events in Helsinki, Finland between July 4-7, 2013. It lists concerts for the Red Smoke Concert on July 4th, Blue Rain Concert on July 5th, Green Light Concert on July 6th, and Purple Sun Concert on July 7th. It also lists some other events happening in June and July in Helsinki, Hell, Holjes, and Leeds and provides a link to follow the event organizer, Slaved Energy.
This document contains two sketches for short films. The first sketch depicts a disastrous funeral led by an intoxicated priest who repeatedly forgets the deceased's name and plays inappropriate music. The funeral culminates in the priest vomiting in the casket. The second sketch shows incompetent police officers attempting to negotiate with an armed hostage-taker by offering him candy, which allows the hostage-taker and woman to escape during the officers' distraction. Both sketches involve inappropriate and unprofessional behavior at serious events.
1) The document contains two sketches. The first sketch is about a disastrous funeral service conducted by an intoxicated Father O'Neil who repeatedly forgets the deceased's name and plays inappropriate music. 2) The second sketch depicts three inexperienced police officers attempting to negotiate with a hostage-taker for snacks rather than following proper hostage negotiation protocols. 3) Both sketches involve unprofessional or inappropriate behavior that causes distress or confusion for others present.
The document is a script for two unrelated scenes. The first scene describes a funeral service gone wrong, with the priest Father O'Neil disrespecting the deceased through mistakes and intoxication, culminating in him vomiting in the open casket. The second scene depicts three inexperienced police officers attempting to negotiate with a hostage-taker by offering snacks, which does not go as planned as the masked man and hostage disappear while the cops argue.
James Cameron came up with the idea for Avatar in 1994 but felt the technology was not ready, so he spent years developing new film techniques. In 2006, he began writing the script and creating the alien culture. Auditions were held in LA and filming took place in both LA and New Zealand using Cameron's motion capture camera. Over 900 visual editors in New Zealand worked on editing using a large server farm. James Horner composed the soundtrack, incorporating the alien language Na'vi.
The document discusses legal and ethical issues related to the film Avatar. It notes that Avatar was rated 12A due to its mild violence, language, and brief sex scene to protect younger audiences. Copyright law protects Avatar's music and footage from being used without permission. Child protection law requires age ratings to ensure films are viewed by the appropriate audiences.
This document provides information about upcoming events in Helsinki, Finland between July 4-7, 2013. It lists concerts for the Red Smoke Concert on July 4th, Blue Rain Concert on July 5th, Green Light Concert on July 6th, and Purple Sun Concert on July 7th. It also lists some other events happening in June and July in Helsinki, Hell, Holjes, and Leeds and provides a link to follow the event organizer, Slaved Energy.
This document contains two sketches for short films. The first sketch is about a disastrous funeral conducted by an intoxicated priest who repeatedly insults the deceased and causes disturbances. Family members become outraged with the priest. The second sketch depicts three inexperienced police officers attempting to negotiate with a hostage-taker at a warehouse. Their unorthodox negotiation tactics fail and the hostage-taker escapes while the officers are distracted.
The document discusses legal and ethical guidelines for advertising. It states that marketing communications should avoid causing serious or widespread offense, particularly regarding race, religion, gender, sexual orientation, disability, or age. Offense will be judged based on context, audience, product, and standards. While some advertisements may be distasteful, they do not necessarily breach the rules as long as they do not use potentially offensive material without consideration for public sensitivities. The copyright section notes that copying, renting, lending, publicly performing, adapting, or failing to credit the author of a work without consent would be illegal.
This summary describes a disastrous funeral conducted by Father O'Neil. He is extremely disrespectful throughout the service, forgetting the deceased's name and playing inappropriate music. When called out, he drinks and smokes, getting vomit in the open casket. Darrell confronts Father O'Neil, causing him to vomit on Darrell and fall unconscious into the casket. The document then shifts to three inexperienced police officers unsuccessfully trying to negotiate with a hostage-taker for snacks instead of following protocol.
Final avatar product and audience powerpointcharliestarkey
The target audience for Avatar was anyone over age 12 as it was rated 12A. It appealed to fans of action, adventure, romance, and fantasy genres. Although not everyone's type of genre, Avatar received widespread hype that attracted many viewers. Released in December 2009 near Christmas, Avatar was 162 minutes long in 3D format and aimed at teenagers and older audiences. The visuals of the alien world of Pandora and inclusion of romance increased appeal. The main stars, Sam Worthington and Zoe Saldana, had not achieved major fame prior to Avatar. The film used motion capture and settings from New Zealand to create the vivid and appealing alien world of Pandora.
The document provides commentary on editing photos in Adobe Photoshop CS5. Across multiple photos, the editor used the magic wand tool to cut out backgrounds. Common effects included changing the blend mode to "color burn" or "vivid light" to give photos an aged look, and adding a small stroke around images to help them stand out on textured backgrounds. Additional touches were adding dirt or small product images within the photos. The goal was to create a cohesive set of photos with an Egyptian or antique style.
This document provides a comedic summary of two scenes - a funeral service going awry due to an intoxicated priest, and a hostage negotiation between police officers and a masked man that devolves into an argument over candy preferences. In the funeral scene, Father O'Neil makes numerous mistakes and engages in inappropriate behavior, upsetting the grieving father. In the hostage scene, the police officers attempt to negotiate with the masked man by offering him different candy bars, losing their focus on the situation.
1) The document contains two sketches. The first sketch is about a disastrous funeral service conducted by an intoxicated Father O'Neil who repeatedly forgets the deceased's name and plays inappropriate music. 2) The second sketch depicts three inexperienced police officers who attempt to negotiate with an armed masked man holding a hostage by offering him candy, which leads to chaos and the hostage's escape. 3) Both sketches involve incompetent or unprofessional figures in serious situations that descend into comedy through absurd actions and decisions.
The document is a submission letter from Charlie Starkey to Jody Smith at Channel 4 with two comedy sketch scripts and treatments for consideration for a new comedy production called Stupendous. The first sketch is called "The Drunken Priest" and involves a priest getting drunk and bungling a funeral ceremony. The second is called "Stupid Cops" and features three inexperienced police officers trying to negotiate with a hostage taker using candy instead of standard procedures. Each sketch includes character descriptions, set/location details and props. Starkey expresses hope that one of the sketches could be a good fit for the show.
This document profiles three 17-year-old white males with different interests, likes, and dislikes. Scott Brace attends college and enjoys gaming, parties, music and spending time with his girlfriend. Aiden Rogers is an apprentice who likes football, socializing and meals with friends. Matthew Cox attends a different college and has interests in media, computers, art and graphic design.
The document discusses and compares the homepages of three energy drink brands: Rockstar, Relentless, and Rip It. Each homepage features a dark theme with vibrant colors and images promoting an extreme lifestyle. They aim to entertain and inform young male audiences about their products and sponsored sports/music events. The layouts are traditional with the most prominent image setting the tone. Content includes news, videos and social media links to spread brand awareness. However, Rip It seems to offer less content and implies false benefits of their drink attracting girls. [/SUMMARY]
The website uses large adrenaline-themed images and headings to engage its target audience of young males aged 14-25. It aims to portray an extreme lifestyle associated with stunts like snowboarding to appeal to the audience's fantasies and convince them purchasing the drink will make them cooler. The layout stands out with big center images that fill the page for a fast-paced feel. The content features extreme sports linked to the energy drink's branding to provide an engaging experience. The site must comply with advertising regulations while also promoting affiliated music, events and merchandise to further advertise the product.
The purpose of energy drink brands creating t-shirts and tickets is to advertise and market their products. T-shirts allow people to show their support for the brand and identify with the lifestyle it represents. Tickets advertise upcoming events that align with the target audience's interests, like extreme sports, building a sense of community. Both have simple layouts focused on the logo and colors to clearly communicate the brand identity and message.
The primary function of the website and products is to advertise and promote the Monster energy drink brand. The website layout and content aims to appeal to its target audience of 13-19 year old males interested in extreme sports. The navigation bar is prominently displayed at the top of the page to allow easy access to information. Images of extreme sports and an alternative lifestyle are used throughout to align with the brand image. The internet provides an unregulated medium for advertising, so the website aims to promote the product fairly and accurately according to industry standards.
This document contains two sketches for short films. The first sketch is about a disastrous funeral conducted by an intoxicated priest who repeatedly insults the deceased and causes disturbances. Family members become outraged with the priest. The second sketch depicts three inexperienced police officers who attempt to negotiate with a hostage-taker by offering candy, leading to humorous interactions as they struggle with the situation.
This document contains two sketches for short films. The first sketch is about a disastrous funeral conducted by an intoxicated priest who repeatedly insults the deceased and causes disturbances. Family members become outraged with the priest. The second sketch depicts three inexperienced police officers who attempt to negotiate with a hostage-taker by offering candy in exchange for the hostage, but the situation devolves into chaos as one officer has an emotional breakdown over losing his candy.
This document provides information about upcoming events in Helsinki, Finland between July 4-7, 2013. It lists concerts for the Red Smoke Concert on July 4th, Blue Rain Concert on July 5th, Green Light Concert on July 6th, and Purple Sun Concert on July 7th. It also lists some other events happening in June and July in Helsinki, Hell, Holjes, and Leeds and provides a link to follow the event organizer, Slaved Energy.
This document contains two sketches for short films. The first sketch depicts a disastrous funeral led by an intoxicated priest who repeatedly forgets the deceased's name and plays inappropriate music. The funeral culminates in the priest vomiting in the casket. The second sketch shows incompetent police officers attempting to negotiate with an armed hostage-taker by offering him candy, which allows the hostage-taker and woman to escape during the officers' distraction. Both sketches involve inappropriate and unprofessional behavior at serious events.
1) The document contains two sketches. The first sketch is about a disastrous funeral service conducted by an intoxicated Father O'Neil who repeatedly forgets the deceased's name and plays inappropriate music. 2) The second sketch depicts three inexperienced police officers attempting to negotiate with a hostage-taker for snacks rather than following proper hostage negotiation protocols. 3) Both sketches involve unprofessional or inappropriate behavior that causes distress or confusion for others present.
The document is a script for two unrelated scenes. The first scene describes a funeral service gone wrong, with the priest Father O'Neil disrespecting the deceased through mistakes and intoxication, culminating in him vomiting in the open casket. The second scene depicts three inexperienced police officers attempting to negotiate with a hostage-taker by offering snacks, which does not go as planned as the masked man and hostage disappear while the cops argue.
James Cameron came up with the idea for Avatar in 1994 but felt the technology was not ready, so he spent years developing new film techniques. In 2006, he began writing the script and creating the alien culture. Auditions were held in LA and filming took place in both LA and New Zealand using Cameron's motion capture camera. Over 900 visual editors in New Zealand worked on editing using a large server farm. James Horner composed the soundtrack, incorporating the alien language Na'vi.
The document discusses legal and ethical issues related to the film Avatar. It notes that Avatar was rated 12A due to its mild violence, language, and brief sex scene to protect younger audiences. Copyright law protects Avatar's music and footage from being used without permission. Child protection law requires age ratings to ensure films are viewed by the appropriate audiences.
This document provides information about upcoming events in Helsinki, Finland between July 4-7, 2013. It lists concerts for the Red Smoke Concert on July 4th, Blue Rain Concert on July 5th, Green Light Concert on July 6th, and Purple Sun Concert on July 7th. It also lists some other events happening in June and July in Helsinki, Hell, Holjes, and Leeds and provides a link to follow the event organizer, Slaved Energy.
This document contains two sketches for short films. The first sketch is about a disastrous funeral conducted by an intoxicated priest who repeatedly insults the deceased and causes disturbances. Family members become outraged with the priest. The second sketch depicts three inexperienced police officers attempting to negotiate with a hostage-taker at a warehouse. Their unorthodox negotiation tactics fail and the hostage-taker escapes while the officers are distracted.
The document discusses legal and ethical guidelines for advertising. It states that marketing communications should avoid causing serious or widespread offense, particularly regarding race, religion, gender, sexual orientation, disability, or age. Offense will be judged based on context, audience, product, and standards. While some advertisements may be distasteful, they do not necessarily breach the rules as long as they do not use potentially offensive material without consideration for public sensitivities. The copyright section notes that copying, renting, lending, publicly performing, adapting, or failing to credit the author of a work without consent would be illegal.
This summary describes a disastrous funeral conducted by Father O'Neil. He is extremely disrespectful throughout the service, forgetting the deceased's name and playing inappropriate music. When called out, he drinks and smokes, getting vomit in the open casket. Darrell confronts Father O'Neil, causing him to vomit on Darrell and fall unconscious into the casket. The document then shifts to three inexperienced police officers unsuccessfully trying to negotiate with a hostage-taker for snacks instead of following protocol.
Final avatar product and audience powerpointcharliestarkey
The target audience for Avatar was anyone over age 12 as it was rated 12A. It appealed to fans of action, adventure, romance, and fantasy genres. Although not everyone's type of genre, Avatar received widespread hype that attracted many viewers. Released in December 2009 near Christmas, Avatar was 162 minutes long in 3D format and aimed at teenagers and older audiences. The visuals of the alien world of Pandora and inclusion of romance increased appeal. The main stars, Sam Worthington and Zoe Saldana, had not achieved major fame prior to Avatar. The film used motion capture and settings from New Zealand to create the vivid and appealing alien world of Pandora.
The document provides commentary on editing photos in Adobe Photoshop CS5. Across multiple photos, the editor used the magic wand tool to cut out backgrounds. Common effects included changing the blend mode to "color burn" or "vivid light" to give photos an aged look, and adding a small stroke around images to help them stand out on textured backgrounds. Additional touches were adding dirt or small product images within the photos. The goal was to create a cohesive set of photos with an Egyptian or antique style.
This document provides a comedic summary of two scenes - a funeral service going awry due to an intoxicated priest, and a hostage negotiation between police officers and a masked man that devolves into an argument over candy preferences. In the funeral scene, Father O'Neil makes numerous mistakes and engages in inappropriate behavior, upsetting the grieving father. In the hostage scene, the police officers attempt to negotiate with the masked man by offering him different candy bars, losing their focus on the situation.
1) The document contains two sketches. The first sketch is about a disastrous funeral service conducted by an intoxicated Father O'Neil who repeatedly forgets the deceased's name and plays inappropriate music. 2) The second sketch depicts three inexperienced police officers who attempt to negotiate with an armed masked man holding a hostage by offering him candy, which leads to chaos and the hostage's escape. 3) Both sketches involve incompetent or unprofessional figures in serious situations that descend into comedy through absurd actions and decisions.
The document is a submission letter from Charlie Starkey to Jody Smith at Channel 4 with two comedy sketch scripts and treatments for consideration for a new comedy production called Stupendous. The first sketch is called "The Drunken Priest" and involves a priest getting drunk and bungling a funeral ceremony. The second is called "Stupid Cops" and features three inexperienced police officers trying to negotiate with a hostage taker using candy instead of standard procedures. Each sketch includes character descriptions, set/location details and props. Starkey expresses hope that one of the sketches could be a good fit for the show.
This document profiles three 17-year-old white males with different interests, likes, and dislikes. Scott Brace attends college and enjoys gaming, parties, music and spending time with his girlfriend. Aiden Rogers is an apprentice who likes football, socializing and meals with friends. Matthew Cox attends a different college and has interests in media, computers, art and graphic design.
The document discusses and compares the homepages of three energy drink brands: Rockstar, Relentless, and Rip It. Each homepage features a dark theme with vibrant colors and images promoting an extreme lifestyle. They aim to entertain and inform young male audiences about their products and sponsored sports/music events. The layouts are traditional with the most prominent image setting the tone. Content includes news, videos and social media links to spread brand awareness. However, Rip It seems to offer less content and implies false benefits of their drink attracting girls. [/SUMMARY]
The website uses large adrenaline-themed images and headings to engage its target audience of young males aged 14-25. It aims to portray an extreme lifestyle associated with stunts like snowboarding to appeal to the audience's fantasies and convince them purchasing the drink will make them cooler. The layout stands out with big center images that fill the page for a fast-paced feel. The content features extreme sports linked to the energy drink's branding to provide an engaging experience. The site must comply with advertising regulations while also promoting affiliated music, events and merchandise to further advertise the product.
The purpose of energy drink brands creating t-shirts and tickets is to advertise and market their products. T-shirts allow people to show their support for the brand and identify with the lifestyle it represents. Tickets advertise upcoming events that align with the target audience's interests, like extreme sports, building a sense of community. Both have simple layouts focused on the logo and colors to clearly communicate the brand identity and message.
The primary function of the website and products is to advertise and promote the Monster energy drink brand. The website layout and content aims to appeal to its target audience of 13-19 year old males interested in extreme sports. The navigation bar is prominently displayed at the top of the page to allow easy access to information. Images of extreme sports and an alternative lifestyle are used throughout to align with the brand image. The internet provides an unregulated medium for advertising, so the website aims to promote the product fairly and accurately according to industry standards.
The Relentless Energy drink website content focuses on music festivals and playlists to engage users. It uses animated backgrounds and social media links to create an atmosphere of partying. The layout follows a classic vertical navigation format with the main content about drink varieties below. Horizontal tabs link to other sections like news, galleries and music. The primary focus is bold images and text appealing to young males aged 14-25 by portraying the drink as enabling a party lifestyle. The purpose is to inform users about Relentless events, drinks and promote the brand within the festival scene.
The document discusses several energy drink brand websites, summarizing key elements of each.
For the Rockstar energy drink website, it notes the unique homepage title with a star instead of an 'A' and promotion of extreme sports. It also discusses the simple but eye-catching layout, advertising, and targeting of young males aged 16-25 through extreme images.
The Lucozade energy drink website welcomes visitors with bright pictures of bottles on its homepage. It provides basic information through a search bar and navigation links. Images are used to promote different drink flavors and convey health messages.
The Emerge energy drink website grabs attention with a chance to win a Hong Kong trip. It focuses on product advertising
The Rockstar homepage uses an eye-catching title with a star instead of an 'A' to promote extreme sports. The navigation is horizontal and layout is simple but eye-catching. Images at the top are extreme and there is a lot of advertising. The content and rockstar logo suit the website's style of freedom and extreme activities. The website aims to entertain and inform about the energy drink and brand for its target audience of young males aged 16-25.
The document discusses the design and purpose of several marketing materials, including a T-shirt design, event ticket, and website homepage. The key points are:
1) The designs aim to promote brands and attract customers through eye-catching logos, colors, and layouts. Bright colors like red and unusual fonts are used to draw attention.
2) Websites provide information about products and entertainment through images, video, and limited text. Navigation bars allow easy access to content.
3) T-shirts and tickets advertise brands and specific events while informing the target audience, ages 16-25, about purchasing opportunities.
4) The purpose is to promote brands, persuade audiences to buy products,
The Rockstar homepage uses an eye-catching title with a star symbol instead of an 'A' to welcome visitors. Navigation is horizontal and layout is simple but spreads information out sensibly to avoid distraction. Dynamic images of extreme sports suit the website's style and association with freedom. As a commercial site, Rockstar has a responsibility to advertise accurately and be regulated by advertising standards authorities. The main purposes are to inform about and entertain with the energy drink, hosting information, videos, and opportunities. Primary focus is on eye-catching images representing aspirational activities for young male audiences aged 16-25.
The document discusses several website and product designs. It analyzes the purpose, layout, content, formatting, regulation, and target audiences of each. Some key points:
- Website designs aim to promote their brands and products through eye-catching images, colors, and limited text. Navigation is kept simple.
- Product designs like t-shirts and tickets advertise brands through prominent logos and catchy designs. Bright colors draw attention to key information.
- Target audiences are generally younger people interested in an aspirational lifestyle surrounding the brands. Regulation ensures accurate advertising.
The document discusses several website and product designs. It analyzes the purpose, layout, content, formatting, regulation, and target audiences of each design. Some key points made:
- Website designs aim to promote their brands and products through eye-catching images, colors, and limited text. Navigation is kept simple.
- Product designs like t-shirts and tickets advertise brands through prominent logos and catchy designs. Bright colors draw attention to key information.
- Target audiences are generally younger people interested in an exciting lifestyle who can afford the products. Regulation ensures accurate advertising.
The document discusses the websites of three energy drink brands: Monster Energy, Relentless, and Rockstar Energy. It analyzes the design, content, and purpose of each site. The sites use bright colors and bold images related to extreme sports to appeal to their target young male audiences. They highlight competitions and events to encourage visits and sales. While the internet is largely unregulated, these commercial sites must legitimately advertise their products for public consumption.
The website layout follows a classic WordPress style with images below titles separated by colored lines to indicate event types. The navigation bar is vertical against conventions but works well. Color-coded headlines in the navigation bar and separating lines allow quick access to desired content. The purpose is to inform of events and competitions rather than primarily advertise the energy drink. Regulation falls under the advertising standards authority to ensure fair and accurate advertising. The style presents vibrant colors and images at angles with compact content to target young males ages 16-25 through music festivals and concerts.
The document discusses branding and marketing strategies for an online cafe business called Cyberia Cafe. It identifies some key elements for an online business including increased customer access, profits through more customers, and cheaper advertising costs compared to traditional offline businesses. It also analyzes branding and design elements on several global shopping websites, noting color schemes, layouts, imagery used, and other tools. Potential issues for an online business like privacy and usability are also mentioned. Sample forms, shopping carts, and checkout processes that could be used on the cafe website are defined and described. At the end, the document discusses creating a brand identity and mock homepage for Cyberia Cafe, though the initial mockup was not found to be satisfactory.
The document analyzes and compares advertisements for several energy drink brands, including Lucozade Energy, Monster Energy, Red Bull Energy, and Scheckter's Organic Energy. It finds that the brands target different audiences - Lucozade aims for a younger, gender-neutral audience while Monster targets males. Red Bull focuses on athletes and sports fans with a simple design. Scheckter's emphasizes bright colors and social media to appeal to youth. The document also examines the logos, packaging, flavors and marketing strategies of each brand.
New myspace products & sales opportunities finaldesamg
The document discusses Myspace's plans to relaunch its site with a redesigned homepage, new features like the "Sushi Boat" for content discovery, and enhanced profiles, videos, and music pages. It outlines sponsorship opportunities for brands to integrate their content through these new features, such as featured placement in the Sushi Boat tray, themes in the gallery, and branded music downloads that can be shared with friends. The relaunch aims to improve the user experience on Myspace.
Irn-Bru's target audience is mainly men aged 13 and older. They use a unique style in their advertisements that features humor and suggestive quotes. Their logo and color scheme of orange and blue are consistently used. Irn-Bru advertises through sponsorships, taxis wrapped in their colors, and billboards sometimes featuring controversial images. Their website and competitions are also parts of their marketing strategy.
Energy drink research pro forma.pptx (task 1)!AlanSmith96
Red Bull is an energy drink created in 1987 by Dietrich Mateschitz that is the highest selling energy drink worldwide due to heavy advertising. Red Bull uses extreme sports sponsorships and stunts to promote the drink, though some have resulted in fatalities. The target market is young men interested in extreme sports. Despite health concerns, Red Bull and energy drinks contain caffeine and other ingredients and the European Food Safety Authority has deemed Red Bull safe. Red Bull's marketing focuses on an image of performance and adventure through its sponsorship of athletes and risky stunts.
Energy drink research pro forma.pptx (task 1)AlanSmith96
- Red Bull is the highest selling energy drink company in the world due to its heavy advertising of extreme sports and stunts.
- Their marketing focuses on sponsoring risky stunts and athletes in extreme sports to promote an image of power and risk-taking.
- However, some of their stunts have resulted in deaths, leading to some criticism of Red Bull. Their energy drink itself has been deemed safe by regulators.
- Red Bull targets young men interested in extreme sports. Their branding focuses on themes of strength, speed, and aggression through images of bulls and athletic stunts.
This document describes a sponsorship opportunity for the Raw Unity Meets (RUM) powerlifting competition. Sponsors would receive digital and event branding benefits depending on their contribution level - Gold, Silver, Bronze, Supporter, or Patron. The 3-day January 2021 event in Florida expects 150 athletes and would provide sponsors visibility to RUM's social media followers totaling over 500,000 through posts and a promotional digital folder shared by influencers.
The document discusses legal and ethical guidelines for advertising. It states that marketing communications should avoid causing serious or widespread offense, particularly regarding race, religion, gender, sexual orientation, disability, or age. Offense will be judged based on context, audience, product, and standards. While some advertisements may be distasteful, they do not necessarily breach the rules. Marketers should consider public sensitivities when using potentially offensive material. The fact that a product offends some people does not in itself constitute a breach of the advertising code.
This document lists upcoming events at a skate park including a skate slam competition in August and several concerts in July featuring the bands Blue Rain, Red Smoke, Green Light, and Purple Sun in Helsinki. Tickets for the four concerts are £10.99 each and currently available for purchase.
This document contains two sketches for short films. The first sketch is about a disastrous funeral conducted by an intoxicated priest who repeatedly insults the deceased and causes disturbances. Family members become outraged with the priest. The second sketch depicts three inexperienced police officers who attempt to negotiate with a hostage-taker by offering candy, leading to humorous situations as the officers struggle to do their jobs professionally.
This document appears to be a script for a comedy film involving incompetent police officers responding to a hostage situation. The officers attempt to negotiate with the masked man holding a woman hostage by offering him snacks like Skittles and Minstrels in exchange for her release. This only confuses the situation further. One officer becomes distraught after the masked man takes his Minstrels, causing the other officers to try and calm him down. In the end, the masked man escapes while the officers are distracted, leaving the hostage rescue attempt in shambles.
This document contains two sketches. The first is about an incompetent priest, Father O'Neil, who ruins a funeral with his unprofessional behavior, which includes being drunk and forgetting the deceased's name. The second sketch is about inexperienced police officers who attempt to negotiate with an armed masked man holding a hostage, but their unorthodox negotiation tactics allow the man and hostage to escape during the officers' distracted argument about snacks.
This document appears to be a script for a comedy film. It follows the misadventures of an inept priest, Father O'Neil, who makes numerous mistakes at a funeral service, including forgetting the deceased's name and playing inappropriate music. He is confronted by the father of the deceased, Darrell, and later passes out drunk in the casket. The script then cuts to an unrelated scene involving three bumbling police officers attempting to negotiate with an armed masked man, but they become distracted and the man escapes while they argue about candy.
The letter thanks Charlie for submitting sketches for an upcoming sketch show but raises three issues that need to be addressed before the sketches can be recommended. The budget is tight so sketches should have minimal characters and locations. The show aims to be inclusive so the male-biased sketches need adjustment. Copyright prevents using brand names so the sketch mentioning specific candy brands requires rewriting. The letter invites Charlie to respond and address the concerns, which could lead to recommending the sketches.
Father O'Neil conducts a disastrous funeral service for a boy named Liam. He is drunk and forgets the deceased's name multiple times. When Liam's father Darrell confronts Father O'Neil, the priest vomits into the open casket. Darrell then drags Father O'Neil out of his chair and into the casket. In a separate scene, police officers attempt to negotiate with a masked man holding a woman hostage. However, the man and hostage disappear while the officers are distracted.
The document discusses the distribution channels for the film Avatar, including its initial release in cinemas globally. It was then released on DVD and Blu-ray for wider access by the public. While some accessed illegal free downloads through torrenting or streaming websites, the official distribution process involved manufacturing DVDs in factories and selling them around the world in shops, cinemas, and online on websites like eBay and Amazon. Avatar is now also accessible to stream through the popular Netflix website.
The document discusses how the producers of Avatar advertised the film by including clips and images from it on new phones, TVs, and other technology to suggest that Avatar represented the future. As an example, one image shows an LG phone screen displaying a scene from Avatar. The document also mentions a television advertisement from Tesco advertising a sale that began on Monday which featured Avatar, noting that even small ads like this could help sell products and create an impact.
The document contains commentary from a photo shoot for an energy drink brochure. Multiple photos were taken of a model reaching for a prop can in different poses and angles. Some photos were chosen for the brochure due to having unique poses and showing the product well. Others were not used mostly due to issues with the model's positioning, lighting, or focus being more on the model than product. The goal was to create a sense of desperation and appeal for the energy drink in the photos.
Sudheer Mechineni, Head of Application Frameworks, Standard Chartered Bank
Discover how Standard Chartered Bank harnessed the power of Neo4j to transform complex data access challenges into a dynamic, scalable graph database solution. This keynote will cover their journey from initial adoption to deploying a fully automated, enterprise-grade causal cluster, highlighting key strategies for modelling organisational changes and ensuring robust disaster recovery. Learn how these innovations have not only enhanced Standard Chartered Bank’s data infrastructure but also positioned them as pioneers in the banking sector’s adoption of graph technology.
Goodbye Windows 11: Make Way for Nitrux Linux 3.5.0!SOFTTECHHUB
As the digital landscape continually evolves, operating systems play a critical role in shaping user experiences and productivity. The launch of Nitrux Linux 3.5.0 marks a significant milestone, offering a robust alternative to traditional systems such as Windows 11. This article delves into the essence of Nitrux Linux 3.5.0, exploring its unique features, advantages, and how it stands as a compelling choice for both casual users and tech enthusiasts.
UiPath Test Automation using UiPath Test Suite series, part 5DianaGray10
Welcome to UiPath Test Automation using UiPath Test Suite series part 5. In this session, we will cover CI/CD with devops.
Topics covered:
CI/CD with in UiPath
End-to-end overview of CI/CD pipeline with Azure devops
Speaker:
Lyndsey Byblow, Test Suite Sales Engineer @ UiPath, Inc.
In the rapidly evolving landscape of technologies, XML continues to play a vital role in structuring, storing, and transporting data across diverse systems. The recent advancements in artificial intelligence (AI) present new methodologies for enhancing XML development workflows, introducing efficiency, automation, and intelligent capabilities. This presentation will outline the scope and perspective of utilizing AI in XML development. The potential benefits and the possible pitfalls will be highlighted, providing a balanced view of the subject.
We will explore the capabilities of AI in understanding XML markup languages and autonomously creating structured XML content. Additionally, we will examine the capacity of AI to enrich plain text with appropriate XML markup. Practical examples and methodological guidelines will be provided to elucidate how AI can be effectively prompted to interpret and generate accurate XML markup.
Further emphasis will be placed on the role of AI in developing XSLT, or schemas such as XSD and Schematron. We will address the techniques and strategies adopted to create prompts for generating code, explaining code, or refactoring the code, and the results achieved.
The discussion will extend to how AI can be used to transform XML content. In particular, the focus will be on the use of AI XPath extension functions in XSLT, Schematron, Schematron Quick Fixes, or for XML content refactoring.
The presentation aims to deliver a comprehensive overview of AI usage in XML development, providing attendees with the necessary knowledge to make informed decisions. Whether you’re at the early stages of adopting AI or considering integrating it in advanced XML development, this presentation will cover all levels of expertise.
By highlighting the potential advantages and challenges of integrating AI with XML development tools and languages, the presentation seeks to inspire thoughtful conversation around the future of XML development. We’ll not only delve into the technical aspects of AI-powered XML development but also discuss practical implications and possible future directions.
UiPath Test Automation using UiPath Test Suite series, part 6DianaGray10
Welcome to UiPath Test Automation using UiPath Test Suite series part 6. In this session, we will cover Test Automation with generative AI and Open AI.
UiPath Test Automation with generative AI and Open AI webinar offers an in-depth exploration of leveraging cutting-edge technologies for test automation within the UiPath platform. Attendees will delve into the integration of generative AI, a test automation solution, with Open AI advanced natural language processing capabilities.
Throughout the session, participants will discover how this synergy empowers testers to automate repetitive tasks, enhance testing accuracy, and expedite the software testing life cycle. Topics covered include the seamless integration process, practical use cases, and the benefits of harnessing AI-driven automation for UiPath testing initiatives. By attending this webinar, testers, and automation professionals can gain valuable insights into harnessing the power of AI to optimize their test automation workflows within the UiPath ecosystem, ultimately driving efficiency and quality in software development processes.
What will you get from this session?
1. Insights into integrating generative AI.
2. Understanding how this integration enhances test automation within the UiPath platform
3. Practical demonstrations
4. Exploration of real-world use cases illustrating the benefits of AI-driven test automation for UiPath
Topics covered:
What is generative AI
Test Automation with generative AI and Open AI.
UiPath integration with generative AI
Speaker:
Deepak Rai, Automation Practice Lead, Boundaryless Group and UiPath MVP
Unlocking Productivity: Leveraging the Potential of Copilot in Microsoft 365, a presentation by Christoforos Vlachos, Senior Solutions Manager – Modern Workplace, Uni Systems
Removing Uninteresting Bytes in Software FuzzingAftab Hussain
Imagine a world where software fuzzing, the process of mutating bytes in test seeds to uncover hidden and erroneous program behaviors, becomes faster and more effective. A lot depends on the initial seeds, which can significantly dictate the trajectory of a fuzzing campaign, particularly in terms of how long it takes to uncover interesting behaviour in your code. We introduce DIAR, a technique designed to speedup fuzzing campaigns by pinpointing and eliminating those uninteresting bytes in the seeds. Picture this: instead of wasting valuable resources on meaningless mutations in large, bloated seeds, DIAR removes the unnecessary bytes, streamlining the entire process.
In this work, we equipped AFL, a popular fuzzer, with DIAR and examined two critical Linux libraries -- Libxml's xmllint, a tool for parsing xml documents, and Binutil's readelf, an essential debugging and security analysis command-line tool used to display detailed information about ELF (Executable and Linkable Format). Our preliminary results show that AFL+DIAR does not only discover new paths more quickly but also achieves higher coverage overall. This work thus showcases how starting with lean and optimized seeds can lead to faster, more comprehensive fuzzing campaigns -- and DIAR helps you find such seeds.
- These are slides of the talk given at IEEE International Conference on Software Testing Verification and Validation Workshop, ICSTW 2022.
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GraphSummit Singapore | The Art of the Possible with Graph - Q2 2024Neo4j
Neha Bajwa, Vice President of Product Marketing, Neo4j
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Why You Should Replace Windows 11 with Nitrux Linux 3.5.0 for enhanced perfor...SOFTTECHHUB
The choice of an operating system plays a pivotal role in shaping our computing experience. For decades, Microsoft's Windows has dominated the market, offering a familiar and widely adopted platform for personal and professional use. However, as technological advancements continue to push the boundaries of innovation, alternative operating systems have emerged, challenging the status quo and offering users a fresh perspective on computing.
One such alternative that has garnered significant attention and acclaim is Nitrux Linux 3.5.0, a sleek, powerful, and user-friendly Linux distribution that promises to redefine the way we interact with our devices. With its focus on performance, security, and customization, Nitrux Linux presents a compelling case for those seeking to break free from the constraints of proprietary software and embrace the freedom and flexibility of open-source computing.
Generative AI Deep Dive: Advancing from Proof of Concept to ProductionAggregage
Join Maher Hanafi, VP of Engineering at Betterworks, in this new session where he'll share a practical framework to transform Gen AI prototypes into impactful products! He'll delve into the complexities of data collection and management, model selection and optimization, and ensuring security, scalability, and responsible use.
Dr. Sean Tan, Head of Data Science, Changi Airport Group
Discover how Changi Airport Group (CAG) leverages graph technologies and generative AI to revolutionize their search capabilities. This session delves into the unique search needs of CAG’s diverse passengers and customers, showcasing how graph data structures enhance the accuracy and relevance of AI-generated search results, mitigating the risk of “hallucinations” and improving the overall customer journey.
Full-RAG: A modern architecture for hyper-personalizationZilliz
Mike Del Balso, CEO & Co-Founder at Tecton, presents "Full RAG," a novel approach to AI recommendation systems, aiming to push beyond the limitations of traditional models through a deep integration of contextual insights and real-time data, leveraging the Retrieval-Augmented Generation architecture. This talk will outline Full RAG's potential to significantly enhance personalization, address engineering challenges such as data management and model training, and introduce data enrichment with reranking as a key solution. Attendees will gain crucial insights into the importance of hyperpersonalization in AI, the capabilities of Full RAG for advanced personalization, and strategies for managing complex data integrations for deploying cutting-edge AI solutions.
Full-RAG: A modern architecture for hyper-personalization
Presentation1
1. Introduction
Welcome to the Red bull homepage as you can see they
are using quite a simple bold theme throughout the
websites homage and are also using a large image of a
extreme sport to show that red bull promotes extreme
sports and alternate lifestyles .
Purpose & function
The purpose of the product is to
inform and entertain. Red Bull is
the most famous Brand of energy
drink globally and is famous for
its wide range of sponsors for
almost every possible sport
played, its main sponsors are
aimed at extreme sports such as
jet boarding, downhill biking and
skateboarding. The website is
designed to host all this
information with videos and
images about these sports but
also include information about
upcoming events and music. But
you can see there is a sense of a
community built on this website
that is evolving around the drink
Red Bull and all of the events
being hosted.
Primary focus & style & target audience
The Red Bull website is focused on making grand statements through the
images used, they also have a limit on the amount of text they use on the
front homepage. They use a large image on the homepage that is
stretched from both sides on the webpage, they also include smaller
images taken form some of the Red Bull events and give you the option to
read on about the event. The primary focus of the images used is to give
Red Bull a dare devil feel by showing all these extreme sports. The
audience is aimed at males 12 – 28 and intrigues this audience by
showing them extreme sports that they only people from the public will
get a one in a million chance to try. The website really shows a new side
of life to the audience a more daring and interesting lifestyle, but Red Bull
deceives the audience by thinking if you drink Red Bull it will make your
lifestyle just as interesting as the extreme sports professionals but in
reality its just a energy drink.
Regulation
The internet is a unprotected area with no policing and
is unfiltered and users/public can be open to anything
and be put at risk. This site is a lot different from many
on the internet, It is a commercial webpage selling their
products to the public and market. This gives a
responsibility to the company to advertise there
product accurately. Online behaviour advertising is also
a part of the ASA as the option to use tracking cookies is
now a consumer choice and this is very heavily
regulated by the authority
The content & format
The content of the website shows the audience
thumbnails which are appropriate to what the
activities and Red Bull sponsor. The producers use
a simple layout for the website keeping it Bold and
Bland using striking images and thumbnails. The
use of the images really show the audience and
public what Red Bull stands for as a brand. So
judging of the images used on the home page you
can see that the producers are trying to make Red
Bull seem extreme and show a lifestyle of living on
the edge.
Layout & navigation
The layout of the webpage is
quite simple and easy to use
for the audience, also using a
simple font for all the context
on the homepage is really easy
on the eyes for the audience.
The navigation bar holds all the
essentials to guide the
audience around the website
with ease. The main image just
below he navigation bar is a
breathtaking image that is
meant to strike the audience
and fans that visit the
website, the image should
impress the member of the
audience and intrigue them to
carry on visiting the
website, also the thumbnails
should have the same effect as
the main image.
2. Introduction
Welcome to the Monster Energy homepage as you can see there is a dark
and alternative feel to the website unlike other similar commercial
websites selling products, this website though is to promote extreme
sports and a different lifestyle.
Purpose & function
The purpose of the product
is to inform and entertain.
Monster Energy is a
relatively new and rapid
growing brand on energy
drink, they advertise their
product by sponsoring
extreme sports such as
snowboarding, monster
racing. The website is
designed to host all
information about the
product meaning the events
that they will hold and all of
the other activities and
notices that they send out
to the public. This creates a
clear sense of a community
on the website having fans
show up to events hosted
by Monster Energy
Primary focus & style & target audience
The website is focussed on making grand statements through the images, you
can see there is a limited use of text on the webpage, they mostly use images
and thumbnails for videos on the homepage to show a certain theme for the
homepage. The theme of the website is supposed to show a different lifestyle
like a daring extreme lifestyle. The audience are young 14 – 25 males/females
and the site caters them by carrying out events and activities where
professionals and fellow fans of Monster Energy will meet up for events. The
events consist of extreme sports that fans can only dream off. The audience
for this product are mainly made up of mainstreamers who will buy the
product and go to the several events to make them seem like they are living a
alternative lifestyle and stereotypically make them feel cooler.
Regulation
The internet is a unprotected area with no policing and
is unfiltered and users/public can be open to anything
and be put at risk. This site is a lot different from many
on the internet, It is a commercial webpage selling their
products to the public and market. This gives a
responsibility to the company to advertise there
product accurately. Online behaviour advertising is also
a part of the ASA as the option to use tracking cookies is
now a consumer choice and this is very heavily
regulated by the authority
The content & format
The content is appropriate
to the target audience as
the thumbnails selected all
show extreme exciting
images and
thumbnails, the images
are dynamic and very eye
catching. The webpage
has a dark, gritty urban
textures. On the site there
are links that lead to social
networking sites where
the audience can spread
information about events
and about Monster
Energy. A lot of the images
contain breath taking
extreme stunts performed
by professionals taken
from the events hosted by
Monster Energy
Layout & navigation
The layout is traditional and follows a
classic word press style. The formatting
of all the objects are placed
sensibly, well organised and is easy to
make your way around the website. The
font used on the website is easy and
clear to read form all users. Objects are
presented centrally on the page.
The most powerful breathtaking image
is used on the centre of the page mainly
for centre of attention form the user.
3. Introduction
Welcome to the Lucozade Sport homepage as you
can see the producers have chosen to use three
main colours being white, Blue and Orange, which
are the official colours of the Lucozade Sport drink.
Lucozade sport mainly promotes a fitness lifestyle.
Purpose & function
The purpose of the product is to
be consumed as a drink for fitness
and a active lifestyle. The sort of
sport and fitness that they mostly
promote is athletic sport. They use
images of a athletic man in a
action shot if him running towards
the camera.
Primary focus & style & target
audience
The websites main focus’s are on
what in the main picture, become
part of the elite, this encourages the
reader to read on and get involved.
There are seven main pictures which
contain different information about
the drink, video’s and events which
allow the reader to have an insight in
what’s going on. The target audience
is aimed at athletes and sports
people, both women and males, aged
between 15 and 35. The site caters
for these people as it holds great
responsibilities in events, such as the
London marathon, this could
encourage them to run in the
marathon. Lucozade proves how their
drink is better than normal water
which captures the reader to believe
that if they drink Lucozade instead of
water they will perform better and
can do better in their sport
Regulation
The internet is unregulated, this means that there is no way of
policing the internet and it remains largely unfiltered.
However, this is a commercial site that sells a product to the public
and business. Lucozade has to advertise fairly and accurately. This
means they need to prove that Lucozade is more hydrating than
water and it has to be factual.
Content and format
The content is appropriate to the target
audience as the images show the best sports
that this energy drink
advertises, running, athletics and it shows
rugby and football training. The producers of
this site use a light fresh feel to the site, this
explains how you should feel whist
running, and not grotty. The context inform
the reader of current events and persuades
the reader to joining in, giving a friendly
atmosphere. The website contains pictures
of well know rugby player to captures their
fans to follow their lead and buy Lucozade
products. There are links to social networks
so the reader can Lucozade and find out the
latest gossip, such as new products when on
the go, like how they follow their favourite
club.
Layout and navigation
The layout is traditional and follows a
classic Word press style. The website is
very clean cut and easily readable and
well laid which benefits the reader. The
navigation bar is horizontal and the layout
is simple and easy to navigate. The objects
and images are presented centrally on the
pages with the main picture taking place
and three boxes of information easy
readable underneath the main area which
sets a priority. The thumbnails that are
used are there to allow quick access to
the content the reader wishes to read
about it.
4. Purpose and function: This top is designed to promote
Monster energy as it’s a growing brand more people will be
merchandise such as this will become more popular if sales
rise for the company. The majority of people wearing it will
be people interested in Monster Energy and the extreme
sports that Monster Energy sponsor.
Primary focus: The target audience are males aged 14 to 25.
The main design of the t shirt is just having the brands logo
centred on the shirt, its basic but it makes it clear to the
public that the t shirt is a official piece of merchandise for
Monster Energy.
Content: The content is appropriate for the target audience
as the top is basic so it can suit people from 14 to 25.
These two tops for Mountain Dew and Red Bull are similar
to the Monster energy as they all target toward the same
age range and the design layout is the same by advertising
the Energy brand with the bold brand in the middle of a the
top. The purpose is the same to advertise the top to gain
customers and promote their energy brand.
5. Purpose and function: These tickets are designed to
inform people about the upcoming event.
Primary focus: Relentless is aimed at skaters and rock
people aged 14-24. The ticket gets straight to the
point with not many words, the images suggest that
its a music festival by the beach.
Content: The content fits the target audience as the
images that takes up the whole of the tickets is
exciting.
Purpose and function: These tickets are designed to inform people
about the upcoming event.
Primary focus: Monster is aimed at people ages 14 and 25 which suits
the ticket as the ticket suggests the event is as nights by the image
being dark and at night time.
Content: the image is not the main attraction in this ticket as the
writing is bold and colourful (the main colours of Monster Energy) so
takes up the majority of the page which captures the readers eyes.
Purpose and function: These tickets are designed to inform people about the
upcoming event.
Primary focus: Rockstar is aimed at people who are interested in skate
boarding, water sports and motor sports.
Content : The ticket seems very mystical styled by the image of a lion with
paintings all over it and the starry background. This ticket holds lost of
information.