The document summarizes an exhibition created by a Kindergarten class about family history. The students explored artifacts from the past and present to understand how things have changed over time. They created "treasure boxes" to imagine artifacts of the future. Various teachers took on roles like set design, costumes, music, and documentation to create immersive experiences connecting the past, present and future. The exhibition allowed students to share their understanding of family history.
The document summarizes an art activity where K2 students learned watercolor techniques by recreating paintings by Marion Bolognesi that depict expressions. The atelierista introduced Bolognesi's work and demonstrated techniques like the dripping effect. Students experimented with creating sad faces using dripping tears, though some struggled with placement of features. Teachers provided additional support and scaffolding. The activity generated discussions around depicting expressions and techniques, though using easels and smaller groups was debated. Overall, both children and teachers engaged in theory-making around the artistic process.
Creative dramatics is a form of drama used in educational settings to support learning through play. It incorporates theatrical elements like role-playing and improvisation to imagine and explore human experiences. Creative dramatics develops social skills, communication skills, physical skills, and supports learning across subjects. The goal is experience over performance and it promotes learning through imagination, cooperation, and creative play without right or wrong answers.
Creativity and the arts play an important role in child development as creativity is natural in children from a young age through play and using their imagination. However, in today's school system creativity and the arts are often suppressed by making students sit still and not engage in creative activities. Integrating the arts into the curriculum benefits children's learning and higher-order thinking skills. It is important that both parents and teachers support enhancing the role of creativity and the arts in the school system to help children develop their full potential.
This document discusses creative development through the arts curriculum. It covers visual arts, music, theatre, and dance based on state standards. Guiding principles for art experiences emphasize process over product. Theories of art and cognitive development are presented, including Piaget and Kellogg's stage theories. Music, theatre, movement and creative activities are recommended daily. The importance of dramatic play for building skills like role playing and socio-dramatic play is highlighted.
The document summarizes a creative arts program involving primary school pupils from nine schools in West Norfolk. It describes workshops and activities held in Kings Lynn that encouraged pupils to explore the town using their bodies and senses. The program aimed to develop pupils' confidence, skills in self-expression, and ability to work with others. Teachers observed gains in pupils' confidence, willingness to take leads, understanding of communication through body language, and ability to direct their own learning. Teachers also reflected on letting pupils' creativity flow and guiding them less.
This document outlines an agenda and presentation for a workshop on mastering art in the preschool classroom. The agenda includes introductions, a presentation with objectives and activities, an essay quiz, and evaluations. The presentation discusses creating an open-ended art program that allows children freedom to explore materials without direction. It emphasizes the developmental benefits of art for skills like communication, self-confidence, and math. Examples are given of art activities and materials that could be included in an art center.
Friedrich Froebel, the founder of kindergarten, believed that art is important for young children's development. He felt art activities encourage children's full development by allowing them to express themselves and develop skills. The document discusses how art stimulates cognitive, social, and motor development in young kids. It promotes skills like problem-solving, cooperation, and fine motor control. The article recommends including open-ended art activities in early education classrooms to support child-centered, creative learning. Teachers should display and involve families in appreciating the children's artwork.
The document discusses arts education in preschool education in Portugal. It states that arts education, including areas like motor skills, oral communication, music, dance, dramatic expression, plastic expression, and written language, is present in all areas of the Portuguese preschool curriculum and teacher programs. Greater emphasis is placed on developing expression and communication skills. The arts are seen as privileged ways to enrich children and develop their aesthetic sense, creativity, and knowledge of the world.
The document summarizes an art activity where K2 students learned watercolor techniques by recreating paintings by Marion Bolognesi that depict expressions. The atelierista introduced Bolognesi's work and demonstrated techniques like the dripping effect. Students experimented with creating sad faces using dripping tears, though some struggled with placement of features. Teachers provided additional support and scaffolding. The activity generated discussions around depicting expressions and techniques, though using easels and smaller groups was debated. Overall, both children and teachers engaged in theory-making around the artistic process.
Creative dramatics is a form of drama used in educational settings to support learning through play. It incorporates theatrical elements like role-playing and improvisation to imagine and explore human experiences. Creative dramatics develops social skills, communication skills, physical skills, and supports learning across subjects. The goal is experience over performance and it promotes learning through imagination, cooperation, and creative play without right or wrong answers.
Creativity and the arts play an important role in child development as creativity is natural in children from a young age through play and using their imagination. However, in today's school system creativity and the arts are often suppressed by making students sit still and not engage in creative activities. Integrating the arts into the curriculum benefits children's learning and higher-order thinking skills. It is important that both parents and teachers support enhancing the role of creativity and the arts in the school system to help children develop their full potential.
This document discusses creative development through the arts curriculum. It covers visual arts, music, theatre, and dance based on state standards. Guiding principles for art experiences emphasize process over product. Theories of art and cognitive development are presented, including Piaget and Kellogg's stage theories. Music, theatre, movement and creative activities are recommended daily. The importance of dramatic play for building skills like role playing and socio-dramatic play is highlighted.
The document summarizes a creative arts program involving primary school pupils from nine schools in West Norfolk. It describes workshops and activities held in Kings Lynn that encouraged pupils to explore the town using their bodies and senses. The program aimed to develop pupils' confidence, skills in self-expression, and ability to work with others. Teachers observed gains in pupils' confidence, willingness to take leads, understanding of communication through body language, and ability to direct their own learning. Teachers also reflected on letting pupils' creativity flow and guiding them less.
This document outlines an agenda and presentation for a workshop on mastering art in the preschool classroom. The agenda includes introductions, a presentation with objectives and activities, an essay quiz, and evaluations. The presentation discusses creating an open-ended art program that allows children freedom to explore materials without direction. It emphasizes the developmental benefits of art for skills like communication, self-confidence, and math. Examples are given of art activities and materials that could be included in an art center.
Friedrich Froebel, the founder of kindergarten, believed that art is important for young children's development. He felt art activities encourage children's full development by allowing them to express themselves and develop skills. The document discusses how art stimulates cognitive, social, and motor development in young kids. It promotes skills like problem-solving, cooperation, and fine motor control. The article recommends including open-ended art activities in early education classrooms to support child-centered, creative learning. Teachers should display and involve families in appreciating the children's artwork.
The document discusses arts education in preschool education in Portugal. It states that arts education, including areas like motor skills, oral communication, music, dance, dramatic expression, plastic expression, and written language, is present in all areas of the Portuguese preschool curriculum and teacher programs. Greater emphasis is placed on developing expression and communication skills. The arts are seen as privileged ways to enrich children and develop their aesthetic sense, creativity, and knowledge of the world.
This presentation discusses the speaker's efforts to broaden students' understanding of dance through experiential learning opportunities. Students participate in dance experiences in diverse settings like forests, beaches, schools, hospitals, and with varied groups. These experiences challenge students' assumptions and increase their awareness of how dance can meet community needs. The speaker aims to create a sense of "significance" for each student and "solidarity" within the group to foster a community of learners. Experiential learning through diverse teaching experiences is key to developing students' understanding of dance's role and potential impact.
The documentation panel summarizes the children's learning experiences with leaves over several weeks. The panel includes photos of the children sorting and counting leaves, exploring leaves' textures by putting them in water and sand, using leaves as paintbrushes to make art, pretending to be squirrels collecting leaves for winter, making play dough leaves of different colors, and dancing wearing leaf headgear and waistbands. The panel also includes the rationale, KWHL chart, initial concept map, anticipatory concept map, and final concept map to show the children's developing understanding of leaves and their properties.
The document outlines the Texas Essential Knowledge and Skills (TEKS) for kindergarten art education. It discusses how the fine arts develop key skills like critical thinking, communication, and collaboration. It also explains that the kindergarten art curriculum focuses on four strands: observation and perception, creative expression, historical and cultural relevance, and critical evaluation and response. Some examples of concepts and skills covered include identifying elements of art, using a variety of materials and techniques to create artworks, developing awareness of different cultures, and analyzing artwork.
Early childhood art education a palimpsestMiraAlmirys
This document summarizes the history and debates around teaching art to young children. It discusses how some advocate for a hands-off approach where children freely explore materials, while others argue this still constitutes teaching through guidance and modeling. Over time, views have shifted from seeing art as natural self-expression to emphasizing social interaction and cognitive development. While new research promotes interactive art education, traditional views emphasizing non-interference from teachers still dominate practice in Australian early childhood settings.
This document outlines the goals and methodology for arts education at Ntra. Sra del Carmen School in Spain. The goals for preschool emphasize observing the environment, developing communication skills through different forms of expression, and appreciating cultural diversity. The methodology is based on meaningful, active learning through setting up activity corners. Arts education plays an important role in developing basic skills like motor skills and language. It also increases self-esteem and communication. The school uses a phonic method for teaching reading and writing that introduces letters as characters to make learning fun and prevent difficulties.
This document outlines an activity where children draw stars and skies and then play the song "Twinkle Twinkle" using wine glasses filled with different levels of water. The activity aims to develop children's creativity, fine motor skills, cognitive development, language, and musical skills. To complete the activity, children will draw stars, the teacher will fill glasses with varying amounts of water to produce high and low notes, and then the children will sing along while the teacher taps the glasses in time with the song.
Early childhood education is key to lifelong success. The document discusses developing writing and motor skills in young children. Activities like moulding, cutting, and patchwork help build manual dexterity and develop gestures. Children first make random marks that become more precise signs and images through practice. Art activities involving visual art, music, and dance engage children's senses and strengthen abilities. The goal is for children to do visual and manual exercises and reproduce forms respecting graphic space. Described are activities using techniques by Sol Lewitt and from a Bruno Munari book to creatively color and paint with unusual materials.
The document summarizes the "Inclusion Project" carried out by students at APL Global School in Chennai, India. The project aimed to address the feelings of alienation experienced by some students. It involved several activities over different steps, including a silent hour to sensitize students to those with hearing impairments, having students get to know a randomly assigned partner, wearing badges highlighting positive characteristics, and painting a wall with handprints as a symbol of togetherness. Feedback showed the project had a positive impact on making students more tolerant and helping them make new friends.
The document discusses the importance of creativity and the arts in education. It argues that the arts provide students with opportunities to develop their academic, personal and social skills through multiple pathways of learning. The arts engage students in higher-order thinking by encouraging skills like creating, evaluating, and analyzing. Studies have shown that the arts can enhance literacy by 24% and mathematical skills by 6%. The document advocates for arts integration across all subjects and classrooms to tap into students' creativity and help them learn in different styles.
The Children's Center at Caltech has been providing STEM-focused early childhood education for over 16 years. Recently, they have focused more on the "E" for engineering. They created engineering challenges and scenarios for different age groups to explore. For infants, they explored clay and used tools and their bodies. Toddlers experimented with catapults and building structures. Preschoolers designed boats out of foil. Through these activities, the children demonstrated natural engineering behaviors like asking questions, imagining, creating, designing, testing and improving. The Center documented the children's experiences and wants to share them with parents to help parents understand appropriate engineering for young children.
The Importance of Keeping ART in Educationguest2818c9
The document contains 3 articles about how education can benefit from incorporating art. The first article outlines 8 ways art can enhance learning, such as how form and content interact and the importance of imagination. The second discusses broadening the art teacher's role and embedding art across the curriculum. The third shows how using art improved students' comprehension, reasoning, and performance beyond expectations. The conclusion argues art should be integrated creatively school-wide, not removed from classrooms.
This document summarizes a study that examined children's intentions and meanings in art making. The study used ethnographic methods like observations and interviews in an elementary school art room over one year. The study found that while past research viewed children's art as spontaneous and unintentional, children can articulate intentions for their art making. A socio-cultural perspective revealed that children engage in "personal projects" through art that connect them to culture and make life meaningful. The study aimed to understand art making from the children's perspectives and experiences to gain insight into why and how art is meaningful for them.
The Atelier is a place for children to experiment with various mediums and materials to express their creativity. All activities are designed to stimulate children's creativity and enrich their sensory experiences. A variety of papers, graphics, digital media, paints, watercolors, clay, and natural materials are provided to support exploring, experimenting, and creating knowledge in fun ways.
Whidbey Island Waldorf School provides an arts-integrated Waldorf education for early childhood through 8th grade. The school is nestled in a 100-acre forest on Whidbey Island. A Waldorf education engages students' cognitive, social, physical and linguistic development through an integrated curriculum taught by one teacher over eight years, fostering community and a lifelong love of learning.
The document provides an overview of Ney Ferenc Kindergarten in Eger, Hungary. It discusses the kindergarten's mission of ensuring every child matters, and its curriculum which focuses on basic values like patriotism, traditions, justice, and respect. The curriculum also emphasizes skills like language acquisition, cooperation, celebrating traditions, and respecting the environment. It describes the educational priorities in Hungary like compulsory early education starting at age 3, and outlines the national core curriculum's emphasis on developing key competences and addressing common values through the 12 grades of compulsory education.
This document discusses the benefits of incorporating creative dance and movement into early childhood education. It begins by describing how a creative dance class may involve imaginative activities like pretending to sail on boats or explore the jungle. It then discusses how movement is an important part of how young children learn and explore the world. The document outlines several benefits of creative dance for children, including physical, social-emotional, cognitive, and creative development. It also discusses how dance can be integrated into the curriculum to enrich learning. Incorporating movement into the classroom in this way has additional benefits like helping to address the obesity epidemic and nurturing creativity, which are important skills for future success.
The document discusses the usefulness, advantages, and drawbacks of teaching reading and writing in early years of education. Some key advantages include: helping develop children's brains, communication skills, creativity/imagination, literacy standards, and language/vocabulary. Early reading improves spelling, oral communication, comprehension, and writing. Early writing grows thinking skills, phonemic awareness, alphabet knowledge, spelling, and fine motor skills. Communication enhances vocabulary, attention, memory, curiosity, creativity, knowledge, and independence. The document emphasizes integrating reading, writing, and communication to develop language skills through meaningful and engaging activities.
The document discusses artistic education in Polish kindergartens. It outlines four key areas of development: 1) a child as viewer and actor, 2) different forms of musical movement like singing, dancing, and playing instruments, 3) different forms of visual arts like drawing, painting, and sculpture, and 4) constructional games and technical skills. Various educational programs and techniques are used to develop children's talents and abilities in these areas, including drama, music, dance, visual arts, and playing instruments. The overall goals are to support children's curiosity and self-expression through exposure to aesthetic values and artistic forms.
The importance of art viewing experiences in early childhood visual artsekinrashid
The document discusses strategies used by a master art teacher to engage preschool students in art viewing experiences at a museum. The teacher utilized games, questioning, storytelling, and technical discussions to introduce students to artworks in the galleries. These strategies helped students focus their viewing and supported rich conversations about the art. The art viewing experiences informed subsequent art making activities, providing a holistic approach to visual arts education for young children.
This document discusses organizing an exhibition about fashion from the past. The teacher was surprised by the variety of garments and accessories received from families, which showed "fashion" is about how people dress throughout their lives, not just clothing. Students were curious about the stories and smells of old clothing. The teacher decided to add scents to different exhibition areas using essential oils, to transport visitors from past to future like a "time machine."
The document describes a student teacher's curriculum project on leaves based on observations of preschool children. The project involved 6 planned activities centered around leaves, including sorting leaves by color, exploring leaves' textures by putting them in water and sand, comparing leaf colors and shapes, making leaf crafts, pretending to be squirrels collecting leaves, and dancing to leaf songs. The goals were to enhance the children's development in various domains like cognitive, physical, social, emotional and language skills through hands-on exploration and investigation of leaves.
This presentation discusses the speaker's efforts to broaden students' understanding of dance through experiential learning opportunities. Students participate in dance experiences in diverse settings like forests, beaches, schools, hospitals, and with varied groups. These experiences challenge students' assumptions and increase their awareness of how dance can meet community needs. The speaker aims to create a sense of "significance" for each student and "solidarity" within the group to foster a community of learners. Experiential learning through diverse teaching experiences is key to developing students' understanding of dance's role and potential impact.
The documentation panel summarizes the children's learning experiences with leaves over several weeks. The panel includes photos of the children sorting and counting leaves, exploring leaves' textures by putting them in water and sand, using leaves as paintbrushes to make art, pretending to be squirrels collecting leaves for winter, making play dough leaves of different colors, and dancing wearing leaf headgear and waistbands. The panel also includes the rationale, KWHL chart, initial concept map, anticipatory concept map, and final concept map to show the children's developing understanding of leaves and their properties.
The document outlines the Texas Essential Knowledge and Skills (TEKS) for kindergarten art education. It discusses how the fine arts develop key skills like critical thinking, communication, and collaboration. It also explains that the kindergarten art curriculum focuses on four strands: observation and perception, creative expression, historical and cultural relevance, and critical evaluation and response. Some examples of concepts and skills covered include identifying elements of art, using a variety of materials and techniques to create artworks, developing awareness of different cultures, and analyzing artwork.
Early childhood art education a palimpsestMiraAlmirys
This document summarizes the history and debates around teaching art to young children. It discusses how some advocate for a hands-off approach where children freely explore materials, while others argue this still constitutes teaching through guidance and modeling. Over time, views have shifted from seeing art as natural self-expression to emphasizing social interaction and cognitive development. While new research promotes interactive art education, traditional views emphasizing non-interference from teachers still dominate practice in Australian early childhood settings.
This document outlines the goals and methodology for arts education at Ntra. Sra del Carmen School in Spain. The goals for preschool emphasize observing the environment, developing communication skills through different forms of expression, and appreciating cultural diversity. The methodology is based on meaningful, active learning through setting up activity corners. Arts education plays an important role in developing basic skills like motor skills and language. It also increases self-esteem and communication. The school uses a phonic method for teaching reading and writing that introduces letters as characters to make learning fun and prevent difficulties.
This document outlines an activity where children draw stars and skies and then play the song "Twinkle Twinkle" using wine glasses filled with different levels of water. The activity aims to develop children's creativity, fine motor skills, cognitive development, language, and musical skills. To complete the activity, children will draw stars, the teacher will fill glasses with varying amounts of water to produce high and low notes, and then the children will sing along while the teacher taps the glasses in time with the song.
Early childhood education is key to lifelong success. The document discusses developing writing and motor skills in young children. Activities like moulding, cutting, and patchwork help build manual dexterity and develop gestures. Children first make random marks that become more precise signs and images through practice. Art activities involving visual art, music, and dance engage children's senses and strengthen abilities. The goal is for children to do visual and manual exercises and reproduce forms respecting graphic space. Described are activities using techniques by Sol Lewitt and from a Bruno Munari book to creatively color and paint with unusual materials.
The document summarizes the "Inclusion Project" carried out by students at APL Global School in Chennai, India. The project aimed to address the feelings of alienation experienced by some students. It involved several activities over different steps, including a silent hour to sensitize students to those with hearing impairments, having students get to know a randomly assigned partner, wearing badges highlighting positive characteristics, and painting a wall with handprints as a symbol of togetherness. Feedback showed the project had a positive impact on making students more tolerant and helping them make new friends.
The document discusses the importance of creativity and the arts in education. It argues that the arts provide students with opportunities to develop their academic, personal and social skills through multiple pathways of learning. The arts engage students in higher-order thinking by encouraging skills like creating, evaluating, and analyzing. Studies have shown that the arts can enhance literacy by 24% and mathematical skills by 6%. The document advocates for arts integration across all subjects and classrooms to tap into students' creativity and help them learn in different styles.
The Children's Center at Caltech has been providing STEM-focused early childhood education for over 16 years. Recently, they have focused more on the "E" for engineering. They created engineering challenges and scenarios for different age groups to explore. For infants, they explored clay and used tools and their bodies. Toddlers experimented with catapults and building structures. Preschoolers designed boats out of foil. Through these activities, the children demonstrated natural engineering behaviors like asking questions, imagining, creating, designing, testing and improving. The Center documented the children's experiences and wants to share them with parents to help parents understand appropriate engineering for young children.
The Importance of Keeping ART in Educationguest2818c9
The document contains 3 articles about how education can benefit from incorporating art. The first article outlines 8 ways art can enhance learning, such as how form and content interact and the importance of imagination. The second discusses broadening the art teacher's role and embedding art across the curriculum. The third shows how using art improved students' comprehension, reasoning, and performance beyond expectations. The conclusion argues art should be integrated creatively school-wide, not removed from classrooms.
This document summarizes a study that examined children's intentions and meanings in art making. The study used ethnographic methods like observations and interviews in an elementary school art room over one year. The study found that while past research viewed children's art as spontaneous and unintentional, children can articulate intentions for their art making. A socio-cultural perspective revealed that children engage in "personal projects" through art that connect them to culture and make life meaningful. The study aimed to understand art making from the children's perspectives and experiences to gain insight into why and how art is meaningful for them.
The Atelier is a place for children to experiment with various mediums and materials to express their creativity. All activities are designed to stimulate children's creativity and enrich their sensory experiences. A variety of papers, graphics, digital media, paints, watercolors, clay, and natural materials are provided to support exploring, experimenting, and creating knowledge in fun ways.
Whidbey Island Waldorf School provides an arts-integrated Waldorf education for early childhood through 8th grade. The school is nestled in a 100-acre forest on Whidbey Island. A Waldorf education engages students' cognitive, social, physical and linguistic development through an integrated curriculum taught by one teacher over eight years, fostering community and a lifelong love of learning.
The document provides an overview of Ney Ferenc Kindergarten in Eger, Hungary. It discusses the kindergarten's mission of ensuring every child matters, and its curriculum which focuses on basic values like patriotism, traditions, justice, and respect. The curriculum also emphasizes skills like language acquisition, cooperation, celebrating traditions, and respecting the environment. It describes the educational priorities in Hungary like compulsory early education starting at age 3, and outlines the national core curriculum's emphasis on developing key competences and addressing common values through the 12 grades of compulsory education.
This document discusses the benefits of incorporating creative dance and movement into early childhood education. It begins by describing how a creative dance class may involve imaginative activities like pretending to sail on boats or explore the jungle. It then discusses how movement is an important part of how young children learn and explore the world. The document outlines several benefits of creative dance for children, including physical, social-emotional, cognitive, and creative development. It also discusses how dance can be integrated into the curriculum to enrich learning. Incorporating movement into the classroom in this way has additional benefits like helping to address the obesity epidemic and nurturing creativity, which are important skills for future success.
The document discusses the usefulness, advantages, and drawbacks of teaching reading and writing in early years of education. Some key advantages include: helping develop children's brains, communication skills, creativity/imagination, literacy standards, and language/vocabulary. Early reading improves spelling, oral communication, comprehension, and writing. Early writing grows thinking skills, phonemic awareness, alphabet knowledge, spelling, and fine motor skills. Communication enhances vocabulary, attention, memory, curiosity, creativity, knowledge, and independence. The document emphasizes integrating reading, writing, and communication to develop language skills through meaningful and engaging activities.
The document discusses artistic education in Polish kindergartens. It outlines four key areas of development: 1) a child as viewer and actor, 2) different forms of musical movement like singing, dancing, and playing instruments, 3) different forms of visual arts like drawing, painting, and sculpture, and 4) constructional games and technical skills. Various educational programs and techniques are used to develop children's talents and abilities in these areas, including drama, music, dance, visual arts, and playing instruments. The overall goals are to support children's curiosity and self-expression through exposure to aesthetic values and artistic forms.
The importance of art viewing experiences in early childhood visual artsekinrashid
The document discusses strategies used by a master art teacher to engage preschool students in art viewing experiences at a museum. The teacher utilized games, questioning, storytelling, and technical discussions to introduce students to artworks in the galleries. These strategies helped students focus their viewing and supported rich conversations about the art. The art viewing experiences informed subsequent art making activities, providing a holistic approach to visual arts education for young children.
This document discusses organizing an exhibition about fashion from the past. The teacher was surprised by the variety of garments and accessories received from families, which showed "fashion" is about how people dress throughout their lives, not just clothing. Students were curious about the stories and smells of old clothing. The teacher decided to add scents to different exhibition areas using essential oils, to transport visitors from past to future like a "time machine."
The document describes a student teacher's curriculum project on leaves based on observations of preschool children. The project involved 6 planned activities centered around leaves, including sorting leaves by color, exploring leaves' textures by putting them in water and sand, comparing leaf colors and shapes, making leaf crafts, pretending to be squirrels collecting leaves, and dancing to leaf songs. The goals were to enhance the children's development in various domains like cognitive, physical, social, emotional and language skills through hands-on exploration and investigation of leaves.
The arts are central to the school's work and have a clear impact on pupils. Staff are encouraged to identify and reward creative thinking in pupils. Cross-curriculum project work emphasizes recording learning through various mediums, complementing vocabulary and literacy development. The school has made a strong commitment to high quality arts education, developing projects with external partners that enhance skills in theatre, dance, and music.
This document outlines a school's plans for an intergenerational project between students, teachers, parents, and grandparents. The project aims to promote cultural exchange, strengthen relationships between generations, and involve the local community. Activities will include weekly visits from grandparents to teach traditional games, monthly workshops on topics like crafts and cooking, and performances celebrating traditions. The goals are fostering understanding between European education systems and appreciating cultural heritage through elders' memories. Challenges could include difficulties managing community involvement or workload stresses for teachers and students.
It gives a insight into the Reggio Emilia approach originated in Italy soon after the world war. It was developed by Loris Malaguzzi. Fundamentals and principles of the approach is highlighted.
Mariana is a 24-year-old history teacher at a boarding school in Bulgaria that provides shelter, food, and education to disadvantaged children from Roma and low-income families. She wants to establish an art class to help prevent aggression and bad influences from the children's families by offering activities like theater, music, art, and psychology games. Mariana finds rewarding helping the children become better people and make good decisions.
The document discusses the domain of creative arts in early childhood education. It identifies four main elements of creative arts: art, music, movement, and dramatic play. It provides examples of how children can engage with each element, such as through painting, singing songs, dancing, and pretend play. The document also offers strategies for teachers to encourage children's participation, appreciation, and development in the creative arts, including providing a variety of materials and experiences, modeling creative expression, and incorporating music from children's cultures.
This document provides biographies of three speakers on arts integration in education: Gail Humphries Mardirosian, Hannah Vonder Haar, and Elizabeth Watson. Gail is the Dean of Stephens College School of Creative and Performing Arts. Hannah is an art integration specialist and teacher at The Children's School at Stephens College. Elizabeth is the director of The Children's School and works with preservice teachers. The speakers will present on topics related to arts integration and its benefits for teaching and learning.
The research combines walking methods and participatory theatre –working with migrant mothers, girls and migrant women with no recourse to public funds - to understand the lives, experiences and sense of belonging and place making – involved in enacting citizenship
Cultural activities in Kindergarten (guide of good practices of five schools of five European countries which took part in the
Erasmus+ project "My culture, your culture, our culture" 2018-2020
The document discusses how various art forms are used in kindergarten education to stimulate children's creativity, expression, and learning. It describes how music, dance, painting, modeling, drama, and puppetry are incorporated into the curriculum. These art activities help children develop coordination, rhythm, spatial skills, and self-confidence while also expressing themselves and satisfying their need for movement, play, and entertainment.
The document discusses a school project where students researched the history of clothing and fashion in their region. The class was divided into eight groups, with each group focusing on a different topic related to historical clothing. Through activities and an exhibition, the students learned about the traditions and heritage of their ancestors. The project helped students develop national pride while also making the study of history more engaging.
This document summarizes Meleanna Aluli Meyer's approach to teaching Hawaiian art and culture. She outlines a 5-step process for developing art education programs: 1) Intention - articulating the goals and purpose, 2) Frontloading - researching and planning the content and medium, 3) Essential Questions - developing questions to build student skills and understanding, 4) Process - guiding students through practice and refining their work, 5) Hōʻike - sharing what students have learned. Meyer draws from her background in Hawaiian culture and Western art training. She believes in nurturing student talents and making cultural knowledge accessible through place-based and transdisciplinary learning.
This document provides reviews and endorsements of the book "Art and the Creation Stories" by Maria Lourdes de Vera from various doctors, educators, parents, and other professionals. The book uses art and storytelling to teach children about God and his creation in an innovative way. It promotes nurturing creativity and the arts in children. Many comment that the book will remain meaningful for both children and teachers and help children express themselves.
This document summarizes a study that explored how pre-primary (ages 5-6) children responded to contemporary art exhibits in a museum setting. The study examined the role of the children's previous artistic experiences and how the art museum visit impacted the children's responses to artworks and their own artmaking in the classroom. 32 children from Cyprus were interviewed and observed before and after a visit to an art museum. The findings suggested that with appropriate educational approaches, art museum visits can be an important part of early childhood education by allowing children to explore artworks and materials in depth.
Remix Culture: Digital Music and Video Remix Opportunities for Creative Produ...Erin Brockette Reilly
Reilly, E. (2010) “Remix Culture: Digital Music and Video Remix Opportunities for Creative Production” Editor: Jessica Parker, Teaching Tech-Savvy Kids: Bringing Digital Media into the Classroom, Grades 5-12. Corwin Press.
Pam Burnard Modulating Pedagogical Spaces For CreativityWAAE
The document discusses modulating pedagogical spaces to promote creativity in music education. It explores how to document and understand creativity in students' music, and how to create learning environments that encourage thinking differently about music. The challenges of assessing progression in musical creativity are also examined. Effective creative spaces allow questioning, making connections, imagining possibilities, and representing ideas flexibly. Teachers can foster creativity by giving students choice, time for reflection, and modeling creative actions in a collaborative partnership.
How Barcodes Can Be Leveraged Within Odoo 17Celine George
In this presentation, we will explore how barcodes can be leveraged within Odoo 17 to streamline our manufacturing processes. We will cover the configuration steps, how to utilize barcodes in different manufacturing scenarios, and the overall benefits of implementing this technology.
Temple of Asclepius in Thrace. Excavation resultsKrassimira Luka
The temple and the sanctuary around were dedicated to Asklepios Zmidrenus. This name has been known since 1875 when an inscription dedicated to him was discovered in Rome. The inscription is dated in 227 AD and was left by soldiers originating from the city of Philippopolis (modern Plovdiv).
🔥🔥🔥🔥🔥🔥🔥🔥🔥
إضغ بين إيديكم من أقوى الملازم التي صممتها
ملزمة تشريح الجهاز الهيكلي (نظري 3)
💀💀💀💀💀💀💀💀💀💀
تتميز هذهِ الملزمة بعِدة مُميزات :
1- مُترجمة ترجمة تُناسب جميع المستويات
2- تحتوي على 78 رسم توضيحي لكل كلمة موجودة بالملزمة (لكل كلمة !!!!)
#فهم_ماكو_درخ
3- دقة الكتابة والصور عالية جداً جداً جداً
4- هُنالك بعض المعلومات تم توضيحها بشكل تفصيلي جداً (تُعتبر لدى الطالب أو الطالبة بإنها معلومات مُبهمة ومع ذلك تم توضيح هذهِ المعلومات المُبهمة بشكل تفصيلي جداً
5- الملزمة تشرح نفسها ب نفسها بس تكلك تعال اقراني
6- تحتوي الملزمة في اول سلايد على خارطة تتضمن جميع تفرُعات معلومات الجهاز الهيكلي المذكورة في هذهِ الملزمة
واخيراً هذهِ الملزمة حلالٌ عليكم وإتمنى منكم إن تدعولي بالخير والصحة والعافية فقط
كل التوفيق زملائي وزميلاتي ، زميلكم محمد الذهبي 💊💊
🔥🔥🔥🔥🔥🔥🔥🔥🔥
Level 3 NCEA - NZ: A Nation In the Making 1872 - 1900 SML.pptHenry Hollis
The History of NZ 1870-1900.
Making of a Nation.
From the NZ Wars to Liberals,
Richard Seddon, George Grey,
Social Laboratory, New Zealand,
Confiscations, Kotahitanga, Kingitanga, Parliament, Suffrage, Repudiation, Economic Change, Agriculture, Gold Mining, Timber, Flax, Sheep, Dairying,
Beyond Degrees - Empowering the Workforce in the Context of Skills-First.pptxEduSkills OECD
Iván Bornacelly, Policy Analyst at the OECD Centre for Skills, OECD, presents at the webinar 'Tackling job market gaps with a skills-first approach' on 12 June 2024
This presentation was provided by Racquel Jemison, Ph.D., Christina MacLaughlin, Ph.D., and Paulomi Majumder. Ph.D., all of the American Chemical Society, for the second session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session Two: 'Expanding Pathways to Publishing Careers,' was held June 13, 2024.
Gender and Mental Health - Counselling and Family Therapy Applications and In...PsychoTech Services
A proprietary approach developed by bringing together the best of learning theories from Psychology, design principles from the world of visualization, and pedagogical methods from over a decade of training experience, that enables you to: Learn better, faster!
2. “This unit was a gateway for learning to make connections. Children learned
about how people played in the past and how toys and games have evolved
over time. They played many of these games in class and discussed how to
solve problems and conflicts through these games. While exploring toys from
the past, we realized that most of these old-fashioned toys and puzzles
require genuine human interaction, use of hand-eye coordination and strong
analytical skills; something that is missing in some modern toys.
We used a Venn Diagram to organise games and toys into categories of those
that were played in the past, those that are played in the present and those
that are common to both the past and the present. Finally, we identified the
skills we can learn from all of these games and toys. This was a very
meaningful unit for the children as we were able to tie in aspects from PSPE
into the unit of inquiry. The experiences from this unit will undoubtedly form
a strong basis of knowledge and understanding about play from which the
children can build on and deepen in the future. ”
– Ms. Dana Iu, EY Coordinator, Music & PSPE Specialist
3. “In art class, we thought about our families and considered how every family
member is very important and closely related. We also learned the vocabulary for
different family members and drew our own family trees. Through doing so, we
could visualise how different family members are connected to one another and
developed an understanding that a family is like a big tree, upon which each leaf,
each branch, and each root are all about love. We also focused on how items of
daily use have changed and developed over time. We looked closely at the old
artefacts that we had brought from our own homes and described their
appearance, colours, and functions. Then, we thought about what these objects
had become in their present-day form and why. Finally, we imagined what the
objects might be like in the future. In the process of thinking, students came to
understand that changes in items of daily use represent changes in people's
living standards as well as humanity’s ability to create and innovate. Students
recorded their ideas in a series of artworks that tracked a single artefact and
how it has changed over time. Through their work, we can see that the children
are full of curiosity about the future and also have many ideas about how it
might look. ”
– Ms. Sunny Xu, Prep Art Teacher
4. “Just like language, science and maths, music plays an important role in a
child’s development. It has many benefits and one of them is helping the
body and the mind to work together. That is why in Prep, we expose our
students to music and provide them with ample opportunities to
experience music as they sing, move, listen, dance, and play musical
instruments. In this unit about family history, our students listened to
different genres from classical to modern music which helped them to
define change and make connections between past, present and future.
Our students naturally enjoy and respond to music. When we see our
students take part in music and movement activities, we see them as
natural learners having fun, developing and refining their skills, while being
confident and creative. As the person in charge of music for this
exhibition, I am truly grateful for the experience as I was able to share my
passion with the students and teachers. It is truly an honour to have
worked with such an amazing group who shares the same belief that life
without music is boring. ”
– Twilite Basquil, Prep Earth Homeroom Teacher
5. “Family history is a profound topic for children and even adults. The children
in Prep will show you their understanding of family history in this exhibition.
Our documentation panels will help you understand the children’s
knowledge, understanding and thinking. In the process of collecting
artefacts, I was amazed with the knowledge that the children have regarding
their family history. They were able to share many meaningful stories about
their parents and grandparents. Hearing them introduce their artefacts and
treasure boxes and express their understanding of the past, the present and
the future, I believe that you too will be surprised. Perhaps the children do
not yet have a full understanding of the concepts yet, however, I am sure
that in the future when the they open up their treasure boxes, the children
will be moved when they read the letters their parents have written for them.
As an educator, it has been an honour for me to be a part of this exhibition
as a documentarian, recording and helping to express the children's learning
journey from their family's past to its future.”
– Ms. Doris Cen, Prep Earth Homeroom Teacher
6. “Being in charge of organising fashion from the past has definitely been
an eye-opener for me. Receiving various garments and accessories from
so many families has made me appreciate the word FASHION. It isn’t just
about clothing and jewelry; it is also about the way one carries it, right
from being a baby until old age. We received a range of beautiful and
interesting items, including a wedding gown, a sari, a hand-painted pair of
jeans and hand-knitted baby booties. I have learned to appreciate the
idea that each special item has its own story. The smell of each garment
compels us to be curious and eager to find out what its life might have
been. Observing the students’ interest in the old clothing’s smells made us
realise the power of smell in invoking wonder and memories. Inspired by
this, our team decided to add in scents to the different sections of our
exhibition. We included incense sticks and scented oils to create the
ambience and to take our visitors on a journey from the past to the future.
We used smell as our time machine.
– Mrs Priya (Jenny) Mahtani, Prep Jupiter Homeroom Teacher
7. “It was a great honor to fulfil the role as one the curators of the Prep Family History
Museum. As curators, our mission was to be passionate about the focus of our
museum, hence we endeavored to make the learning fun and enjoyable for the
children in this unit. Inspired by our PYP Coordinator, Mrs. Manju Nair, we shared
our general ideas with each other about how our museum should look. We worked
together as a team, making decisions about the different roles teachers would play
and in monitoring documentation. We decided to divide the museum into three
different time zones – the past, the present, and the future. In each of these zones,
colour schemes, lighting, artwork, and scents were all collaboratively decided upon.
Since this unit was about family history, parents were highly involved throughout the
process. It became a learning process for them as well, and they were equally
enthusiastic about building this exhibition as we were. Student agency was observed
in the children as they independently chose their own family artefact to present.
The museum has provided the opportunity for children to showcase their family
history to their classmates and the school community and they have successfully
accomplished this with confidence. ”
– Ms. Sophie Li (Li Jing), Prep Jupiter Homeroom Teacher
8. “A curator (Latin: cura, meaning "to take care") is a manager or an overseer. At first, this
role seemed like a new challenge to take on and learn from, but it ended up being much
more than that. In my role as a curator for this exhibition, I have been responsible for
assembling, cataloguing, managing and displaying artistic and cultural family history
artefacts and making connections in how these items have changed over time. Hence,
curating the Prep Exhibition was mainly about presenting the students’ understanding
of these concepts through the lens of their own family history, while keeping in mind
setting, ambience, music, tone, feel, lighting, and scent. Performing this role has helped
me to understand the connection between these elements and how their cohesion is
important in creating a successful museum. This museum also showcases the students’
voice, choice and ownership. All of the artefacts were chosen by students. They used
their voice and thinking skills while asking questions about the artefacts to their family,
and they took ownership by being curious and researching further into the history of
their artefacts. This journey has deepened our understanding of the importance of
family history and how it helps in shaping us to be ‘Who We Are’ and understanding
‘Where We Are in Place and Time’.”
– Ms. Abigail Fernandes, Prep Sun Homeroom Teacher
9. “This unit of inquiry was a great experience for the students in which they were able
to build knowledge and understanding of their own family history. The inquiry
process allowed students to develop an understanding of the concept of time – the
past, the present and the future. They built an understanding of the past through
investigating artefacts from their family history, and developed a sense about the
future by making their own treasure boxes. The creation of the treasure boxes
paved the way for a lot of parent involvement and collaboration between students,
parents and teachers. There was a sense of respect towards the choices made by
the children. As the unit progressed, we as teachers reflected on our own teaching
practices and observed how the students improved in their understanding. My role
in the exhibition included organizing the exhibition spaces as well as being the point
of contact between the administration staff and the Prep team. I also took great joy
in collating a slideshow for all Prep classes that documented the students’
experience of creating their treasure boxes, including photos and student
comments. Through the experience of working with the Prep team in planning this
exhibition, I came to understand the importance of working well as a team towards a
shared goal.”
– Summer Zhang, Prep Sun Homeroom Teacher
10. “Documentation is an art form that can take decades for a teacher to
master. While I believe that I am only at the beginning of this learning
journey, I am grateful that I have had the opportunity learn more about it
by performing the role of documentarian for this exhibition. Throughout
this unit of inquiry, we have documented the children’s learning through
photos, videos, and by recording the children’s words as they spoke.
While it is true that a picture is worth a thousand words, for me the most
important aspect of documentation is in hearing and recording the words
of the children. For it is through their words that we can come to know the
children - who they are and what is important to them, their thoughts and
their feelings. So in order to become a master of documentation, a
teacher must first build a culture of trust and an environment of sharing,
so that the children have the confidence and are willing to share their
ideas. And finally, most important of all, we must LISTEN. Today, as you
explore our museum, my greatest hope is that you will hear the voices of
the children.”
– Ms. Rebecca Hardman, Prep Stars Homeroom Teacher
11. “As this was my first time to be put in charge of setting up an exhibition, it
was a good opportunity for me to learn something new. The Prep team
had a lot of meetings to decide how to make full use of the Admin Building
exhibition space. After much discussion, we came to the conclusion that
we would use the space between the four pillars to display artefacts from
the past and present. In the past section of the museum, we decided to
use brown, wooden tables to bring about a feeling of that past.
Additionally, we decided to incorporate the use of essential oils to help
remind people of an older time. Then, to illustrate a more modern time in
the present section of the museum, we decided to use colourful tables
and to diffuse a scent that smells more current. Luckily, there was a
separate room in which we could express the future. We chose not to put
up any signs like “The Past” or “The Present” as we really wanted to
encourage parents and museums visitors to explore freely and to draw
their own conclusions. Finally, we believed that our students would be
very capable museum guides.”
–Gary Hua, Prep Stars Homeroom Teacher
12. “The Preparatory class students undertook an inquiry into personal
histories, the central idea of the unit being “ People Understand their
family history through exploring evidence of the past”. The ‘evidence’
here is family artefacts, heirlooms, and other items of value. This proved
to be an excellent opportunity for young students to understand what
things their individual families treasured and what stories these treasures
unearthed.
In conceptualising and putting the exhibition of their learning together,
the teachers reveal the learning and curatorial process as much as have
the displays speak for themselves. Honouring the children, their personal
histories and their family experiences, has also allowed for them to
project into their own future and consider what artefacts they might value
then.”
– Mrs. Manju Nair PYP Coordinator.
13. CREDITS
策展⼈员
EXHIBITORS 展览者- Preparatory class students ⼤班学⽣
CONTENT CONTRIBUTORS 材料贡献者
- Preparatory parents ⼤班家⻓
SET DESIGN 布景设计- Mr. Gary Hua
MEDIA 多媒体 - Ms. Summer Zhang
PERIOD COSTUMES & FRAGRANCE 服装和⾹氛 -
Mrs. Priya Mahtani
14. TOYS & GAMES 玩具和游戏- Ms. Dana Iu
BACKGROUND MUSIC 背景⾳乐- Ms. Twilite Basquil
DOCUMENTATION & EDITING ⽂档梳理编辑
- Ms. Doris Cen & Ms. Rebecca Hardman
PEDAGOGICAL SUPPORT 教学⽀持- Mrs. Manju Nair
CURATORS EXTRORDINARE 特别组织者
- Ms. Abigail Fernandes & Ms. Sophie Li