Project carried out by three students Cozzarin Michele, Gerometta Mattias and Coletto Elisa. If you wish to see what this powerpoint is linked to, view our school blog http://cristianaziraldo.altervista.org/category/our-school-projects/ and look for The Death Penalty
This presentation includes the most banned and censored books in the United States between 2000 - 2020 as documented by the American Library Association's finding, and the reasons given by those who challenged these books.
The category shown barely scratches the surface of this beautiful presentation. What had humbly begun as a postscript to my other PowerPoint CONSUMERISM quickly took on a life of its own during Lent '09. I just had to share my traumatic discovery that my all-time favorite movie is really about my lifelong worst fear. This heartwrenching, unforgettable presentation is at the vanguard of film criticism, social medicine, psychology, and human rights. Its perspective is well over a half century overdue. STRONGLY RECOMMENDED: to hear the stunning Tchaikovsky soundtrack, go to my website http://assumetheopposite.com/Powerful_PowerPoints.html to download the 3 music files and follow the step by step instructions to add the links to the presentation. Don't forget to download the postscript in .doc format. Running time: approx. 45 min. Rated PG.
Project carried out by three students Cozzarin Michele, Gerometta Mattias and Coletto Elisa. If you wish to see what this powerpoint is linked to, view our school blog http://cristianaziraldo.altervista.org/category/our-school-projects/ and look for The Death Penalty
This presentation includes the most banned and censored books in the United States between 2000 - 2020 as documented by the American Library Association's finding, and the reasons given by those who challenged these books.
The category shown barely scratches the surface of this beautiful presentation. What had humbly begun as a postscript to my other PowerPoint CONSUMERISM quickly took on a life of its own during Lent '09. I just had to share my traumatic discovery that my all-time favorite movie is really about my lifelong worst fear. This heartwrenching, unforgettable presentation is at the vanguard of film criticism, social medicine, psychology, and human rights. Its perspective is well over a half century overdue. STRONGLY RECOMMENDED: to hear the stunning Tchaikovsky soundtrack, go to my website http://assumetheopposite.com/Powerful_PowerPoints.html to download the 3 music files and follow the step by step instructions to add the links to the presentation. Don't forget to download the postscript in .doc format. Running time: approx. 45 min. Rated PG.
10. Films Released in 1978, The Wiz, directed by Sidney Lumet, is a remake of one of Michael Jackson's favourite movies "The Wizard of Oz". The film has an all blackcast with Diana Ross playing the lead role of Dorothy and Richard Pryor as The Wiz. Michael Jackson plays the Scarecrow. The Wiz was Michael’s first step into the movies and he found he enjoyed the 5-hour make-up sessions, 6 days a week, transforming him into the Scarerow and be able to become a different character. THE WIZ
11. MOONWALKER Films Released in 1988, Moonwalker is a magical, musical journey into the world of Michael Jackson. Directed by Jerry Kramer and Colin Chilvers, starring Joe Pesci as Mr Big and Sean Lennon, Kellie Parker and Brandon Adams. Moonwalker is a story of good over evil, mixed in with fantastic songs and dance numbers, animation and the latest special effects of the time.
12. Films GHOSTS A short film of 38 minutes released in 1996/97, Ghosts was written by Michael Jackson and Stephen King and directed by Oscar-winner Stan Winston, the world's foremost creator of creatures. Winston is the man behind characters such as 'The Terminator', the extra-terrestrial monstrosities of 'Aliens' and the amazing dinosaurs of 'Jurassic Park'. Featuring latest special effects, make-up and dance routines, Michael plays a number of characters that look nothing like each other making use of great make-up and special effects.