Portrait Drawing and Painting the Head in Ink and Paint
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The document discusses techniques for drawing the human head and skin color. It provides examples from various artists such as Kathe Kollwitz, Lucian Freud, Otto Dix, Rodin, Giorgio de Chirico, and Renoir. Tips are given for drawing the head, including observing how lines on the face disappear in certain areas. For skin color, it notes that skin tone depends on factors like light, genes, surrounding colors reflected off greasy skin, and one's imagination.
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Portrait Drawing and Painting the Head in Ink and Paint
- 1. drawing the head Glenn Hirsch, Instructor
- 3. VINCENT BEFORE AND AFTER
- 5. Rico LeBrun
- 6. Rico Lebrun
- 8. Obie Bowman
- 9. Obie Bowman
- 10. Obie Bowman
- 11. Obie Bowman
- 12. Obie Bowman
- 13. Obie Bowman
- 14. Guilherme Kramer
- 15. Obie Bowman
- 16. Obie Bowman
- 17. Obie Bowman
- 18. Obie Bowman
- 19. Obie Bowman
- 20. Obie Bowman
- 21. Obie Bowman
- 22. Alan K
- 23. DRAWING THE HEAD
- 27. • Kathe Kollwitz – notice how the line on the left cheek disappears?
- 31. Lucian Freud
- 34. Otto Dix, 1911
- 35. Rodin
- 40. Renoir
- 43. Raphael
- 53. SKIN COLOR
- 54. • Skin color depends on light
- 55. • Skin color depends on genes
- 56. • Skin color depends on a great variety of browns and pinks
- 57. • Skin color also depends on the color green in the shadows
- 58. • Skin is greasy, so skin also reflects the colors around it
- 59. • Can you see the green in the skin?
- 60. • Can you see the green in the forehead?
- 61. • Skin color also depends on the imagination
- 62. Alexi Jawlensky