This story is about a girl named Faith who is afraid to go to camp. She tries to hide on the bus so she doesn't have to get off. Her teacher convinces her to get off and promises to stay by her side. At camp, Faith is nervous about hiking trails with puddles but decides to run through one, getting her boots muddy. The camp counselor sees and looks exasperated with Faith's actions.

1. Portfolio
Christine Hebert
Pennsylvania State University
LL ED 597G
Fall 2011

2. Copyright © 2011 by Christine Hebert
All rights reserved. No part of this document may be used or reproduced in any
manner whatsoever without written permission of the author.
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3. For Dennis, my professional and personal supporter
and my grandchildren, my joy
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4. Table of Contents
Part I Original Work
1. Credo 4
2. A Poem 5
3. Getting a BIG, BIG Dog Off the Couch 6
4. I Remember a Day 7
5. A Girl’s Room 8
6. Faith 9
7. Character Sketch 12
Part II Critiques and Philosophy
My Critiques 13
Writing Workshop Members’ Critiques 14
My Philosophy of Children’s Literature 15
Part III Appendix
Author’s Note 17
About the Author 18
Comments 19
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5. Credo
I believe in truth, children crave it,
I believe in humor, innate in children,
I believe in empathy, to engage the soul,
I believe in connections in life, from child to adult,
I believe in simplicity.
Reflection
I believe that succinct and simple writing is the most powerful. This belief extends
to my attitude towards life, as well as my teaching. Children respond to simplicity,
tuning out long, prolonged lessons and explanations. This is reflected in favorite
books, simple and connected to real life.
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6. A Poem
A poem is….
A short rope.
Entwined with meaning,
Filled with fibers,
A beginning and an end,
Attached to being.
Reflection
Although I believe in simplicity, I also think there is subtle and underlying meaning
to chosen words as they are pieced together to form poetry. Each word is powerful.
Punctuation is key to framing and emphasizing images.
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7. Getting a BIG, BIG Dog Off the Couch
Here doggie, doggie,
No way.
COME HERE doggie, doggie,
No way.
GET OFF THE COUCH!
Ears twitch.
How about a treat?
Eyes open.
I push the rear, I push the front,
Eyes close.
I TRY AGAIN,
PUSH the rear, PUSH the front,
Tail wags.
I TRY AGAIN,
PUSH the rear, PUSH the front,
Finally, DOG on floor.
Dog back on couch.
I’ll sit in the chair.
Reflection
My Great Pyrenees who is currently 110
pounds and only a year old inspired this
poem. No human can fit next to him
when he is lying on the couch. Don’t
attempt to move him. He will not budge.
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8. I Remember a Day
I remember the sunspot glittering on the ground,
Making me wonder why it danced.
I remember a hummingbird dipping into morning glories,
Sipping the nectar from their depths.
I remember the drooping thorn tree branches,
Enclosing a play area around its trunk.
I remember my foot bleeding,
Throbbing from a thorn in my sole,
I remember someone chopping down the tree,
Destroying the delight of imagination.
Reflection
One morning, when I was five years old, I woke up with the sun shining on my
bedroom floor. I looked out my window and saw a hummingbird flitting from
morning glory to morning glory. This was the first time I remember seeing
hummingbirds and morning glories. There was also a large thorn tree in my
backyard. I was told not to play under it, but the secrecy of the dark under its
branches enticed me. Regretfully, I got a very large thorn stuck in my foot.
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9. A Girl’s Room
Brother’s DS under my pillow,
Sounds of banging on my wall.
Molly and Emily on the floor
Dolls dressed up for a good night’s sleep.
Ballet tutus, torn and dirty,
Hung on a closet peg.
Empty dollhouse in the corner,
Tiny furniture scattered round the room.
Bowed barrettes and headbands,
Strewn on top the white bureau.
Purple Teddy by my head,
Waiting for its hug.
Mommy’s footsteps in the hall,
Time to go to sleep.
Reflection
When I think of a young girl’s room, I picture my five-year-old granddaughter’s
bedroom. Her room is an image of her life, busy, cluttered, and full. The objects
portray her interests. Like any young child, she is reluctant to part from her day. She
needs a parent’s presence, however distant, to remind her of sleep.
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10. Faith
Faith waited clamped to the seat. Camp would be dreadful, all her fears about
playing outside and insect bites threaded through her body. She knew she couldn’t
get off the bus.
She’d been petrified since her teacher told the class about the school fieldtrip to a
camp. The permission slip lay on her desk. Maybe she could lose it and not give it to
her mother. But it was attached to her weekly report and if she tore it off her mother
would know. Faith knew her mother wouldn’t let her miss a day of school unless she
was puking or running a high fever.
A hand smacked her on the head. “Come on. Get off the bus. Grab your lunch,” said
her friend Cayley.
It was okay for her friend to be so excited. She liked to play outside in the woods
behind her house. She even had a treehouse out there.
Everyone else was off the bus. Her friend, sitting next to the window, pushed her
harder.
“I can’t, I just can’t”, Faith moaned. “Do you think Ms. Mello will call my mom to
come get me?”
“You’re such a baby. We’re going to have fun. Anything’s fun when you don’t have to
be at school.”
Faith moved her legs sideways into the bus aisle. “Go by yourself. I’m staying here,”
she said.
So, there went her friend, tromping off the bus.
Faith lay down on the seat. Maybe they wouldn’t notice that she was still on the bus.
She crunched up her legs onto the bus seat. Now, no one would see her.
Uh, oh! Footsteps sounded purposefully in the aisle. Who was it now?
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11. Faith’s teacher touched her knee. “Faith, we’re going to have fun this week. You can
stay right by me until you feel safe. Nothing’s going to hurt you.”
“Hurt me,” thought Faith. There were bugs to sting her; animals to bite her, and even
poison ivy to make her itch.
She knew she couldn’t get out of not getting off the bus. She knew her mother
wouldn’t come get her. Most horribly, she knew her friends would laugh at her if she
showed her fear.
Faith walked down the aisle, hunched over as if her stomach hurt. Holding onto the
side rails, she tentatively placed her feet on each bus step. There, she was on the
ground, at camp.
She turned her head to look at the kids in her class. A huge bumblebee buzzed and
flapped in front of her face. She ran. Her classmates’ laughter followed her. There
were trees everywhere. What if she got lost? Reluctantly, she stopped, turned
around, and trudged back to her classmates. Ms. Mello, her teacher, put her arm
around Faith, directing her to listen to the camp director.
Great! The director was dividing the class into three groups for the morning: one to
go swimming, another to go hiking with a camp counselor, and the third group to go
into a classroom with her teacher. Of course, Faith was picked to go with the camp
counselor.
As Faith waited in her group, she noticed that there were big puddles along the
hiking paths. If they went for a walk, how would they get around the water?
The camp counselor explained that they would be hiking, but because of the recent
rain there was a lot of water on the trails. They would have to walk on the sides of
the large puddles near the bushes so they could get around the water.
Faith tried. She really tried, but her cowboy boots seemed destined to slip in the
water. Oh, well. Since her boots were already wet, she might as well just walk
through the puddles. In fact, she should just run through them! And run, she did.
A loud voice stopped her in the middle of the biggest puddle on the trail. Her feet
slid to a stop, her boots sinking into mud. She looked down at her feet. They were
covered in water. Her socks felt wet. Her boots were leaking.
She pulled her feet out of the mud, the tops of her feet tight against the foot of each
boot. Her friend Cayley hissed at her. “Why did you have to go through the puddle?
The counselor’s not going to be happy.”
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12. Faith looked up at the camp counselor. She looked exasperated. Faith looked from
side to side to see if anyone else had run through the puddle. Khiheem was standing
in back of her, right in the middle of the puddle. She wasn’t the only one.
The camp counselor led the group to some benches. Faith was told take off her boots
and her socks, if she was wearing any. The class would sit on the benches for awhile.
Maybe her boots would dry a little bit.
Faith looked at her bare feet and wiggled her toes. Going through the puddle was
fun. She felt happy when she ran through it. She might be in trouble, but she was
thinking, maybe camp could be fun. Maybe they would do something else that that
she liked.
The group switched at noon to go for swimming lessons. After that was lunch, then
Faith’s group worked on crafts with her teacher. Faith had a good time in these
activities. Finally, at the end of the day, the whole class roasted marshmallows on a
fire and made s’mores.
As Faith rode back to school in the bus, she thought about her day. The puddle was
fun, so was swimming, and making a bird feeder. She really liked the s’mores. Maybe
a hike through the woods wouldn’t have been that scary. Faith wished her class
could go to camp again tomorrow. Then she fell asleep.
Refllection
This story was based on a real class trip to an outdoors day camp. Faith really did
run through a huge puddle in her cowboy boots. I wanted to show the experience of
a girl from the city on her first trip to a camp. Actually, the story should be longer, or
it could be written as a picture book with less text, but detailed illustrations.
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13. Character Sketch
Her hands were cupped together on the library table. She clenched her eyes to
protect her emotions. Should she look at him?
Her breasts were still small, like tiny puddles on her chest. Her checks exposed a
shadow of embarrassment. Her hair was long, flat, and stringy. How could he like
her? It wasn’t possible. He must think she was someone else.
She looked away from him and pretended he wasn’t there. Then she wouldn’t be
disappointed when the look of disgust showed on his face.
Thankfully, someone called his name. “Come on, we’ve got to go.” From the bottom
of her eyes she saw his feet turn.
A quiet sigh escaped. She was safe, an isolated spot of water on a scraggly seedling.
Reflection
This is a real event in my life. I was in seventh grade and uncomfortable with my
slowly developing body. I was sitting in the public library oblivious as I worked on a
report due the next day. I noticed a boy slowly moving towards me. He seemed
determined, but scared just walk up to me. I was afraid he would talk to me. He was
called away by an older brother. I was relieved.
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14. CRITIQUES
My Critiques
This passage is about a girl who has been told that she will compete in a boxing
competition. She had turned herself around due to a car accident in which her friend
died. The voice in the character's head is very vivid. The reader is excited with her.
The only weakness may be that the inner dialogue is lengthy. Overall, it is a well-
written scene with good inner dialogue. We feel for your character.
You are effectively using dialogue in your life eras of Jack and Jill. Your words
convey the thinking and relationship between Jack and Jill in each scenario. Your
take on this exercise was different that I'd imagined it - making each line longer than
the clipped original version. Could some of your lines be too long?
Your words make the water flow. I can feel the constant movement, even at the end
with the word drifts. Instead of flowing in the first line, the word falling would help
connect with the title.
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15. Writing Workshop Members’ Critiques
Definitely a very familiar situation for many girls. I would love to see some detail
about what else the boy did next to her that might have made her think he sat down
next to her for the sake of something besides just sitting. I started to get the image of
how she was feeling. Perhaps including a little bit more descriptives words and
phrases about how her body i physically acting because of the situation. Is she
sweating? Is her heart beating quicker? Is there anything else she knows about this
guy or is this the first time they have ever met?
Kristie Sheridan
My Response
I didn’t take this advice, because I wanted the scene to be simple, not overlade with
words. The girl had never met the boy and I wanted this to remain a mystery. This
actually happened to me and the poem is in fact a longer description than the brief
moments of the actual event.
Wow, I really like this Christine! It is beautiful and bittersweet all at the same time.
You have a very consistent voice throughout and the pacing is great! I did question
why you chose to break the flow of -ing verbs in lines 2,4,6, and 8 by making line 6 a
noun (thorns). It made this particular line stick out to me even more and I wasn't
sure if this was supposed to be the peak of the poem? That makes sense though if it
was purposeful, like the ending of this childhood bliss. I also think maybe you could
replace "floor" in the first line with something more reminiscent of outdoors
because I thought at first the speaker was inside, but then the rest was outside. But
of course, floor like "forest floor" works so it works just as it is too. Great poem! I
really enjoyed it!
Eversoll Duggan
My Response
I did go back and work on making the verbs more parallel. I also replaced “floor”
with “ground” making the setting of the entire poem outside. I did want the line
about the thorns to be the peak, so I went back to reword it keeping the word
“sole” as a double meaning, although the spelling of “soul” is different.
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16. PHILOSOPHY of CHILDREN’S LITERATURE
Children love to wonder. They want to live through events that they cannot
physically experience. Very young children want to read about things that connect
with their own lives and wonder about new observations. Children in the middle of
elementary school need that connection also, but they also need an experience of
what life is like for others. They need to expand their experiences by looking at the
world, not just their everyday life. Children's books should provide that
enlargement of self through stories about other people's lives and places other than
their own surroundings. It is these reading experiences that help intellectual
development and keep alive wonder. Additionally, new background knowledge
helps develop reading skills and vocabulary in students. Good literature develops
the aesthetic and efferent sides of children.
During the semester, my philosophy of children’s literature did not change, although
my ideas about its construction expanded. I now know how to look at scenes and
characters with an author’s eye, examining the techniques of development for each.
My sense of plot is still in a formation stage and will need expertise with more
practice. Metaphors are a definite weak point. The wording in my writing remains
sparse and definite.
A good children’s book should have: characters described through actions as well as
words, chapters that end with a question so the reader wants to continue reading,
and a simple plot with varying connected scenes. An adult’s choice of a well-written
book, may not be the child’s choice of an interesting book.
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17. APPENDIX
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18. AUTHOR’S NOTE
As is true of many educators, I have an intense interest in children’s literature.
I have numerous bookcases full of fiction and nonfiction picture books, chapter
books, and young adult novels. I use children’s literature extensively in my
elementary classroom and my graduate level teacher preparation courses. My
knowledge of these books and stories from my childhood has influenced my writing,
embedding a sense of story development and character. Almost all of my poems and
stories are from real life experiences, past and present. My goal is to include fantasy
in some of my stories, connecting the real to the fantastic.
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19. ABOUT THE AUTHOR
Christine Hebert has taught in public schools for 26 years. She holds a B.A. in Early
Childhood Education from Wheelock College, a M.S. in Special Education from the
College of William and Mary, and a Ph.D. in Literacy Leadership from Old Dominion
University. In addition to currently teaching fourth grade, she is an adjunct
professor in the Teaching and Learning department at Old Dominion University. She
also teaches Developmental Reading at Tidewater Community College.
She currently resides in Virginia Beach, Virginia. She has been married to the same
spouse for 35 years. Her daughter is the mother of three children. Dr. Hebert is
devoted to her four dogs: 2 mutts, a boxer, and a Great Pyrenees. They currently fill
her home.
This is her first attempt to write and develop creative writing skills in children’s
literature. Her interests are middle grade students, ages 8-11. She hopes to further
develop her writing and publish picture and chapter books for elementary age
children.
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20. COMMENTS
“Vivid use of words to describe a girl’s messy room. Very active words in poem
about the big dog. Direct prose. Effectively uses a child’s voice.”
Kirsten Gaffney
Carol Stream, IL
“Image, description, and flow were good. [Dog poem] made me laugh. Other work,
serious and reminiscent.”
Kathy Majka
Sidney, ME
“The child’s thoughts mix well with the words provided by an adult. The language
provided clear pictures of the events and characters.”
Lester Hussey
Virginia Beach, VA
“ Descriptive language gives sense of childhood. Interesting assortment of pieces. I
can see that dog.”
Cynthia Chase
Topsham, ME
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