Biggs rayner thomas pre production feedback ajothomasrayner
Tom Biggs-Rayner blogged about his pre-production work for a music video on his blog. The teacher provided feedback on each pre-production task, finding Tom's work to be generally proficient with excellent details in some areas. The teacher suggested organizing the blog posts into clear sections and ensuring all text was easily readable. Overall the pre-production work was good but could be improved by adding proper storyboards. The teacher noted some improvements based on organizing the blog but adding labels could help navigation. The final mark was 14/20.
Biggs rayner thomas evaluation and overall feedback sheetthomasrayner
Thomas Biggs-Rayner received an overall grade of B for their A2 coursework. Their planning received a mark of 14/20 and their main construction task of creating a music video received high praise and a mark of 33/40 for creative use of technical skills. Their ancillary tasks of creating a digipak and poster received lower marks of 6/10 and 5/10 respectively due to a lack of creativity in the designs. Their evaluation received a mark of 15/20 for thoroughly answering questions about their video, ancillary products, audience feedback, and use of technologies.
Biggs rayner thomas production feedbackthomasrayner
The music video received a high score due to excellent use of technical skills like camera work, framing, locations, props, and performance. It was well edited to match the beat of the song with good transitions between visuals. Overall, the video was a tongue-in-cheek homage that met the conventions of the genre and maintained audience attention through strong visuals and lip syncing. The digipak design showed awareness of conventions but images lacked creativity, while the poster also met some conventions but needed more original images and links to purchase.
The document discusses the design choices for the cover of an album. The front cover uses a red background to represent the dangerous lyrics in the album and make it appealing to audiences. The back cover features a scene from a music video that viewers liked and continues the red tint theme. The inside cover advertises an upcoming event or song to provide free promotion since the genre is still small. A black theme is used throughout for continuity and to match the artist's public image of wearing black.
The document discusses the design choices for the covers of an album. The front cover uses a red background to represent the dangerous lyrics in the album and make it appealing to audiences. The back cover features a picture from a music video that test audiences liked and keeps the red tint of the front cover but less intense not to distract from the song names. The inside cover advertises an upcoming album by Ocean Wisdom to help promote it as the genre is still small.
This document contains a shooting schedule for a music video with details about the dates, locations, actors, costumes, props, and equipment needed. It outlines that filming will take place between December 21st and January 15th in various locations in Bournemouth and Poulner. Various actors including Jonah Savage will be needed, with specific costume requirements listed for each scene. The Nikon D3200 camera, tripod, and steady cam will be used to capture footage, and After Effects and Premier Pro listed to edit the final video later in January.
This document discusses sound equipment including speakers, microphones, and a sound desk. It provides details on:
- Active speakers have built-in amplifiers while passive speakers require an external amplifier. Speakers come in subwoofer and tops models of varying sizes.
- Microphones can be condenser or dynamic, with condensers being more sensitive but requiring phantom power. Wireless microphones transmit signal to a receiver.
- A sound desk allows adjusting input and output levels from various sources to mix and send sound through different outputs. It has channels, gain knobs, EQ knobs, auxiliary cables, and faders to control the sound.
- Amplifiers power electrical signals from the sound
Biggs rayner thomas pre production feedback ajothomasrayner
Tom Biggs-Rayner blogged about his pre-production work for a music video on his blog. The teacher provided feedback on each pre-production task, finding Tom's work to be generally proficient with excellent details in some areas. The teacher suggested organizing the blog posts into clear sections and ensuring all text was easily readable. Overall the pre-production work was good but could be improved by adding proper storyboards. The teacher noted some improvements based on organizing the blog but adding labels could help navigation. The final mark was 14/20.
Biggs rayner thomas evaluation and overall feedback sheetthomasrayner
Thomas Biggs-Rayner received an overall grade of B for their A2 coursework. Their planning received a mark of 14/20 and their main construction task of creating a music video received high praise and a mark of 33/40 for creative use of technical skills. Their ancillary tasks of creating a digipak and poster received lower marks of 6/10 and 5/10 respectively due to a lack of creativity in the designs. Their evaluation received a mark of 15/20 for thoroughly answering questions about their video, ancillary products, audience feedback, and use of technologies.
Biggs rayner thomas production feedbackthomasrayner
The music video received a high score due to excellent use of technical skills like camera work, framing, locations, props, and performance. It was well edited to match the beat of the song with good transitions between visuals. Overall, the video was a tongue-in-cheek homage that met the conventions of the genre and maintained audience attention through strong visuals and lip syncing. The digipak design showed awareness of conventions but images lacked creativity, while the poster also met some conventions but needed more original images and links to purchase.
The document discusses the design choices for the cover of an album. The front cover uses a red background to represent the dangerous lyrics in the album and make it appealing to audiences. The back cover features a scene from a music video that viewers liked and continues the red tint theme. The inside cover advertises an upcoming event or song to provide free promotion since the genre is still small. A black theme is used throughout for continuity and to match the artist's public image of wearing black.
The document discusses the design choices for the covers of an album. The front cover uses a red background to represent the dangerous lyrics in the album and make it appealing to audiences. The back cover features a picture from a music video that test audiences liked and keeps the red tint of the front cover but less intense not to distract from the song names. The inside cover advertises an upcoming album by Ocean Wisdom to help promote it as the genre is still small.
This document contains a shooting schedule for a music video with details about the dates, locations, actors, costumes, props, and equipment needed. It outlines that filming will take place between December 21st and January 15th in various locations in Bournemouth and Poulner. Various actors including Jonah Savage will be needed, with specific costume requirements listed for each scene. The Nikon D3200 camera, tripod, and steady cam will be used to capture footage, and After Effects and Premier Pro listed to edit the final video later in January.
This document discusses sound equipment including speakers, microphones, and a sound desk. It provides details on:
- Active speakers have built-in amplifiers while passive speakers require an external amplifier. Speakers come in subwoofer and tops models of varying sizes.
- Microphones can be condenser or dynamic, with condensers being more sensitive but requiring phantom power. Wireless microphones transmit signal to a receiver.
- A sound desk allows adjusting input and output levels from various sources to mix and send sound through different outputs. It has channels, gain knobs, EQ knobs, auxiliary cables, and faders to control the sound.
- Amplifiers power electrical signals from the sound
The document describes the functions of a camera including recording images, live streaming, zooming, focusing, panning, tilting, white balancing, and effects. It then discusses using a vision mixer to select between multiple video sources and potentially mix them. A projector is used to project light and make a picture on a screen, allowing for a larger image than a TV screen. Rear projection allows projecting from behind a screen to have a more professional setup without seeing the projector. The camera setup for a talent show includes a static camera on a tripod platform to get a better view.
The assistant stage manager has many responsibilities including assisting with props during rehearsals and running of the show, helping to move the set on stage during performances, managing backstage technicians, and training the running crew. They work closely with the stage manager, deputy stage manager, flyman, and sound technician.
Lighting equipment for Ringwoods got talentthomasrayner
This document provides information about various types of lighting equipment that could be used for a talent show called 'Ringwood got talent'. It discusses the power requirements and effects of PAR cans, CP lights, Fresnels, profiles and floor lights. PAR cans can produce a hot spot or halo effect, while Fresnels provide a soft edged beam. Profiles can zoom to make the lighting spot larger or smaller. Floor lights provide uncontrolled spill light over a large area. The document also shows images and descriptions of accessories that can be used with the different light types, such as barndoors, color gels, and color wheels.
A microphone transforms sound waves into electrical signals that can be amplified, transmitted, or recorded. Dynamic microphones do not require external power, while condenser microphones are more sensitive and require phantom power. Condenser microphones are generally better for acoustic instruments and quieter singers due to their extended frequency response and clarity over dynamic microphones. Dynamic microphones are better suited for louder inputs like screaming vocalists due to their ability to handle high sound pressure levels without distortion. Examples of good condenser microphones include the Neumann U87 and JTS-TX9, while a dynamic BETA 52A kick drum microphone is well-suited for capturing the kick drum. Various microphones, including condensers, are suitable for different
The document discusses key concepts in acoustics including how sound is created, transmitted, and received through vibrations. It explains that sounds fade with distance as the vibrations lose energy. Reflection occurs when sound bounces back off a surface without being absorbed, while absorption converts sound waves to heat to reduce echoes and reverb. Isolation separates unwanted sounds when recording to focus on a single input. Reverb is the buildup of many reflections in a space, affected by the size and materials in a room. Echo is the repeated reflection of a sound until it loses energy, and decay time refers to how long it takes a sound to fade out in a space.
The document provides details on the themes, concepts, locations, and shots planned for a music video. It will feature a main performer rapping in various urban locations around Ringwood and Poulner, including streets, a pool house, a pub, and a school. Shots will typically be 5-10 seconds and include the performer alone and with friends, changing outfits to match locations. Diagrams provide floor plans for specific scenes like rapping outside a car or being wrapped in cling film. Additional locations like flats in Southampton are suggested if needed.
High Focus is a new UK hip hop record label established in 2011 in Brighton. It focuses on signing talented new artists in the UK hip hop scene. The label has seen some success, getting nominated for 'Best Small Label' at the AIM Awards. Popular artists on High Focus include Dirty Dike and The Four Owls. UK hip hop music videos typically represent the lower class experience and attitudes of anger towards authorities but also celebration of drugs and women. Elements like clothing, camerawork and lighting help convey the song's attitude and story.
The document analyzes and compares the visual styles of two UK hip hop artists' album packaging and promotional materials. It notes recurring themes like urban, gritty aesthetics with graffiti references and the use of distinct color palettes. Key details that help identify the artists and promote their music, tours, and brands are called out, such as prominent logos, dates, and images of the artists themselves. The analysis suggests design elements that effectively represent the artists' brands and music which could be applied to an original cover concept.
The document appears to be lyrics from a rap song. It contains multiple verses of rhyming lyrics describing the artist's rapping ability and style. There are references to smoking, violence, and competing with other rappers. The lyrics are annotated with potential camera shots and visuals to accompany the song.
This document analyzes elements of hip hop music videos over time from 1979 to the present day. It discusses conventions seen in early videos like Rapper's Delight compared to gangster rap videos of the 1980s. More recent UK hip hop videos are examined, noting techniques like matching shots to lyrics, using different angles and props. The document emphasizes developing a unique artist image and using camerawork, editing and effects to keep viewers entertained. It concludes that performance and a loose narrative are effective elements for the author's planned video to relate the song's meaning.
The document discusses targeting audiences for gritty London crime dramas. It states that these films are usually rated 18 due to explicit content and drug use, and generally interest males ages 18-40. It suggests targeting social classes C2, D, and E as the location is in the backstreets of lower-class London. It discusses including violence and nonlinear storytelling from the start to draw in male audiences with lower attention spans. It proposes an all-male cast to connect with the male target audience and portray stereotypical media violence. Cockney accents and character names related to personalities are also suggested to emulate other successful London crime films.
This document provides an overview and rationale for creative choices made in an opening scene and film. The opening scene is set in a caravan and introduces characters through freeze frames with voiceover bios. Conflict is established right away to draw in the target male audience. Camera angles are kept simple due to limited equipment. Minimal special effects and music are used to feel realistic like inspirational British "lad films." The title font is in bold army style with bullet holes to represent the action genre.
This document discusses the directions that cameras are pointing in 4 different locations: location 2 in Tom's bathroom, location 3 in an alleyway where Dodgy Dave runs from the police, and the directions of 2 additional cameras but their locations are not specified.
The document discusses the opening sequences of several gritty London films including My Brother the Devil, Ill Manors, Kidulthood, and Green Street. It analyzes how each opening establishes the setting, characters, and tone through techniques like ambient lighting, location shots, dialogue, music choice, and fighting scenes. Common themes identified across the openings include depicting the poverty, crime, drug use, and violence prevalent in rough parts of London through stylistic choices like black and white cinematography, handheld camerawork, and diegetic sound.
u-]9-]This is the location where i shall be doing my filmingthomasrayner
This document lists 5 filming locations - location 1 will be at Linford Bottom for general shooting, location 2 will involve guy1 tackling a villain over money, location 3 will have guy2 torturing someone, and locations 4 will have guy3 selling bad goods in an alley in Ringwoodtown.
The actors in which i will be using for my prethomasrayner
This document summarizes the roles and actors for a pre-production task. It describes four characters: Gus M. as the weak but surprisingly strong "soap"; Max Singh as the muscular "Harry" known for his size and deep voice; Ryan W. as the smallest "dodgy Dave" who is good at hiding; and Callum B. as the tough leader "Bruce" who can do different accents.
A location was mentioned in Tom's bathroom. Another location was described as an alleyway where someone named dodgyDave runs from the police. Very little context was provided in the short document.
Crime dramas originally originated from novels instead of starting on the big...thomasrayner
Dramas portray characters and their development through challenging situations. Crime dramas often follow those involved in criminal activity or law enforcement. The history of dramas shows how the genre evolved from silent films to include politically focused works and those centered on relationships. Common dramatic characters include the protagonist hero, their helpful friend, and the antagonist seeking to ruin the protagonist. Famous directors of dramas include James Cameron, Peter Jackson, and Martin Scorsese.
The document describes the functions of a camera including recording images, live streaming, zooming, focusing, panning, tilting, white balancing, and effects. It then discusses using a vision mixer to select between multiple video sources and potentially mix them. A projector is used to project light and make a picture on a screen, allowing for a larger image than a TV screen. Rear projection allows projecting from behind a screen to have a more professional setup without seeing the projector. The camera setup for a talent show includes a static camera on a tripod platform to get a better view.
The assistant stage manager has many responsibilities including assisting with props during rehearsals and running of the show, helping to move the set on stage during performances, managing backstage technicians, and training the running crew. They work closely with the stage manager, deputy stage manager, flyman, and sound technician.
Lighting equipment for Ringwoods got talentthomasrayner
This document provides information about various types of lighting equipment that could be used for a talent show called 'Ringwood got talent'. It discusses the power requirements and effects of PAR cans, CP lights, Fresnels, profiles and floor lights. PAR cans can produce a hot spot or halo effect, while Fresnels provide a soft edged beam. Profiles can zoom to make the lighting spot larger or smaller. Floor lights provide uncontrolled spill light over a large area. The document also shows images and descriptions of accessories that can be used with the different light types, such as barndoors, color gels, and color wheels.
A microphone transforms sound waves into electrical signals that can be amplified, transmitted, or recorded. Dynamic microphones do not require external power, while condenser microphones are more sensitive and require phantom power. Condenser microphones are generally better for acoustic instruments and quieter singers due to their extended frequency response and clarity over dynamic microphones. Dynamic microphones are better suited for louder inputs like screaming vocalists due to their ability to handle high sound pressure levels without distortion. Examples of good condenser microphones include the Neumann U87 and JTS-TX9, while a dynamic BETA 52A kick drum microphone is well-suited for capturing the kick drum. Various microphones, including condensers, are suitable for different
The document discusses key concepts in acoustics including how sound is created, transmitted, and received through vibrations. It explains that sounds fade with distance as the vibrations lose energy. Reflection occurs when sound bounces back off a surface without being absorbed, while absorption converts sound waves to heat to reduce echoes and reverb. Isolation separates unwanted sounds when recording to focus on a single input. Reverb is the buildup of many reflections in a space, affected by the size and materials in a room. Echo is the repeated reflection of a sound until it loses energy, and decay time refers to how long it takes a sound to fade out in a space.
The document provides details on the themes, concepts, locations, and shots planned for a music video. It will feature a main performer rapping in various urban locations around Ringwood and Poulner, including streets, a pool house, a pub, and a school. Shots will typically be 5-10 seconds and include the performer alone and with friends, changing outfits to match locations. Diagrams provide floor plans for specific scenes like rapping outside a car or being wrapped in cling film. Additional locations like flats in Southampton are suggested if needed.
High Focus is a new UK hip hop record label established in 2011 in Brighton. It focuses on signing talented new artists in the UK hip hop scene. The label has seen some success, getting nominated for 'Best Small Label' at the AIM Awards. Popular artists on High Focus include Dirty Dike and The Four Owls. UK hip hop music videos typically represent the lower class experience and attitudes of anger towards authorities but also celebration of drugs and women. Elements like clothing, camerawork and lighting help convey the song's attitude and story.
The document analyzes and compares the visual styles of two UK hip hop artists' album packaging and promotional materials. It notes recurring themes like urban, gritty aesthetics with graffiti references and the use of distinct color palettes. Key details that help identify the artists and promote their music, tours, and brands are called out, such as prominent logos, dates, and images of the artists themselves. The analysis suggests design elements that effectively represent the artists' brands and music which could be applied to an original cover concept.
The document appears to be lyrics from a rap song. It contains multiple verses of rhyming lyrics describing the artist's rapping ability and style. There are references to smoking, violence, and competing with other rappers. The lyrics are annotated with potential camera shots and visuals to accompany the song.
This document analyzes elements of hip hop music videos over time from 1979 to the present day. It discusses conventions seen in early videos like Rapper's Delight compared to gangster rap videos of the 1980s. More recent UK hip hop videos are examined, noting techniques like matching shots to lyrics, using different angles and props. The document emphasizes developing a unique artist image and using camerawork, editing and effects to keep viewers entertained. It concludes that performance and a loose narrative are effective elements for the author's planned video to relate the song's meaning.
The document discusses targeting audiences for gritty London crime dramas. It states that these films are usually rated 18 due to explicit content and drug use, and generally interest males ages 18-40. It suggests targeting social classes C2, D, and E as the location is in the backstreets of lower-class London. It discusses including violence and nonlinear storytelling from the start to draw in male audiences with lower attention spans. It proposes an all-male cast to connect with the male target audience and portray stereotypical media violence. Cockney accents and character names related to personalities are also suggested to emulate other successful London crime films.
This document provides an overview and rationale for creative choices made in an opening scene and film. The opening scene is set in a caravan and introduces characters through freeze frames with voiceover bios. Conflict is established right away to draw in the target male audience. Camera angles are kept simple due to limited equipment. Minimal special effects and music are used to feel realistic like inspirational British "lad films." The title font is in bold army style with bullet holes to represent the action genre.
This document discusses the directions that cameras are pointing in 4 different locations: location 2 in Tom's bathroom, location 3 in an alleyway where Dodgy Dave runs from the police, and the directions of 2 additional cameras but their locations are not specified.
The document discusses the opening sequences of several gritty London films including My Brother the Devil, Ill Manors, Kidulthood, and Green Street. It analyzes how each opening establishes the setting, characters, and tone through techniques like ambient lighting, location shots, dialogue, music choice, and fighting scenes. Common themes identified across the openings include depicting the poverty, crime, drug use, and violence prevalent in rough parts of London through stylistic choices like black and white cinematography, handheld camerawork, and diegetic sound.
u-]9-]This is the location where i shall be doing my filmingthomasrayner
This document lists 5 filming locations - location 1 will be at Linford Bottom for general shooting, location 2 will involve guy1 tackling a villain over money, location 3 will have guy2 torturing someone, and locations 4 will have guy3 selling bad goods in an alley in Ringwoodtown.
The actors in which i will be using for my prethomasrayner
This document summarizes the roles and actors for a pre-production task. It describes four characters: Gus M. as the weak but surprisingly strong "soap"; Max Singh as the muscular "Harry" known for his size and deep voice; Ryan W. as the smallest "dodgy Dave" who is good at hiding; and Callum B. as the tough leader "Bruce" who can do different accents.
A location was mentioned in Tom's bathroom. Another location was described as an alleyway where someone named dodgyDave runs from the police. Very little context was provided in the short document.
Crime dramas originally originated from novels instead of starting on the big...thomasrayner
Dramas portray characters and their development through challenging situations. Crime dramas often follow those involved in criminal activity or law enforcement. The history of dramas shows how the genre evolved from silent films to include politically focused works and those centered on relationships. Common dramatic characters include the protagonist hero, their helpful friend, and the antagonist seeking to ruin the protagonist. Famous directors of dramas include James Cameron, Peter Jackson, and Martin Scorsese.