A presentation given at the sixth LAMP residential in Tasmania in Oct 2006. Looks at a vast range of ways to design services to make them more sticky with participatory audiences. True audience centric thinking. Broken into specific needs chapters - I want it everywhere, I want to escape, I want to be understood, I want to connect with the world, I want it now, I want to share, I want to take part.
A few slides at the end partly relevant on a 'whats cool talk on collaborative muve'
TV 2.0: Socialised & Participatory TV OnlineGary Hayes
A presentation given at a LAMP 'State of Play' Seminar - given on 25 March 2009.
TV is in major transition. Where are the opportunities across on-demand platforms? Is the old advertising model broken? Will broadband to set top box comfortably co-exist with video on the web?
* Overview of all categories of existing online video services & business models
* The challenges of broadcasting and delivering ondemand
* Social Media TV, is TV becoming always-on, participatory and shared?
* tvInnovations across broadband TV and IPTV
* New advertising models and latest video web 2.0 mashups
* Is IPTV a valid platform for video producers?
* The evolving role of public service broadcaster and online video distribution
* ABC new developments including iView, Google Earth TV & programme related services such as Gruen Transfer
* How online video will become more personalized
* Is audience contributed online content sustainable at scale?
* What does the future hold?
An aimia presentation looking at the real future for IPTV way back in 2005. It already looks at the battle between walled garden IPTV and the new broadband video kids on the block. It suggests there are a few ways that IPTV (the subscription based closed version) will survive - this includes interoperability between providers and value add services including rich, social network based interactivity.
A presentation from way back in October 2004 at XMediaLab. This pre-dates YouTube but refers to the in-coming tidal wave, audience centric thinking and its final section about the very relevant now, portability and interoperability of personal profiles.
A presentation about cross media given in 2000 to teams of BBC producers on a series of development labs about audience centric design and production thinking and creating compelling cross-media. It covers on-demand, mobile, social networks, on-demand - example:
What they say they want...
•I need to explore in more depth, at my own pace
•I want to ‘link’ out to more - especially around my local area
•I expect relevant facts & activities on demand - immediately
•I would like episodic rich media, video and audio
•I want to personalise my experience - choose my own routes
•Let me contribute, give my opinion to others and the makers
•I would like the producers to automatically know what I
“really” found interesting - during and for next time.
A remarkable thing about the presentation it was delivered in 2000, long before 360 thinking and social networks were the norm.
Future Social Media Entertainment keynote presention by Gary Hayes at SPAA Fringe 2008, Sydney 25 October. Blog http://www.personalizemedia.com/the-future-of-social-media-entertainment-slides/
"Connecting With Your Audience on the Social Web"
Telling stories to each other has been the right of everyone but until the last few years the privilege of a 'broadcast' few. With the advent of quality production tools accessible to all and many new cross-media channels to connect your story world with everyone elses, there is a blurring between beginner, amateur and professional - everyone is now an independent producer. What will it mean for existing linear TV/film makers, how will they truly engage across the social web, YouTube, Virtual Worlds, Blogs, Online Games, Flickr and hundreds of other social media portals across a growing broadband web?
This talk looks at existing and future forms of entertainment that 'involves' the audience, that connects to them and from them and more importantly, builds mutual trust and respect. From the pushed web 1.0, to the sharing 2.0 to a live and immersive web 3.0, Gary looks at successful case studies of 'connected' entertainment around the world and some of his own work at BBC, game and virtual worlds and selected projects at LAMP and AFTRS.
Future opportunities for broadcasters enabled by personal TV systems was given by Gary Hayes, then BBC Senior Development Producer, at NAB in Las Vegas on April 2003. It covers the slow progression to on-demand, personalised capture of relevant content and gives an insight into the many new advertising models that are starting to appear on the scene now. The final slide are some future predictions for 10 years time: Postulations - PTV 10 years hence…
•Scheduled TV will mostly be limited to live sport
and news
•Distribution of TV content will be 90%
broadcast/band and wireless to PTV systems the
rest high capacity DVD
•You will have portable profiles worldwide and
will receive their content anytime/where
•All promos and ads will all be highly targeted
•Viewers will all have large home servers feeding
many displays and devices (in and out of home)
•Programmes will be made for time-shifted, large
groups of niche audiences
•Linear AV only TV will be in the minority
360 thinking, experience designing, cross-media storytellingGary Hayes
360 thinking, experience designing, cross-media storytelling. A short presentation delivered to the Screen Producers Association of Australia in 2006. This looks at the gen y, x audiences consuming their media across many touch points, using BBC examples and recent LAMP ones to illustrate good experience design across all media platforms.
MediaToday is a periodic newsletter of TRImagination to higher education faculty and administrators created by Dr. Harry Sova & Lee Graham.
The presentation, now in its 12th year of publication:
* Provides classroom presentation materials designed to stimulate class discussion and discovery
* Provides educator notes that enable understanding of each topic's relevance
* Expands understanding and evaluation of the new world of Interactive Communication
TV 2.0: Socialised & Participatory TV OnlineGary Hayes
A presentation given at a LAMP 'State of Play' Seminar - given on 25 March 2009.
TV is in major transition. Where are the opportunities across on-demand platforms? Is the old advertising model broken? Will broadband to set top box comfortably co-exist with video on the web?
* Overview of all categories of existing online video services & business models
* The challenges of broadcasting and delivering ondemand
* Social Media TV, is TV becoming always-on, participatory and shared?
* tvInnovations across broadband TV and IPTV
* New advertising models and latest video web 2.0 mashups
* Is IPTV a valid platform for video producers?
* The evolving role of public service broadcaster and online video distribution
* ABC new developments including iView, Google Earth TV & programme related services such as Gruen Transfer
* How online video will become more personalized
* Is audience contributed online content sustainable at scale?
* What does the future hold?
An aimia presentation looking at the real future for IPTV way back in 2005. It already looks at the battle between walled garden IPTV and the new broadband video kids on the block. It suggests there are a few ways that IPTV (the subscription based closed version) will survive - this includes interoperability between providers and value add services including rich, social network based interactivity.
A presentation from way back in October 2004 at XMediaLab. This pre-dates YouTube but refers to the in-coming tidal wave, audience centric thinking and its final section about the very relevant now, portability and interoperability of personal profiles.
A presentation about cross media given in 2000 to teams of BBC producers on a series of development labs about audience centric design and production thinking and creating compelling cross-media. It covers on-demand, mobile, social networks, on-demand - example:
What they say they want...
•I need to explore in more depth, at my own pace
•I want to ‘link’ out to more - especially around my local area
•I expect relevant facts & activities on demand - immediately
•I would like episodic rich media, video and audio
•I want to personalise my experience - choose my own routes
•Let me contribute, give my opinion to others and the makers
•I would like the producers to automatically know what I
“really” found interesting - during and for next time.
A remarkable thing about the presentation it was delivered in 2000, long before 360 thinking and social networks were the norm.
Future Social Media Entertainment keynote presention by Gary Hayes at SPAA Fringe 2008, Sydney 25 October. Blog http://www.personalizemedia.com/the-future-of-social-media-entertainment-slides/
"Connecting With Your Audience on the Social Web"
Telling stories to each other has been the right of everyone but until the last few years the privilege of a 'broadcast' few. With the advent of quality production tools accessible to all and many new cross-media channels to connect your story world with everyone elses, there is a blurring between beginner, amateur and professional - everyone is now an independent producer. What will it mean for existing linear TV/film makers, how will they truly engage across the social web, YouTube, Virtual Worlds, Blogs, Online Games, Flickr and hundreds of other social media portals across a growing broadband web?
This talk looks at existing and future forms of entertainment that 'involves' the audience, that connects to them and from them and more importantly, builds mutual trust and respect. From the pushed web 1.0, to the sharing 2.0 to a live and immersive web 3.0, Gary looks at successful case studies of 'connected' entertainment around the world and some of his own work at BBC, game and virtual worlds and selected projects at LAMP and AFTRS.
Future opportunities for broadcasters enabled by personal TV systems was given by Gary Hayes, then BBC Senior Development Producer, at NAB in Las Vegas on April 2003. It covers the slow progression to on-demand, personalised capture of relevant content and gives an insight into the many new advertising models that are starting to appear on the scene now. The final slide are some future predictions for 10 years time: Postulations - PTV 10 years hence…
•Scheduled TV will mostly be limited to live sport
and news
•Distribution of TV content will be 90%
broadcast/band and wireless to PTV systems the
rest high capacity DVD
•You will have portable profiles worldwide and
will receive their content anytime/where
•All promos and ads will all be highly targeted
•Viewers will all have large home servers feeding
many displays and devices (in and out of home)
•Programmes will be made for time-shifted, large
groups of niche audiences
•Linear AV only TV will be in the minority
360 thinking, experience designing, cross-media storytellingGary Hayes
360 thinking, experience designing, cross-media storytelling. A short presentation delivered to the Screen Producers Association of Australia in 2006. This looks at the gen y, x audiences consuming their media across many touch points, using BBC examples and recent LAMP ones to illustrate good experience design across all media platforms.
MediaToday is a periodic newsletter of TRImagination to higher education faculty and administrators created by Dr. Harry Sova & Lee Graham.
The presentation, now in its 12th year of publication:
* Provides classroom presentation materials designed to stimulate class discussion and discovery
* Provides educator notes that enable understanding of each topic's relevance
* Expands understanding and evaluation of the new world of Interactive Communication
Fallon Brainfood: TV 2.0 – Scenarios for the Future of TelevisionAki Spicer
What happens when the television we've all come to know and love begins to embrace the audience expectations wrought upon it by the Internet, mobile and social participation? You get TV 2.0: a more personal, social and participatory engagement.
Fallon's Aki Spicer, Director of Digital Strategy, Rocky Novak, Director of Digital Development, and Jacob Abernathy, Creative Technologist will reveal their hopeful vision for television's future, and outline 5 scenarios that demonstrate how TV 2.0 will evolve the ad model and commercial creativity.
*Originally presented to Minnesota Broadcasters Association in Dec 2010.
We are a Portland Oregon based transmedia branded entertainment agency. We work with you to understand your Core brand values / positioning / themes and integrate its messaging strategy into the structural and narrative dimensions of a story.
Digital strategy promoting Narcos, Netflix's new original series (2015)
Final assignment: Crash course in digital strategy by @juliancole on Skillshare.
--> http://skl.sh/1FU8myR
Questions & feedback welcome! :D
--> @clement_simon
With the Internet and social networks, some new business models have emergied. Consider Flickr. Anybody can sign up and use the service for free. Only a fraction of the users get pro account and pay. How can Flickr make money on that? It turns out that services like this can.
Many businesses make money by giving things away. How can that possibly work? The music business has suffered severly with digital distribution of content. Should musicians put all there songs on YouTube? What is the future business model for music?
In this lecture we look at new busines models, include the business of free.
National Speakers Assocication of Australia (NSAA)-Western Australia Chapter ...Craig Rispin
National Speakers Assoc. of Australia-Western Australia Chapter Virtual Presentation
All about the opportunity for Professional Speakers in the Virtual Conference area.
Yes, there is a typo or too ;-) But I prefer speed over accuracey...
Wor(l)d Your Network!!! Revolution mCell 5G & Space Lumina begins !!! Virtual Reality! Революция Спейс Люмина началась!!!Ты готов принять участие в разделе этого рынка?!Are you ready to take part in the section of the market ?!Join our team !!! Присоединяйтесь к нашей команде!!!
https://my.worldgn.com/join/mikcfm
Still Not Dead: 7 Myths About The Current State of the TV Industry DebunkedAlan Wolk
Piksel's Global Lead Analyst Alan Wolk dispels seven common myths about today's TV industry, taking on everything from cord cutting to Twitter in this insightful and valuable presentation.
What's Wrong with Transmedia Content? Where's the Funding?Gary Hayes
A brief 10 minute presentation given by Gary at the Content Crises and Convergence Roundtable Day in Sydney on Aug 8 2011. Run by the ARC Centre for Excellence for creative industries and innovation - more details of the day here.
http://cci.edu.au/events/content-crisis-and-convergence and podcasts to follow shortly.
The talk extended an article Gary made back in March 2011 here http://www.personalizemedia.com/10-reasons-public-multi-platform-funding-is-broken-ways-to-fix-it/
Beyond Linear, TV 2.0, The Future of Film and TVGary Hayes
A specific presentation on new forms of linear video possibilities. Ten ways to create new experiences for viewers/participants based around film/TV forms. Delivered as part of the 3rd LAMP residential in Western Australia in May 2006.
In summary: To attract audiences across the range of media
delivered across this sea of devices and delivery channels:
•Audiences want to be able to push and pull their content without
barriers
•Advertising will lead innovation and dominate even more in
cross-media markets
•Professional producers will differentiate themselves from UGC
by creating interactive cross-media, or multi-layer rather than
mono-media
•Do not forget where the audiences are moving to
Fallon Brainfood: TV 2.0 – Scenarios for the Future of TelevisionAki Spicer
What happens when the television we've all come to know and love begins to embrace the audience expectations wrought upon it by the Internet, mobile and social participation? You get TV 2.0: a more personal, social and participatory engagement.
Fallon's Aki Spicer, Director of Digital Strategy, Rocky Novak, Director of Digital Development, and Jacob Abernathy, Creative Technologist will reveal their hopeful vision for television's future, and outline 5 scenarios that demonstrate how TV 2.0 will evolve the ad model and commercial creativity.
*Originally presented to Minnesota Broadcasters Association in Dec 2010.
We are a Portland Oregon based transmedia branded entertainment agency. We work with you to understand your Core brand values / positioning / themes and integrate its messaging strategy into the structural and narrative dimensions of a story.
Digital strategy promoting Narcos, Netflix's new original series (2015)
Final assignment: Crash course in digital strategy by @juliancole on Skillshare.
--> http://skl.sh/1FU8myR
Questions & feedback welcome! :D
--> @clement_simon
With the Internet and social networks, some new business models have emergied. Consider Flickr. Anybody can sign up and use the service for free. Only a fraction of the users get pro account and pay. How can Flickr make money on that? It turns out that services like this can.
Many businesses make money by giving things away. How can that possibly work? The music business has suffered severly with digital distribution of content. Should musicians put all there songs on YouTube? What is the future business model for music?
In this lecture we look at new busines models, include the business of free.
National Speakers Assocication of Australia (NSAA)-Western Australia Chapter ...Craig Rispin
National Speakers Assoc. of Australia-Western Australia Chapter Virtual Presentation
All about the opportunity for Professional Speakers in the Virtual Conference area.
Yes, there is a typo or too ;-) But I prefer speed over accuracey...
Wor(l)d Your Network!!! Revolution mCell 5G & Space Lumina begins !!! Virtual Reality! Революция Спейс Люмина началась!!!Ты готов принять участие в разделе этого рынка?!Are you ready to take part in the section of the market ?!Join our team !!! Присоединяйтесь к нашей команде!!!
https://my.worldgn.com/join/mikcfm
Still Not Dead: 7 Myths About The Current State of the TV Industry DebunkedAlan Wolk
Piksel's Global Lead Analyst Alan Wolk dispels seven common myths about today's TV industry, taking on everything from cord cutting to Twitter in this insightful and valuable presentation.
What's Wrong with Transmedia Content? Where's the Funding?Gary Hayes
A brief 10 minute presentation given by Gary at the Content Crises and Convergence Roundtable Day in Sydney on Aug 8 2011. Run by the ARC Centre for Excellence for creative industries and innovation - more details of the day here.
http://cci.edu.au/events/content-crisis-and-convergence and podcasts to follow shortly.
The talk extended an article Gary made back in March 2011 here http://www.personalizemedia.com/10-reasons-public-multi-platform-funding-is-broken-ways-to-fix-it/
Beyond Linear, TV 2.0, The Future of Film and TVGary Hayes
A specific presentation on new forms of linear video possibilities. Ten ways to create new experiences for viewers/participants based around film/TV forms. Delivered as part of the 3rd LAMP residential in Western Australia in May 2006.
In summary: To attract audiences across the range of media
delivered across this sea of devices and delivery channels:
•Audiences want to be able to push and pull their content without
barriers
•Advertising will lead innovation and dominate even more in
cross-media markets
•Professional producers will differentiate themselves from UGC
by creating interactive cross-media, or multi-layer rather than
mono-media
•Do not forget where the audiences are moving to
What is interactivity anyway? Beyond Story,Tech & Futurism. Designing Experie...Gary Hayes
A presentation given to open the Screenwest Digital Lab in Perth in March 2015. The talk focuses on user centric, experience design and challenges the audience to consider more holistic interaction approaches, especially to consider it their project really moves beyond the lower levers of interactivity. The final sections of the presentation look at interactive documentary, some game changer services and tech for storytelling and ends on the importance of parallel production and a taster of the EPOC.
New Roads, New Directions, New Markets
A presentation given to an ABC and invited audience in Sep 2005 about the changing Australian media landscape
and emerging types of content that producers need to be considering. Delivered by Gary Hayes, Director LAMP and
former Senior Producer & Development Manager BBCi 95-04
In Summary
• Over the next 12 months, advanced broadband video service
distribution to TV, PC and mobile will start to create the real worldwide
marketplace
• Early wins for producers with compelling, interactive & unique content
• Tell your stories appropriately across multiple platforms
• Content producers need to begin creating IP and new formats NOW
• LAMP is part of that process.
A Presentation About You - The Personalized AudienceGary Hayes
A presentation given as part of the the first LAMP (lamp.edu.au) residential in South Australia Oct 2005. Still highly relevant tips and techniques to make services more personally resonant with audiences/participants.
"True interactivity should require users to give something of themselves and for the ‘system’ to resonate with that. If all you ask them to put in is selecting a series of vacuous pre-built options, their engagement is minimal and all they will truly get out is a series of vacuous outcomes.”
Gary Hayes 2005 - www.personalizemedia.com
Personal not generic. The ultimate forms of service
personalization are:
• helping people connect with each other
• services that evolve and are dynamically matched and
resonate to them
• helping people understand more about themselves
Personalized Home Entertainment and Human BehaviourGary Hayes
A presentation to the Australian Communications conference in Canberra November 2006. It covers an introduction to LAMP then looks at human need and the likely futures for home entertainment.
User Journeys, Personal Services, Natural EvolutionGary Hayes
A presentation given to ABC TV teams on a LAMP residential. Looks are the importance of the user journey and personal resonance in experience design. Also includes amongst the opening slides a bizarre prediction Gary gave of what the media landscape would be like in 2009 - but the prediction came from 2000!! Here is a snippet of that one:
The World in 2009 - according to Gary at SSBP, March 2000
•The World Wide Web of early 2000 is regarded as a ‘low resolution’ pilot
•Every individual can become a producer of content which is available
to everyone else - if they want it.
•All ‘content programme brands’ have elements in all of the above
•Everything can be made portable & kept forever
•CD collections, home movies, personal photographs are stored here too
•Now anything else is available on demand from anywhere over vast
broadband networks.
•Everything is ‘pulled’, only personally relevant content is ‘pushed’.
•The words ‘TV’ ‘radio’ & ‘internet’ disappeared from our vocabulary. Even the word ‘interactive’ went - everything is now interactive
•Scheduled ‘live video’ becomes a special group shared event - there is only one broadcast channel in each country - these events generate
most online discussion
•The home becomes a personalised entertainment and life system
where everything is centralised - games, video, shops, audio, text,
email & vmail & banking.
•‘Open Standards’ killed off all proprietary platforms in 2005 and the large ‘trusted’ traditional broadcasters collaborated and produced one
navigation system that all companies adopted
•True to all predictions the ‘interactive’ fridge becomes the most popular, connected device in the house
Personalised Audiences, Immersive Services - Gary HayesGary Hayes
Gary looks at how the media landscape is changing and new audience expectations. He explores the Cross-media paradigm shift and the new social / collaborative content as a result of this. Also covered are: the rise of MMORPGs, fragmenting audiences and creating services most appropriate for the smaller segments, ways to reach the mass niche and taking users on personalized journeys
This is the PowerPoint presentation I developed for the SPAA (Screen Producers Association Australia) Fringe event session titled 'Sponsor Generated Programming' (aka Branded Entertainment' which was held on 23 October 2010 in Sydney, Australia.
Be informed of MDA’s initiatives, schemes and opportunities available for your company. Interact, network and exchange ideas with other industry partners.
For full set of presentations shared at the Media Business Forum 2009, please refer to the links below.
This is a presentation Alain Thys gave Nov 29 at the Marketing3 conference at Media Plaza in the Netherlands. A big thank you to Lynette Webb who's visual posts and pictures have provided inspiration for quite a few of the slides.
Cord Cutting — the act of canceling cable TV subscriptions in favor of directly delivered video options such as Netflix and Sling — is an increasingly popular trend. There is no doubt we will start seeing waves of people who hit their twenties who haven’t experienced cable or broadcast television and whose media preferences are more driven by YouTube and Snapchat than traditional music labels, TV stations, or movie studios.
What are the media experiences that make most sense as consumption patterns change? What are the UX and product challenges facing these services whose users increasingly live in a multi-screen world? Join Andrew Smith, L4 Digital’s Director of Product Management, to talk about the issues, challenges, and opportunities in the changing field of media experience.
An aimia presentation looking at the real future for IPTV way back in 2005 - still relevant today. It already looks at the battle between walled garden IPTV and the new broadband video kids on the block. It suggests there are a few ways that IPTV (the subscription based closed version) will survive - this includes interoperability between providers and value add services including rich, social network based interactivity.
Cannes Cyber Lions 2011 — Winners and TrendsJakob Kahlen
Cannes Cyber Lions Winners and Trends 2011 presented at the Best Internet Conference 2011 in Tallinn Estonia by Cannes Cyber Lions jurymember and Creative Director Jakob Kahlen of Hello Monday.
Navigating the Expanding Transmedia Multiplatform Universe and State of the I...Gary Hayes
A 2nd day keynote at Merging Media 2013 in Vancouver Canada. Slides formatted for widescreen. A 50 min prez.
http://mergingmedia.ca/events/mm2013/conference/overview/ - features an inserted "Transmedia State of the Industry" ten measures special :)
From idea to proof of concept to build to users and back again - here's a quick review of opportunities in some of the latest multi-platform production techniques and services. How do we make choices with so many digital media platforms and Apps available to us now? What methodologies can we use to find the most appropriate medium and technology to adopt for our latest story property? With so many distribution channels, how do we create, reach and ensure that we are user centric and able to distribute and grow our Multiplatform creations? Transmedia Guru, recent ABC TV Multiplatform Product Manager and StoryLabs CEO, Gary Hayes, maps out the challenges faced in designing a cohesive story universe today.
Killer 2nd Screen and Social TV: Production MethodologyGary Hayes
A public presentation given by Gary Hayes (as Product Dev Manager ABC TV Multiplatform) at Connected Entertainment 2012 Expo, Melbourne November 21-22. Section of conference: Killer Content - The key ingredient in the success of connected entertainment
A Tall Order!
How do consumers want to connect with content on their TV?
What type of content is connecting with audience markets worldwide?
What is the key in engaging them and keeping them engaged?
Content discovery, participation TV and device control considerations
Providing a unified content experience across all devices
Gary Hayes , (then) Product Development Manager, ABC TV Multi Platform ABC
Pervasive Entertainment - Games, Film, Physical, Print & TV merged with socia...Gary Hayes
A prez from Gary Hayes at the GameTech inaugural conference at Luna Park in Sydney Australia, 22 June 2011
Covering Experiential Augmented Reality, Multi Platform Storytelling, Business Models, Locative Role Playing, Locat-inima, Pervasive Entertainment, Devices, Transmedia etc:
Initial brief
- Assessing the concept of Pervasive Entertainment and how it is affecting the games industry
- How are brands extending to transmedia?
- Reviewing the business models behind geo-social / augmented reality games
- Learning form relevant case studies
- What models of media production, distribution, and consumption are implied by these future visions of entertainment?
The Gamification of Social TV Inspiring the stories of tomorrowGary Hayes
A short 35 minute presentation given by Gary Hayes at the Multi Platform TV Show in Sydney on 28 April 2011.
AREAS COVERED
What is Social TV? & What it isn't
What is Driving it?
The Value for the Users?
What it means for Creators who enable it?
Social TV (baby-steps)
=
1 The Conversation of TV (back-channel, recommendation & community)
2 The Gamification of TV (playful, tribe building & participative)
3 The Personalization of TV (users contribution, relevant & their stories)
Including audiences in the creation of your stories
• Differentiating your content with social features
• Listening to the audience to produce more compelling stories
Fragments of Attention - Transmedia AlchemyGary Hayes
Accompanying post http://www.personalizemedia.com/navigating-the-world-of-multi-platform-transmedia-rituals/
Given at Colab's Envisage Keynote at Auckland University on 23 March 2011 by Gary Kayes. A short talk that looks at recent evolution of multi platform and changing user behaviour. It will highlight the reason traditional storytellers, marketeers and service providers are, for their own survival, needing to develop new transmedia forms. What are some of the most compelling examples thus far, is there really a business here and where are we truly headed? Gary will take us on a short ride through a fragmented media landscape and some of the transmedia attempts to help glue it back together again.
Arresting Audiences, Co-creating Communities, Transmedia StorytellingGary Hayes
Two presentations given by Gary Hayes in Melbourne for a Film Victoria conference called 'Arresting Audiences' - film.vic.gov.au/www/html/199-speakers.asp - First one is around Talking to Audiences (building community and trans-social-media storytelling) second called Small Screen, Big Connections - is a brief focus on interesting Australian networked media services & some new social TV behaviours.
An opening presentation looking specifically at Serious Games examples & case studies from the perspective of content potentially suitable for inclusion and managed by libraries of the future. This is not about just placing game consoles inside existing libraries but about a fundamental shift in how libraries can become the conduit for 'scenario based' play across a range of intentions...
The Fragments of Play - Transocialmedia EntertainmentGary Hayes
A keynote presentation at IADIS Multi Conference on Computer Science and Information Systems 2009 Algarve, Portugal 17 – 23 June 2009
THE FRAGMENTS OF PLAY
Inter-connected, Co-Created Social Media Entertainment
There are many media revolutions taking place the most powerful of which is still the transition from passive to participatory media. This is exemplified by the collision/mashup of games, TV and films as a new dominant immersive form and part of the on-going transformation of one way story-telling to co-created and distributed. This talk will investigate the nature of the playful, networked audience across online worlds & games, participatory film & TV and location based stories all helping to define social media entertainment. How are new audiences being classified, by their age, behaviours or how they themselves tell their new stories across multi-platform, multi-sensory environments. Some key paradigms and enabling services and technologies to be explored will include mixed reality, personalization, inhabited TV, emotional intelligence, machinima, cross-media identity and distributed play.
A presentation by Gary Hayes at a LAMP 'Interactive' seminar VIRTUAL STORY: THE ART AND CRAFT OF MACHINIMA on Thurs 14 May 2009 at AFTRS, Sydney.
Other speakers were covering production techniques and there were presentations from Illclan and SLCN.tv hence leaving out some significant areas of the form.
Gary Hayes, leading Virtual World creator, put this together inspired by the growing audience for his own machinimas which have achieved hundreds of thousands of views online. More at: http://www.youtube.com/user/hayesg01
Machinima is a dynamic new form of storytelling that will be explored in a seminar and interactive workshop at AFTRS this week. This unique event will feature leading international experts speaking about the exciting future of this new form which utilises games and virtual worlds as new tools of filmmaking.
Games and virtual worlds are now being used as creative tools to make a wide range of films from horror genre, comedy to corporate training and education. YouTube, Machinima.com and scores of other video portals are filled with thousands of examples of these new forms of virtual storytelling. Some are now even being commissioned by mainstream TV such as NBC aired a CSI episode in 2008 integrating machinima made in Second Life and HBO recently acquired the machinima series ‘Molotov Alva’.
Presentation given on 3 April 2009 in the new AFTRS theatre as part of a LAMP 'Interactive' Workshop. A new taxonomy by Gary Hayes and an overview of the form & many of serious games, brief history & their natural affinity with documentary.
The intersection between documentary filmmaking and games will be explored in this seminar and workshop, providing deep insight into the potential of Serious Games.
Both games and stories have long been recognised as powerful learning tools. Their combination in the 21st century has the potential to provide learning experiences that are collaborative and globally connected. What are the best examples of Serious Games and where are they heading? How can Serious Games be employed by educators, corporations or non-profit organizations?
Screen Australia and the ABC have recently announced a funding initiative in the area of Serious Games. This seminar will bring you up to speed with the latest developments in serious games and provide an opportunity to present your own concepts and workshop ideas with experts in an afternoon workshop.
What's The ROI? Virtual Worlds IntroductionGary Hayes
Gary Hayes's intro and 15 minute session talk - Virtual Worlds & Business: What's The ROI?
Virtual worlds are maturing at a rapid rate and brands are realising there are valuable business opportunities within them. Whether the objective is engagement, research or brand presence, virtual worlds are proving to be a legitimate marketing channel. In this session our panel will look to provide insights into the business benefits of working within a virtual world. Our panellists will provide:
- An overview of virtual worlds and why they’re suitable for business
- Insight for brand involvement including what’s in it for both the brand and the consumer
- Considerations before entering a virtual world and how to be successful
- Identifying the KPIs and how to measure the success of a campaign
- Engagement and brand presence
- With case study examples, this session will bring to life the importance of engagement and brand presence in a virtual world and how organisations are testing, developing, connecting, and marketing within these communities.
DISCUSSION LEADER:
Gary Hayes, Director, Laboratory for Advanced Media Production, AFTRS
PRESENTER:
Jeff Brookes, Regional Director - Asia Pacific, Sulake Corporation (habbo.com.au)
Mitch Olson, Co-Founder, SmallWorlds
A detailed presentation given at the Online Social Networking and Business Collaboration conference in Sydney in November 2008 - on how to engage with shared social worlds - this includes locative games as well as traditional online game worlds and social 3D web based worlds. Specific focus on the networking elements and how this dictates the types of advertising and collaborative marketing.
Digital Worlds: Social, Virtual, Mobile
• Meet generation V
• What are the opportunities for enterprise, marketers and government?
• The psychological implications of virtual interaction
• What are the mobility limitations of virtual worlds?
Gary Hayes, Director LAMP, Head of Virtual Worlds, The Project Factory
Laurel Papworth, Director & Social Networks Strategist,
World Communities
Paul Salvati, Director,
Marketing Opportunities in Social Virtual WorldsGary Hayes
A presentation by Gary Hayes to the Advertising and Marketing Summit Conference in Sydney on 22 July 2008.
Marketing Opportunities in Social Virtual Worlds
• Engaging with consumers in social and game virtual worlds
• Overview of the explosive growth of casual worlds and latest business models
• Insight into popular worlds including Second Life, Habbo, Google Lively and DIY Virtual Worlds.
Gary Hayes :: Head of Virtual World Development :: The Project Factory
A short 15 minute presentation given by Gary Hayes at the Sydney Writers Festival on Thurs 22nd May 2008 as part of a session looking at the visualisation and installation of poetry inside Second Life and other metaverses. Gary investigates the three levels of Sublime Immersion that are indicative of how art is currently being created inside these Social Virtual spaces - Authored, Resonant and Co-creative. It includes some latest statistics and research on the inhabitants of the world and some images from several well known installations and events across Second life
TV vs Metaverse - The Mixed Reality Perfect StormGary Hayes
A presentation given by Gary Hayes the Director of Australia's Laboratory for Advanced Media Production at a seminar at the Museum of Sydney on 17 May 2006.
THE MIXED REALITY PERFECT STORM
“I think we are really approaching a perfect storm, a mixed reality perfect storm, because we are seeing several things happening. The first one is a long history of games based on TV and films, the foundations are already there. Another force creating this storm is virtual worlds, particularly the exponential growth of customisable ones and more importantly external integration into them. The third force is audience behaviour. They are involved in far more simultaneous activity particularly between broadband web and TV. The fourth element to this perfect storm is actually what is happening to TV and film, especially live reality TV becoming more game like and film becoming fantasy based. All of these forces together are creating a really potent mix” Gary Hayes 17 May 2007
Gary looks at the four forces that are coming together to create perfect conditions for this hybrid form of entertainment. He looks back 10 years at early inhabited TV 3D world experiments when he was an innovation producer at the BBC and then forward to the latest cross-over services where TV properties become virtual and where the virtual world appears inside traditional forms. He looks at virtual worlds such as there.com, second life, PS3 Home, Habbo Hotel, Neopets etc: and how properties such as Big Brother, Laguna Beach, The Hills, Pimp My Ride and a range of consumer brands that are creating engaging and immersive hybrid entertainment.
Something In The Air - The Future Of PersonalizationGary Hayes
A presentation from way back in October 2004 at XMediaLab - much still relevant today. This pre-dates YouTube but refers to the in-coming tidal wave, audience centric thinking and its final section about the very relevant now, portability and interoperability of personal profiles.
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
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240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Create a Seamless Viewing Experience with Your Own Custom OTT Player.pdfGenny Knight
As the popularity of online streaming continues to rise, the significance of providing outstanding viewing experiences cannot be emphasized enough. Tailored OTT players present a robust solution for service providers aiming to enhance their offerings and engage audiences in a competitive market. Through embracing customization, companies can craft immersive, individualized experiences that effectively hold viewers' attention, entertain them, and encourage repeat usage.
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Experience the thrill of Progressive Puzzle Adventures, like Scavenger Hunt Games and Escape Room Activities combined Solve Treasure Hunt Puzzles online.
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardom
Personalised Audiences, Immersive Services
1. Personalised Audiences, Immersive Services
Personalised Audiences
Immersive Services
Gary Hayes
Freycinet, Tasmania
29 October - 4 November 2006
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
2. Personalised Audiences, Immersive Services
The world is changing
94-2004 A reduction of 21% TV viewing for under 24s. Global Media Analysis
Program downloading doubled in 12 months to Feb 2006 . Envisional
The average 13 year old uses 3-5 times more broadband than
the average small business in Australia. ACCC
Decline in magazines. Auto Express (-27%); Autocar (25%); Autosport (-9%); and Auto
Trader (-8%). Exchange & Mart, fell by 18%. What's on TV (-9%), Radio Times (-6%),
TV Quick (-8%), and TV Times (-10%) Guardian Sep 06
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
3. Personalised Audiences, Immersive Services
The world is changing
20% of the Gen Y group (aged 18-26) ranked TVs top compared with the 37%
who rated their PCs as the most important.
A further 27% preferred their mobile phones
13 September, 2006 The Age
2006 85% listed going online as a favorite leisure activity
69% citing television viewing
14 July, Hollywood Reporter.com
In 2005, Box Office attendance dropped 6 per cent among people aged 25–34
28 Jun, 2006 AFC
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
4. Personalised Audiences, Immersive Services
“I WANT IT EVERYWHERE”
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
6. Personalised Audiences, Immersive Services
•Nokia found that an average of 60 per cent of consumers
in Spain, Britain, Finland and France are willing to pay for
mobile TV. In France, the average daily viewing time was
as high as 23 minutes. - The Age, July 21, 2006
• Most pupils in survey own mobiles by 12 19 September,
2006 -
• 91% of 12-year-olds now own a mobile phone, according
to research published today.
•More than half (51%) of 10-year olds have one – The
Guardian
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
7. Personalised Audiences, Immersive Services
The Cross-Media Paradigm Shift
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
8. Personalised Audiences, Immersive Services
The Cross-Media Paradigm Shift
“What Lost should indicate for media
creators working on the web is that the
amount of useful interaction off-site should
be far greater than that on your own
website. The amount of content produced
about your content should be of far greater
weight than the originating content itself.
This in turn creates a new kind of content,
forged from a social process of
collaboration with users, viewers, listeners.”
Dan Hill, Head of Interactive Technology
and Design BBC Music and Radio http://
www.cityofsound.com/
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
11. Personalised Audiences, Immersive Services
To attract audiences across the range of media delivered across this
sea of devices and delivery channels:
•The audiences want ‘their’ media to be available on any and all platforms
at any time
•Audiences want to be able to push and pull their content without barriers
•Professional producers will differentiate themselves from viewer created
content by creating interactive cross-media, rather than mono-media and
telling ‘crafted’ stories, that still has ‘viewer generated authenticity’
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
12. Personalised Audiences, Immersive Services
Broadband >>
post pre
TV/Game >>
Mobile >>
CROSS-MEDIA
User journey and
production cycle
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
13. Personalised Audiences, Immersive Services
fictional
Broadband >>
post pre
blog
fake
site
production
TV/Game >>
blog
game
console launch
production viral
blog video
Mobile >>
viral
video
dvd official
+ extras trailer
CROSS-MEDIA
User journey and
production cycle
tv final
quest begins
sms
game promo
quiz
tv
sms ep 1
online quest quiz
finish sms
viral iTunes
quiz
promotion release
tv
iTunes ep 3
release
tv
online quest
ep 2
fake site
iTunes
update
release location
online quest
quest
location
quest
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
14. Personalised Audiences, Immersive Services
“I WANT TO ESCAPE”
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
15. Personalised Audiences, Immersive Services
Losing eyeballs and convergence
Younger (32 av age!) audiences finding more
immersive entertainment alternatives
MMORPG gamers spend on average 21.0
hours per week playing the game, and spend
on average 7.7 hours per week watching TV.
The national average for TV watching per
week is around 28 - In other words time that
was spent watching TV has been displaced by
MMORPG playing.
Of interest is the spike in play-time among
female players over the age of 35.
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
16. PERSONAL SERVICES Personalised Audiences, Immersive Services
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
19. Personalised Audiences, Immersive Services
THE RISE OF MMORPGS
•25 million players across all
MMORPGs at $10 each pm
•MMORPGS are already at $2.5bill
US in Asia Pacific
•Already games are bigger than box
office at $10bill US
•In the next 2 years games will
surpass music sales
•Sales of virtual property inside
RPGs at $100mill US!
•Mmorpg = massive multiplayer
online role player games
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
20. Personalised Audiences, Immersive Services
“I WANT TO BE
UNDERSTOOD”
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
21. Personalised Audiences, Immersive Services
The psychographic audience
•Audiences are fragmenting into smaller segments
•Create services most appropriate for those segments
•Select the best ways to reach an audience
Psychographic audiences are based on: beliefs, personal characteristics, social networks, how they spend their $,
behaviour, niche interest groups
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
22. Personalised Audiences, Immersive Services
The psychographically segmented audience
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
23. Personalised Audiences, Immersive Services
The psychographically segmented audience
Succeeder
Resigned
Explorer
Struggler
Reformer
Aspirer
Mainstreamer
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
24. Personalised Audiences, Immersive Services
Take users on personalized journeys:
•Media is now about ‘me’
•Measurement of how ‘ALL’ users move around your service is not
enough - you need to know what ‘EACH’ user’s experience is!
•Content providers need to consider ways to reach the mass niche
•Create services that have resonance and do allow dynamic modification
•Understand the wide range of audience you are delivering too
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
25. Personalised Audiences, Immersive Services
“I WANT TO CONNECT
WITH THE WORLD”
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
26. Personalised Audiences, Immersive Services
2,500
The Global Audience - platform numbers
1,875
World Australia
1,250
625
0
TV Consoles Internet Mobile Digi TV
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
28. Personalised Audiences, Immersive Services
The Future of the intraweb, Web 3.0
MUVE’s such as Second Life used by brands, education, business and of course
people
Education: Wells Fargo, Idaho's bioterrorism training, USC, 200 major US
universities, political campaigns, AFTRS/LAMP, Harvey Rheingold, Lawrence
Lessig
Performances: BBC, U2, Duran Duran, Suzanne Vega,
Brands: American Apparel, Universal Music, Nike, Playboy, Lego
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
29. Personalised Audiences, Immersive Services
“I WANT IT NOW”
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
30. Personalised Audiences, Immersive Services
THE UK FUTURE
•The BBC expects that by 2016, seven in ten homes will be able to
schedule their viewing and listening at a time that suits them best –
PVR & broadband
“This decade will be the decade of on-demand. And we will arrive at a
digital Britain not when we switch analog terrestrial TV to digital but
when every household has access to rich and interactive on-demand
services?…That's why it's a category error today to define or delimit
the BBC around linear real-time TV and radio”
Mark Thompson, Director General BBC
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
31. Personalised Audiences, Immersive Services
VOICE - TV - DATA
down one pipe the great triple play
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
32. Personalised Audiences, Immersive Services
•* 12 September, 2006 A recent AP-AOL Video poll found that more than
half of Internet users have watched or downloaded video. News clips
were the most popular, seen by 72 percent of online video viewers,
followed by short movie and TV clips, music videos, sports highlights
and user-generated videos like those on YouTube Inc.'s popular Web
site.– The Age
•July 20, 2006 - Australia - ABC Radio will top 2 million podcasts a month
by the end of 2006, leading the forecasts of its closest commercial rival,
Austereo, in a booming trend which shows little sign of abating. - SMH
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
33. Personalised Audiences, Immersive Services
“I WANT TO SHARE”
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
34. Personalised Audiences, Immersive Services
•“more content will be created over the next two years than
over the entire history of mankind—and 93 percent of it will
be digital.” Accenture
•Podcasters nearly 5 million worldwide (83% are male)
•BitTorrent - 35% of all internet traffic. CacheLogic Feb 05
•83% of 18-24 years olds demand, personalisation. eContent
2005
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
36. Personalised Audiences, Immersive Services
When and what do they share?
Daily or most days - 25%, Several times a week - 23, Once a week - 15,
Several times a month - 11, Several times a year - 15, Never - 11
The most popular content is humorous material, with 88 % forwarding jokes
or cartoons.
A study by Sharpe Partners
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
37. Personalised Audiences, Immersive Services
52 % of bloggers said they blogged mostly for themselves, to express
themselves creatively and 50 % said it was to document and share
personal experiences. July 20, 2006 - US report by Pew Internet &
American Life Project
- The blogosphere is doubling in size every 6 months
- It is now over 60 times bigger than it was 3 years ago
- On average, a new weblog is created every second of every day
- 19.4 million bloggers (55%) are still posting 3 months after their blogs
are created
19 Apr, 2006 - State of the Blogosphere David Sifry technorati
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
38. Personalised Audiences, Immersive Services
Viewers want to tell their story - blogs for instance
•One blog created every second, there are over 110 million worldwide and it
doubles every 5 months. 27% of all internet users read blogs
•The Vice President of General Motors runs a blog and he is already
having a direct relationship with his customers
•Gizmodo (a gadget blog) has enormous power and can make and break a
product even before it is launched
•Social currency - links to your blogs, comments on your blogs,
subscriptions
•The RSS (really simple syndication) element that can follow blogs - 1.3
million posts a day
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
39. Personalised Audiences, Immersive Services
“I WANT TO TAKE PART”
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
40. Personalised Audiences, Immersive Services
•Strong presenter and narrative call to actions – the more
personal the better (recognition, attraction, invitation)
•Make sure the interaction and alternate content is integral,
deep and NOT a superficial add-on
•Be clear about the reward for viewers and tell them what it is
•If you are providing alternate media choice, make sure it is
compelling in its own right
•Encourage audience participation through
understanding their needs and expectations
•Do something unique that drives initial interest – viral uses
recommender methods for example
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
41. Personalised Audiences, Immersive Services
TV in Transition. Advanced TV & Participation TV
Showtime’s ‘L Word’ have allowed viewers to write the episode
Ratings went up by 51%, the site got 175,000 visits & over 3 mill page views.
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
42. Personalised Audiences, Immersive Services
April, 2006. Despite only a third of homes being enabled, over 75% of
advertisers (according to IDS) have given iTV advertising a whirl and
many have found it extremely successful. Only 2% say that it was an
outright failure. article Media Guardian
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
43. Personalised Audiences, Immersive Services
GARY WHAT’S COOL
Collaborative MUVE’s
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
44. Personalised Audiences, Immersive Services
GARY WHAT’S COOL - Collaborative MUVE’s
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
45. Personalised Audiences, Immersive Services
GARY WHAT’S COOL - Collaborative MUVE’s
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
46. Personalised Audiences, Immersive Services
GARY WHAT’S COOL - Collaborative MUVE’s
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
47. Personalised Audiences, Immersive Services
GARY WHAT’S COOL - Collaborative MUVE’s
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
49. Personalised Audiences, Immersive Services
GARY WHAT’S COOL - Collaborative MUVE’s
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
50. Personalised Audiences, Immersive Services
GARY WHAT’S COOL - Collaborative MUVE’s
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
51. Personalised Audiences, Immersive Services
GARY WHAT’S COOL - Collaborative MUVE’s
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania
52. Personalised Audiences, Immersive Services
Thank you and good afternoon!
personal blog - www.personalizemedia.com
virtual blog - www.justvirtual.com
work blog - lamp.edu.au
Gary Hayes, Director AFTRS LAMP
LAMP V, Sunday 29 Oct 2006, Freycinet, Tasmania