Participant release forms
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This document contains 5 participant release forms for a music video production. Amber Weir, Silas Wharton, Beth Guinness, Robert Rabe, and Nadir Kherba all volunteered as extras or the main actress in the "Street Lights" music video. They were made aware of the risks and agreed to the terms outlined in the release forms.
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Sample copyright case study
This case discusses the 1991 lawsuit between Gilbert O'Sullivan and his company Grand Upright Music against rapper Biz Markie and his record label Warner Bros. Records. Biz Markie had sampled and used music from O'Sullivan's song "Alone Again Naturally" in his own song without permission. When sued, Biz Markie claimed the plaintiffs were not the true copyright holders, but they provided documentation showing ownership. The court found Biz Markie liable for copyright infringement and he was forced to pay a substantial settlement. This case established that sampling copyrighted music without permission was illegal.
Storyboard
The storyboard is for a music video that follows a boy who has recently broken up with his girlfriend. In the video, the boy rips up an old picture of them together and discards it. Throughout the video, various people will lip sync to the song in recognizable locations. The boy sees what he thinks is his ex-girlfriend on the side of a bus but realizes it is just an advertisement. A band featuring a drummer, guitarist, and singer will also lip sync to the song and hold up words to the chorus that are initially in the wrong order but they fix it. The boy twice mistakes other people for his ex-girlfriend before realizing his mistake.
Music video director fact sheet
Hype Williams is a renowned music video director known for directing videos for artists like 2Pac, The Notorious B.I.G., LL Cool J, Nas, Missy Elliott, Busta Rhymes, TLC, Kanye West, Aaliyah, Nicki Minaj, and Beyoncé. Some of his most famous works include "California Love" and "Warning" by The Notorious B.I.G. The author cites "Warning" and "One More Chance" as one of their favorite videos due to enjoying the song and how the video provides a visual to accompany the music. They also highlight liking "No Scrubs" by TLC for its abstract dancing
Let me love you
Justin Bieber is a Canadian singer and songwriter who was discovered through YouTube. At age 13, he signed a record deal with Island Records. Some of his most popular songs include "Baby", "Sorry", and "Let Me Love You", which explore different musical genres like pop, R&B, country, and hip-hop. Teenagers enjoy his songs for relaxation and motivation when feeling down. His musical style is influenced by artists like Usher and Justin Timberlake.
actor release
Rhianne Liberty Gibbs has signed an actor release form granting Jessica Hooker permission to photograph and record her for a student music video titled "Cry Baby - The Neighbourhood". The music video will depict two characters reacting differently to a breakup, one negatively and one positively. Rhianne will need to lip sync and act to the song "Cry Baby" by The Neighbourhood while wearing a black dress and jacket and red lipstick. She has agreed to stay after school until 6:30pm and attend additional shoots, including one in central London in the evening. Rhianne understands she must adhere to the agreed upon schedule and make herself available for reshoots if needed.
Grant's powerpoint
This document analyzes and compares two rap music videos: "Gold Digger" by Kanye West and "In Paris" by Jay-Z featuring Kanye West. It examines several genre characteristics and elements including narrative, visuals/lyrics, visuals/music, selling the artist, intertextuality, and voyeurism. Overall, "Gold Digger" exhibits more typical rap video traits like colorful visuals and dance routines, while "In Paris" tells a more personal story in a darker, live performance setting.
Goodwins theory
Goodwin's theory suggests that music videos of the same genre will exhibit common characteristics that allow viewers to identify the genre. This is seen in rock videos typically featuring a band performing on stage, while hip-hop and R&B videos often feature beautiful women and have the artist on screen constantly. Goodwin's theory also suggests lyrics and visuals will be linked to enhance the artist's message. Record labels demand the artist be on screen frequently and portray attractive imagery to appeal to audiences. Women are often portrayed as sexual objects to attract male fans and sell music. Artists also reference each other's work intertextually through homages and inspirations.
Frame Analysis
This document analyzes and compares scenes, conventions, and motifs from Ariana Grande's music video for "Baby I" to other pop and R&B music videos. It discusses how the mid shot of Grande emphasizes her likable persona. Bright colors and graffiti in the background reference 90s R&B videos. Close ups show Grande's emotions and mouthing lyrics while on the phone, a common convention. Long shots present Grande as a style icon and draw attention through techniques like Laura Mulvey's male gaze. Party scenes are conventional despite not relating to lyrics. Choreography, lighting, hair styles, and hand gestures are also repeated across Grande's videos.
Recommended
Sample copyright case study
This case discusses the 1991 lawsuit between Gilbert O'Sullivan and his company Grand Upright Music against rapper Biz Markie and his record label Warner Bros. Records. Biz Markie had sampled and used music from O'Sullivan's song "Alone Again Naturally" in his own song without permission. When sued, Biz Markie claimed the plaintiffs were not the true copyright holders, but they provided documentation showing ownership. The court found Biz Markie liable for copyright infringement and he was forced to pay a substantial settlement. This case established that sampling copyrighted music without permission was illegal.
Storyboard
The storyboard is for a music video that follows a boy who has recently broken up with his girlfriend. In the video, the boy rips up an old picture of them together and discards it. Throughout the video, various people will lip sync to the song in recognizable locations. The boy sees what he thinks is his ex-girlfriend on the side of a bus but realizes it is just an advertisement. A band featuring a drummer, guitarist, and singer will also lip sync to the song and hold up words to the chorus that are initially in the wrong order but they fix it. The boy twice mistakes other people for his ex-girlfriend before realizing his mistake.
Music video director fact sheet
Hype Williams is a renowned music video director known for directing videos for artists like 2Pac, The Notorious B.I.G., LL Cool J, Nas, Missy Elliott, Busta Rhymes, TLC, Kanye West, Aaliyah, Nicki Minaj, and Beyoncé. Some of his most famous works include "California Love" and "Warning" by The Notorious B.I.G. The author cites "Warning" and "One More Chance" as one of their favorite videos due to enjoying the song and how the video provides a visual to accompany the music. They also highlight liking "No Scrubs" by TLC for its abstract dancing
Let me love you
Justin Bieber is a Canadian singer and songwriter who was discovered through YouTube. At age 13, he signed a record deal with Island Records. Some of his most popular songs include "Baby", "Sorry", and "Let Me Love You", which explore different musical genres like pop, R&B, country, and hip-hop. Teenagers enjoy his songs for relaxation and motivation when feeling down. His musical style is influenced by artists like Usher and Justin Timberlake.
actor release
Rhianne Liberty Gibbs has signed an actor release form granting Jessica Hooker permission to photograph and record her for a student music video titled "Cry Baby - The Neighbourhood". The music video will depict two characters reacting differently to a breakup, one negatively and one positively. Rhianne will need to lip sync and act to the song "Cry Baby" by The Neighbourhood while wearing a black dress and jacket and red lipstick. She has agreed to stay after school until 6:30pm and attend additional shoots, including one in central London in the evening. Rhianne understands she must adhere to the agreed upon schedule and make herself available for reshoots if needed.
Grant's powerpoint
This document analyzes and compares two rap music videos: "Gold Digger" by Kanye West and "In Paris" by Jay-Z featuring Kanye West. It examines several genre characteristics and elements including narrative, visuals/lyrics, visuals/music, selling the artist, intertextuality, and voyeurism. Overall, "Gold Digger" exhibits more typical rap video traits like colorful visuals and dance routines, while "In Paris" tells a more personal story in a darker, live performance setting.
Goodwins theory
Goodwin's theory suggests that music videos of the same genre will exhibit common characteristics that allow viewers to identify the genre. This is seen in rock videos typically featuring a band performing on stage, while hip-hop and R&B videos often feature beautiful women and have the artist on screen constantly. Goodwin's theory also suggests lyrics and visuals will be linked to enhance the artist's message. Record labels demand the artist be on screen frequently and portray attractive imagery to appeal to audiences. Women are often portrayed as sexual objects to attract male fans and sell music. Artists also reference each other's work intertextually through homages and inspirations.
Frame Analysis
This document analyzes and compares scenes, conventions, and motifs from Ariana Grande's music video for "Baby I" to other pop and R&B music videos. It discusses how the mid shot of Grande emphasizes her likable persona. Bright colors and graffiti in the background reference 90s R&B videos. Close ups show Grande's emotions and mouthing lyrics while on the phone, a common convention. Long shots present Grande as a style icon and draw attention through techniques like Laura Mulvey's male gaze. Party scenes are conventional despite not relating to lyrics. Choreography, lighting, hair styles, and hand gestures are also repeated across Grande's videos.
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Andrew Goodwin's Theory
Andrew Goodwin's theory suggests that a music video's genre characteristics, lyrics, and visuals are linked. Characteristics seen in a hip hop video may include depictions of wealth, drugs, and exploitation of women, whereas a metal video may show band members performing on stage. Goodwin also proposed that a video's visuals can be illustrative of song lyrics, amplify meanings beyond the lyrics, or contradict the lyrics entirely. Frequently, music videos employ voyeurism through props like mirrors and binoculars to sell the artist through sex appeal. An artist's label may demand certain visual styles, like close-ups, that then recur across their work.
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Rihanna was surprised and excited when Jay-Z appeared on her song and in her music video. She felt it elevated her career to a new level. Some believe Rihanna exposing herself in the video was due to being starstruck by the opportunity and pay, while others feel she was taking control of her image and projects like other successful artists.
Britney Spears established her image as a provocative teen in her debut "Baby One More Time" video, which contrasted scenes of her dancing sexually with innocent moments. Her videos show her career highs and lows. Her latest video depicts a more meaningful relationship compared to her earlier sexualized persona, showing her image has changed over the years.
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Andrew goodwin’s Music Video Conventions
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The Desiigner "Outlet" video was filmed at Manchester United's Old Trafford stadium at night, giving it a dark atmosphere and allowing promotion of the team's new kit.
The Rae Sremmurd "Swang" video was unexpectedly filmed on a golf course, merging the uptight nature of golf with the artist's freestyle in an ironic way.
The Louis Tomlinson "Back to You" video was filmed in his hometown of Doncaster, England, tying into the song's lyrics about always returning home and showing his pride for where he came from.
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Savannah Feeley will wear jeans, a checkered shirt, and white Converse pumps to achieve a casual, everyday look. The clothing is meant to be relatable to the audience.
Liam Hemmings, the artist, will wear a Nirvana band t-shirt, black jeans, and dark New Balance trainers. The clothing reflects the somber mood of the video and matches the casual atmosphere. The band t-shirt and popular clothing brands make the outfits relatable to the target audience.
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This document discusses various music artists and conventions in their music videos. It provides examples of Birdman rubbing his hands together in videos, Snoop Dogg smoking marijuana and making a movie about weed, and Eminem using fast-paced wordplay and aggression in his rapping style and videos. It also discusses how Rihanna, Katy Perry, Britney Spears, and Miley Cyrus use angles to promote their bodies in sexualized ways. Finally, it analyzes how some music videos like Eminem's "Stan" amplify and visualize the song lyrics, while Mark Ronson's "Stop Me" contradicts the violent lyrics with unrelated visuals.
Question 1
The document discusses how a music video project used and developed several conventions of real music videos. It analyzes the use of conventions like genre, star identification, voyeurism, lyrics and visuals, and location. It provides examples of how the project incorporated these conventions and drew inspiration from other music videos. However, it did not include the conventions of inter-textual references and star iconography, challenging those conventions.
1. IN WHAT WAYS DOES YOUR MEDIA PRODUCTION USE OR DEVELOP OR CHALLENGE FORMS ...
The document discusses various codes and conventions used in rap and grime music videos. It notes that these videos often use realistic settings and depictions of artists to familiarize audiences with their brands. While stereotypically featuring men rapping about topics like money, violence, and women, some videos subvert expectations by addressing more sensitive issues. The summary discusses how the student's music video challenges conventions by not sexualizing women or depicting violence, given the serious topic of a mother grieving the death of her son. It uses elements like flashbacks, lighting, costumes, and cinematography to tell the story while still fitting conventions of the genre.
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Grime originated in 2000 in East London and was pioneered by artists like Wiley and Dizzy Rascal. It was initially based on depicting the violence and hardship in the lives of artists from poor backgrounds. Over time, grime music videos have become higher quality as artists have more resources, and the genre has reached larger, more diverse audiences internationally and across age groups in the UK. Lyrics have also broadened beyond only violence and hardship to appeal to a wider fan base.
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The document provides an analysis of Britney Spears' 2003 music video for her song "Toxic". It summarizes that the video portrayed Spears as a sexualized object through tight outfits and camera focus on her body. It was a dance-pop video featuring quick cuts that followed Spears' high-tempo choreography between scenes set on a plane and other locations. The video was influential in portraying Spears' star image and sexuality, drawing inspiration from shows like Alias and comics at the time.
Andrew Goodwin's Theory
Andrew Goodwin's theory suggests that a music video's genre characteristics, lyrics, and visuals are linked. Characteristics seen in a hip hop video may include depictions of wealth, drugs, and exploitation of women, whereas a metal video may show band members performing on stage. Goodwin also proposed that a video's visuals can be illustrative of song lyrics, amplify meanings beyond the lyrics, or contradict the lyrics entirely. Frequently, music videos employ voyeurism through props like mirrors and binoculars to sell the artist through sex appeal. An artist's label may demand certain visual styles, like close-ups, that then recur across their work.
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This document discusses representations of women in music videos and performances, focusing on Beyonce's 2011 video for "Who Rules the World (Girls)". It asks how Beyonce is portrayed, how her image is constructed to present both aggressive leadership and sexuality, and who the intended audiences are and how they may interpret the video differently. It also discusses concerns some groups like older women may have about such representations of women and asks about other artists whose images have prompted similar discussions.
Representation Of Women
Rihanna was surprised and excited when Jay-Z appeared on her song and in her music video. She felt it elevated her career to a new level. Some believe Rihanna exposing herself in the video was due to being starstruck by the opportunity and pay, while others feel she was taking control of her image and projects like other successful artists.
Britney Spears established her image as a provocative teen in her debut "Baby One More Time" video, which contrasted scenes of her dancing sexually with innocent moments. Her videos show her career highs and lows. Her latest video depicts a more meaningful relationship compared to her earlier sexualized persona, showing her image has changed over the years.
Questionaire.jpeg
The document contains a survey that asks questions about music preferences and habits. It asks respondents about their age, gender, favorite music genres and artists including Katy Perry and Beyonce. It also questions where people download music from, how often they listen, if they have seen favorite artists on tour, and if they prefer narrative or performance focused songs.
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Robbie Williams is a 43-year-old British singer-songwriter known for his mostly swing albums as well as some pop songs. He was originally a member of the popular boy band Take That, which exposed him to a younger pop audience. Since then, he has signed with major record labels like Universal Music Group and EMI and produced his own records, winning several awards including Brit Awards and a Grammy for his contributions to music across different genres and styles.
Song change blue pill
The music video producers decided to change their song from "Butterfly Effect" to "Blue Pill" by Metro Boomin and Travis Scott because the latter fit their desired trippy/druggy vibe better and aligned with portraying current stereotypes in rap music like drugs, alcohol, guns, and using women. They believe changing the song will not negatively affect their blog and they only need to add details to their blog rather than change much.
Andrew goodwin’s Music Video Conventions
Andrew Goodwin identifies three relationships between music videos and songs: illustration, contradiction, and amplification. Videos can illustrate lyrics by displaying them, contradict lyrics through opposing visuals, or amplify lyrics by enhancing their message. Goodwin also discusses three relationships between visuals and music: illustration, contradiction, and amplification. Different genres like rap, pop, rock, and R&B employ distinct styles and conventions in their music videos. Intertextual references, iconic artist images, and voyeurism are other elements analyzed in Goodwin's examination of music video conventions.
Interview questions
The document asks a series of questions about music genres, specific songs and artists, and music videos. It asks what the interviewee's favorite music genre is, if they listen to hip hop, if they've heard of the J-Cole song "Sideline Story" and what they think of it, if the song and music video are typical of their genres, and for opinions on the artist's clothing, locations in the video, and if anything should be changed about the song or video.
Location in music vid pwp
The document discusses and analyzes the locations used in three music videos and how they relate to the songs.
The Desiigner "Outlet" video was filmed at Manchester United's Old Trafford stadium at night, giving it a dark atmosphere and allowing promotion of the team's new kit.
The Rae Sremmurd "Swang" video was unexpectedly filmed on a golf course, merging the uptight nature of golf with the artist's freestyle in an ironic way.
The Louis Tomlinson "Back to You" video was filmed in his hometown of Doncaster, England, tying into the song's lyrics about always returning home and showing his pride for where he came from.
Costumes presentation
Savannah Feeley will wear jeans, a checkered shirt, and white Converse pumps to achieve a casual, everyday look. The clothing is meant to be relatable to the audience.
Liam Hemmings, the artist, will wear a Nirvana band t-shirt, black jeans, and dark New Balance trainers. The clothing reflects the somber mood of the video and matches the casual atmosphere. The band t-shirt and popular clothing brands make the outfits relatable to the target audience.
Feel This Moment
The music video for "Feel This Moment" by Pitbull featuring Christina Aguilera was directed by David Rousseau. It was filmed in black and white and featured scenes from Pitbull's Planet Pits World Tour in cities like Paris, New York, Los Angeles, and Miami. The video shows Pitbull and Aguilera performing on stage and fans enjoying themselves to encourage the message of appreciating life in the present moment. Critics commented on Aguilera's appearance in a black leather outfit and called her a "curvy diva." The black and white theme and spotlight on the two artists conveyed the message of enjoying oneself in each moment.
Why music video was made.
The music video depicts a couple, Trabass and his real-life wife Deanne, on a date at the beach when Trabass is recognized by some female fans who want photos. This makes his girlfriend jealous and annoyed as she watches. As the situation escalates, Trabass sings about only wanting his girlfriend and how she alone is his feelings. The purpose is to make girls who may experience jealousy in their relationships feel less alone. Trabass is a popular Jamaican-American entertainer, singer, actor, and comedian born in Jamaica but now based in New York. The video was directed by Dante Hillmedo and includes scenes at the beach and fair along with parts where Trabass sings in Patois.
Biography justin bieber
Justin Bieber is a Canadian singer and songwriter born in 1994 in Stratford, Ontario. He was discovered on YouTube by Scooter Braun and signed with Island Def Jam Records. Some of his hit singles include "Baby" and "One Time." Bieber began his career by posting cover songs on YouTube in 2007 and has since released several successful studio albums. He is one of the best-selling music artists of all time.
Britney spears case study.
This document provides a biography of Britney Spears. It details that she began dancing and singing at a young age and was part of The Mickey Mouse Club as a child. Her debut album "...Baby One More Time" was released in 1999 and was a major commercial success. The document outlines her subsequent albums and singles including "Oops! I Did It Again", her acting career, and her high-profile relationship and breakup with Justin Timberlake. It provides context around key moments and performances in her career progression over the years.
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Similar to Participant release forms
Andrew Goodwin - Music Video
This document discusses various music artists and conventions in their music videos. It provides examples of Birdman rubbing his hands together in videos, Snoop Dogg smoking marijuana and making a movie about weed, and Eminem using fast-paced wordplay and aggression in his rapping style and videos. It also discusses how Rihanna, Katy Perry, Britney Spears, and Miley Cyrus use angles to promote their bodies in sexualized ways. Finally, it analyzes how some music videos like Eminem's "Stan" amplify and visualize the song lyrics, while Mark Ronson's "Stop Me" contradicts the violent lyrics with unrelated visuals.
Question 1
The document discusses how a music video project used and developed several conventions of real music videos. It analyzes the use of conventions like genre, star identification, voyeurism, lyrics and visuals, and location. It provides examples of how the project incorporated these conventions and drew inspiration from other music videos. However, it did not include the conventions of inter-textual references and star iconography, challenging those conventions.
1. IN WHAT WAYS DOES YOUR MEDIA PRODUCTION USE OR DEVELOP OR CHALLENGE FORMS ...
The document discusses various codes and conventions used in rap and grime music videos. It notes that these videos often use realistic settings and depictions of artists to familiarize audiences with their brands. While stereotypically featuring men rapping about topics like money, violence, and women, some videos subvert expectations by addressing more sensitive issues. The summary discusses how the student's music video challenges conventions by not sexualizing women or depicting violence, given the serious topic of a mother grieving the death of her son. It uses elements like flashbacks, lighting, costumes, and cinematography to tell the story while still fitting conventions of the genre.
1.In what ways does your media production use, develop or challenge forms and...
The document discusses conventions in rap/grime music videos and how the student's music video for "Frank X Fabz - My Story" relates to these conventions and to music video theory by Andrew Goodwin. Specifically:
1) The student aimed to show the relationship between lyrics and visuals as Goodwin's theory states, depicting the aftermath of an event rather than showing the event itself.
2) Close-ups of the artists were used to promote them and create brand recognition, as is common in rap/grime videos.
3) Rather than sexualizing women as often seen, the video subverted expectations to match the sensitive topic of the song. It focused on showing the mother's pain at
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Bon jovi always
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Evaluation question 1
This document discusses how the media product applies conventions of real music videos and Goodwin's music video theory. It summarizes:
1) The music video draws on conventions of indie rock music videos by focusing on close-ups of the vocalist and showing the band performing.
2) Goodwin's theory emphasizes relationships between lyrics/music and visuals, genre-related styles, close-ups of artists, and voyeurism. The music video applies these through shots of instruments playing and a chase scene matching the song's beat.
3) While intended lyrics/visuals were cut, genre is represented through coloring and imaging of the band that evokes other indie rock videos. Voyeurism through an
2 +1layout music video analysis
The music video for Rihanna's song "Rude Boy" relies heavily on green screen effects and features Rihanna dancing in front of colorful, edited backgrounds. It draws artistic inspiration from Andy Warhol, Keith Haring, and Jean-Michel Basquiat. The video for Katy Perry's "E.T." features Perry and Kanye West singing and dancing in a futuristic space setting, with costumes and props that establish the year is beyond 2030 on Earth. Both videos effectively blend dance performances with artistic visual styles.
Post 4 - External Group Music Video Analysis
The document provides an analysis of the music video "We The Wild - You Lost My Mind" in 3 paragraphs. It summarizes that the video begins with a record being played, featuring small animated lines that represent the music. Throughout the video, these illustrations link to the lyrics being sung. The video primarily features the two male band members and creates a female gaze on them, with few other elements to make it interesting. It lacks live footage of the band that could make it more engaging.
Detailed research
The document provides details about the music video for Tich's song "Breathe in Breathe Out" including the key people involved in making the video such as the director, editor, and producer. It also discusses how the video establishes the pop genre through its simple style and lack of special effects. While the video keeps viewers' attention through its performance-focused style, the document writer would want to include more varied camera shots and angles in their own video.
Types of Music Videos // Parody
This is my presentation on parody music videos. I conducted research into what they involve and their effect on the audience- all accompanied by numerous existing videos.
Detailed Analysis of Music Videos
This document discusses several music video conventions outlined by Andrew Goodwin and analyzes four music videos based on these conventions. The conventions include demonstrating genre characteristics, relating lyrics and visuals, relating music and visuals, focusing on the artist, incorporating notions of looking, developing motifs, and including intertextual references. The analyzed videos showcase these conventions to varying degrees, with some fitting genre conventions more closely and others taking unconventional approaches.
Post 4 - External Group Music Video Analysis
1. The video analyzes three different music videos: We The Wild - You Lost My Mind, The Kooks - Forgive & Forget, and Sam Smith - I'm Not The Only One.
2. For the first video, it notes the indie theme and use of animation synced to the music. Shots of the singer are used to depict him "losing his mind".
3. For the second video, it discusses the tongue-in-cheek nature of the lyrics and use of identical female dancers and voyeurism. Live shots of the band performing are a main focus.
4. For the third video, it provides details on the story of a married couple dealing with infidelity
Evaluation postmedia
The student created a music video for Beyonce's song "Mine" as a class project. To promote the music video, the student created additional materials like a digital album packaging (digipak) and magazine cover. Creating these promotional materials helped the student understand how to appeal to the target audience and the professional standards of the music industry. The student researched conventions of hip hop/R&B music videos to incorporate into their video. They conformed to conventions like close-ups of the artist and depicting a relationship problem through characters' costumes and settings. However, they did not include excessive displays of wealth to better fit the song's slower, more emotional tone.
Star image and development
Kid Ink is an American rapper known for his tattoos and hip hop/R&B music. The document discusses how Kid Ink established his star image through his early music videos like "Time of Your Life" and "Bad Ass." It describes the narrative, costumes, props, language, and camera shots used in each video to portray Kid Ink's persona and story. Over time, his image developed as he gained confidence and began collaborating with other artists through labels like RCA Records.
Q1
We researched conventions of female R&B music videos to inform our own video for Cassie's song "Me & U". We focused on a performance-based video rather than narrative. Close-ups, eye contact with the camera, glamorous locations, and emphasis on the artist's appearance and lifestyle were used to attract audiences and sell the artist in line with conventions. Some conventions like including a love interest or happy ending were omitted to focus on Cassie.
Styles of Music Video
The document discusses different styles of music videos, including:
1) Performance videos that feature live footage of concerts to connect with fans. Taylor Swift's "Red" and Coldplay's "A Head Full of Dreams" are examples.
2) Animation styles used by artists like Gorillaz to create something unique. This style is synonymous with Gorillaz.
3) Narrative styles that tell a story to make a song more memorable, like Taylor Swift's "You Belong with Me" music video.
4) Impressionist styles where other artists sing a song as a form of respect, like celebrities singing Johnny Cash's "Cut You Down."
Similar to Participant release forms (20)
1. IN WHAT WAYS DOES YOUR MEDIA PRODUCTION USE OR DEVELOP OR CHALLENGE FORMS ...
1. IN WHAT WAYS DOES YOUR MEDIA PRODUCTION USE OR DEVELOP OR CHALLENGE FORMS ...
1.In what ways does your media production use, develop or challenge forms and...
1.In what ways does your media production use, develop or challenge forms and...
More from Surya Gregory Robinson
Presentation3
The document summarizes feedback received on a promotional package for a music video. Peer feedback was positive and noted that the music video, advert, and digipak kept with the theme and genre. The focus group also felt the materials matched the theme through imagery and colors used. Minor improvements were made based on the feedback, such as increasing text size and brightness. The document reflects that the feedback was helpful and allowed an understanding of how the target audience would receive the materials based on reception and uses and gratifications theories.
Working Progress- Advert and Digipak
1) The document discusses the design process for a poster and digipak promoting the album "Street Lights" by artist Beth Guinness.
2) For both designs, the same edited image is used to maintain continuity, with a black background and bottom border added.
3) Feedback is incorporated throughout the iterative design process, such as adjusting text placement and sizing elements better. Changes are made to improve readability, balance, and reduce clutter.
Skills Development Advanced Portfolio 2014
The document outlines various skills developed in Audacity, Adobe Photoshop, Adobe Premiere Pro, and Adobe InDesign CS6 including changing the speed of songs in Audacity, using layering and opacity controls in Premiere Pro, removing unwanted elements from images using content-aware tools in Photoshop, and properly formatting layouts for digipaks in InDesign. Stabilizing shaky footage, color correcting, adding titles, and using audio fades are also summarized as skills developed during video editing in Premiere Pro.
Peer feedback digi and poster
The peer feedback for the digipak and poster indicated that they stuck to the house style, colors, and theme. The lighting, color, and theme of the pictures used on the digipak and poster were similar and complementary. The designs were also seen to fit the genre conventions of the music. Some felt the font choices were good while others did not. The main improvements made were to address alignment and color issues with the texts and images to make them easier to read on the dark digipak. The text was aligned at the top and the QR code size was minimized for better balance. Grammar on the digipak and poster was also checked.
Anonymous Peer Feedback
The document provides anonymous peer feedback on a music video project. The feedback includes:
- Praise for the night shots and scenery, use of street lamps and lighting, slow pace that matches the genre conventions, and creative technical skills shown in the variety of shots.
- Areas the audience enjoyed included the mannequins in masks, soft full focus, and overlapping transparencies.
- Improvements made based on the feedback were shortening some long shots, editing out mannequin movements, extending scenes using overlays and transitions, and adding a scenery shot to emphasize the circular narrative.
- The creator will use a focus group for additional feedback on the full promotional package before
Location risk assessment
This risk assessment form covers the London Southbank and London Bridge areas, which share the same risks in the areas that would be used, as determined during a site visit. A separate risk assessment covers the areas of Twickenham including a park, footpath, and pavements, which all present the same level of risk. The document signs off on the first two risk assessments as they are attached to the same location.
Recce
This document contains a list of locations in London and the surrounding areas that include London Bridge, Southbank, Twickenham bridge and park, and the Twickenham train station and surrounding roads. The list appears to be reconnaissance locations or sites to check or observe.
Story board
I created a story board to plan out the main visual elements of my music video including camera work, editing, and set design. The story board outlined the structure from the first verse through the chorus, second verse and chorus, and then the bridge section of the song. It provided a visual plan to accompany the written outline for the music video.
Risk assessments
Risk assessments are important tools for identifying and mitigating potential threats. They involve analyzing possible hazards and vulnerabilities, then evaluating the likelihood and impact of those risks. By conducting regular risk assessments, organizations can protect their assets, operations, and reputation from foreseeable events that could negatively impact their business.
Call sheets informal ones
This document appears to be a list of call sheets given to various crew members for a production, as it lists names like Nadir and Beth and mentions extras. Most of the call sheets seem to have been given to Beth, as her name appears in every entry, while only one entry includes Nadir and another mentions extras along with Beth.
Filming plan not visual plan, purely written
The document provides a filming plan that is not a visual plan, but rather a purely written description. It appears to be instructions or an outline for filming something, but in written form only rather than with visual elements like diagrams or pictures. In 3 sentences or less, it summarizes that the document contains a written filming plan without visual components.
Potential digipak images
This document contains potential images for a digipak and poster. It discusses potential lead images that could be used for packaging and promotional materials. In a few short sentences, it conveys there are photo options being considered for a music release's visual design elements.
CD Skills development Photoshop
This is a skills development journal that I have kept throughout my progress with media. This journal has been focused especially on my progress with CD design.
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5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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Barbie Movie Review - The Astras.pdfffff
Barbie Movie Review has gotten brilliant surveys for its fun and creative story. Coordinated by Greta Gerwig, it stars Margot Robbie as Barbie and Ryan Gosling as Insight. Critics adore its perky humor, dynamic visuals, and intelligent take on the notorious doll's world. It's lauded for being engaging for both kids and grown-ups. The Astras profoundly prescribes observing the Barbie Review for a delightful and colorful cinematic involvement.https://theastras.com/hca-member-gradebooks/hca-gradebook-barbie/
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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定制(uow毕业证书)卧龙岗大学毕业证文凭学位证书原版一模一样
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本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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University of Western Sydney degree offer diploma Transcript
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Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
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Participant release forms
- 2. Amber Weir- volunteered to be an extra in the Street Lights music Video. She gave full concent for the footage to be released with Her included in it. Also she was Aware of the risks.
- 3. Silas Wharton- volunteered to be an extra as a manikin in the music video for no payment. He agreed to the terms of the form And we went through the risk Assessment and double checked What he would be willing to do.
- 4. Beth Guinness- main actress and artist of Street Lights music video. She volunteered to act and mime to her song on my direction. We went through the risk assessment And agreed on certain elements of the music video together. She agreed to the terms of agreement.
- 5. Robert Rabe- agreed to be an extra for the music video with full awareness of Risks and agreed to the terms of Agreement.3
- 6. Nadir Kherba- extra for the music video agreed to take part in the production with full awareness of risks. Missing a telephone number and Due to personal issues with Living in multiple places and not Owning a mobile.