David Currie's artistic portfolio reflects a journey from his early years as a gifted artist in Canada, through various creative phases in Toronto, Vancouver, and Hong Kong. He has over twenty years of experience in painting, photography, and design, along with teaching and freelance work, complemented by an MBA and a scholarship to the Banff Centre of Fine Arts. The document outlines his development and artistic achievements, including solo exhibitions and various teaching roles.

1. Artistic Portfolio
(Part I: The early
years to 2002)
David Currie
1

2. My Summary
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• Years of creative experience in
painting, photography, and design
• Additional experience with photo and
video-editing software.
• MBA, University of Ottawa
• Scholarship to attend The Banff
Centre of Fine Arts
• Work experience as a corporate
trainer, coach, and teacher.
• Over twenty years residing in ChinaDavid Currie

3. Contact Information
• WeChat: springboardDavid
• Linkedin: David Currie
David Currie
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4. History
As a teenager, being considered artistically “gifted” meant awards and a
specialized education.
It really started with life-drawing classes at age 12. Then there were four
years at H. B. Beal, one of Canada’s top high schools for gifted students.
Following that, it was off to the Banff Centre of Fine Art with a full-tuition
scholarship.
Through the adult years there’s been times of strong creative output but
also long dry periods. Anyway, it’s been a never-ending journey. The
following images tell the story.
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5. The Hong Kong Years
1996 / 2002
After arriving in Hong Kong, in 1996, home became a small 350 square
foot apartment on Hong Kong Island. Life was mostly about earning
money but somehow between work and taking an MBA, I managed to
teach a drawing class, do some freelancing, and complete a series of
illustrations for East Week Magazine.
It didn’t last, by mid 2002, other priorities were getting in the way; In the
context of being a visual artist, I entered a “dry period”.
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6. Bowl
• Pencil on paper, 17.5 cm. X 24 cm
• 1997
Despite living in a cramped little
apartment, I still managed to do some
sketches. Inspired by a Jack Chambers
lithograph, I completed a series of 6 or 7
sketchbook-sized bowl drawings — always
aiming for a swirl of movement in the
pencil strokes.
Rice Bowl
• Pencil on paper, 19 cm. X 19 cm.
• 1997
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7. Course
description
For about three years, I taught a drawing
and painting class, once per week, at the
Hong Kong Arts Centre.
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8. In 1997, EastWeek Magazine
contracted me for a series of 16
illustrations.
Illustration drawing
• Coloured pencil on paper
• 20 cm. X 18 cm
• 1997
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9. Illustration drawing
• Coloured pencil and markers
on paper
• 20 cm. X 17.5 cm
• 1997
9

10. Illustration drawing
• Coloured pencil and markers
on paper
• 26.5 cm. X 19.5 cm
• 1997
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11. Illustration drawing
• Combined drawing with
computer-generated illustration
• 12.5 cm. X 10.5 cm
• 1997
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12. Other Illustrations
• Mixed mediums on paper
• 1997
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13. The Toronto Years
1986 - 1996
During the first half of a 10-year period in Toronto, while living in a flat in
Toronto’s West End, I produced enough work for a solo exhibition. It was a
big change; I renewed an interest in painting and focused on work that was
realistic.
After 1990, largely because lifestyle changes and a stressful job in the
neurosurgical department at The Toronto Hospital, there was little time left
for art. In addition, a lack of confidence to pursue something that had no
apparent (meaningful) rewards seemed to push me in other directions.
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14. Exhibition Poster
Photo taken at the exhibition opening
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15. Red Car, Resting Lion
• Acrylic on canvas, 84 cm X 168 cm
• 1989
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16. English Bay
• Acrylic on canvas, 84 cm X 168 cm
• 1987
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17. Red Car
• Acrylic on canvas, 84 cm X 168 cm
• 1988
Red Car, sketch
Coloured pencil on paper, (approx.( 13 cm X 26 cm
198717

18. Car and the Willow
• Acrylic on canvas,
90 cm X 90 cm
• 1989
Willow (sketch)
• Coloured pencil on
paper, (approx. 15 cm
X 15 cm)
• 1987
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19. Red Maple
• Acrylic on canvas,
90 cm X 90 cm
• 1988
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20. Blossoming Tree
• Acrylic on canvas,
80 cm X 80 cm
• 1987
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21. Stone Head
• Acrylic on canvas,
90 cm X 90 cm
• 1988
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22. Tree in Field
• Acrylic on canvas,
84 cm X 84 cm
• 1988
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23. Memorial on
University Avenue
• Acrylic on canvas,
84 cm X 84 cm
• 1987
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24. Margaret on Her
Bicycle
• Coloured pencil
on paper, 15cm X
15 cm
• 1986
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25. Row of Poplar Trees
• Acrylic on paper, (approx.) 60 cm X 120 cm
• 1987
Row of Poplar Trees (sketch)
Coloured pencil on paper, (approx.) 13 cm X 26 cm
198725

26. Apple Orchard
• Acrylic on paper, (approx.) 30 cm X 60 cm
• 1987
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26

27. Wheat Fields
• Acrylic on paper, (approx.) 37 cm X 70 cm
• 1987
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28. Fields
• Acrylic on paper, (approx.) 35 cm X 70 cm
• 1987
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29. The Vancouver Years
1980 -1985
Most of the time, while in Vancouver, I was sustaining a living through a
self-owned art store and gallery called ArtVest Graphics which was located
at 57 Lonsdale Avenue, North Vancouver.
During this period, my own work mainly consisted of mixed media
(experimenting with coloured photo-copied (xeroxed) images, sometimes
along with paint or other materials, on paper; very little documentation
still remains.
29

30. 30
Artvest Graphics
• self-owned art shop, North
Vancouver, B.C.
• Late 1981 to 1985

31. 31
Untitled
• acrylic on paper
• (approx.) 54 c.m. x
55 c.m
• 1985

32. 32
Angel
• Collage (a
combination of
colour, and black
and white
photocopies
(Xeroxes) mounted
on paper.
• (approx.) 54 c.m. x
60 c.m
• around 1983

33. Water Power
• Photo Sequence
• (approx.) 80 cm X
80 cm
• 1981
33
Sand Formation
• Photo Sequence
• (approx.) 80 cm X
80 cm
• 1981

34. Untitled
• Collage, other mediums, acrylics
• (approx.) 54 cm X 54cm
• 1980
34
Untitled
• Acrylic with marking pen on paper
• (approx.) 54 cm X 54cm
• 1980

35. 35
Hearts for Bomber
• Collage plus other
paper-based mediums
• (approx.) 54 c.m. x 56.5
c.m
• 1980

36. Studio Program in Art
Banff Centre, 1977 - 1979
The two years in Banff, Alberta was the only time that I veered away from
painting and drawing. This experimental period involved multi-media
constructions (sculpture) and photography.
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37. The Flying Maching, part of a student exhibition.
• Wood, wire, rice paper, etc.
• (Approx.) 6 m X 3 m
• Student exhibition (The Cakewalk into Town), Spring, 1978
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38. Different views of The Flying Maching
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39. Examples of the work I accomplished
during the first year in Banff.
1. The Sailing Maching
2. The Floating Grass Square
3. Photo “sketch”, the Bow Valley.
4. Photo “sketch”, rock face
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40. Tunnel Mountain
• Photo Sequence
• 90 cm X 100 cm
• 1977
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41. The Floating Race Track, part of a juried exhibition
• Sculpture (a construction made of wood, plexiglass and other materials
• Approx. 160 cm. X 140 cm.
• 1979
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42. The First Studio
London, Ontario, 1975 - 1976
After finishing high school, I took a summer painting program at the Banff
Centre. My instructor, Brian Fisher, was a real inspiration. As I recall,
during the program, I produced over 60 pieces of work, mostly acrylic on
paper.
Upon returning to London, I got a job in a local restaurant and my first
studio, I did a lot of paintings (some paintings up to two meters square)
and also had my first exhibitions. When, closing the studio everything had
to be thrown out, However, after about 5 minutes, all of it had been
pilfered from the garbage behind the studio.
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43. Cocktail Party
• Acrylic on canvas,
84 cm X 84 cm
• 1975
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44. Cocktail Party No. 2
• Acrylic on canvas,
84 cm X 84 cm
• 1975
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45. Cocktail Party No. 3
• Acrylic on canvas,
84 cm X 84 cm
• 1975
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46. Jokingly referred to
as the “Peanut
Painting”
• Acrylic on canvas,
(Approx.) 150 cm
X 150 cm
• 1975
As I recall, this was
the first painting
after leaving high
school.
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47. Black Squares
• Black markers on
paper, (Approx.)
60 cm X 60 cm
• 1975
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48. Rotating Rose
• Pencil on paper,
(Approx.) 50 cm X
60 cm
• 1976
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49. The Big Green and Pink
• Acrylic on canvas, (Approx.) 150 cm X 210 cm
• 1976
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50. Rotating Rose
• Pencil on paper,
(Approx.) 50 cm X
60 cm
• 1976
The End