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O thello, w duringSha
              ritten          kespea grea tra period,is seta instthe
                                    re’s t gic                 ga
backdrop ofthe w rs betw V a Turkeytha ra inthe la pa ofthe
                a       een enice nd           t ged        tter rt
                             sixteenthcentury.
 Cprus,w is the settingformostofthe a w s aV noutposta cked
  y      hich                           ction, a enetia           tta
             bythe Turks in157 a conquered the follow y r.
                              0 nd                   ing ea
The questionofO   thello’s exa ra is open
                              ct ce
tosome deba The w M nowrefers
             te.       ord oor
tothe Isla A bicinha nts ofN
           mic ra          bita        orth
A w conquered Spa inthe eighth
 frica ho                  in
century butthe term w s used ra
       ,                a         ther
broa inthe period a w s sometimes
     dly                nd a
applied toA ns from otherregions.
            frica
Othello’s darkness orbla  ckness is alluded
toma times inthe pla,a the
      ny                 y nd
oppositionofbla a w ima tha
                 ck nd hite gery t
runs throughoutO thello is certa a    inly
ma ofdifference betw O
   rker                    een thelloa   nd
his Europea peers,butthe difference is
            n
nev quite sora llyspecifica amodern
   er            cia             s
rea mightima ittobe.
   der            gine
Othello is a
noble figure of great
authority, respected and
admired by the duke
and senate of Venice as
well as by those who
serve him, such as
Cassio, Montano, and
Lodovico. Only Iago
voices an explicitly
stereotypical view of
Othello, depicting him
from the beginning as
an animalistic,
barbarous, foolish
outsider.
Othello is an eloquent
and physically powerful
figure, respected by all
those around him. In
spite of his elevated
status, he is
nevertheless easy prey
to insecurities because
of his age, his life as a
soldier, and his race.
He possesses a “free
and open nature,”
which his ensign Iago
uses to twist his love for
his wife, Desdemona,
into a powerful and
destructive jealousy.
Desdemona is the
daughter of the Venetian
senator Brabanzio.
Desdemona and Othello
are secretly married
before the play begins.
While in many ways
stereotypically pure and
meek, Desdemona is also
determined and self-
possessed. She is equally
capable of defending her
marriage, jesting bawdily
with Iago, and
responding with dignity
to Othello’s
incomprehensible
jealousy.
Iago  is Othello’s ensign
(a job also known as an
ancient or standard-
bearer), and the villain of
the play. Iago is twenty-
eight years old. While his
ostensible reason for
desiring Othello’s demise
is that he has been passed
over for promotion to
lieutenant, Iago’s
motivations are never
very clearly expressed
and seem to originate in
an obsessive, almost
aesthetic delight in
manipulation and
destruction.
Roderigo  is a
jealous suitor of
Desdemona. Young,
rich, and foolish,
Roderigo is
convinced that if he
gives Iago all of his
money, Iago will
help him win
Desdemona’s hand.
•        Othello begins on a street in
    Venice, in the midst of an
    argument between Roderigo, a
    rich man, and Iago. Roderigo
    has been paying Iago to help him
    in his suit to Desdemona. But
    Roderigo has just learned that
    Desdemona has married Othello,
    a general whom Iago
    begrudgingly serves as ensign.
    Iago says he hates Othello, who
    recently passed him over for the
    position of lieutenant in favor of
    the inexperienced soldier Michael
    Cassio…
Themes:
The Incompatibility of Military Heroism & Love
                        
          The Danger of Isolation
                        
             Sight and Blindness
                        
                    Plants
                        
                   Animals
                        
         Hell, Demons, and Monsters
The Handkerchief

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Othello

  • 1.
  • 2. O thello, w duringSha ritten kespea grea tra period,is seta instthe re’s t gic ga backdrop ofthe w rs betw V a Turkeytha ra inthe la pa ofthe a een enice nd t ged tter rt sixteenthcentury. Cprus,w is the settingformostofthe a w s aV noutposta cked y hich ction, a enetia tta bythe Turks in157 a conquered the follow y r. 0 nd ing ea
  • 3. The questionofO thello’s exa ra is open ct ce tosome deba The w M nowrefers te. ord oor tothe Isla A bicinha nts ofN mic ra bita orth A w conquered Spa inthe eighth frica ho in century butthe term w s used ra , a ther broa inthe period a w s sometimes dly nd a applied toA ns from otherregions. frica Othello’s darkness orbla ckness is alluded toma times inthe pla,a the ny y nd oppositionofbla a w ima tha ck nd hite gery t runs throughoutO thello is certa a inly ma ofdifference betw O rker een thelloa nd his Europea peers,butthe difference is n nev quite sora llyspecifica amodern er cia s rea mightima ittobe. der gine
  • 4. Othello is a noble figure of great authority, respected and admired by the duke and senate of Venice as well as by those who serve him, such as Cassio, Montano, and Lodovico. Only Iago voices an explicitly stereotypical view of Othello, depicting him from the beginning as an animalistic, barbarous, foolish outsider.
  • 5. Othello is an eloquent and physically powerful figure, respected by all those around him. In spite of his elevated status, he is nevertheless easy prey to insecurities because of his age, his life as a soldier, and his race. He possesses a “free and open nature,” which his ensign Iago uses to twist his love for his wife, Desdemona, into a powerful and destructive jealousy.
  • 6. Desdemona is the daughter of the Venetian senator Brabanzio. Desdemona and Othello are secretly married before the play begins. While in many ways stereotypically pure and meek, Desdemona is also determined and self- possessed. She is equally capable of defending her marriage, jesting bawdily with Iago, and responding with dignity to Othello’s incomprehensible jealousy.
  • 7. Iago  is Othello’s ensign (a job also known as an ancient or standard- bearer), and the villain of the play. Iago is twenty- eight years old. While his ostensible reason for desiring Othello’s demise is that he has been passed over for promotion to lieutenant, Iago’s motivations are never very clearly expressed and seem to originate in an obsessive, almost aesthetic delight in manipulation and destruction.
  • 8. Roderigo  is a jealous suitor of Desdemona. Young, rich, and foolish, Roderigo is convinced that if he gives Iago all of his money, Iago will help him win Desdemona’s hand.
  • 9. Othello begins on a street in Venice, in the midst of an argument between Roderigo, a rich man, and Iago. Roderigo has been paying Iago to help him in his suit to Desdemona. But Roderigo has just learned that Desdemona has married Othello, a general whom Iago begrudgingly serves as ensign. Iago says he hates Othello, who recently passed him over for the position of lieutenant in favor of the inexperienced soldier Michael Cassio…
  • 10. Themes: The Incompatibility of Military Heroism & Love   The Danger of Isolation   Sight and Blindness   Plants   Animals   Hell, Demons, and Monsters