Opening sequence pitch
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The document outlines the opening sequence pitch for a film, including a narrative involving two versions of a similar event with different endings, and an ident featuring a light bulb finding its way through a maze. It also lists elements of mise-en-scene like the characters, locations, lighting, props, and cinematography techniques, as well as editing, sound, and the mood and tone.
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Behind the files character profiles
Detective Sarah Jones is a 22-year-old British detective solving a big case involving murder, rape, and theft. She stays up most nights trying to solve the case and has a close relationship with Detective Sen. The dark figure is a mysterious and aggressive 23-year-old Armenian character who destroys evidence and the detective board, appearing very angry and sly. The document provides a psychological thriller mind map covering elements of mise-en-scene, lighting, sound, editing, props, costumes, camera movements, flashbacks, characters, and music.
Storyboard 2 Ellie
The storyboard depicts a close up of a girl's unmoving eye that gradually zooms out to show her dead face. It then shows her full body lying on the ground with clues in the surrounding area. The main character, a detective, is then shown walking down the street as title cards appear around her. When she arrives at the crime scene, a forensic investigator holds up the police tape to indicate her high rank and importance to the investigation.
Music videos pitch presentation
The group chose Taylor Swift's song "Wonderland" for their music video pitch. They will interpret the lyrics about a chaotic relationship through a concept/narrative video featuring Alice in Wonderland elements. Potential filming locations include parks, ponds, and fields to achieve the song's indie vibe. Performance elements will also be included while focusing mainly on concept to keep audiences engaged. Issues that could arise include weather, timing delays between locations, and camera difficulties losing footage.
Planning) assignment 26 - individual pitch Vincent Mendy
This document outlines Vincent Mendy's individual pitch for a horror short film in the paranormal/psychological subgenre. The film would follow three schoolboy characters who discover an abandoned radio that possesses one of the protagonists. Scenes would include the boys finding the radio, one passing out, and the other two going missing. Later, the possessed protagonist realizes something happened to his friends and investigates, having flashbacks of murdering them. The film aims to create psychological tension and an ambiguous narrative that leaves the audience questioning what exactly occurred.
Assign 26 individual pitch
This document outlines Adam Wilkowski's pitch for an individual psychological thriller film assignment. The chosen subgenre is psychological madness/paranoia exemplified by films like The Shining, Psycho, and Se7en. Key conventions include ordinary domestic settings turning unsafe, carefully planned violence, and an initially normal antagonist revealed over time to be psychotic.
The plot involves a protagonist recording a weekly video seemingly normally but references vague "fun" and "taking a stand" through murder. Visual cues and euphemistic descriptions imply stalking and killing while maintaining a cheerful demeanor. It ends with the smiling protagonist, revealing their psychosis to viewers but not victims. Technical elements like mise-en-scene, music,
Pitch for film ideas
Steph discovers her coworker Julie trapped in the cellar of their workplace, 19 years after Julie first disappeared there. They try to escape, but are subdued by an antagonist. When he returns for Julie, she stabs him, allowing them to flee. However, colleagues find no one else in the cellar. The film aims to appeal to horror fans, especially female teenagers and young adults, with its focus on female protagonists and conventions of the genre.
Proposal
A group of girls are home alone one night unaware that a serial killer is loose in their area. They hear strange noises in the house and begin to investigate, believing it's a prank by one of the friends. However, one girl goes missing and the others realize there is actually an intruder. They must try to escape as the killer targets them one by one. The proposal outlines the plot, cinematography, editing, soundtrack, and mise-en-scene for a trailer of this horror film involving a group of girls trapped in a house with a serial killer.
Proposal
A group of girls are home alone one night unaware that a serial killer is loose in their area. They hear strange noises in the house and begin to investigate, believing it's a prank by one of the friends. However, one girl goes missing and the others realize there is actually an intruder. They must try to escape as the killer targets them one by one. The proposal outlines the plot, cinematography, editing, soundtrack, and mise-en-scene for a trailer of this horror film involving a group of girls trapped in a house with a serial killer.
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Behind the files character profiles
Detective Sarah Jones is a 22-year-old British detective solving a big case involving murder, rape, and theft. She stays up most nights trying to solve the case and has a close relationship with Detective Sen. The dark figure is a mysterious and aggressive 23-year-old Armenian character who destroys evidence and the detective board, appearing very angry and sly. The document provides a psychological thriller mind map covering elements of mise-en-scene, lighting, sound, editing, props, costumes, camera movements, flashbacks, characters, and music.
Storyboard 2 Ellie
The storyboard depicts a close up of a girl's unmoving eye that gradually zooms out to show her dead face. It then shows her full body lying on the ground with clues in the surrounding area. The main character, a detective, is then shown walking down the street as title cards appear around her. When she arrives at the crime scene, a forensic investigator holds up the police tape to indicate her high rank and importance to the investigation.
Music videos pitch presentation
The group chose Taylor Swift's song "Wonderland" for their music video pitch. They will interpret the lyrics about a chaotic relationship through a concept/narrative video featuring Alice in Wonderland elements. Potential filming locations include parks, ponds, and fields to achieve the song's indie vibe. Performance elements will also be included while focusing mainly on concept to keep audiences engaged. Issues that could arise include weather, timing delays between locations, and camera difficulties losing footage.
Planning) assignment 26 - individual pitch Vincent Mendy
This document outlines Vincent Mendy's individual pitch for a horror short film in the paranormal/psychological subgenre. The film would follow three schoolboy characters who discover an abandoned radio that possesses one of the protagonists. Scenes would include the boys finding the radio, one passing out, and the other two going missing. Later, the possessed protagonist realizes something happened to his friends and investigates, having flashbacks of murdering them. The film aims to create psychological tension and an ambiguous narrative that leaves the audience questioning what exactly occurred.
Assign 26 individual pitch
This document outlines Adam Wilkowski's pitch for an individual psychological thriller film assignment. The chosen subgenre is psychological madness/paranoia exemplified by films like The Shining, Psycho, and Se7en. Key conventions include ordinary domestic settings turning unsafe, carefully planned violence, and an initially normal antagonist revealed over time to be psychotic.
The plot involves a protagonist recording a weekly video seemingly normally but references vague "fun" and "taking a stand" through murder. Visual cues and euphemistic descriptions imply stalking and killing while maintaining a cheerful demeanor. It ends with the smiling protagonist, revealing their psychosis to viewers but not victims. Technical elements like mise-en-scene, music,
Pitch for film ideas
Steph discovers her coworker Julie trapped in the cellar of their workplace, 19 years after Julie first disappeared there. They try to escape, but are subdued by an antagonist. When he returns for Julie, she stabs him, allowing them to flee. However, colleagues find no one else in the cellar. The film aims to appeal to horror fans, especially female teenagers and young adults, with its focus on female protagonists and conventions of the genre.
Proposal
A group of girls are home alone one night unaware that a serial killer is loose in their area. They hear strange noises in the house and begin to investigate, believing it's a prank by one of the friends. However, one girl goes missing and the others realize there is actually an intruder. They must try to escape as the killer targets them one by one. The proposal outlines the plot, cinematography, editing, soundtrack, and mise-en-scene for a trailer of this horror film involving a group of girls trapped in a house with a serial killer.
Proposal
A group of girls are home alone one night unaware that a serial killer is loose in their area. They hear strange noises in the house and begin to investigate, believing it's a prank by one of the friends. However, one girl goes missing and the others realize there is actually an intruder. They must try to escape as the killer targets them one by one. The proposal outlines the plot, cinematography, editing, soundtrack, and mise-en-scene for a trailer of this horror film involving a group of girls trapped in a house with a serial killer.
Anna Karenina - Film Trailer Analysis
This trailer analysis document summarizes a film trailer for an adaptation of Tolstoy's novel Anna Karenina. [1] The trailer uses 153 shots that increase in pace and tension to grasp audience attention. [2] It introduces the main characters of Anna and Count Vronsky and their forbidden love affair that leads to Anna's downfall. [3] Scenes depict their growing romance along with the social consequences of Anna breaking 19th century rules of marriage which threaten to ruin her life.
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The document provides examples of common genre conventions for the opening sequences of different film genres. It describes typical settings, characters, plots, props, and themes for superhero, romance, horror, and musical genres. It also provides tips for introducing characters and story elements effectively at the beginning of a film.
Treatment
Two girls are home alone for Halloween weekend when they hear on the news that a serial killer is on the loose. They have a Halloween party but things take a turn when a mysterious group arrives and a body is discovered upstairs. The filmmakers propose using techniques like high angle shots of the party, close ups of scared faces, and a montage with shots of screaming and the masked killer to build tension and mystery in the trailer for who will be the killer's next victim.
AS-Media: Pitch presentation- Anonymous
This pitch proposes a film about a student named Becky who becomes stalked by a fellow classmate, both in person and online. Becky is heavily engaged with social media and does not realize that her online actions have consequences in the real world. The stalker's identity and motives are unknown. Visually, the film is proposed to have a neo-noir, psychological thriller style with low key lighting and a black and white color palette. Sound-wise, white noise would be used instead of music, with score added in suspenseful moments to build tension, similar to Gone Girl. The goal is to show the dark side of social media in a unique way that has not been done before.
Thriller representation
This document discusses the main character in the film SANTI who challenges gender stereotypes of women by going against her family and traditions and taking control of her own life. She acts in a flirtatious manner towards the policeman that questions her, showing her independence. The film is targeted towards mature 16-30 year old audiences of both genders due to its exploration of psychology. It contains elements similar to the film Colombina, about a female assassin in Bogota. Mise-en-scene and editing are used to portray the low-budget police station and suggest the main character is from a higher social class due to her expensive fur vest. The film aims to appeal to a wide range of social classes through
Panophobia
Three friends go on a day out together, but one of the girls, Erin, goes missing. The film is told through voiceovers and montages of the friends' memories, as well as shots of disposable camera photos being burned by an unknown person. Erin's best friend Isla and their friend Amber film a plea to find Erin and post it online. The film would explore themes of friendship, loss, fear, and secrets through its portrayal of the girls' close relationship and Erin's disappearance. It is set in 2016 in Chelmsford and Southend, England.
Codes and conventions
The document outlines some common codes and conventions of teen films and thriller films that could be incorporated into the opening sequence of a hybrid teen/thriller film. For teen films, it notes the use of extreme stereotypical characters, cliques, typical props like phones and cars, settings like high schools and malls, and common themes of love, arguments, and bullying. For thriller films, it discusses using brave protagonists, unknown antagonists seeking revenge, close-ups and quick cuts to build tension, sinister mise-en-scene elements, suspenseful music, and noir techniques like shadows and cliffhangers. The hybrid opening would draw from both genres' conventions to set up the teen and mystery elements
Planning + research
This document provides a summary and analysis of a psychological thriller film project called "Reasons Beyond Insanity". It discusses key plot points such as three friends dealing with the murder of one of them. It also outlines the target audience, genre conventions, potential locations, props, characters and ideas for the trailer, poster, and promotional website. The document aims to plan key elements of the film project.
The Missing - Powerpoint
The Missing is a thriller crime series that tells a non-linear narrative across episodes. This episode focuses on a father, Tony, searching for his son Ollie who has gone missing. Flashbacks show Tony and his family on a holiday before Ollie disappeared. The inciting incident occurs when Tony looks away from Ollie for a moment in a pub and then cannot find him. Tony calls the police for help as the search intensifies. Editing techniques like cross-cutting create intrigue by showing clues about Ollie's whereabouts and how Tony has become distraught since the loss of his son.
Stage 1 - Identifying Our Needs
The document provides details on the narrative, characters, setting, sound, and personnel involved in a crime thriller film. It describes the opening scenes involving a group fleeing a robbery and investigating potential suspects. As the film progresses, characters begin being killed off one by one by an unknown killer. The four remaining characters - Nathan, Matthew, Ethan, and Rose - must try to identify the killer before they become victims themselves. It provides descriptions of the five main characters and their roles. The settings involve run-down flats, bedrooms, parks/woods, and alleyways. Details are given on the sound design and composition of the film trailer. The film is directed and produced by Sophie Coley and Ellis Hackett.
The Missing
The 8 episode crime/drama/mystery series "The Missing" directed by Tom Shankland uses a nonlinear narrative structure switching between the time when Oliver originally went missing and 8 years later. In the beginning, Tony, Emily, and Oliver are on holiday in France when Oliver goes missing after asking to go swimming in a crowded area. Tony and Emily search and inform police but are unable to find Oliver. Eight years later Tony returns to France and works with a detective to find new clues, such as a house Oliver was taken to where they find a drawing on the wall. The drama uses techniques like shot reverse shot, diegetic and nondiegetic sound, camera shots including close ups and zooms, and lighting to
Newspaper writing
A 7-year-old boy missing for three years was found in Brick Township, NJ on Monday night. A neighbor recognized the boy's picture from an NBC movie and called police. Police arrested the boy's mother, Ellen Lynn Conner, 27, who faces charges in Alabama of kidnapping and interference with a custody warrant.
And then there where none
This document provides an analysis of the crime thriller film "And Then There Were None". It summarizes that the film is part of a crime fiction series using a linear narrative with flashbacks to inform the audience about the characters' backstories. Upon arriving at an isolated island, the various characters reveal through flashbacks that they have all committed murders. People then start dying mysteriously in the house, and an assistant notices a strange poem and figurines disappearing each time a death occurs, adding mystery to the story.
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Codes and conventions
Narrative themes in horror films typically involve death, murder, ghosts, and spirits. Horror narratives follow a cycle from equilibrium to disruption to recognition to attempted repair and back to equilibrium. Mise-en-scene elements include low lighting to suggest darkness and danger, settings during the late 20th century for increased security risks, and weapons as props to further connotations of danger. Sound design uses both diegetic and non-diegetic music, with orchestral music commonly used for its scare factor in non-diegetic tracks. Characters tend to be teenage friendship groups or women to increase relatability and play on stereotypes. Editing employs quick cuts and takes to build tension alongside music, with slower takes for less tension;
CD Ideas
This document provides ideas and considerations for creating a music video. It discusses potential locations, scenes, shots, colors, fonts, layouts, and themes. The locations mentioned include a cafe, top of a house with a scenic view, and an arcade with various game stations. Scenes could include the artists interacting at a cafe table, hiding behind a wall, and playing games side by side. Different shots, colors, filters, and effects are listed to portray varying moods. The overall theme would be casual and realistic with a warm, vintage tone to match the album title of "Good kid".
4 film openings
The document summarizes and compares the opening scenes of four films: Gladiator, Quantum of Solace, Limitless, and Kick Ass 2. For Gladiator, it describes Russell Crowe's character dreaming of a peaceful field as contrast to the dark reality of war. For Quantum of Solace, it outlines the fast-paced, action-packed car chase with intense music. For Limitless, it notes the protagonist is wealthy but facing threats in his penthouse at night. For Kick Ass 2, it summarizes the humorous scene of young characters recklessly using guns in daylight.
Opening sequence film pitch
The document outlines Tom Symmons' interest in producing an original science fiction film called "The Truth" about ancient Sumerian gods returning to Earth to address the damage humans have caused. It would be rated 12 and based on theories that Sumerians were created by aliens to be workers. The film's opening sequence would feature an everyday 18-year-old man and his dog discovering a landed unidentified object. Locations would include a quarry near the producer's house and the film faces challenges of training the dog and creating visual effects.
Proposal tom numan sophie
The document outlines a proposed low-budget action/thriller film called "Gone in a Shot". It involves a boy who gets involved with the wrong crowd and ends up murdered. His brother then seeks revenge. It describes the characters, plot, locations, challenges, and roles of the production team members. The opening sequence would show an alleyway with a blood trail and the title appearing over establishing shots of the location.
Title sequence Ideas
A film title sequence is proposed for a magical fantasy/horror film about a possessed girl who breaks free after being locked away. The sequence would use fast-cutting, hard to distinguish camera shots and stop motion to depict moments from the girl's mental state and confinement through extreme close-ups of her skin, facial expressions, blood, nails and strange objects, as well as brash movements, to act as a prologue and introduce viewers to her disturbed mindset before the start of the film.
Opening Sequence Ideas
This document discusses and summarizes three potential storyline ideas for a horror genre film or TV show:
1. A celebrity is murdered during a live chat show broadcast, with more murders taking place in the studio as the detective tries to uncover the killer. Inspired by shows like The Ellen Show.
2. Anonymous text messages are sent to a person, with impossible tasks and murders happening around them as they try to find out who is sending the messages. Inspired by Pretty Little Liars and Saw.
3. A zombie outbreak spreads across humanity, exploring how it is created, spreads, and if anyone can survive. Inspired by Shaun of the Dead and The Crazies.
Opening sequence pitch
This document outlines the opening sequence pitch for a film targeted at 15-25 year old boys and girls. The narrative involves two versions of a similar event playing out with different endings, showing what could have happened if characters made different choices. It describes the ident, characters, locations, lighting, props, cinematography, editing, sound, and mood/tone to be used, including a maze ident, scenes in public places and estates, and a surreal/mysterious tone.
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Analysing film openings
The document provides examples of common genre conventions for the opening sequences of different film genres. It describes typical settings, characters, plots, props, and themes for superhero, romance, horror, and musical genres. It also provides tips for introducing characters and story elements effectively at the beginning of a film.
Treatment
Two girls are home alone for Halloween weekend when they hear on the news that a serial killer is on the loose. They have a Halloween party but things take a turn when a mysterious group arrives and a body is discovered upstairs. The filmmakers propose using techniques like high angle shots of the party, close ups of scared faces, and a montage with shots of screaming and the masked killer to build tension and mystery in the trailer for who will be the killer's next victim.
AS-Media: Pitch presentation- Anonymous
This pitch proposes a film about a student named Becky who becomes stalked by a fellow classmate, both in person and online. Becky is heavily engaged with social media and does not realize that her online actions have consequences in the real world. The stalker's identity and motives are unknown. Visually, the film is proposed to have a neo-noir, psychological thriller style with low key lighting and a black and white color palette. Sound-wise, white noise would be used instead of music, with score added in suspenseful moments to build tension, similar to Gone Girl. The goal is to show the dark side of social media in a unique way that has not been done before.
Thriller representation
This document discusses the main character in the film SANTI who challenges gender stereotypes of women by going against her family and traditions and taking control of her own life. She acts in a flirtatious manner towards the policeman that questions her, showing her independence. The film is targeted towards mature 16-30 year old audiences of both genders due to its exploration of psychology. It contains elements similar to the film Colombina, about a female assassin in Bogota. Mise-en-scene and editing are used to portray the low-budget police station and suggest the main character is from a higher social class due to her expensive fur vest. The film aims to appeal to a wide range of social classes through
Panophobia
Three friends go on a day out together, but one of the girls, Erin, goes missing. The film is told through voiceovers and montages of the friends' memories, as well as shots of disposable camera photos being burned by an unknown person. Erin's best friend Isla and their friend Amber film a plea to find Erin and post it online. The film would explore themes of friendship, loss, fear, and secrets through its portrayal of the girls' close relationship and Erin's disappearance. It is set in 2016 in Chelmsford and Southend, England.
Codes and conventions
The document outlines some common codes and conventions of teen films and thriller films that could be incorporated into the opening sequence of a hybrid teen/thriller film. For teen films, it notes the use of extreme stereotypical characters, cliques, typical props like phones and cars, settings like high schools and malls, and common themes of love, arguments, and bullying. For thriller films, it discusses using brave protagonists, unknown antagonists seeking revenge, close-ups and quick cuts to build tension, sinister mise-en-scene elements, suspenseful music, and noir techniques like shadows and cliffhangers. The hybrid opening would draw from both genres' conventions to set up the teen and mystery elements
Planning + research
This document provides a summary and analysis of a psychological thriller film project called "Reasons Beyond Insanity". It discusses key plot points such as three friends dealing with the murder of one of them. It also outlines the target audience, genre conventions, potential locations, props, characters and ideas for the trailer, poster, and promotional website. The document aims to plan key elements of the film project.
The Missing - Powerpoint
The Missing is a thriller crime series that tells a non-linear narrative across episodes. This episode focuses on a father, Tony, searching for his son Ollie who has gone missing. Flashbacks show Tony and his family on a holiday before Ollie disappeared. The inciting incident occurs when Tony looks away from Ollie for a moment in a pub and then cannot find him. Tony calls the police for help as the search intensifies. Editing techniques like cross-cutting create intrigue by showing clues about Ollie's whereabouts and how Tony has become distraught since the loss of his son.
Stage 1 - Identifying Our Needs
The document provides details on the narrative, characters, setting, sound, and personnel involved in a crime thriller film. It describes the opening scenes involving a group fleeing a robbery and investigating potential suspects. As the film progresses, characters begin being killed off one by one by an unknown killer. The four remaining characters - Nathan, Matthew, Ethan, and Rose - must try to identify the killer before they become victims themselves. It provides descriptions of the five main characters and their roles. The settings involve run-down flats, bedrooms, parks/woods, and alleyways. Details are given on the sound design and composition of the film trailer. The film is directed and produced by Sophie Coley and Ellis Hackett.
The Missing
The 8 episode crime/drama/mystery series "The Missing" directed by Tom Shankland uses a nonlinear narrative structure switching between the time when Oliver originally went missing and 8 years later. In the beginning, Tony, Emily, and Oliver are on holiday in France when Oliver goes missing after asking to go swimming in a crowded area. Tony and Emily search and inform police but are unable to find Oliver. Eight years later Tony returns to France and works with a detective to find new clues, such as a house Oliver was taken to where they find a drawing on the wall. The drama uses techniques like shot reverse shot, diegetic and nondiegetic sound, camera shots including close ups and zooms, and lighting to
Newspaper writing
A 7-year-old boy missing for three years was found in Brick Township, NJ on Monday night. A neighbor recognized the boy's picture from an NBC movie and called police. Police arrested the boy's mother, Ellen Lynn Conner, 27, who faces charges in Alabama of kidnapping and interference with a custody warrant.
And then there where none
This document provides an analysis of the crime thriller film "And Then There Were None". It summarizes that the film is part of a crime fiction series using a linear narrative with flashbacks to inform the audience about the characters' backstories. Upon arriving at an isolated island, the various characters reveal through flashbacks that they have all committed murders. People then start dying mysteriously in the house, and an assistant notices a strange poem and figurines disappearing each time a death occurs, adding mystery to the story.
Georgia burgess top 3 trailers
The document analyzes and compares the trailers for three films - Detachment, Pearl Harbor, and Like Crazy. For each film, it discusses elements like the sound, narration, editing, special effects, colors, and intertitles used in the trailers. Overall, the document examines how the trailers convey information about the genre and story of each film through these different technical elements.
Codes and conventions
Narrative themes in horror films typically involve death, murder, ghosts, and spirits. Horror narratives follow a cycle from equilibrium to disruption to recognition to attempted repair and back to equilibrium. Mise-en-scene elements include low lighting to suggest darkness and danger, settings during the late 20th century for increased security risks, and weapons as props to further connotations of danger. Sound design uses both diegetic and non-diegetic music, with orchestral music commonly used for its scare factor in non-diegetic tracks. Characters tend to be teenage friendship groups or women to increase relatability and play on stereotypes. Editing employs quick cuts and takes to build tension alongside music, with slower takes for less tension;
CD Ideas
This document provides ideas and considerations for creating a music video. It discusses potential locations, scenes, shots, colors, fonts, layouts, and themes. The locations mentioned include a cafe, top of a house with a scenic view, and an arcade with various game stations. Scenes could include the artists interacting at a cafe table, hiding behind a wall, and playing games side by side. Different shots, colors, filters, and effects are listed to portray varying moods. The overall theme would be casual and realistic with a warm, vintage tone to match the album title of "Good kid".
4 film openings
The document summarizes and compares the opening scenes of four films: Gladiator, Quantum of Solace, Limitless, and Kick Ass 2. For Gladiator, it describes Russell Crowe's character dreaming of a peaceful field as contrast to the dark reality of war. For Quantum of Solace, it outlines the fast-paced, action-packed car chase with intense music. For Limitless, it notes the protagonist is wealthy but facing threats in his penthouse at night. For Kick Ass 2, it summarizes the humorous scene of young characters recklessly using guns in daylight.
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Opening sequence film pitch
The document outlines Tom Symmons' interest in producing an original science fiction film called "The Truth" about ancient Sumerian gods returning to Earth to address the damage humans have caused. It would be rated 12 and based on theories that Sumerians were created by aliens to be workers. The film's opening sequence would feature an everyday 18-year-old man and his dog discovering a landed unidentified object. Locations would include a quarry near the producer's house and the film faces challenges of training the dog and creating visual effects.
Proposal tom numan sophie
The document outlines a proposed low-budget action/thriller film called "Gone in a Shot". It involves a boy who gets involved with the wrong crowd and ends up murdered. His brother then seeks revenge. It describes the characters, plot, locations, challenges, and roles of the production team members. The opening sequence would show an alleyway with a blood trail and the title appearing over establishing shots of the location.
Title sequence Ideas
A film title sequence is proposed for a magical fantasy/horror film about a possessed girl who breaks free after being locked away. The sequence would use fast-cutting, hard to distinguish camera shots and stop motion to depict moments from the girl's mental state and confinement through extreme close-ups of her skin, facial expressions, blood, nails and strange objects, as well as brash movements, to act as a prologue and introduce viewers to her disturbed mindset before the start of the film.
Opening Sequence Ideas
This document discusses and summarizes three potential storyline ideas for a horror genre film or TV show:
1. A celebrity is murdered during a live chat show broadcast, with more murders taking place in the studio as the detective tries to uncover the killer. Inspired by shows like The Ellen Show.
2. Anonymous text messages are sent to a person, with impossible tasks and murders happening around them as they try to find out who is sending the messages. Inspired by Pretty Little Liars and Saw.
3. A zombie outbreak spreads across humanity, exploring how it is created, spreads, and if anyone can survive. Inspired by Shaun of the Dead and The Crazies.
Opening sequence pitch
This document outlines the opening sequence pitch for a film targeted at 15-25 year old boys and girls. The narrative involves two versions of a similar event playing out with different endings, showing what could have happened if characters made different choices. It describes the ident, characters, locations, lighting, props, cinematography, editing, sound, and mood/tone to be used, including a maze ident, scenes in public places and estates, and a surreal/mysterious tone.
Conventions of a title sequence.
The opening sequence of a movie will introduce the title, cast and crew, main setting and characters, and provide insights into the genre through music, camera work, editing and other elements. It aims to build atmosphere or tension and give the audience a taste of the film without revealing too much of the plot. A variety of shots and angles will be used to immerse viewers in the world of the film.
Conventions of Title Sequences
Opening title sequences list the key production members and cast over visuals and sometimes music to establish the film's atmosphere. Common conventions include listing the production companies, director, producer, executive producer, top billed actors, and movie title either over a blank screen or during the opening action. The aim is to set the character, setting, genre, or mood for the film.
Title & Opening Sequence
A title sequence presents a film or television program's title and key production details using conceptual visuals and sound, while an opening sequence is shown at the very beginning and uses a brief scene to set the stage for the episode or film. An effective title sequence should include the film title, actors, producer, director, and logos of the production and distribution companies. An opening sequence establishes the scene, introduces characters and their relationship to the story, hints at the plot and genre, and uses music, lighting, and a variety of camera shots to set the mood.
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This document outlines a horror film storyline and production details. The story follows a young girl who is found wandering alone, adopted by an abusive family who eventually kill her, and returns from the grave a year later to seek revenge. The target audience is 18-25 year old "strugglers/explorers" and 30-40 year old "strugglers". Locations, costumes, and a nighttime shooting schedule are discussed to set the dark, creepy tone as the abused girl returns to haunt her killers.
Treatment for horror film trailer
This document outlines a horror film storyline and production details. The story follows a young girl who is found wandering alone, adopted by an abusive family who eventually kill her, and returns from the grave a year later to seek revenge. Key elements include abuse and innocence as themes, with the main character and her abusers as main characters. Shooting would require costumes, makeup, and locations establishing a creepy, 21st century setting for nighttime scenes of the girl's discovery, abuse, and revenging return.
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Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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Opening sequence pitch
- 1. Opening Sequence Pitch Louise Hall Lydia Fernyhough Lauren Burnham
- 2. Target Audience • 15-25 years • Boys and girls
- 3. Narrative • Two versions of a similar event play out • First version and second version have different endings • After the first version is goes back in time to show what could have happened if the characters made a different choice
- 4. Ident • Before opening sequence • Round shaped maze • Light bulb in the middle • Wire to the light bulb finds its way through maze
- 5. Titles • After the opening sequence • Font
- 6. Characters -Mise-en-scene • Chav/Thug • Victim • Boyfriend • Girlfriend • Member of the public
- 7. Location -Mise-en-scene • Public place • Estate • Sub-urban
- 8. Lighting -Mise-en-scene • Day light • Day time
- 9. Props -Mise-en-scene • Knife
- 10. Cinematography • Long shots • Mid shots • Close ups • Extreme close
- 12. Sound • Voice over • Non-diegetic soundtrack
- 13. Mood and Tone • Surreal • Strange • Eerie • Mysterious • Spectral