One click to connect | Lizzy Jongma | PHAROS / RKD op 8 oktober 2018

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De slotlezing 'One click to connect' van Lizzy Jongma, op 8 oktober 2018 bij het RKD-Nederlands Instituut voor Kunstgeschiedenis t.g.v. een PHAROS-workshopdag.

Data & Analytics

One Click to
Connect
Pharos, Oct. 8 2018
@LizzyJongma

Network Collections WWII
73+ Partners
Digital Infrastructure
Expertise center
Private and government funded
Thematic approach: WWII
Improve digital access to
500+ collections
millions of objects
Enrich and contextualize resources
metadata and full tekst
Cross-sectoral and cross-medial

Nor do we want 79+ Stand-Alone Collections

Smart Tooling: Thesaurus in Linked Open Data

Smart Tooling to Combine, Match and Improve

Camps and Collections on Map (From
Wikidata)

People Portal Pilot:
29 sets, 596.876 names, 311.418 individuals

No Humans Were Harmed During This
Presentation

www.oorlogsbronnen.nl
@Oorlogsbronnen
info@oorlogsbronnen.nl

This session focused on the project management angle of building a digital collection for the Iowa City Public Library's Digital History Project at history.icpl.org/tornado. It was presented on March 26, 2017, at Macalester College in St. Paul, Minnesota. The session description was as follows: On April 13, 2006, an F2 tornado formed in Southwest Iowa City. Eight minutes and 4.5 miles later, the twister dissipated, leaving more than $12 million in damages. In honor of the 10th anniversary of the tragedy, the Iowa City Public Library collected images and stories from community members who experienced this historic event. Members of the public submitted more than 2,500 images and video to the library for its digital collections on its Omeka website. ICPL plotted many of these images onto a Neatline map where users could tour the destruction digitally. This session shares the project’s "lessons learned": What factors led to successful crowdsourcing? What struggles did crowd-controlled curation invite? It covers the marketing strategies, technology tools, and interactive print and e-sign exhibits that grew from the map. ICPL will provide analytics on the map’s use as well as attendance numbers for the library program produced in tandem with the digital tour. Tour the tornado path in advance at history.icpl.org/tornado.

FrrbaseViz-A Tool for Exploring Freebase Using Query-Driven Visualisation

Mahmoud Elbattah

A tool for the interactive exploration of Freebase schema using query-driven visualisation. http://freebaseviz.apphb.com/ The original paper was presented at International Conference on Communication, Management and Information Technology (ICCMIT 2016). https://www.researchgate.net/publication/321716603_FreebaseViz_Interactive_Exploration_of_Freebase_Schema_Using_Query-Driven_Visualisation Author: Mahmoud Elbattah National University of Ireland Galway mahmoud.elbattah@nuigalway.ie

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"Crossing the boundaries of Arts and Sciences: Can Linked Data help Refactoring Natural Sciences?" by Gildas Illien, Chief Librarian, Muséum national d’histoire naturelle (National Natural History Museum Library), Paris. "Atravesar las fronteras entre las artes y las ciencias: ¿pueden los datos enlazados reestructurar las ciencias naturales?" por Gildas Illien, bibliotecario jefe del Museo Nacional de Historia Natural (Biblioteca), París.

Deep Learning State of the Art (2020)

inside-BigData.com

In this video from the MIT Deep Learning Series, Lex Fridman presents: Deep Learning State of the Art (2020). "This lecture is on the most recent research and developments in deep learning, and hopes for 2020. This is not intended to be a list of SOTA benchmark results, but rather a set of highlights of machine learning and AI innovations and progress in academia, industry, and society in general. This lecture is part of the MIT Deep Learning Lecture Series." Watch the video: https://wp.me/p3RLHQ-lng Learn more: https://deeplearning.mit.edu/ Sign up for our insideHPC Newsletter: http://insidehpc.com/newsletter

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Crowdsourcing Tech for Social good and Crisis Response

International Federation of Red Cross and Red Crescent Societies

Digital volunteering with global collaboration and crowdsourcing is evolving. Our talk at Podcamp Toronto 2011 focused on 4 examples from the past 6 months: Random Hacks of Kindness 1.0 (Sydney, Australia) , CrisisCamp Pakistan, Random Hacks of Kindness 2.0 (Toronto, Canada) and CrisisCamp New Zealand. Podcamp Toronto February 26, 2011 Heather Leson, Melanie Gorka and David Black. 2011.podcamptoronto.com

Podcamp Toronto: Crowdsourcing Crisis Commons

International Federation of Red Cross and Red Crescent Societies

How can you use your technology and social media skills to help NGOs during emergencies? All you need is a computer and Internet access. CrisisCommons.org is a Volunteer Technical Community (VTC) made up of a growing group of technical, project manager, emergency planner and social media knowledge workers. After the earthquake in Haiti, cities around North America and the UK started CrisisCamp (Haiti) in their locations to volunteer their time to "help the helpers". They are using social media tools to crowdsource collaboration on various projects from software development to opensource mapping to social media translation – work that is new and evolving every minute. Heather, Brian, Rachel and others from CrisisCommons (Toronto) will be addressing the question how can technology and knowledge workers volunteer their skills with one click of a mouse.

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Marius Flothuis weigerde zich in te schrijven bij de Kultuurkamer en werd prompt ontslagen door het Concertgebouworkest. Met zijn vrouw Leentje bood hij onderdak aan Joden en gaf hij clandestiene huisconcerten. Op 18 september 1943 werd hij opgepakt en vervolgens gevangengezet in kamp Vught, waar hij muziek schreef voor medegevangenen. Lex van Delden dook onder en werd via het studentenverzet lid van de Persoonsbewijzen Centrale. Ook hij gaf in de onderduik illegale huisconcerten. De Leo Smit Stichting maakt via de website Forbidden Music Regained muziek van vervolgde componisten toegankelijk voor een internationaal publiek. De website bevat meer dan 2.000 composities van bijna 40 vervolgde componisten. Door een koppeling met Netwerk Oorlogsbronnen komt dit – vaak onderbelichte – verhaal over verzet en vervolging tot leven.

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