A talk I gave at Makers' Guild, London on wearable technology. I discussed from some early examples of wearable tech, plus what's causing the present media hyperbole concerning ethics and privacy, and how Makers have been involved in wearable technology. I also show two examples of my own work.
Presentation I gave at QCon London in March 2013 on wearable technology, my work & teaching coding and electronics to kids via wearable tech / e-textiles..
These slides are from a talk I gave on sensors & other technology usage by creatives at Nano4Design at QMUL. It featured some information on Maker communities, how electronics providers are also providing tuition & nurturing communities. I talk about how technology is changing from being bulky, cold, hard and sharp, to elegant. It also features some examples of my work.
Visualising Physiological Data - Quantified Self Europe 2013Rain Ashford
Slides from my show and tell talk on visualising physiological data in my wearable technology work, at Quantified Self Europe 2013 conference, Amsterdam.
In these slides I give an introduction to LilyPad Arduino and go on to talk about the myraid selection of sensors and actuators that can be used in wearable technology, followed by some examples of current wearable technology projects. I sum up with some of my thoughts on the state of play in wearable technology and what could be improved. I gave this talk at the opening plenary of Quantified Self Europe Conference in 2011.
Presentation I gave at QCon London in March 2013 on wearable technology, my work & teaching coding and electronics to kids via wearable tech / e-textiles..
These slides are from a talk I gave on sensors & other technology usage by creatives at Nano4Design at QMUL. It featured some information on Maker communities, how electronics providers are also providing tuition & nurturing communities. I talk about how technology is changing from being bulky, cold, hard and sharp, to elegant. It also features some examples of my work.
Visualising Physiological Data - Quantified Self Europe 2013Rain Ashford
Slides from my show and tell talk on visualising physiological data in my wearable technology work, at Quantified Self Europe 2013 conference, Amsterdam.
In these slides I give an introduction to LilyPad Arduino and go on to talk about the myraid selection of sensors and actuators that can be used in wearable technology, followed by some examples of current wearable technology projects. I sum up with some of my thoughts on the state of play in wearable technology and what could be improved. I gave this talk at the opening plenary of Quantified Self Europe Conference in 2011.
Introduction to Wearable Technology for CreativesRain Ashford
A talk I gave at OpenGDNM on wearable technology, sensors, actuators, LilyPad Arduino, Maker / Hacker Culture, some examples of wearable tech, plus summary round-up on the present state of wearable technology
Slides from an hour long talk I wrote in July 2012 and presented on introducing wearable technology. It includes my thoughts on the evolution of wearable tech, lots of examples and some of my own work, questions and conclusions.
This is an overview of the Performance Media Art research project Hacking the Body conducted by media artist and academic, Camille Baker and choreographer/media artist, Kate. Presented by Camille Baker at the Maker's Guild event in London, July 17th, 2013
!Home Article Oltre atomi e corpi una post-rifles.docxgertrudebellgrove
!
Home " Article " Oltre atomi e corpi: una post-riflessione su AE 2016 / Beyond atoms and bodies: a
post-reflection on AE 2016
# $ % & '
https://noemalab.eu/ideas/oltre-atomi-e-corpi-una-post-riflessione-su-ae-2016-beyond-atoms-and-bodies-a-post-reflection-on-ae-2016/#
https://noemalab.eu/
https://noemalab.eu/category/ideas/article/
https://twitter.com/noemalab
https://vimeo.com/noemalab
https://www.youtube.com/user/NoemaLab
https://www.facebook.com/NoemaLab/
https://noemalab.eu/feed/
Italiano [English below]
Oltre atomi e corpi: una post-riflessione su AE 2016 /
Beyond atoms and bodies: a post-reflection on AE 2016
Giorgio Cipolletta
A R T I C L E I D E A S R E V I E W S
https://noemalab.eu/category/ideas/article/
https://noemalab.eu/category/ideas/
https://noemalab.eu/category/reviews/
Ars Electronica 2016.
Per una ricerca alchemica radicale del nostro tempo e la perdita di equilibro.
Una post-riflessione oltre gli atomi e i corpi
La rivoluzione digitale ha riconfigurato e decodificato il nostro mondo immerso
tra il bagnato del biologico e il materico dei bit, modificando in maniera radicale la
nostra percezione. Chi sono gli alchimisti del nostro tempo? Con Radical Atoms
and the alchemist of our time, anche questo anno il Festival Ars Electronica a Linz
(8-12 settembre 2016) ha provato a riflettere sul nostro tempo, la società
contemporanea e il rapporto sempre più imprescindibile tra le arti e le scienze.
Attraverso il processo alchemico che l’arte e le scienze crea, si edificano nuovi
territori fluttuanti e ubiqui e soggetti ibridi. L’alchimia non è altro che una sorta di
filosofia, – ci ricorda Marcel Duchamp, – un tipo di pensiero che porta ad un
modo di comprensione. L’alchimia è pratica derivata dalla mescolanza
“consapevole” tra arte e scienza. Pensiamo all’arte robotica, ai droni, alI’Internet
delle cose, ai wereable device, alla bioarte e alla telematica ecc. Dal calcolo
digitale al mondo quantico, dall’ingegneria genetica fino alla biologia sintetica, le
tecnologie aumentano la nostra abilità di manipolare le fondamentali leggi della
natura. Delusioni, desideri, sogni e le speranze dell’essere umano sono tutti
ingredienti necessari affinché nuovi immaginari possano permettere di
sperimentare nuove idee speculative creando dei momenti straordinari. Infinite
sono le domande che sorgono durante queste occasioni di confronto a Linz. Ogni
http://www.aec.at/radicalatoms/de/
anno l’Ars Electronica diviene una piattaforma di dibattitto sul concetto di vita
nell’era dell’ingegneria genetica, sull’intelligenza artificiale che aumenta il nostro
mondo fisico dove persino le informazioni biologiche alterano spesso le forme di
comunicazione e determinano un mondo immerso tra la rivoluzione digitale e
l’evoluzione culturale e sociale.
L’Ars Electronica si pone quindi nuove sfide per comprendere inedite frontiere e il
compito dell’artista è quello di amalgamare il mondo disincarnato dei dati digitali
co ...
A argument for academics to get on board the open-source sea change in digital media creation and teach their students new tools for digital creativity beyond proprietary software applications, but programming skills to make their own along with stunning creations.
Anne Prahl PhD, WEAR Sustain PresentationWEAR Sustain
Responsible innovation for Wearable Technology: Designing for Circularity, Anne Prahl PhD Presentation, WEAR Sustain Open Call London Launch, Digital Catapult, 3rd May 2017
A presentation for Research in Humanities and the Arts 2017 (DRHA): DataAche, Plymouth, UK - on the WEAR Sustain EU funded project progress, challenges and values on ethical and sustainable wearable technologies and e-textiles.
talk at Rank Symposium: Symposium on Natural User Interfaces, Augmented Reality and Beyond: Challenges at the Intersection of HCI and Computer Vision - 18th to 21st November 2013
see also: http://alandix.com/academic/papers/nui2013/
Hard curves, soft electronics - code, tech & textilesRain Ashford
My opentech 2011 talk on LilyPad Arduino and wearable technology pieces that I've made using the LilyPad. I've had to take the videos out to get the slides under 100 mb.
Short introduction to Arduino and in particular LilyPad Arduino. I describe two of my most recent (Sept 2010) LilyPad projects Twinkle Tartiflette and I <3 0X0.
A presentation i gave to the Open Source Hardware User Group, at Osmosoft, London on 01/07/10. I talked about my enthusiasm for Arduino and told the story of Twinkle Tartiflette an interactive, wearable artwork, which via a stylus allows the user to play a song by touching the appropriate words in sequence.
More Related Content
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Introduction to Wearable Technology for CreativesRain Ashford
A talk I gave at OpenGDNM on wearable technology, sensors, actuators, LilyPad Arduino, Maker / Hacker Culture, some examples of wearable tech, plus summary round-up on the present state of wearable technology
Slides from an hour long talk I wrote in July 2012 and presented on introducing wearable technology. It includes my thoughts on the evolution of wearable tech, lots of examples and some of my own work, questions and conclusions.
This is an overview of the Performance Media Art research project Hacking the Body conducted by media artist and academic, Camille Baker and choreographer/media artist, Kate. Presented by Camille Baker at the Maker's Guild event in London, July 17th, 2013
!Home Article Oltre atomi e corpi una post-rifles.docxgertrudebellgrove
!
Home " Article " Oltre atomi e corpi: una post-riflessione su AE 2016 / Beyond atoms and bodies: a
post-reflection on AE 2016
# $ % & '
https://noemalab.eu/ideas/oltre-atomi-e-corpi-una-post-riflessione-su-ae-2016-beyond-atoms-and-bodies-a-post-reflection-on-ae-2016/#
https://noemalab.eu/
https://noemalab.eu/category/ideas/article/
https://twitter.com/noemalab
https://vimeo.com/noemalab
https://www.youtube.com/user/NoemaLab
https://www.facebook.com/NoemaLab/
https://noemalab.eu/feed/
Italiano [English below]
Oltre atomi e corpi: una post-riflessione su AE 2016 /
Beyond atoms and bodies: a post-reflection on AE 2016
Giorgio Cipolletta
A R T I C L E I D E A S R E V I E W S
https://noemalab.eu/category/ideas/article/
https://noemalab.eu/category/ideas/
https://noemalab.eu/category/reviews/
Ars Electronica 2016.
Per una ricerca alchemica radicale del nostro tempo e la perdita di equilibro.
Una post-riflessione oltre gli atomi e i corpi
La rivoluzione digitale ha riconfigurato e decodificato il nostro mondo immerso
tra il bagnato del biologico e il materico dei bit, modificando in maniera radicale la
nostra percezione. Chi sono gli alchimisti del nostro tempo? Con Radical Atoms
and the alchemist of our time, anche questo anno il Festival Ars Electronica a Linz
(8-12 settembre 2016) ha provato a riflettere sul nostro tempo, la società
contemporanea e il rapporto sempre più imprescindibile tra le arti e le scienze.
Attraverso il processo alchemico che l’arte e le scienze crea, si edificano nuovi
territori fluttuanti e ubiqui e soggetti ibridi. L’alchimia non è altro che una sorta di
filosofia, – ci ricorda Marcel Duchamp, – un tipo di pensiero che porta ad un
modo di comprensione. L’alchimia è pratica derivata dalla mescolanza
“consapevole” tra arte e scienza. Pensiamo all’arte robotica, ai droni, alI’Internet
delle cose, ai wereable device, alla bioarte e alla telematica ecc. Dal calcolo
digitale al mondo quantico, dall’ingegneria genetica fino alla biologia sintetica, le
tecnologie aumentano la nostra abilità di manipolare le fondamentali leggi della
natura. Delusioni, desideri, sogni e le speranze dell’essere umano sono tutti
ingredienti necessari affinché nuovi immaginari possano permettere di
sperimentare nuove idee speculative creando dei momenti straordinari. Infinite
sono le domande che sorgono durante queste occasioni di confronto a Linz. Ogni
http://www.aec.at/radicalatoms/de/
anno l’Ars Electronica diviene una piattaforma di dibattitto sul concetto di vita
nell’era dell’ingegneria genetica, sull’intelligenza artificiale che aumenta il nostro
mondo fisico dove persino le informazioni biologiche alterano spesso le forme di
comunicazione e determinano un mondo immerso tra la rivoluzione digitale e
l’evoluzione culturale e sociale.
L’Ars Electronica si pone quindi nuove sfide per comprendere inedite frontiere e il
compito dell’artista è quello di amalgamare il mondo disincarnato dei dati digitali
co ...
A argument for academics to get on board the open-source sea change in digital media creation and teach their students new tools for digital creativity beyond proprietary software applications, but programming skills to make their own along with stunning creations.
Anne Prahl PhD, WEAR Sustain PresentationWEAR Sustain
Responsible innovation for Wearable Technology: Designing for Circularity, Anne Prahl PhD Presentation, WEAR Sustain Open Call London Launch, Digital Catapult, 3rd May 2017
A presentation for Research in Humanities and the Arts 2017 (DRHA): DataAche, Plymouth, UK - on the WEAR Sustain EU funded project progress, challenges and values on ethical and sustainable wearable technologies and e-textiles.
talk at Rank Symposium: Symposium on Natural User Interfaces, Augmented Reality and Beyond: Challenges at the Intersection of HCI and Computer Vision - 18th to 21st November 2013
see also: http://alandix.com/academic/papers/nui2013/
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A presentation i gave to the Open Source Hardware User Group, at Osmosoft, London on 01/07/10. I talked about my enthusiasm for Arduino and told the story of Twinkle Tartiflette an interactive, wearable artwork, which via a stylus allows the user to play a song by touching the appropriate words in sequence.
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4. Wearable technology is hugely diverse! areas include,
medical, art, fashion, whimsical, sensing, fun, practical,
protective, interactive, military, energy, decorative,
performance, energy harvesting, communicating, space,
music and lots more…
Images: K1 Smart Watch, LED Eyelash made by Soomi Park, Electronic Tattoo by John A Rogers/Uni of Illinois, Microsoft Printing Dress, Embedded electronics fibre by Nottingham Trent Universit
SLIVER cells by Australian National University, Remote Control T-Shirt by Rebecca Albrand Fitbit & personal tracking page& Mindwave project by Rain Ashford,
3D printed shoes & garment by Iris van Herpen, Pebble e-ink watches.
5. But extensions of the body, including wearable tech, have been around for much
longer..
Image: Titus Carisius, 46 BC coin Vulcan over anvil, tongs and hammer flanking,
all within laurel wreath by Carlo Morino
Image: Casio CFX-400C Scientific Caluculator Watch, 1985, by Magnus ManskeAbacus rings were around in Qing Dynasty (1644-1912), photo by Latca (Flickr)
Computerised timing devive to predict and cheat at rouletter by
Edward O Thorpe and Claude Shannon in 1961
6. ..but until fairly recently wearable technology was heavy, angular, clunky or other wordly!
Wearable Wireless Webcam, Steve Man, 1994
Person with a head-mounted display (HMD), wired glove and joystick. Image: NASA
MannGlass Welding HelmetPhillips SKIN ‘Bubble’ dress
7. The miniaturisation of technology has changed how people build & use wearable tech &
electronics; they’re no longer comprised of cold, bulky sharp, boxy or ugly components that
you might prefer to remain hidden
Image: Steve Mann
8. Though there’s no escaping that wearable tech is influenced by science fiction
Images: Robocop DVD cover, pic by Plamdi, BSG motivational poster by thegreatgeekmanual
RobotWearableCop Venn diagram, derivitive repurposed by Rain Ashford, original by GraphJam, Robocop
Minis pic by infelix
9. ..some interesting wearable tech has come out of it!
Images: Jean-Luc Picard as Borg Locutus by El Carlos / TriViso
HMD 2012 image by Rain Ashford
Images: Star Trek Tricorder & Peter Jansen’s Tricorder Project Mk2, Lt Uhura Paramount Pictures, Jawbone headset uncredited image
10. ..there’s still a fear of technology, machines, cyborgs, robots, etc.
“Let’s just hope that they all don’t show up at once.“ Anon
Image: unknown author / popular culture
11. The convergence and miniturisation of computing and communications tech means
we’ll all be wearing our phones soon!
Image: Pinterest
Possibly a little more discreetly!
12. According to the media hype, Wearable Technology looks like..
Image: Antonio Zulgaldia
13. ..also back to the future with smart watches!
Images: Watch, Tw810 Watch, MQ998 Cell Phone Watch, I’m Watch,
K1 Camera Wrist Watch Phone, MW08 Waterproof Watch, Pebble e-ink watch,
Nike+ GPS Watch, Sony Liveview, Sony MN2SW and Kreyos Smartwatch
14. ..and they’re all trying to guess what this one looks like!
Images: GarRobMil & Paul Deneve Image: Courtesy Photo
..are Apple starting to take wearable technology seriously?
15. Crikey, what’s all this lifeglogging, lifelogging, augmented reality, data, veillance,
surveillance, sousvellance, McVeillance?
Images: Steve Mann & Eyetap, Google Glass, Glass Up & Lumus Optical
Steve Mann’s LifeGlogging sensorcam, Microsoft SenseCam, Mann, Fung & Lo cam & Memoto
..some of us feel this wearable tech is a bit familiar!
16. Image: Stop The Cyborgs Campaign
SAY WHAT?
..we’re still sorting out some of our etiquette to wearable tech / lifelogging
17. Image: Twinkle Tartiflette, Rain Ashford
What qualities might people look for in
wearable tech?
Designed for individuals – have
elegance and style
Comfortable to wear – both in terms
of weight/texture, but also don’t
make us self concious
Don’t stigmatise – re-assess assistive
devices such as alarms
Fun and useful
Easy to use
Meaningful
Control of their own data!
18. At a similar time to Quantified Self movement, Maker & Hacker communities has been great
for bringing together artists, tinkerers, designers, coders, crafters and engineers!
19. ..a convergence of readily available electronic components, shared knowledge through
communities and open source approaches to technology has broken barriers to learning &
creativity
20. ..plus due to communties & individuals interested in sharing knowledge there’s lots of
information out there to help you make your own!
Images: screenshots from: Today I found Out, MIT Crafting Material Interfaces, Kobekant, Lynne Bruning, Instructables
21. For me, the availability of sewable electronic & e-textiles has revolutionised the way I and
many artists & designers work…
Images: LilyPad Arduino + accessories, Adafruit Flora pics by Rain Ashford,
LilyPad Dev kit by Protosnap, Sensors: Seeed Studio & Sparkfun
22. ..plus the styling of some of these components has made them more attractive to work with
23. ..don’t forget you can use other microcontrollers and components for wearable tech!
Images: Shrimp kit, mbed, ATtiny85 and arduino Uno, pics by Rain Ashford
24. Makers are also great teachers and knowledge sharers!
Ideas and work examples from Wearable Technology half
day workshop & three-day Easter bootcamp.
8-16 year-old students loved how they could
personalise and control electronics very quickly!
Wearable tech is a great vector for getting more
girls and boys interested in STEM subjects!
25. Wearable tech gives many a way into coding and
Electronics that is of interest to them.
26. Images: Colours of Birch glasses, Iris Van Herpen shoes & garment, Shapeways and Continuum Fashion bikini, Andreia Chaves’s Invisible Shoe,
Mesh purse by Vertigopolka, Dita Dress by Michael Schmidt and Francis Bitonti, pic by Albert Sanchez, EEG Visualising
Pendant frame viewed on Shapeways by Rain Ashford, Cortex Arm Exoskeleton by Jake Evil & Cortex Cast Systems
It’s not just fabrics based garments - 3D printing is going to radically change
how we design and create, wearable tech is no exception!
27. Images: Makers & Hackers 2009, Sound Spark by Eric Boyd, pics Rain Ashford
Some qualities Makers bring to
wearable technology:
Imagination and ideas
Innovation
Crossover skills in creativity and
technology – wearable tech needs
designers and technologists to talk
Willing to experiment
Share ideas and knowledge rather
than work in secrecy / slap patents
on everything
Work with others
Open Source ethos = transparency
and openness
Pass on skills / teach others
28. I’m an avid self-tracker and fan of
sensors!
Images: Rain Ashford
29. I use all sorts of sensors…
EEG (Electroencephalography), GSR (Galvanic Skin Response), magnometer, temperature,
proximity, light, movement, barometric (temp, altitude, pressure)
Images: Sensors: Seeed Studio & Sparkfun, MindWave Mobile, Rain Ashford
31. Soldering whilst wearing Necomimi brainwave cat ears
I’m interested in…
Social interaction – formal and informal
events where one is put on the spot/
excruciating circumstances: networking,
bars, clubs, meet ups, introductions,
conferences, etc.
Building multi-sensor wearables which
output data on the wearer’s physiological
signs comprised of various components
such as:
a logging device
sensors – tracking physiological signs:
EEG, GSR, heart rate, accelerometer,
temperature, etc.
Actuators
C code / algorithms
To be…
Visually reactive
Sonically reactive
Might record sound / display feedback
from user
camera
Images: Rain Ashford
39. Images: Rain Ashford
Displays environmental & physiological data °C (Celcius), Pa (Pascal) and m (meter)
Baroesque Barometric Skirt
(Low) Blue / Cyan / White / Green / Yellow / Magenta / Red (High)
40. Images: Rain Ashford
Displays environmental & physiological data °C (Celcius),
Pa (Pascal) and m (meter)
Baroesque Barometric Skirt: Code
41. Images: Rain Ashford
Displays environmental & physiological data °C
(Celcius), Pa (Pascal) and m (meter)Baroesque Barometric Skirt: data
42. Baroesque Barometric Skirt: Challenges
Design of skirt
Choice of fabric
Weight of components
Batteries: weight & longevity
Design of code / algorithm
Washability
Design of circuitry & craft of electronics
Flexibility of RGB LED strip
Extraction & visualisation of meaningful data
Aesthetics of garment & electronics
Image: Rain Ashford
43. Necomimi brainwave cat ears
..practicing manipulating concentration / meditation
Images: Rain Ashford
Working with EEG (Electroencephalography)
48. EEG Visualising Data Pendant: Challenges
Finding info on a proprietary device (skant in
2012)
Design of code / algorithm
Design of circuitry & craft of electronics
Reliability of data via Bluetooth
Form factor for a necklace
How & what to visualise
Weight of components
Batteries: weight & longevity
Extraction & visualisation of meaningful data
Aesthetics of necklace & components
Who is this for?
Image: Rain Ashford
49. Thank you for your attention!
@Rainycat
http://rainycatz.wordpress.com
Rain Ashford 2013
Editor's Notes
Protosnap LilyPad Arduino board & component kit